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Garage Zine Scionav.Com Vol. 3 Cover Photography: Clayton Hauck
GARAGE ZINE SCIONAV.COM VOL. 3 COVER PHOTOGRAPHY: CLAYTON HAUCK STAFF Scion Project Manager: Jeri Yoshizu, Sciontist Editor: Eric Ducker Creative Direction: Scion Art Director: malbon Production Director: Anton Schlesinger Contributing Editor: David Bevan Assistant Editor: Maud Deitch Graphic Designers: Nicholas Acemoglu, Cameron Charles, Kate Merritt, Gabriella Spartos Sheriff: Stephen Gisondi CONTRIBUTORS Writer: Jeremy CARGILL Photographers: Derek Beals, William Hacker, Jeremy M. Lang, Bryan Sheffield, REBECCA SMEYNE CONTACT For additional information on Scion, email, write or call. Scion Customer Experience 19001 S. Western Avenue Company references, advertisements and/ Mail Stop WC12 or websites listed in this publication are Torrance, CA 90501 not affiliated with Scion, unless otherwise Phone: 866.70.SCION noted through disclosure. Scion does not Fax: 310.381.5932 warrant these companies and is not liable for Email: Email us through the contact page their performances or the content on their located on scion.com advertisements and/or websites. Hours: M-F, 6am-5pm PST Online Chat: M-F, 6am-6pm PST © 2011 Scion, a marque of Toyota Motor Sales U.S.A., Inc. All rights reserved. Scion GARAGE zine is published by malbon Scion and the Scion logo are trademarks of For more information about MALBON, contact Toyota Motor Corporation. [email protected] 00430-ZIN03-GR SCION A/V SCHEDULE JUNE Scion Garage 7”: Cola Freaks/Digital Leather (June 7) Scion Presents: Black Lips North American Tour The Casbah in San Diego, CA (June 9) Velvet Jones -
Tuareg Music and Capitalist Reckonings in Niger a Dissertation Submitted
UNIVERSITY OF CALIFORNIA Los Angeles Rhythms of Value: Tuareg Music and Capitalist Reckonings in Niger A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by Eric James Schmidt 2018 © Copyright by Eric James Schmidt 2018 ABSTRACT OF THE DISSERTATION Rhythms of Value: Tuareg Music and Capitalist Reckonings in Niger by Eric James Schmidt Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2018 Professor Timothy D. Taylor, Chair This dissertation examines how Tuareg people in Niger use music to reckon with their increasing but incomplete entanglement in global neoliberal capitalism. I argue that a variety of social actors—Tuareg musicians, fans, festival organizers, and government officials, as well as music producers from Europe and North America—have come to regard Tuareg music as a resource by which to realize economic, political, and other social ambitions. Such treatment of culture-as-resource is intimately linked to the global expansion of neoliberal capitalism, which has led individual and collective subjects around the world to take on a more entrepreneurial nature by exploiting representations of their identities for a variety of ends. While Tuareg collective identity has strongly been tied to an economy of pastoralism and caravan trade, the contemporary moment demands a reimagining of what it means to be, and to survive as, Tuareg. Since the 1970s, cycles of drought, entrenched poverty, and periodic conflicts have pushed more and more Tuaregs to pursue wage labor in cities across northwestern Africa or to work as trans- ii Saharan smugglers; meanwhile, tourism expanded from the 1980s into one of the region’s biggest industries by drawing on pastoralist skills while capitalizing on strategic essentialisms of Tuareg culture and identity. -
© E Ugenie Brink
