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Filmliste Liste de filme DVD Münchhaldenstrasse 10, Postfach 919, 8034 Zürich Tel: 044/ 422 38 33, Fax: 044/ 422 37 93 www.praesens.com, [email protected] Filmnr Original Titel Regie 20001 A TIME TO KILL Joel Schumacher 20002 JUMANJI 20003 LEGENDS OF THE FALL Edward Zwick 20004 MARS ATTACKS! Tim Burton 20005 MAVERICK Richard Donner 20006 OUTBREAK Wolfgang Petersen 20007 BATMAN & ROBIN Joel Schumacher 20008 CONTACT Robert Zemeckis 20009 BODYGUARD Mick Jackson 20010 COP LAND James Mangold 20011 PELICAN BRIEF,THE Alan J.Pakula 20012 KLIENT, DER Joel Schumacher 20013 ADDICTED TO LOVE Griffin Dunne 20014 ARMAGEDDON Michael Bay 20015 SPACE JAM Joe Pytka 20016 CONAIR Simon West 20017 HORSE WHISPERER,THE Robert Redford 20018 LETHAL WEAPON 4 Richard Donner 20019 LION KING 2 20020 ROCKY HORROR PICTURE SHOW Jim Sharman 20021 X‐FILES 20022 GATTACA Andrew Niccol 20023 STARSHIP TROOPERS Paul Verhoeven 20024 YOU'VE GOT MAIL Nora Ephron 20025 NET,THE Irwin Winkler 20026 RED CORNER Jon Avnet 20027 WILD WILD WEST Barry Sonnenfeld 20028 EYES WIDE SHUT Stanley Kubrick 20029 ENEMY OF THE STATE Tony Scott 20030 LIAR,LIAR/Der Dummschwätzer Tom Shadyac 20031 MATRIX Wachowski Brothers 20032 AUF DER FLUCHT Andrew Davis 20033 TRUMAN SHOW, THE Peter Weir 20034 IRON GIANT,THE 20035 OUT OF SIGHT Steven Soderbergh 20036 SOMETHING ABOUT MARY Bobby &Peter Farrelly 20037 TITANIC James Cameron 20038 RUNAWAY BRIDE Garry Marshall 20039 NOTTING HILL Roger Michell 20040 TWISTER Jan DeBont 20041 PATCH ADAMS Tom Shadyac 20042 PLEASANTVILLE Gary Ross 20043 FIGHT CLUB, THE David -
Greater Parramatta and the Olympic Peninsula Is the the Way We All Imagine Greater Sydney
Greater Our true centre: the connected, Parramatta and the unifying heart GPOP Olympic Peninsula About Us The Greater Sydney Commission (the Commission) was established by the NSW Government to lead metropolitan planning for Greater Sydney. This means the Commission plays a co-ordinating role in economic, social and environmental planning across the whole of Greater Sydney. The Commission has specific roles and responsibilities, such as producing District Plans, the Metropolitan Strategy and identifying infrastructure priorities. Collaboration and engagement are at the core of everything the Commission does. We work across government, with communities, interest groups, institutions, business and investors to ensure that planning for Greater Sydney results in a productive, liveable and sustainable future city. October 2016 FOREWORD CHIEF COMMISSIONER’S DISTRICT COMMISSIONER’S FOREWORD FOREWORD It’s time for a change of perspective and a change in Greater Parramatta and the Olympic Peninsula is the the way we all imagine Greater Sydney. geographic and demographic heart of Greater Sydney, Today, more than 2 million people live west of Sydney and a key part of the West Central District. Olympic Park, yet everyday around 300,000 people We have the opportunity to shape the transformation leave the region to travel for work. of the place we now call GPOP. Greater Sydney needs a true city at its centre, close Global best practice shows that a co-ordinated to its heart. We need a central ‘30-minute city’, that is approach to public and private investment is critical connected to the north, south, east and west. for successful transformation, involving innovation and GPOP is the name we have given to the Greater enterprise. -
Vivid Sydney Media Coverage 1 April-24 May
Vivid Sydney media coverage 1 April-24 May 24/05/2009 Festival sets the city aglow Clip Ref: 00051767088 Sunday Telegraph, 24/05/09, General News, Page 2 391 words By: None Type: News Item Photo: Yes A SPECTACLE of light, sound and creativity is about to showcase Sydney to the world. Vivid Sydney, developed by Events NSW and City of Sydney Council, starts on Tuesday when the city comes alive with the biggest international music and light extravaganza in the southern hemisphere. Keywords: Brian(1), Circular Quay(1), creative(3), Eno(2), festival(3), Fire Water(1), House(4), Light Walk(3), Luminous(2), Observatory Hill(1), Opera(4), Smart Light(1), Sydney(15), Vivid(6), vividsydney(1) Looking on the bright side Clip Ref: 00051771227 Sunday Herald Sun, 24/05/09, Escape, Page 31 419 words By: Nicky Park Type: Feature Photo: Yes As I sip on a sparkling Lindauer Bitt from New Zealand, my eyes are drawn to her cleavage. I m up on the 32nd floor of the Intercontinental in Sydney enjoying the harbour views, dominated by the sails of the Opera House. Keywords: 77 Million Paintings(1), Brian(1), Eno(5), Festival(8), House(5), Opera(5), Smart Light(1), sydney(10), Vivid(6), vividsydney(1) Glow with the flow Clip Ref: 00051766352 Sun Herald, 24/05/09, S-Diary, Page 11 54 words By: None Type: News Item Photo: Yes How many festivals does it take to change a coloured light bulb? On Tuesday night Brian Eno turns on the pretty lights for the three-week Vivic Festival. -
