Commencement 2006-2011
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
The Coronation Bible a Fly-Past Over Buckingham Palace, and a Gun Salute Fired at Noon
ISSUE No. 37, June 2006 ISSN 0840-5565 n 7 June of this year, Her Majesty Queen Elizabeth II will officially celebrate her eightieth birthday Owith the Trooping of the Colour ceremony, The Coronation Bible a fly-past over Buckingham Palace, and a gun salute fired at noon. In this country few will probably be aware of the festivities, but many would still acknowledge the tireless efforts of this royal octogenarian on behalf of her country and the Commonwealth. In the holdings of the Fisher Library is a handsome souvenir of the Queen’s reign, the so-called “Coronation Bible,” printed at the Oxford University Press under the direction of Charles Batey in 953. Batey had worked at the Press since 929, and assumed the role of Printer to the University in 946. One of his great passions in that capacity was to preserve and make better known the ancient types that had been used at the venerable Press throughout its history. The crisp, clean font chosen for the Coronation Bible is a credit to his expertise in this field. The composition of the Bible actually began in February of 952, shortly after the death of King George VI; among its many distinguishing characteristics is the fact that the entire book was the work of a single compositor. While the vast majority of the Bibles in this edition were printed on regular paper and expressly intended for pulpit use, an additional twenty-five were printed on too bulky to be used gracefully, while the of Oxford University Press in 930. -
Ottorino Respighi, Musicista Geniale Ed Estroverso a 130 Anni Dalla Nascita
Ottorino Respighi, musicista geniale ed estroverso a 130 anni dalla nascita. di Giuseppe Testa Ottorino Respighi è, tra i compositori italiani del secolo scorso, quello che trovò diffusione e fama internazionale sin dall’inizio della sua carriera. E’ ricordato soprattutto per i tre poemi sinfonici romani, capolavori della letteratura sinfonica del ‘900 italiano, ma è anche stato un apprezzato musicologo. Respighi nasce a Bologna il 9 luglio 1879, inizia gli studi del pianoforte e del violino con il padre Giuseppe, studi che continua al liceo musicale di Bologna, dove è allievo di F. Sarti per il violino e la viola, C. Dall’Olio per il contrappunto e la fuga, L. Torchi e di G. Martucci per la composizione. E’ proprio Martucci che lo interessa alle forme sinfoniche e cameristiche dei romantici tedeschi, sino ad allora poco praticate in Italia. Si Diploma in violino nel 1899 e in composizione nel 1901 al liceo musicale di Bologna. Subito dopo si trasferisce in Russia dove ricopre il posto di prima viola dell’orchestra del Teatro Imperiale a San Pietroburgo, studiando per cinque mesi con Nikolaj Rimskij-Korsakov con cui può approfondire lo studio della sinfonia e del poema sinfonico, evidenziando la tendenza al descrittivismo e l’abilità nel trattamento dell’orchestra. Nel 1902 è accompagnatore in una scuola di canto a Berlino, dove conosce Ferruccio Busoni ed ha modo di studiare con Max Bruch. Ma la sua attività principale fino al 1908 è quella di violista, solo dopo si dedica alla composizione. Nel 1911 torna in Italia per sostituire il suo maestro L. -
A Critical Analysis of Anglican and Roman Catholic Bilateral Relations from a Theological Perspective
