The Project Gutenberg Ebook of Syndrome, by Thomas Hoover This Ebook Is for the Use of Anyone Anywhere at No Cost and with Almos
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Tenet (2020) Screenplay by Christopher Nolan
TENET Written by Christopher Nolan ORCHESTRA TUNING, audience settling. High officials in glassed-in boxes toast each other. Doors closing... BAM – from behind the orchestra – TERRORISTS with MACHINE GUNS BURST in... The audience SCREAMS... The terrorists cover the ordinary people – the HIGH OFFICIALS are held in the BOXES... INT./EXT. VAN, PLAZA, DOWNTOWN KIEV, UKRAINE – DAY As POLICE FLOOD THE PLAZA, the DRIVER turns to the PASSENGER – DRIVER (in Ukrainian) – Wake up the Americans. – The Passenger turns to the back where four BLACK-CLAD YOUNG MEN SIT, WAITING. The nearest one seems to be SLEEPING... PASSENGER Hey – EYES CLOSED, the young man COCKS his weapon, chambering a round, POPS it out of the slide, CATCHES it, opens his eyes – this is THE PROTAGONIST... The Passenger nods, ‘okay’. The Driver looks down at a VARIETY OF UNIFORM PATCHES... SIRENS. The Americans shoulder WEAPONS, pull on HELMETS... A UKRAINIAN SWAT VAN SCREECHES to a halt outside the theatre – The Passenger spots its markings – TOSSES the corresponding patches to the Americans, who slap them onto their shoulders. Ukrainian SWATs pour out of the SWAT van – The Americans JUMP out of the back of their van, SLIPPING UNNOTICED INTO THE STREAM OF SWATS pouring into the lobby... INT. LOBBY, CONCERT HALL – CONTINUOUS SWATs mass at each entrance... the Protagonist watches GAS CANISTERS brought in TO THE AIR-CONDITIONING SYSTEM. The SWATs pull on GAS MASKS... INT. BOX, CONCERT HALL – CONTINUOUS A WELL-DRESSED MAN sitting next to a UNIFORMED OFFICIAL looks down into the stalls – people SLUMP, UNCONSCIOUS, IN A WAVE... 8FLiX.com SCREENPLAY DATABASE FOR EDUCATIONAL USE ONLY 2. -
Black Women in Primetime Soap Opera: Examining Representation Within Genre Television
Black Women in Primetime Soap Opera: Examining Representation within Genre Television by Courtney Suggs A Thesis Submitted in Partial Fulfillment of Requirements for the Degree of Master of Science in Media Studies Middle Tennessee State University December 2019 Dissertation Committee: Dr. Katie Foss, Chair Dr. Sanjay Asthana Dr. Sally Ann Cruikshank ABSTRACT Using textual genre analysis, this research studied representation in primetime soap operas Scandal, How To Get Away with Murder, and Empire. Two hundred and eighty- three episodes were viewed to understand how black female identity is represented in primetime soap and how genre influences those representation. Using Collins (2009) theory of controlling images, this study found that black female protagonists were depicted as jezebels and matriarchs. The welfare mother stereotype was updated by portrayals of black woman as hard working. Soap opera conventions such as heavy talk helped provide context to stereotypical portrayals while conventions such as melodrama lead to reactive characterization. ii TABLE OF CONTENTS CHAPTER I: INTRODUCTION……………………………………………….….....1 Background……………………………………………………...………........3 CHAPTER II: LITERATURE REVIEW.....................................................................9 Black Women in Scripted Television…...........................................................9 Television Effects on Viewers……………………………………………....14 CHAPTER III: THEORETICAL FRAMEWORK………………………………....18 Representation Theory……………………………………………………...18 Genre Theory……………………………………………………………….19 -
TTTC Full Text