Show Me Shorts Booklet for PDF.Indd
24 - 26 November 2006 // Academy Cinemas, 44 Lorne St, Auckland PROUD TO BE Welcome to the fi rst Jameson Show Me Shorts Film Festival, New Zealand’s only trans-Tasman short SPONSORS OF fi lm festival. From around 350 entries, we have assembled a selection of the best and most entertaining fi lms from New Zealand and Australia which we’re proud to be presenting for your viewing pleasure. We’d like to say this festival is the product of extensive research and market analysis, but the truth is it was dreamed up over a few drinks in a central Auckland bar. The concept has been fl eshed out over a full year since, and remains true to the original vision. This vision was to provide everyday Kiwis with better access to some of the amazing and award-winning short fi lms that are produced here and across the Tasman every year. Most of the fi lms are being seen in New Zealand for the fi rst time. welcome This event would not have been possible without the support of our sponsors and partners, selection and judging panel, and all the fi lmmakers who took the time to enter their fi lms. We thank you all for your part in helping bring this project to fruition and look forward to working with you in future to develop Jameson Show Me Shorts into an established and eagerly anticipated annual event. If you love watching short fi lms you’re in for a treat, and we can’t wait to share them with you. -
Screen Australia Annual Report 2011/12 Published by Screen Australia October 2012 ISSN 1837-2740 © Screen Australia 2012
Screen Australia Annual Report 2011/12 Published by Screen Australia October 2012 ISSN 1837-2740 © Screen Australia 2012 The text in this Annual Report is released subject to a Creative Commons BY licence (Licence). This means, in summary, that you may reproduce, transmit and distribute the text, provided that you do not do so for commercial purposes, and provided that you attribute the text as extracted from Screen Australia’s Annual Report 2011/12. You must not alter, transform or build upon the text in this Annual Report. Your rights under the Licence are in addition to any fair dealing rights which you have under the Copyright Act 1968 (Cwlth). For further terms of the Licence, please see http://creativecommons.org/licenses/ by-nc-nd/3.0/au/. You are not licensed to reproduce, transmit or distribute any still photographs contained in this Annual Report without the prior written permission of Screen Australia. This Annual Report is available to download as a PDF from www.screenaustralia.gov.au Front cover image from The Sapphires. Screen Australia Annual Report 2011/12 Correction Department of Regional Australia, Local Government, Arts and Sport Screen Australia Annual Report 2011/12 Producer Offset and Co-productions – page 74: Incorrect total (173) for Producer Offset Provisional Certificates issued in 2011/12. It should read: 145 Provisional Certificates. Producer Offset and Co-productions – page 76: Under heading Certificates issued in 2011/12, the figures for Producer Offset Provisional Certificates (Features – 78; Non-feature documentaries – 54; TV and other – 41; Total – 173) are incorrect. The table should read: Certificates issued in 2011/12 Final Provisional Number Offset value ($m) Features 47 24 127.29 Non-feature documentaries 55 98 18.21 TV and other 43 39 58.45 Total 145 161 203.96 Note: Figures may not total exactly due to rounding. -
Ftonews #220
Subject: FTONEWS #220 Date: Friday, 6 July 2007 12:35 PM From: ftonews <[email protected]> To: ftonews <[email protected]> Conversation: FTONEWS #220 --------------------------------------------------------------------------------------------------------- FTONEWS #220: --------------------------------------------------------------------------------------------------------- FTO NEWS CLUBLAND- Set to be a hit in the USA Production Investment Round 18 – EOI Deadline, July 16 FTO Projects Nominated for AFI Awards Stacks of Facts – New Edition, August Filming Restrictions – During APEC Forum, Sept Young Filmmakers Fund – Update Popcorn Taxi Screening – CASHBACK July 16 The Portable Film Festival – Application Deadline July 20 MetroScreen Multicultural Mentorship Scheme – Entries Deadline Aug 3 INDUSTRY NEWS Inaugural $25K Kit Denton Fellowship – Application Deadline July 6 MIFF International Forum – Applications Deadline July 