ONE STEP FORWARD, TWO STEPS BACK: A CRITICAL ANALYSIS OF ANGLICAN AND ROMAN CATHOLIC BILATERAL RELATIONS FROM A THEOLOGICAL PERSPECTIVE James N. Amanze Abstract ___________________________________________________________________________ This paper is a critical examination of Anglican-Roman Catholic bilateral relations from a theological perspective. The main argument of the paper is that while the Anglican and Roman Catholic Churches consider themselves to be in a special relationship as a result of a number of theological agreements reached over the past forty years aimed at bringing them closer together than ever before, they are far from achieving visible church unity. The achievements made over the years, in the form of agreed theological texts have, from time to time, been derailed by subtle theological differences between the two church traditions. This can best be described in the words of Vladimir Ilyich Lenin “One step forward, two steps back”. The paper concludes that given the small amount of progress, which is pushed back by a large amount of setbacks, church unity is unattainable. Key words: Ecumenism, theological texts, church unity, bilateral relations, theological perspective ___________________________________________________________________________ 1. Introduction Ecumenism, that is, the activities to achieve church unity after the 16th Century Protestant Reformation in Germany has been the hallmark of the church in the Twentieth and Twenty First Centuries. Philip Potter, once General Secretary of the World Council of Churches, noted that the ecumenical movement was “the means by which the churches, which form the house, the oikos of God, are seeking so live and witness before all peoples that the whole oikoumene may become the oikos of God through the crucified and risen Christ in the power of the life- giving Spirit.”70 This is in line with the views of the Decree on Ecumenism (Unitatis Redintegratio) of the Second Vatican Council, according to which “The Church established by Christ the Lord is, indeed, one and unique. -
Time for Reflection
All-Party Parliamentary Humanist Group TIME FOR REFLECTION A REPORT OF THE ALL-PARTY PARLIAMENTARY HUMANIST GROUP ON RELIGION OR BELIEF IN THE UK PARLIAMENT The All-Party Parliamentary Humanist Group acts to bring together non-religious MPs and peers to discuss matters of shared interests. More details of the group can be found at https://publications.parliament.uk/pa/cm/cmallparty/190508/humanist.htm. This report was written by Cordelia Tucker O’Sullivan with assistance from Richy Thompson and David Pollock, both of Humanists UK. Layout and design by Laura Reid. This is not an official publication of the House of Commons or the House of Lords. It has not been approved by either House or its committees. All-Party Groups are informal groups of Members of both Houses with a common interest in particular issues. The views expressed in this report are those of the Group. © All-Party Parliamentary Humanist Group, 2019-20. TIME FOR REFLECTION CONTENTS FOREWORD 4 INTRODUCTION 6 Recommendations 7 THE CHAPLAIN TO THE SPEAKER OF THE HOUSE OF COMMONS 8 BISHOPS IN THE HOUSE OF LORDS 10 Cost of the Lords Spiritual 12 Retired Lords Spiritual 12 Other religious leaders in the Lords 12 Influence of the bishops on the outcome of votes 13 Arguments made for retaining the Lords Spiritual 14 Arguments against retaining the Lords Spiritual 15 House of Lords reform proposals 15 PRAYERS IN PARLIAMENT 18 PARLIAMENT’S ROLE IN GOVERNING THE CHURCH OF ENGLAND 20 Parliamentary oversight of the Church Commissioners 21 ANNEX 1: FORMER LORDS SPIRITUAL IN THE HOUSE OF LORDS 22 ANNEX 2: THE INFLUENCE OF LORDS SPIRITUAL ON THE OUTCOME OF VOTES IN THE HOUSE OF LORDS 24 Votes decided by the Lords Spiritual 24 Votes decided by current and former bishops 28 3 All-Party Parliamentary Humanist Group FOREWORD The UK is more diverse than ever before. -
Clinton Greyn (1933-2019)
