The Ties That Bind” to Be Presented As Part of a Panel
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
THE PRODUCERS Matt Byrne Media
www.theatreguide.com.au Supporting live theatre in Adelaide PO Box 10278 [email protected] ADELAIDE BC SA 5000 ABN : 93 297 960 525 THE PRODUCERS Matt Byrne Media Arts Theatre Until 4 August 2007 (Shedley Theatre 9-11 August) Review by John Wells I could smell hubris in the air. An Adelaide company doing “The Producers” – the Mel Brooks show that took Broadway by the scruff of its neck and was showered with Tonys? Could an Adelaide amateur company do this show? Attempting a production of this impeccable and brilliantly-credentialed show is remarkably ambitious. With two films and the wildly successful stage musical already seared into the public consciousness, it is impossible to create an original rendering. Add to this the limited budget of amateur theatre and the risks of presenting a spectacular dud are high. But this is no dud. “The Producers” is by no means perfect, but it is an enjoyable, tight and funny show. With disciplined performances, and comical and precise characterisations, Director Glenn Vallen must take the credit for the success of this production. “The Producers” is the story of the failed, bombastic Broadway producer Max Bialystock and his mousy accountant Leo Bloom. They plan to raise millions of dollars to produce a sure-fire flop, and then run off with the investors’ cash when the show closes. When they find “Springtime for Hitler”, a musical honouring the Fuhrer by a local Nazi, they think they’ve found their perfect turkey. “The Producers” depends primarily on Bialystock and Bloom. If they are ineffective, the show cannot succeed. -
Nordic Game Is a Great Way to Do This
2 Igloos inc. / Carcajou Games / Triple Boris 2 Igloos is the result of a joint venture between Carcajou Games and Triple Boris. We decided to use the complementary strengths of both studios to create the best team needed to create this project. Once a Tale reimagines the classic tale Hansel & Gretel, with a twist. As you explore the magical forest you will discover that it is inhabited by many characters from other tales as well. Using real handmade puppets and real miniature terrains which are then 3D scanned to create a palpable, fantastic world, we are making an experience that blurs the line between video game and stop motion animated film. With a great story and stunning visuals, we want to create something truly special. Having just finished our prototype this spring, we have already been finalists for the Ubisoft Indie Serie and the Eidos Innovation Program. We want to validate our concept with the European market and Nordic Game is a great way to do this. We are looking for Publishers that yearn for great stories and games that have a deeper meaning. 2Dogs Games Ltd. Destiny’s Sword is a broad-appeal Living-Narrative Graphic Adventure where every choice matters. Players lead a squad of intergalactic peacekeepers, navigating the fallout of war and life under extreme circumstances, while exploring a breath-taking and immersive world of living, breathing, hand-painted artwork. Destiny’s Sword is filled with endless choices and unlimited possibilities—we’re taking interactive storytelling to new heights with our proprietary Insight Engine AI technology. This intricate psychology simulation provides every character with a diverse personality, backstory and desires, allowing them to respond and develop in an incredibly human fashion—generating remarkable player engagement and emotional investment, while ensuring that every playthrough is unique. -
Hitler's Doubles