8 SPAA News – x 3 Inside Film Awards – Entries Deadline July 27 TropFest at Tribeca – Entries Deadline Aug 10 14th WOW Film Festival – Entries Deadline Aug 16 Asian Festival of 1st Films – Entries Deadline Aug 31 --------------------------------------------------------------------------------------------------------- CLUBLAND- SET TO BE A HIT IN THE USA Arts Minister Sartor says CLUBLAND is charming local audiences and is now the first Australian film ever to open to U.S audiences on the major July 4 Independence Day holiday. The full release can be read online: http://www.fto.nsw.gov.au/content.asp?content=3&Id=454 CLUBLAND was supported by the FTO with Production Investment, Script development, funding and through the Production Loan Fund. --------------------------------------------------------------------------------------------------------- PRODUCTION INVESTMENT ROUND 18 – EOI DEADLINE, JULY 16 The latest deadline for Expressions of Interest for this production round at the FTO is 10.00 am Monday, 16 July 2007. Please advise the FTO via an EXPRESSION OF INTEREST (EOI) if intending to submit to this round. -
Aacta Award Winners
Media Release: Strictly embargoed until 4.00pm Tuesday 28th January 2014. THE AUSTRALIAN ACADEMY ANNOUNCES THE FIRST GROUP OF 3RDAACTA AWARD WINNERS A full list of nominees and winners announced today can be found at the end of this document. The 3rd AACTA Awards Luncheon presented by Deluxe was held today at Sydney’s The Star Event Centre, where the Australian Academy of Cinema and Television Arts (AACTA) announced the first group of the 3rd AACTA Awards winners. The charming and often hilarious actor Patrick Brammall, who won the AACTA Award for Best Performance in a Television Comedy for his depiction of entrepreneur Sean Moody in ABC1’s comedy series A MOODY CHRISTMAS in 2013, hosted the sold out event. The group of awards presented at the 3rd AACTA Awards Luncheon presented by Deluxe recognised the talent and innovation of practitioners working across television, documentary, short fiction film, short animation and feature film categories. Joining Brammall to present the day’s 22 Awards was AACTA President Geoffrey Rush, and actors Richard Cawthorne & Damian Walshe-Howling (BIKIE WARS), Glen McMillan from WONDERLAND, Abby Earl and Arianwen Parkes-Lockwood (A PLACE TO CALL HOME). WENTWORTH’S Leanna Walsman, and BETTER MAN’s, Remy Hii - just to name a few. 3rd AACTA Awards Winners Announced The Australian feature film category was dominated by BaZ Luhrmann’s THE GREAT GATSBY which won each of the six Awards for which it was nominated, including Best Cinematography, Best Production Design, Best Costume Design, Best Editing, Best Sound, Best Original Music Score presented by APRA AMCOS and the AACTA Award for Outstanding Achievement in Visual Effects. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
CURRICULUM VITAE Production Designer Art Director
CURRICULUM VITAE Tony Cronin 34 Sixth Avenue ST PETERS, SA 5069 PH 08-83621832 Mobile- +61 438 668 371 Email [email protected] Production Designer YR PRODUCTIONS PRODUCER CREDIT TYPE 2008 Coffin Rock David Lightfoot Production Designer Feature 2008 McLeod’s Daughters Karl Zecki Production Designer TV Drama 2007 McLeod’s Daughters Karl Zecki Production Designer TV Drama 2006 McLeod’s Daughters Karl Zecki Production Designer TV Drama 2005 McLeod’s Daughters Susan Bower Production Designer TV Drama 2004 McLeod’s Daughters Susan Bower Production Designer TV Drama 2003 McLeod’s Daughter s Susan Bower Production Designer TV Drama 2002 McLeod’s Daughters Posie Graeme-Evans Production Designer TV Drama 2001 McLeod’s Daughters Posie Graeme –Evans Production Designer TV Drama 2000 Shot of Love Mark Patterson Production Designer Feature 2000 Moloch David Rowe Production Designer Tele Movie 2000 Nijinsky Paul Cox Production Designer Feature 1999 Innocence Paul Cox/Mark Patterson Production Designer Feature Art Director 1999 Selkie Jane Ballantyne Art Director Feature 1998 Sample People Bartley Smith Art Director Feature 1995 Shine Scott Hicks Art Director Feature 1990 The Last Crop Billy McKinnon Art Director Feature 1 Art Director CTV 2009 Spirit Films Bank SA Art Director CTV 2009 Spirit Films Coopers Art Director CTV 2009 Soma Films Road Transport Art Director CTV 2009 The Guild Mitsubishi (Love that car) Art Director CTV 2009 8 Commercial Telfast Hayfest Art Director CTV 2009 Spirit Films Bank SA Art Director CTV 2009 Mason Films David Jones -
HH Available Entries.Pages