CLINTON GREYN (1933-2019) The great legacy of CLINTON GREYN (1933-2019) is as one of the 1960s' British adventure series' unsung heroes. His Captain Robert Virgin in ATV's Virgin of the Secret Service (1968) stands as one of the classic English gentleman swashbucklers of the decade, alongside Gerald Harper's Adam Adamant and Patrick Macnee's John Steed in The Avengers. Created by Ted Willis, Virgin of the Secret Service (thankfully available on DVD since 2013) was an entertaining, tongue-in-cheek, Boys' Own-style saga of derring-do and stiff upper-lip, in which Captain Virgin, aided by the glamorous Mrs. Cortez (Veronica Strong) and his loyal batman Doublett (John Cater) defended far-flung corners of the British Empire from its foes, most frequently the scheming Teutonic villain Karl Von Brauner (Alexander Doré). Imperial in theme, sardonic in tone, the jury's still out on whether Virgin of the Secret Service was short-lived because by 1968 it was too old-fashioned or, instead, because it was ahead of its time. But the fact that it was filmed in grainy black-and-white wouldn't have helped. Clinton Greyn also guest-starred in other adventure series of the era, such as The Champions and Department S, and he lent distinguished support to several prestigious films of the 1960s: Otto Preminger's Exodus (1960) starring Paul Newman and Eva Marie Saint; Ralph Thomas's The High Bright Sun (1964), with Dirk Bogarde, George Chakiris and Susan Strasberg; Peter Yates's Robbery (1967), starring Stanley Baker; the Shirley MacLaine vehicle Woman Times Seven (1967), directed by Vittorio De Sica; and Herbert Ross's good-looking but ill-advised musical adaptation of Goodbye, Mr. -
Westminster Abbey ASERVICE to CELEBRATE the 60TH ANNIVERSARY of the CORONATION of HER MAJESTY QUEEN ELIZABETH II
Westminster Abbey ASERVICE TO CELEBRATE THE 60TH ANNIVERSARY OF THE CORONATION OF HER MAJESTY QUEEN ELIZABETH II Tuesday 4th June 2013 at 11.00 am FOREWORD On 2nd June 1953, the Coronation of Her Majesty Queen Elizabeth II followed a pattern established over the centuries since William the Conqueror was crowned in Westminster Abbey on Christmas Day 1066. Our intention in this Service of Thanksgiving is to evoke and reflect the shape of the Coronation service itself. The Queen’s entrance was marked by the Choirs’ singing Psalm 122—I was glad—set to music for the Coronation of EdwardVII by Sir Hubert Parry. The Queen’s Scholars of Westminster School exercised their historic right to exclaim Vivat Regina Elizabetha! (‘Long live Queen Elizabeth!’); so it will be today. The coronation service begins with the Recognition. The content of this part of the service is, of course, not today what it was in 1953, but the intention is similar: to recognise with thanksgiving the dutiful service offered over the past sixty years by our gracious and noble Queen, and to continue to pray God saveThe Queen. The Anointing is an act of consecration, a setting apart for royal and priestly service, through the gift of the Holy Spirit. The Ampulla from which the oil was poured rests today on the HighAltar as a reminder of that central act. St Edward’s Crown also rests today on the High Altar as a powerful symbol of the moment of Coronation. In today’s Service, a flask of Oil is carried by representatives of the people of the United Kingdom to the Sacrarium, received by theArchbishop and placed by the Dean on the High Altar. -
Saving the Federal Circuit
SAVING THE FEDERAL CIRCUIT Paul R. Gugliuzza* INTRODUCTION Is it time to abolish the Federal Circuit’s exclusive jurisdiction over patent cases? In the thought-provoking speech at the center of this symposium, Judge Diane Wood says yes.1 The Federal Circuit’s exclusive jurisdiction, she argues, provides too much legal uniformity, which harms the patent system.2 But rather than eliminating the court altogether, Judge Wood proposes to save the Federal Circuit by letting appellants in patent cases choose the forum, allowing them to appeal either to the Federal Circuit or to the regional circuit encompassing the district court.3 Judge Wood is in good company arguing that the Federal Circuit’s exclusive jurisdiction should be eliminated. In their pioneering article, Rethinking