© Eugenie Brinkema EVAN JOHNSON (*1980) 1 hyphen (2002) 01:51 1 Peter Neville, crotales 2 – 3 ELISION: Carl Rosman, bass clarinet Richard Haynes, bass clarinet 4 Graeme Jennings, violin Apostrophe 1 (All communication is a form of complaint) 5 Mieko Kanno, violin (2007 – 2008) EXAUDI: Juliet Fraser, soprano Amanda Morrison, soprano 2 I. 19:59 Christopher Field, countertenor Tom Williams, countertenor 3 II. 03:25 Stephen Jeffes, tenor Jonathan Bungard, tenor James Weeks, conductor 6 Mabel Kwan, toy pianos 4 clutch (2005) 01:32 5 Colophons (“That other that ich not whenne”) reflecting pool / monument (2006) 08:11 6 Positioning in Radiography (2007) 13:14 TT 48:16 2 3 A paradox lies at the heart of Evan Most of the notes in these two pieces on either side, which give it its function At first glance, Johnson appears tied to Johnson’s music. When composing he of- move at high speed, and long pauses are and meaning. Those words constitute a a heavy, European tradition of rich nota- ten begins with a structure of durational used to extend the music’s duration be- sort of white or negative space, whose tional determination, formal complexity containers, proportionally related. He then yond just a few seconds. In clutch these presence and influence can be inferred and hierarchy. His scores – almost always follows this by trying to squeeze in ma- pauses comprise two sustained notes of even if the words themselves are not spo- hand-engraved, in a beautiful, precise and terials that are too large for those spac- around 30 seconds’ duration each – played ken. -
Album of the Week: Deerhoof's La Isla Bonita
Album Of The Week: Deerhoof’s La Isla Bonita Believe it or not, there are a few bands that have been around for a while that I have yet to take a dive into. One of those bands are San Francisco noise pop punk act Deerhoof, and their new album La Isla Bonita has shown me exactly what I’ve been missing. One of those bands that have managed to stick around since the mid-90s, the variety of sounds and dimensions in each track off of the album is jaw dropping. One moment it sounds like a psychedelic j- pop song and then unpredictably these crunchy rigid guitars come in and obliterate everything. So many influences and styles being showcased in one sound, Deerhoof’s new release is simply amazing with its stunning originality. The album was produced by former music journalist & ex-Mr. Dream drummer Nick Sylvester. For a band that has gained acclaim for being extremely DIY for self-producing their previous albums and self- managing, at first glance it could sound like a risk to make a departure from the norm with a different producer. Sylvester excels with excellent quality, and I also can’t get enough of Greg Saunier’s skills on drums. For all of this polish you might be thinking of, don’t fret. There are a good amount of ear- splitting riff rockers on La Isla Bonita as well. It’s November, which means it’s getting cold and one of your friends is already complaining about it. One thing you shouldn’t complain about are the top tracks off of my Album Of The Week. -
Feature Films
NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 .......................... -
THE MUSICAL FEATURES of 2015'S TOP-RANKED COUNTRY SONGS
THE MUSICAL FEATURES OF 2015’s TOP-RANKED COUNTRY SONGS By Mason Taylor Allen Senior Honors Thesis Department of Music University of North Carolina at Chapel Hill April 22, 2016 Approved: Dr. Jocelyn R. Neal, Thesis Advisor Dr. Allen Anderson, Reader Dr. Andrea Bohlman, Reader © 2016 Mason Taylor Allen ALL RIGHTS RESERVED ii ABSTRACT Mason Taylor Allen: The Musical Features of 2015’s Top-Ranked Country Songs Under the direction of Dr. Jocelyn R. Neal The 2015 top-ten country songs analyzed in this study are characterized by the various formats of their song form, harmonies, and lyrics. This thesis presents a comprehensive study of the structure and narratives in sixty-seven songs that summarizes the distinctive features within those domains of contemporary commercial country music. A detailed description of the norm along with identifiable trends emerges. The song form that features