Greetings! If Hollywood Heroines: The Most Influential Women in Film History sounds like a project you would like be involved with, whether on a small or large-scale level, I would love to have you on-board! Please look at the list of names below and send your top 3 choices in descending order to [email protected]. If you’re interested in writing more than one entry, please send me your top 5 choices. You’ll notice there are several women who will have a “D," “P," “W,” and/or “A" following their name which signals that they rightfully belong to more than one category. Due to the organization of the book, names have been placed in categories for which they have been most formally recognized, however, all their roles should be addressed in their individual entry. Each entry is brief, 1000 words (approximately 4 double-spaced pages) unless otherwise noted with an asterisk. Contributors receive full credit for any entry they write. Deadlines will be assigned throughout November and early December 2017. Please let me know if you have any questions and I’m excited to begin working with you! Sincerely, Laura Bauer Laura L. S. Bauer l 310.600.3610 Film Studies Editor, Women's Studies: An Interdisciplinary Journal Ph.D. Program l English Department l Claremont Graduate University Cross-reference Key ENTRIES STILL AVAILABLE Screenwriter - W Director - D as of 9/8/17 Producer - P Actor - A DIRECTORS Lois Weber (P, W, A) *1500 Major early Hollywood female director-screenwriter Penny Marshall (P, A) Big, A League of Their Own, Renaissance Man Martha -
The Young Victoria Production Notes
THE YOUNG VICTORIA PRODUCTION NOTES GK Films Presents THE YOUNG VICTORIA Emily Blunt Rupert Friend Paul Bettany Miranda Richardson Jim Broadbent Thomas Kretschmann Mark Strong Jesper Christensen Harriet Walter Directed by Jean-Marc Vallée Screenplay By Julian Fellowes Produced by Graham King Martin Scorsese Tim Headington Sarah Ferguson, The Duchess of York 2 SHORT SYNOPSIS The Young Victoria chronicles Queen Victoria's ascension to the throne, focusing on the early turbulent years of her reign and her legendary romance and marriage to Prince Albert. SYNOPSIS 1837. VICTORIA (17) (Emily Blunt) is the object of a royal power struggle. Her uncle, KING WILLIAM (Jim Broadbent), is dying and Victoria is in line for the throne. Everyone is vying to win her favor. However Victoria is kept from the court by her overbearing mother, THE DUCHESS OF KENT (Miranda Richardson), and her ambitious advisor, CONROY (Mark Strong). Victoria hates them both. Her only friend is her doting governess, LEHZEN (Jeanette Hain), who is seemingly as untrustworthy as the rest. Victoria’s handsome cousin, ALBERT (Rupert Friend) is invited to visit by her mother. He's also the nephew of her Uncle, KING LEOPOLD OF BELGIUM (Thomas Kretschmann). It's obvious that Albert has been coached to win her hand. At first she's annoyed as she has no intention of being married. She never wants to be controlled again. However Albert is also tired of being manipulated by his relatives. Victoria and Albert talk openly and sincerely and become friends. When he returns home she grants him permission to write to her. -
The Cinema of Giorgio Mangiamele
WHO IS BEHIND THE CAMERA? The cinema of Giorgio Mangiamele Silvana Tuccio Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy August, 2009 School of Culture and Communication The University of Melbourne Who is behind the camera? Abstract The cinema of independent film director Giorgio Mangiamele has remained in the shadows of Australian film history since the 1960s when he produced a remarkable body of films, including the feature film Clay, which was invited to the Cannes Film Festival in 1965. This thesis explores the silence that surrounds Mangiamele’s films. His oeuvre is characterised by a specific poetic vision that worked to make tangible a social reality arising out of the impact with foreignness—a foreign society, a foreign country. This thesis analyses the concept of the foreigner as a dominant feature in the development of a cinematic language, and the extent to which the foreigner as outsider intersects with the cinematic process. Each of Giorgio Mangiamele’s films depicts a sharp and sensitive picture of the dislocated figure, the foreigner apprehending the oppressive and silencing forces that surround his being whilst dealing with a new environment; at the same time the urban landscape of inner suburban Melbourne and the natural Australian landscape are recreated in the films. As well as the international recognition given to Clay, Mangiamele’s short films The Spag and Ninety-Nine Percent won Australian Film Institute awards. Giorgio Mangiamele’s films are particularly noted for their style. This thesis explores the cinematic aesthetic, visual style and language of the films.