Hitler’s Doubles By Peter Fotis Kapnistos Fully-Illustrated Hitler’s Doubles Hitler’s Doubles: Fully-Illustrated By Peter Fotis Kapnistos [email protected] FOT K KAPNISTOS, ICARIAN SEA, GR, 83300 Copyright © April, 2015 – Cold War II Revision (Trump–Putin Summit) © August, 2018 Athens, Greece ISBN: 1496071468 ISBN-13: 978-1496071460 ii Hitler’s Doubles Hitler’s Doubles By Peter Fotis Kapnistos © 2015 - 2018 This is dedicated to the remote exploration initiatives of the Stargate Project from the 1970s up until now, and to my family and friends who endured hard times to help make this book available. All images and items are copyright by their respective copyright owners and are displayed only for historical, analytical, scholarship, or review purposes. Any use by this report is done so in good faith and with respect to the “Fair Use” doctrine of U.S. Copyright law. The research, opinions, and views expressed herein are the personal viewpoints of the original writers. Portions and brief quotes of this book may be reproduced in connection with reviews and for personal, educational and public non-commercial use, but you must attribute the work to the source. You are not allowed to put self-printed copies of this document up for sale. Copyright © 2015 - 2018 ALL RIGHTS RESERVED iii Hitler’s Doubles The Cold War II Revision : Trump–Putin Summit [2018] is a reworked and updated account of the original 2015 “Hitler’s Doubles” with an improved Index. Ascertaining that Hitler made use of political decoys, the chronological order of this book shows how a Shadow Government of crisis actors and fake outcomes operated through the years following Hitler’s death –– until our time, together with pop culture memes such as “Wunderwaffe” climate change weapons, Brexit Britain, and Trump’s America. -
The Producers,'' Understands That to Create a Musical -- Good Or Otherwise -- the Appropriate Creative Team Must Be Employed
THEATER/THE TONY AWARDS; A Crash Course in the Worl... http://www.nytimes.com/2001/05/20/arts/theater-the-tony-awar... This copy is for your personal, noncommercial use only. You can order presentation-ready copies for distribution to your colleagues, clients or customers, please click here or use the "Reprints" tool that appears next to any article. Visit www.nytreprints.com for samples and additional information. Order a reprint of this article now. » May 20, 2001 THEATER/THE TONY AWARDS THEATER/THE TONY AWARDS; A Crash Course in the World of Mel By BARRY SINGER EVEN Broadway's most maladroit impresario, Max Bialystock of ''The Producers,'' understands that to create a musical -- good or otherwise -- the appropriate creative team must be employed. For Bialystock, in Mel Brooks's current hit musical, the assured failure of his show, ''Springtime for Hitler,'' is dependent on securing the services of a director named Roger De Bris. ''Is he good?'' inquires Bialystock's ingenuous partner, Leo Bloom, as they head for a rendezvous with De Bris. ''I mean, is he bad?'' ''He stinks,'' Bialystock replies. Shortly thereafter, Bialystock imploringly informs De Bris: ''Roger, I speak for Mr. Bloom and myself when I say that you are the only man in the world who can do justice to 'Springtime for Hitler.' '' For Mr. Brooks, assuring the successful transformation of his 1968 film ''The Producers'' into a Broadway musical required at least one similarly baldfaced overture. ''Two and a half years ago, my husband, Mike Ockrent, and I got a call saying Mel Brooks wanted to meet us,'' Susan Stroman said recently. -
February 23, 2016 (XXXII:5) Mel Brooks, the PRODUCERS (1967, 88 Min)