The Things They Carried By Tim O’Brien The Things They Carried First Lieutenant Jimmy Cross carried letters from a girl named Martha, a junior at Mount Sebastian College in New Jersey. They were not love letters, but Lieutenant Cross was hoping, so he kept them folded in plastic at the bottom of his rucksack. In the late afternoon, after a day's march, he would dig his foxhole, wash his hands under a canteen, unwrap the letters, hold them with the tips of his fingers, and spend the last hour of light pretending. He would imagine romantic camping trips into the White Mountains in New Hampshire. He would sometimes taste the envelope flaps, knowing her tongue had been there. More than anything, he wanted Martha to love him as he loved her, but the letters were mostly chatty, elusive on the matter of love. She was a virgin, he was almost sure. She was an English major at Mount Sebastian, and she wrote beautifully about her professors and roommates and midterm exams, about her respect for Chaucer and her great affection for Virginia Woolf. She often quoted lines of poetry; she never mentioned the war, except to say, Jimmy, take care of yourself. The letters weighed 10 ounces. They were signed Love, Martha, but Lieutenant Cross understood that Love was only a way of signing and did not mean what he sometimes pretended it meant. At dusk, he would carefully return the letters to his rucksack. Slowly, a bit distracted, he would get up and move among his men, checking the perimeter, then at full dark he would return to his hole and watch the night and wonder if Martha was a virgin. -
Social Network
DEADLINE.com FROM THE BLACK WE HEAR-- MARK (V.O.) Did you know there are more people with genius IQ’s living in China than there are people of any kind living in the United States? ERICA (V.O.) That can’t possibly be true. MARK (V.O.) It is. ERICA (V.O.) What would account for that? MARK (V.O.) Well, first, an awful lot of people live in China. But here’s my question: FADE IN: INT. CAMPUS BAR - NIGHT MARK ZUCKERBERG is a sweet looking 19 year old whose lack of any physically intimidating attributes masks a very complicated and dangerous anger. He has trouble making eye contact and sometimes it’s hard to tell if he’s talking to you or to himself. ERICA, also 19, is Mark’s date. She has a girl-next-door face that makes her easy to fall for. At this point in the conversation she already knows that she’d rather not be there and her politeness is about to be tested. The scene is stark and simple. MARK How do you distinguish yourself in a population of people who all got 1600 on theirDEADLINE.com SAT’s? ERICA I didn’t know they take SAT’s in China. MARK They don’t. I wasn’t talking about China anymore, I was talking about me. ERICA You got 1600? MARK Yes. I could sing in an a Capella group, but I can’t sing. 2. ERICA Does that mean you actually got nothing wrong? MARK I can row crew or invent a 25 dollar PC. -
Accelerated Reader Quiz List
Accelerated Reader Quiz List - Reading Practice Book Quiz ID Title Author Points Level 32294 EN Bookworm Who Hatched, A Aardema, Verna 4.4 0.5 923 EN Why Mosquitoes Buzz in People's Ears Aardema, Verna 4.0 0.5 5365 EN Great Summer Olympic Moments Aaseng, Nathan 7.9 2.0 5366 EN Great Winter Olympic Moments Aaseng, Nathan 7.4 2.0 107286 Show-and-Tell Lion, The Abercrombie, Barbara 2.4 0.5 EN 5490 EN Song and Dance Man Ackerman, Karen 4.0 0.5 50081 EN Daniel's Mystery Egg Ada, Alma Flor 1.6 0.5 64100 EN Daniel's Pet Ada, Alma Flor 0.5 0.5 54924 EN With Love, Little Red Hen Ada, Alma Flor 4.8 0.5 35610 EN Yours Truly, Goldilocks Ada, Alma Flor 4.7 0.5 62668 EN Women's Suffrage: A Primary Source History of the...America Adams, Colleen 9.1 1.0 42680 EN Tipi Adams, McCrea 5.0 0.5 70287 EN Best Book of Weather, The Adams, Simon 5.4 1.0 115183 Families in Many Cultures Adamson, Heather 1.6 0.5 EN 115184 Homes in Many Cultures Adamson, Heather 1.6 0.5 EN 60434 EN John Adams: Young Revolutionary Adkins, Jan 6.7 6.0 480 EN Magic of the Glits, The Adler, C.S. 5.5 3.0 17659 EN Cam Jansen and the Chocolate Fudge Mystery Adler, David A. 3.7 1.0 18707 EN Cam Jansen and the Mystery of Flight 54 Adler, David A. 3.4 1.0 7605 EN Cam Jansen and the Mystery of the Circus Clown Adler, David A. -
Radio Essentials 2012