most prominently in this repertory includes a verse-chorus-bridge form with three iterations of the chorus, an intro and outro section, and instrumental sections immediately following each chorus. The top-ten country songs have varying degrees of departure from this typical model. Primary features of the harmonies of these top songs include the frequent use of a double-tonic complex, the absence of a 5-1 authentic cadence, the same chord progression throughout the verse, chorus, and bridge, and the use of only two chords throughout the song. Lyrical analyses show that 2015 songs are continuing the traditional themes about romantic attraction, love, heartache, good times and partying, home, family, nostalgia, religion, and inspiration, within the context of small-town country life that this genre has used for years. -
News Spinzone
"NEWS! "SPIN ZONE ! "CALENDARS! "CHART DATA ! "NO. 1 SONG! VOICES OF SECONDARY RADIO! " COVERING THE SECONDARY RADIO MARKET SINCE 2002 REPORTING ! PANEL! " Thursday, May 7, 2015 " SPINZONE CHART NEWS" " Toby Keith Adds More ‘Good Times’ To Tour Top Ten— Tim McGraw has the song at top of the MusicRow For The 2015 Toby Keith Good CountryBreakout Chart this week with “Diamond Rings And Times & Pick Up Lines Tour Old Barstools.” Eric Paslay holds strong at No. 2 with “She presented by Ford F-Series, Keith Don’t Love You.” Carrie Underwood’s “Little Toy Guns” moves tapped newcomer Chris Janson up one spot to No. 3, followed by Florida Georgia Line’s as his opening act on more than “Sippin’ On Fire” at No. 4. Brad Paisley remains at No. 5 with 20 tour dates this summer. Janson “Crushin’ It” while Kelsea Ballerini moves up one to No. 6 joins other artists, including Eli with “Love Me Like You Mean It.” Little Big Town is still Young Band and Colt Ford, who moving “Girl Crush” up the chart; this week they are at No. 7. will occasionally join the tour’s Brantley Gilbert jumps “One Hell Of An Amen” up two spots lineup. To read more and to see the full list of dates, click HERE. " to No. 8. Canaan Smith inally reaches the top 10 with “Love … You Like That” landing at No. 9. Blake Shelton also shows up in the top 10 for the Eirst time at No. 10 with “Sangria.” Butler And McCoy Receive No. 1 " Challenge Coin Greatest Gainers— Blake Shelton moves into the top 10 Songwriters Bart Butler after 352 new spins on “Sangria.” Zac Brown Band’s “Loving and Larry McCoy You Easy” received 335 additional plays this week. -
Right Arm Resource Update
RIGHT ARM RESOURCE UPDATE JESSE BARNETT [email protected] (508) 238-5654 www.rightarmresource.com www.facebook.com/rightarmresource 6/22/2016 Passenger “Somebody’s Love” The first single from Young As The Morning, Old As The Sea, in stores September 23 Playing in Boulder in August Early at WPYA, WCOO, KVNA, WFIV, WBSD, KFMG and KSMF Festivals this summer, full tour coming this fall Passenger has had over 1 billion streams in the US alone and “Let Her Go” has surpassed 1 billion views on YouTube Haley Bonar “Kismet Kill” The first single from Impossible Dream, in stores August 5 Added early at KCMP, WFIV, KCLC, Open Air Lucius dates in July “She’s a remarkable performer, with a terrific ear for detail and a gift for masking melancholy observations with hooks that stick.” - NPR NPR First Watch premiered the video “Bonar creates a whimsical masterclass of indie-pop songwriting.” - Consequence Of Sound Bastille “Good Grief” The first single from their upcoming sophomore album Wild World Playing Lollapalooza #1 Most Added on all AAA charts! First week: KGSR, KBCO, KINK, WXRV, KRVB, CIDR, WTTS, KPND, WNCS, WRNR, WZEW, WPYA, WXPK, Music Choice and more Red Rocks show with Andrew McMahon announced for 10/7 Grammy nominated in 2015 for Best New Artist The Broadcast “On The Edge” The first single from their new album From The Horizon, in stores now New: WNCW, WYCE, KSLU Early: KCLC, KDTR, KVNA, WFIV “The Broadcast are a band destined for big things” - Glide Magazine Produced by Jim Scott (Tedeschi Trucks, Wilco, Grace Potter, Tom Petty) On tour now: 6/23 Wilmington NC, 6/25 Lexington NC, 7/1 Charlotte NC, 7/7 Greenville SC, 7/8 Columbia SC, 7/9 Greensboro NC.. -