February 23, 2016 (XXXII:5) Mel Brooks, THE PRODUCERS (1967, 88 min) Directed by Mel Brooks Written by Mel Brooks Produced by Sidney Glazier Music John Morris Cinematography Joseph F. Coffey Film Editing Ralph Rosenblum Zero Mostel…Max Bialystock Gene Wilder…Leo Bloom Dick Shawn…L.S.D. - Lorenzo St. DuBois Kenneth Mars…Franz Liebkind Lee Meredith…Ulla Christopher Hewett…Roger De Bris Andréas Voutsinas…Carmen Ghia Estelle Winwood…'Hold Me Touch Me' Renée Taylor…Eva Braun David Patch…Goebbels William Hickey…The Drunk Martin…Göring Musical, Original Music Score and Book (musical); and 3 Shimen Ruskin…The Landlord Grammys- Best Spoken Comedy Album for "The 2000 Year Old Frank Campanella…The Bartender Man In The Year 2000" (1998, with Carl Reiner) and two for Josip Elic…Violinist The Producers (2001): Best Musical Show Album (as Madelyn Cates…Concierge (as Madlyn Cates) composer/lyricist) and Best Long Form Music Video (as artist). John Zoller…Drama Critic Brooks has many funny trademarks in his films, for instance his Brutus Peck…Hot Dog Vendor films often contain references to the film's sequel, which never Mel Brooks…Singer in 'Springtime for Hitler' (voice) come to pass. Good examples of this are History of the World: (uncredited) Part I (1981), Spaceballs (1987) and Robin Hood: Men in Tights Bill Macy…Jury Foreman (uncredited) (1993). Additionally, Brooks always features one scene in his movies in which the main character is seated and staring blankly, MEL BROOKS (b. Melvin James Kaminsky on June 28, 1926 wondering what went wrong, while friends console him. In fun in Brooklyn, New York) served in WWII, and afterwards got a trivia, The Producers (1967) was the inspiration for the title of job playing the drums at nightclubs in the Catskills. -
10000 General Knowledge Questions and Answers 10000 General Knowledge Questions and Answers No Questions Quiz 1 Answers
10000 quiz questions and answers www.cartiaz.ro 10000 general knowledge questions and answers 10000 general knowledge questions and answers www.cartiaz.ro No Questions Quiz 1 Answers 1 Carl and the Passions changed band name to what Beach Boys 2 How many rings on the Olympic flag Five 3 What colour is vermilion a shade of Red 4 King Zog ruled which country Albania 5 What colour is Spock's blood Green 6 Where in your body is your patella Knee ( it's the kneecap ) 7 Where can you find London bridge today USA ( Arizona ) 8 What spirit is mixed with ginger beer in a Moscow mule Vodka 9 Who was the first man in space Yuri Gagarin 10 What would you do with a Yashmak Wear it - it's an Arab veil 11 Who betrayed Jesus to the Romans Judas Escariot 12 Which animal lays eggs Duck billed platypus 13 On television what was Flipper Dolphin 14 Who's band was The Quarrymen John Lenon 15 Which was the most successful Grand National horse Red Rum 16 Who starred as the Six Million Dollar Man Lee Majors 17 In the song Waltzing Matilda - What is a Jumbuck Sheep 18 Who was Dan Dare's greatest enemy in the Eagle Mekon 19 What is Dick Grayson better known as Robin (Batman and Robin) 20 What was given on the fourth day of Christmas Calling birds 21 What was Skippy ( on TV ) The bush kangaroo 22 What does a funambulist do Tightrope walker 23 What is the name of Dennis the Menace's dog Gnasher 24 What are bactrians and dromedaries Camels (one hump or two) 25 Who played The Fugitive David Jason 26 Who was the King of Swing Benny Goodman 27 Who was the first man to -
THE PRODUCERS Book by Mel Brooks and Thomas Meehan Music and Lyrics by Mel Brooks
THE PRODUCERS Book by Mel Brooks and Thomas Meehan Music and Lyrics by Mel Brooks Garland Summer Musicals Production Crew: Producer – Patty Granville Reviewed Performance 6/16/2017 Reviewed by Joel Gerard, Associate Critic for John Garcia's THE COLUMN If you’ve ever seen a Mel Brooks movie, then you should know what to expect from anything he writes. The Producers has raunchy humor with slightly offensive jokes about every race, sex, and religion. But above all else it’s also hilarious and fun. It won a record twelve Tony awards on Broadway, and Garland Summer Musicals is doing an award-worthy production right here in North Texas. The Producers is a musical Mel Brooks wrote based on his own movie “The Producers” from 1967 which starred the late Gene Wilder. Max Bialystock used to be the king of Broadway, but most of his shows are now flops that close as soon as they open. Max gets a visit from his accountant