Artist Song Series Issue Track 44 When Your Heart Stops BeatingHitz Radio Issue 81 14 112 Dance With Me Hitz Radio Issue 19 12 112 Peaches & Cream Hitz Radio Issue 13 11 311 Don't Tread On Me Hitz Radio Issue 64 8 311 Love Song Hitz Radio Issue 48 5 - Happy Birthday To You Radio Essential IssueSeries 40 Disc 40 21 - Wedding Processional Radio Essential IssueSeries 40 Disc 40 22 - Wedding Recessional Radio Essential IssueSeries 40 Disc 40 23 10 Years Beautiful Hitz Radio Issue 99 6 10 Years Burnout Modern Rock RadioJul-18 10 10 Years Wasteland Hitz Radio Issue 68 4 10,000 Maniacs Because The Night Radio Essential IssueSeries 44 Disc 44 4 1975, The Chocolate Modern Rock RadioDec-13 12 1975, The Girls Mainstream RadioNov-14 8 1975, The Give Yourself A Try Modern Rock RadioSep-18 20 1975, The Love It If We Made It Modern Rock RadioJan-19 16 1975, The Love Me Modern Rock RadioJan-16 10 1975, The Sex Modern Rock RadioMar-14 18 1975, The Somebody Else Modern Rock RadioOct-16 21 1975, The The City Modern Rock RadioFeb-14 12 1975, The The Sound Modern Rock RadioJun-16 10 2 Pac Feat. Dr. Dre California Love Radio Essential IssueSeries 22 Disc 22 4 2 Pistols She Got It Hitz Radio Issue 96 16 2 Unlimited Get Ready For This Radio Essential IssueSeries 23 Disc 23 3 2 Unlimited Twilight Zone Radio Essential IssueSeries 22 Disc 22 16 21 Savage Feat. J. Cole a lot Mainstream RadioMay-19 11 3 Deep Can't Get Over You Hitz Radio Issue 16 6 3 Doors Down Away From The Sun Hitz Radio Issue 46 6 3 Doors Down Be Like That Hitz Radio Issue 16 2 3 Doors Down Behind Those Eyes Hitz Radio Issue 62 16 3 Doors Down Duck And Run Hitz Radio Issue 12 15 3 Doors Down Here Without You Hitz Radio Issue 41 14 3 Doors Down In The Dark Modern Rock RadioMar-16 10 3 Doors Down It's Not My Time Hitz Radio Issue 95 3 3 Doors Down Kryptonite Hitz Radio Issue 3 9 3 Doors Down Let Me Go Hitz Radio Issue 57 15 3 Doors Down One Light Modern Rock RadioJan-13 6 3 Doors Down When I'm Gone Hitz Radio Issue 31 2 3 Doors Down Feat. -
Sometimes Shocking but Always Hilarious
The Sound of Hammers Must Never Cease: The Collected Short Stories of Tim Fulmer Party Crasher Press ©2009, 2010, 2014, Tim Fulmer. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, recording or otherwise, without the prior written permission of Tim Fulmer. This book is a work of fiction. Any resemblance to actual events or persons, living or dead, is entirely coincidental and perhaps the result of a psychotic breakdown on the reader’s part. This definitive collection of Tim Fulmer’s highly entertaining short work includes an introduction by the author and sixty-one stories that chronicle the restless lives of what have been called Gen X and Gen Y. From the psychotic disillusionment of inner city life in “Chicago, Sir" and “Mogz & Peeting” to the shocking and disturbing discoveries of suburban dysfunction in “It’s Pleonexia” and “Yankee Sierra,” Tim Fulmer tells us everything we need to know about growing up and living in North America after 1967. His characters are very scary people -- people with too much education, too much time on their hands, and too much insight ever to hold down a real job long enough to buy a house and support a family -- in short, people just like how you and I ought to be all the time. These are stories of concealed poets, enemies of the people, awful bony hands, pink pills, sharp inner pains, Jersey barriers, and exquisite corpses. The language throughout is unadorned, accurate, highly crafted, ecstatic, even grammatically desperate. -
Graduation Rates Rise •State of Florida—75.57 Percent •Columbia County—65.74 Percent up 1 Percent Here, but Age According to a 65.7 Percent for the Class of 2013
1 THURSDAY, DECEMBER 12, 2013 | YOUR COMMUNITY NEWSPAPER SINCE 1874 | 75¢ Lake City Reporter LAKECITYREPORTER.COM COLUMBIA COUNTY BY THE NUMBERS 2012-13 Graduation Rates Graduation rates rise •State of Florida—75.57 percent •Columbia County—65.74 percent Up 1 percent here, but age according to a 65.7 percent for the class of 2013. •CHS—70.04 percent report released by the Despite the improvement, •FWHS—64.53 percent still trail state average. Florida Department Columbia County still trailed the •Alachua County—72.6 percent of Education statewide graduation rate average of •Baker County—68.8 percent By STEVEN RICHMOND Wednesday. 