Patent Law’s Uniformity Principle, Professors Craig Nard and John Duffy proposed to replace the court’s exclusive jurisdiction with a model of “polycentric decision making” under which two or three courts would hear patent appeals, permitting inter-court dialogue and enhancing the possibility for self-correction.4 Judge Wood’s colleague on the Seventh Circuit, Judge Richard Posner, also has recently said that he “[doesn’t] think the Federal Circuit has * Copyright © 2014 Paul R. Gugliuzza. Associate Professor, Boston University School of Law. For comments, thanks to Jonas Anderson, Jack Beermann, Jonathan Darrow, Stacey Dogan, Wendy Gordon, Tim Holbrook, Megan La Belle, Mark Lemley, Mike Meurer, Michael Morley, Rachel Rebouché, David Schwartz, David Walker, and students and faculty at the Boston University School of Law IP Workshop. Thanks also to the Chicago-Kent Journal of Intellectual Property for the opportunity to respond to Judge Wood’s remarks. -
Judical Stratification and the Reputations of the United States Courts of Appeals
Florida State University Law Review Volume 32 Issue 4 Article 14 2005 Judical Stratification and the Reputations of the United States Courts of Appeals Michael E. Solimine [email protected] Follow this and additional works at: https://ir.law.fsu.edu/lr Part of the Law Commons Recommended Citation Michael E. Solimine, Judical Stratification and the Reputations of the United States Courts of Appeals, 32 Fla. St. U. L. Rev. (2006) . https://ir.law.fsu.edu/lr/vol32/iss4/14 This Article is brought to you for free and open access by Scholarship Repository. It has been accepted for inclusion in Florida State University Law Review by an authorized editor of Scholarship Repository. For more information, please contact [email protected]. FLORIDA STATE UNIVERSITY LAW REVIEW JUDICAL STRATIFICATION AND THE REPUTATIONS OF THE UNITED STATES COURTS OF APPEALS Michael E. Solimine VOLUME 32 SUMMER 2005 NUMBER 4 Recommended citation: Michael E. Solimine, Judical Stratification and the Reputations of the United States Courts of Appeals, 32 FLA. ST. U. L. REV. 1331 (2005). JUDICIAL STRATIFICATION AND THE REPUTATIONS OF THE UNITED STATES COURTS OF APPEALS MICHAEL E. SOLIMINE* I. INTRODUCTION.................................................................................................. 1331 II. MEASURING JUDICIAL REPUTATION, PRESTIGE, AND INFLUENCE: INDIVIDUAL JUDGES AND MULTIMEMBER COURTS ............................................................... 1333 III. MEASURING THE REPUTATIONS OF THE UNITED STATES COURTS OF APPEALS . 1339 IV. THE RISE AND FALL OF -
Sotomayor August 11 Mgdc NEED NEW GRAPHS
“Not that Smart”: Sonia Sotomayor and the Construction of Merit Guy-Uriel Charles, Daniel L. Chen & Mitu Gulati Duke University School of Law Abstract The appointment of Sonia Sotomayor to the Supreme Court in 2009 was criticized as sacrificing merit on the altar of identity politics. According to critics, Sotomayor was simply “not that smart”. For some conservative critics, her selection illustrated the costs of affirmative action policies, in that this particular choice was going to produce a lower quality Supreme Court. For liberal critics, many were concerned that the President, by selecting Sotomayor, was squandering an opportunity to appoint an intellectual counterweight to conservative justices like Antonin Scalia, Samuel Alito and John Roberts. Using a set of basic measures of judicial merit, such as publication and citation rates for the years 2004-06, when Sotomayor was on the Second Circuit Court of Appeals, we compare her performance to that of her colleagues on the federal appeals courts. Sotomayor matches up well. She might turn out to be more of a force on the Court than the naysayers predicted. “NOT THAT SMART”: SONIA SOTOMAYOR AND THE CONSTRUCTION OF MERIT Guy-Uriel Charles Daniel L. Chen Mitu Gulati1 I. “NOT NEARLY AS SMART AS SHE SEEMS TO THINK SHE IS” When President Barack Obama was considering whether to nominate to the Supreme Court Sonia Sotomayor, then a judge on the United States Court of Appeals for the Second Circuit, a prominent law professor, Laurence Tribe, wrote a letter to the President opposing Sotomayor’s potential nomination on the ground that “she’s not nearly as smart as she seems to think she is.”2 While Tribe’s assessment was intended as a private communication, others were saying something similar in public. -