Leo Bloom who discovers that Max could potentially make more money from producing show that flops if he raises more money than he needs to produce the show. To ensure the show closes quickly, they collaborate to find an awful musical called “Springtime For Hitler”, hire a terrible director, and wait to pocket the money once the show fails. Of course things don’t go exactly as planned after opening night. Randy Pearlman plays Max Bialystock the down-on-his-luck Broadway producer looking to make some money. This is a fun role for any actor. Max is a zany character with questionable morals. -
American Auteur Cinema: the Last – Or First – Great Picture Show 37 Thomas Elsaesser
For many lovers of film, American cinema of the late 1960s and early 1970s – dubbed the New Hollywood – has remained a Golden Age. AND KING HORWATH PICTURE SHOW ELSAESSER, AMERICAN GREAT THE LAST As the old studio system gave way to a new gen- FILMFILM FFILMILM eration of American auteurs, directors such as Monte Hellman, Peter Bogdanovich, Bob Rafel- CULTURE CULTURE son, Martin Scorsese, but also Robert Altman, IN TRANSITION IN TRANSITION James Toback, Terrence Malick and Barbara Loden helped create an independent cinema that gave America a different voice in the world and a dif- ferent vision to itself. The protests against the Vietnam War, the Civil Rights movement and feminism saw the emergence of an entirely dif- ferent political culture, reflected in movies that may not always have been successful with the mass public, but were soon recognized as audacious, creative and off-beat by the critics. Many of the films TheThe have subsequently become classics. The Last Great Picture Show brings together essays by scholars and writers who chart the changing evaluations of this American cinema of the 1970s, some- LaLastst Great Great times referred to as the decade of the lost generation, but now more and more also recognised as the first of several ‘New Hollywoods’, without which the cin- American ema of Francis Coppola, Steven Spiel- American berg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into being. PPictureicture NEWNEW HOLLYWOODHOLLYWOOD ISBN 90-5356-631-7 CINEMACINEMA ININ ShowShow EDITEDEDITED BY BY THETHE -
THE PRODUCERS Is Presented by Special Arrangement with Music Theater International (MTI, NY) Mermod © Yvan OD E PR UCER TH S
The Geneva Amateur Operatic Society presents 40 ODUC YEARS PR ER HE A NEW MEL BROOKS MUSICAL ! S Hilarious Smash Hit T Musical Comedy from London and Broadway Book by Mel Brooks & Thomas Meehan Music & lyrics by Mel Brooks Nyon Marens Theatre 7 rue du Stand, Nyon From 13 to 21 May 2011 Friday 13 & Saturday 14 May at 8 pm Sunday 15 May at 7 pm Thursday 19, Friday 20 & Saturday 21 at 8 pm Online bookings from Tuesday 26 April on www.theatreinenglish.ch ; telephone bookings from Tuesday 3 May on +41 22 341 51 90, 10h30 - 12h30 Monday to Friday. www.gaos.chTHE PRODUCERS is presented by special arrangement with Music Theater International (MTI, NY) Mermod © Yvan T HE P RO D U C E R S GENEVA AMATEUR OPERATIC SOCIETY PRESENTS OD E PR UCER TH S A NEW MEL BROOKS MUSICAL! BOOK BY MEL BROOKS & THOMAS MEEHAN MUSIC & LYRICS BY MEL BROOKS DIRECTED BY DI BROWN, CAROLYN HORNFELD & LIZ WILLIAMS MUSICAL DIRECTOR: ALLARDYCE MALLON NYON MARENS THEATRE 13 TO 21 MAY 2011 The Producers is presented by special arrangement with Music Theater International (MTI, NY) www.gaos.ch GAOS AT 40 In 1971, some like-minded people from the Geneva area got together and decided it would be a great idea to produce some English-language musical theatre together. This year, the Geneva Amateur Operatic Society (GAOS) is still going strong as we celebrate the fortieth anniversary of this endeavour. I wasn’t there to witness the founding of GAOS. On the other hand, I am here today to witness what this society has become. -
Bialystock and Bloom Celebrate Their 50Th Anniversary As Mel Brooks