The Green Sheet and Opposition to American Motion Picture Classification in the 1960S
The Green Sheet and Opposition to American Motion Picture Classification in the 1960s By Zachary Saltz University of Kansas, Copyright 2011 Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Dr. John Tibbetts ________________________________ Dr. Michael Baskett ________________________________ Dr. Chuck Berg Date Defended: 19 April 2011 ii The Thesis Committee for Zachary Saltz certifies that this is the approved version of the following thesis: The Green Sheet and Opposition to American Motion Picture Classification in the 1960s ________________________________ Chairperson Dr. John Tibbetts Date approved: 19 April 2011 iii ABSTRACT The Green Sheet was a bulletin created by the Film Estimate Board of National Organizations, and featured the composite movie ratings of its ten member organizations, largely Protestant and represented by women. Between 1933 and 1969, the Green Sheet was offered as a service to civic, educational, and religious centers informing patrons which motion pictures contained potentially offensive and prurient content for younger viewers and families. When the Motion Picture Association of America began underwriting its costs of publication, the Green Sheet was used as a bartering device by the film industry to root out municipal censorship boards and legislative bills mandating state classification measures. The Green Sheet underscored tensions between film industry executives such as Eric Johnston and Jack Valenti, movie theater owners, politicians, and patrons demanding more integrity in monitoring changing film content in the rapidly progressive era of the 1960s. Using a system of symbolic advisory ratings, the Green Sheet set an early precedent for the age-based types of ratings the motion picture industry would adopt in its own rating system of 1968. -
Musikindustrie in Zahlen
INHALT | 1 INHALT 2 6 8 EDITORIAL EIN BLICK UMSATZ ZURÜCK 16 20 24 ABSATZ MUSIK- MUSIK- FIRMEN NUTZUNG 28 34 38 MUSIK- MUSIK- REPERTOIRE KÄUFER HANDEL & CHARTS 57 58 59 JAHRES- VORSTAND & IMPRESSUM RÜCKBLICK GESCHÄFTS- FÜHRUNG EDITORIAL | 2 DIE MISCHUNG MACHT’S! Zum vierten Mal in Folge Wachstum für die deutsche Musikindustrie 2016: nach fünfzehn Jahren. Zum zweiten Mal in Folge auch ein nennens- wertes Wachstum: ein Plus von 3 Prozent. Das liegt auch in diesem Jahr am Audio-Strea- ming – einerseits. Andererseits liegt es am weiter verhältnismäßig stabilen physischen Markt, der Ende 2016 62,1 Prozent der Umsätze ausmachte. Die CD allein erreicht trotz ei- nes Minus von knapp 9 Prozent immer noch rund 54 Prozent Umsatzanteil im Gesamt- markt, Vinyl kommt durch ein Plus von 40 Prozent inzwischen auf 4,4 Prozent. Daneben liegt das Audio-Streaming bei inzwischen 24,1 Prozent Umsatzanteil am Gesamtmarkt, die Downloads liegen bei noch 12,2 Prozent. EDITORIAL | 3 Aktuell harmonieren musikalische On- und Offlinewelt. die den „Content“ produzieren – kreieren, entwickeln und Dies ist gar nicht so überraschend, denn Musikfans sind finanzieren – und so die Geschäftsmodelle vieler Internet- Menschen, und Menschen sind komplex: Sie hören am unternehmungen überhaupt erst möglich machen, auch Morgen Musik im Radio, nutzen auf dem Weg zur Arbeit entsprechend an den Einnahmen beteiligt werden, die ihre einen Streaming-Dienst über das Smartphone und legen Inhalte generieren. Das digitale Lizenzgeschäft, gekoppelt am Abend zu Hause vielleicht eine Schallplatte auf. Und an das digitale Transaktionsgeschäft, braucht weit über für dieses Nutzungsverhalten stellt die Musikindustrie seit die Branche hinaus Klarheit. -