75.6 percent. •Gilchrist County—89.7 percent [email protected] The high school The graduation rate reflected a •Hamilton County—55.5 percent graduation rate for given class, or “cohort,” of students •Suwannee County—59.5 percent Columbia County’s graduation rose Huddleston Columbia County who graduated within four years of •Union County—79.0 percent slightly for the 2012-13 school year, ticked up roughly •Highest rate, Nassau County: 90.9 percent but was still well below the state aver- one percent over last year, reaching GRADUATION continued on 3A •Lowest rate, Jefferson County—35.1 percent ‘Tis the season Resource fair for scheduled for sweaters PCS workers PCS, Workforce erwise known as unem- ployment. Uglyl look to help 350 PCS laid off 250 find new jobs. workers last week and announced 100 other From staff reports workers would be laid off by the second half of A job resource fair has 2014. been scheduled for Potash Head said the resource Corp.-White Springs work- fair would also feature ers who were laid off from resources like represen- their jobs last week. -
Sonic, Infrasonic, and Ultrasonic Frequencies
SONIC, INFRASONIC, AND ULTRASONIC FREQUENCIES: The Utilisation of Waveforms as Weapons, Apparatus for Psychological Manipulation, and as Instruments of Physiological Influence by Industrial, Entertainment, and Military Organisations. TOBY HEYS A thesis submitted in partial fulfilment of the requirements of Liverpool John Moores University for the degree of Doctor of Philosophy March 2011 1 ABSTRACT This study is a trans-disciplinary and trans-historical investigation into civilian and battlefield contexts in which speaker systems have been utilised by the military-industrial and military-entertainment complexes to apply pressure to mass social groupings and the individuated body. Drawing on authors such as historian/sociologist Michel Foucault, economist Jacques Attali, philosopher Michel Serres, political geographer/urban planner Edward Soja, musician/sonic theorist Steve Goodman, and cultural theorist/urbanist Paul Virilio, this study engages a wide range of texts to orchestrate its arguments. Conducting new strains of viral theory that resonate with architectural, neurological, and political significance, this research provides new and original analysis about the composition of waveformed geography. Ultimately, this study listens to the ways in which the past and current utilisation of sonic, infrasonic, and ultrasonic frequencies as weapons, apparatus for psychological manipulation, and instruments of physiological influence, by industrial, civilian, entertainment, and military organisations, predict future techniques of socio spatialised organisation. In chapter one it is argued that since the inception of wired radio speaker systems into U.S. industrial factories in 1922, the development of sonic strategies based primarily on the scoring of architectonic spatiality, cycles of repetition, and the enveloping dynamics of surround sound can be traced to the sonic torture occurring in Guantanamo Bay during the first decade of the twenty-first century. -
Reading the Surface: the Danish Gothic of B.S. Ingemann, H.C
Reading the Surface: The Danish Gothic of B.S. Ingemann, H.C. Andersen, Karen Blixen and Beyond Kirstine Marie Kastbjerg A dissertation submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy University of Washington 2013 Reading Committee: Marianne Stecher. Chair Jan Sjaavik Marshall Brown Program Authorized to Offer Degree: Scandinavian Studies ©Copyright 2013 Kirstine Marie Kastbjerg Parts of chapter 7 are reprinted by permission of the publishers from “The Aesthetics of Surface: the Danish Gothic 1820-2000,” in Gothic Topographies ed. P.M. Mehtonen and Matti Savolainen (Farnham: Ashgate, 2013), pp. 153–167. Copyright © 2013 University of Washington Abstract Reading the Surface: The Danish Gothic of B.S. Ingemann, H.C. Andersen, Karen Blixen and Beyond Kirstine Marie Kastbjerg Chair of the Supervisory Committee: Professor in Danish Studies Marianne Stecher Department of Scandinavian Studies Despite growing ubiquitous in both the popular and academic mind in recent years, the Gothic