Il Recupero Dell'antico Nell'opera Di Ottorino
SCUOLA DI DOTTORATO IN STORIA E CRITICA DEI BENI ARTISTICI , MUSICALI E DELLO SPETTACOLO XXII CICLO IL RECUPERO DELL’ANTICO NELL’OPERA DI OTTORINO RESPIGHI E L’ARCHIVIO DOCUMENTARIO ALLA FONDAZIONE “GIORGIO CINI” DI VENEZIA Coordinatore: prof. ALESSANDRO BALLARIN Supervisore: prof. ANTONIO LOVATO Dottoranda: MARTINA BURAN DATA CONSEGNA TESI 30 giugno 2010 2 A Riccardo e Veronica 3 4 INDICE PREMESSA ………………………………………..…………………………..……. p. 9 I. IL FONDO “OTTORINO RESPIGHI ” ………………………………………… » 13 1. Configurazione originaria del fondo ………………………………………… » 14 2. Interventi di riordino …………………………………………………………. » 16 3. Descrizione del contenuto ……………………………………………………. » 20 II. RITRATTO DI OTTORINO RESPIGHI ……………………………..……..... » 31 1. L’infanzia e le prime opere …………………………………………………... » 32 2. I primi passi verso il recupero dell’antico …………………………………… » 35 3. L’incontro con Elsa …………………………………………………………... » 38 4. Le trascrizioni di musiche antiche e Casa Ricordi …………………………... » 40 5. Il “periodo gregoriano” ……………………………………………………... » 42 6. L’incontro con Claudio Guastalla …………………………………………… » 44 7. Le opere ispirate al gregoriano ……………………………………………… » 46 8. La nomina all’Accademia d’Italia e il Manifesto…………………………….. » 48 9. La fiamma e l’elaborazione dell’Orfeo ………………………………………. » 53 10. Lucrezia ……………………………………………………………………... » 58 III. IL CONTESTO ………………………………………..………………...……… » 63 1. Il recupero dell’antico ………………………………………………………... » 63 1.1 La rinascita del gregoriano …………………………………………. » 64 1.2 Angelo De Santi, Giovanni Tebaldini e Lorenzo Perosi ……………. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
1) ALICE in WONDERLAND 2) AMERICAN PSYCHO 3) 1001 ARABIAN NIGHTS 4) Friday Night Lights 5) Gone with the Wind 6) Grimm's Fairy
1) ALICE IN WONDERLAND 4) friday night lights By Lewis Carroll By H.G. Bissinger “We’re all mad here.…But I’ll tell High school football is king. you a secret - all the best people Prepare to be transported to a small are!” Join us for a delicious (and town in Texas where Friday Night delirious) evening in Wonderland. is what we lie for. No doubt about On this side of the Looking Glass, it, our tailgate is sure to get you all whimsical and fantastical attire is a fired up for the big game. must. Tick! Tock!…Don’t be late for a very important date! 5) gone with the wind By Margaret Mitchell AMERICAN PSYCHO 2) Calling all southerners! Whether By Bret Easton Ellis you are Team Rhett or Ashley, Have what it takes to get into the spend an evening at “Tara” enjoying hottest Manhattan club circa 1987? “fiddle-dee-dee tea”, mint juleps, Join the poshest party in town set pimento sandwiches and peach during the decade of excess. But cobbler. Dress in your southern be careful who you go home with finest and enjoy the night because - that banker could turn into your “after all, tomorrow is another day”. biggest nightmare. 6) grimm’s fairy tales 3) 1001 ARABIAN NIGHTS By Jacob and Wilhelm Grimm By Ibn al-Nadim We invite you to the world of the On this magical November night, Brothers Grimm. Indulge in pure, imagine the tale Scheherazade old-world charm and unparalleled would conjure next while savoring fantasy realities, while enjoying a Middle Eastern and South Asian magical dinner in an enchanted delights.