David Bowie Early Years Mp3, Flac, Wma
David Bowie Early Years mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Early Years Country: Europe Released: 1985 Style: Glam, Classic Rock MP3 version RAR size: 1710 mb FLAC version RAR size: 1222 mb WMA version RAR size: 1574 mb Rating: 4.3 Votes: 303 Other Formats: AAC RA DTS AA VQF WAV DMF Tracklist Hide Credits Aladdin Sane Watch That Man (New York) (R.H.M.S."Ellinis") A1 4:30 Written-By – Bowie* Aladdin Sane (1913-1938-197?) A2 5:15 Written-By – Bowie* Drive-In Saturday (Seattle-Phoenix) A3 4:38 Written-By – Bowie* Panic In Detroit (Detroit) A4 4:30 Written-By – Bowie* Cracked Actor (Los Angeles) A5 3:01 Written-By – Bowie* Time (New Orleans) B1 5:10 Written-By – Bowie* The Prettiest Star (Gloucester Road) B2 3:28 Written-By – Bowie* Let`s Spend The Night Together B3 3:10 Written-By – Jagger/Richards* The Jean Genie (Detroit And New York) B4 4:06 Written-By – Bowie* Lady Grinning Soul (London) B5 3:53 Written-By – Bowie* The Man Who Sold The World The Width Of A Circle C1 8:07 Written-By – David Bowie All The Madmen C2 5:34 Written-By – David Bowie Black Country Rock C3 3:33 Written-By – David Bowie After All C4 3:52 Written-By – David Bowie Running Gun Blues D1 3:12 Written-By – David Bowie Saviour Machine D2 4:27 Written-By – David Bowie She Shook Me Cold D3 4:13 Written-By – David Bowie The Man Who Sold The World D4 3:58 Written-By – David Bowie The Supermen D5 3:39 Written-By – David Bowie Hunky Dory Changes E1 3:34 Written-By – David Bowie Oh Your Pretty Things E2 3:11 Written-By – David Bowie Eight Line Poem E3 2:53 Written-By – David Bowie Life On Mars? E4 3:45 Written-By – David Bowie Kooks E5 2:45 Written-By – David Bowie Quicksand E6 5:03 Written-By – David Bowie Fill Your Heart F1 3:07 Written-By – Rose*, Williams* Andy Warhol F2 3:53 Written-By – David Bowie Song For Bob Dylan F3 4:10 Written-By – David Bowie Queen Bitch F4 3:14 Written-By – David Bowie The Bewlay Brothers F5 5:21 Written-By – David Bowie Companies, etc. -
In BLACK CLOCK, Alaska Quarterly Review, the Rattling Wall and Trop, and She Is Co-Organizer of the Griffith Park Storytelling Series
BLACK CLOCK no. 20 SPRING/SUMMER 2015 2 EDITOR Steve Erickson SENIOR EDITOR Bruce Bauman MANAGING EDITOR Orli Low ASSISTANT MANAGING EDITOR Joe Milazzo PRODUCTION EDITOR Anne-Marie Kinney POETRY EDITOR Arielle Greenberg SENIOR ASSOCIATE EDITOR Emma Kemp ASSOCIATE EDITORS Lauren Artiles • Anna Cruze • Regine Darius • Mychal Schillaci • T.M. Semrad EDITORIAL ASSISTANTS Quinn Gancedo • Jonathan Goodnick • Lauren Schmidt Jasmine Stein • Daniel Warren • Jacqueline Young COMMUNICATIONS EDITOR Chrysanthe Tan SUBMISSIONS COORDINATOR Adriana Widdoes ROVING GENIUSES AND EDITORS-AT-LARGE Anthony Miller • Dwayne Moser • David L. Ulin ART DIRECTOR Ophelia Chong COVER PHOTO Tom Martinelli AD DIRECTOR Patrick Benjamin GUIDING LIGHT AND VISIONARY Gail Swanlund FOUNDING FATHER Jon Wagner Black Clock © 2015 California Institute of the Arts Black Clock: ISBN: 978-0-9836625-8-7 Black Clock is published semi-annually under cover of night by the MFA Creative Writing Program at the California Institute of the Arts, 24700 McBean Parkway, Valencia CA 91355 THANK YOU TO THE ROSENTHAL FAMILY FOUNDATION FOR ITS GENEROUS SUPPORT Issues can be purchased at blackclock.org Editorial email: [email protected] Distributed through Ingram, Ingram International, Bertrams, Gardners and Trust Media. Printed by Lightning Source 3 Norman Dubie The Doorbell as Fiction Howard Hampton Field Trips to Mars (Psychedelic Flashbacks, With Scones and Jam) Jon Savage The Third Eye Jerry Burgan with Alan Rifkin Wounds to Bind Kyra Simone Photo Album Ann Powers The Sound of Free Love Claire