has, perhaps not surprisingly, yet to be examined within the notoriously realism-prone literary canon of Denmark. This dissertation fills that void by demonstrating an ongoing negotiation of Gothic conventions in select works by canonical Danish writers such as B.S. Ingemann, Hans Christian Andersen, and Karen Blixen (Isak Dinesen), as well as contemporary writers such as Peter Høeg and Leonora Christina Skov. This examination does not only broaden our understanding of these culturally significant writers and the discourses they write within and against, it also adds to our understanding of the Gothic – an infamously malleable and indefinable literary mode – by redirecting attention to a central feature of the Gothic that has not received much critical attention: the emphasis on excess, spectacle, clichéd conventions, histrionic performances, its hyperbolic rhetorical style, and hyper-visual theatricality. -
Jan 13, 1978, Vol. 07 No. 01
Volume 7 Next Issue I’i i f'WE FDUM BV M. T BCHMITZ BY DAN TURNER Mel Brooks has some pertinent things "Comedy, " observes Brooks, "is a red to say about comedy, a subject he rubber ball. You have to throw it aga & JORDAN LEAL knows as well as anyone and hetter inst the hard wall of ultimate reality tc than m ost, make it bounce back and he lively." "Comedy >s about reality, " says With " HIGH ANXIETY", Brooks in Brooks. "The more terrible the real vades the Hitchcockian domain of the ity, the bigger the laugh. In tragedy suspense thriller portraying Dr. Richard the writer weeps at the monstrous thing: Thonidyke, described by journalist that happen to people. In comedy he Gene Lees as "a character who aspires laughs. But crying and 'aughing are to be a romantic figure and is impedec very much alike. You happen to look in his aspirations to derring-do by his at somebody from behind whose head preposterous and pathetic acroijhobia.' is bobbing up and down and whose In an article pvib'ished in the October shoulders are shaking. He turns around '77 issue of American Film, Gene Lee and he may be either laughing or cry speaks of the "High Anxiety" loca ing. tio n . Let My People Come fa ! Fourteen, eager, energet'c young people, nudity is just plain dull. I most of whom have fairly good voices The final, and title, numbar is a plea vainly attempt to make a "shosv" out of for an end to restrain.sts on everyone In 1: miserable material. -
A Wolf in Sheep's Clothing: Decoding the Language of a Psychopath BY
A Wolf in Sheep’s Clothing: Decoding the Language of a Psychopath BY KERRI ANDERSON A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Forensic Psychology California Baptist University School of Behavioral Sciences 2017 ii SCHOOL OF BEHAVIORAL SCIENCES The thesis of Kerri Anderson, approved by her Committee, has been accepted and approved by the Faculty of the School of Behavioral Sciences, in partial fulfillment of the requirements for the degree of Master of Arts in Forensic Psychology. Thesis Committee: _____________________________ [Name, Title] _____________________________ [Name, Title] _____________________________ [Name, Title] Committee Chairperson [Date] iii DEDICATION It is so common to be traditional and dedicate a work of science to one’s parents, spouses, children, friends, and mentors. As if one felt the need to give back for what has been taken. But a contribution to science, and I have desperately tried here to make a contribution to science, always includes a vast amount of taking from previous researchers, professors, and scholars. Then adding a little bit according to one’s ability and then giving back not to one’s scholars and colleagues but to the whole community and to other people as well, who might find the work interesting and resourceful, and bring it on. It is for those individuals that this work has been written and to them that it is dedicated so, here is my Forensic Psychology Master’s Thesis to whoever finds it interesting and a viable contribution to uncovering the root causes of psychopathy. iv ACKNOWLEDGMENTS I would first like to thank my thesis advisor, Dr.