MEDIA ALERT – May 14, 2018 Bialystock and Bloom Celebrate Their 50th Anniversary as Mel Brooks’ The Producers Returns to Movie Theaters Nationwide on June 3 and 6, as Part of the TCM Big Screen Classics Series WHAT: Writer-director Mel Brooks’ comedy masterpiece The Producers returns to movie theaters for two days only on June 3 and 6 as a part of the yearlong TCM Big Screen Classics series. Mel Brooks fans new and old will be thrilled to see this 1968 classic romp on the big screen 50 years after its original release in a brand-new 4K restoration (at select theaters). In addition to the film itself, this special presentation of The Producers will include an all-new interview with TCM Primetime Host Ben Mankiewicz and writer-director Brooks. It has been 50 years since a washed-up, has-been producer and a neurotic, nebbishy accountant teamed up to cash in on a surefire Broadway flop: a musical extravaganza singing the praises of the Third Reich. But Springtime for Hitler becomes an unexpected smash hit and crooked producers Bialystock and Bloom are stuck in a hilarious predicament in one of the most uproarious comedies of all time. Newly restored by Studiocanal and re-released by Rialto Pictures for its 50th anniversary, The Producers stars Zero Mostel and Gene Wilder as the zany Bialystock and Bloom, with a side-splitting supporting cast, including Dick Shawn as stoned-out flower child “LSD,” who lands the part of Hitler, Christopher Hewett, Estelle Winwood, Lee Meredith and Kenneth Mars. Winner of the 1968 Academy Award® for Best Original Screenplay (by Brooks), The Producers has gained even greater stature over the years: Not only has it inspired a smash hit Broadway musical, but the film has been placed on the National Film Registry and is frequently ranked as one of the funniest movies ever made. -
We Happy Few –
We Happy Few – E La Pillola Va Giù Come tutti sappiamo, We Happy Few, è un titolo dalla storia travagliata, presentato ormai nel lontano 2015 e arrivato in questi giorni, ben diverso da quanto prospettato. La campagna Kickstarter atta a finanziare il progetto è stata una manna per Compulsion Games ma anche una spada di Damocle, in quanto, dopo vari rinvii, l’uscita del titolo non poteva più esser posticipata. Terminato il lungo periodo di early access, Wellington Wells è pronta per essere esplorata, un’isola avvolta dal mistero ma anche da tanti elementi da rifinire. Sembra talco, ma non è… Inghilterra, 1960, ma non quello che pensate: la Seconda Guerra Mondiale è stata vinta dalla Germania e, come in altre ucronie, questo ha portato molti cambiamenti nella società. Ma c’è una città particolare, un luogo isolato, che ha deciso di dimenticare il passato vivendo in allegria e spensieratezza: Wellington Wells è la vera protagonista del titolo, propriocome Rapture per Bioshock, anche se con le dovute proporzioni. Tra gli abitanti circola una speciale “medicina”, la Joy, capace di regalare subito benessere, rendendo luminosa anche una lugubre giornata; ed ecco quindi che la città pullula di vita, lontana dalle tragedie vissute durante il conflitto, cui nessuno sembra ricordarsene. A dir la verità, questo espediente non è nuovo: si pensa subito al Soma di Brave New World di Aldous Huxley, ma anche a Naruto e al suo Tsukuyomi Infinito o persino a Code Geass: Lelouch of the Rebellion e alla droga Refrain. Come rendere dunque originale un espediente narrativo già abusato in numerose opere? Ci pensa il comparto artistico a mettere una pezza, ma anche la caratterizzazione dei protagonisti con i loro dialoghi a renderci quasi alieni di fronte alle bizzarie che ci troveremo davanti. -
Playing in Fractal Universes: Thinking with Scalable Patterns in Interdisciplinary Game Studies
TRANSMISSIONS: THE JOURNAL OF FILM AND MEDIA STUDIES 2017, VOL.2, NO. 2, PP. 47-64. Garfield Benjamin University of Birmingham Playing in fractal universes: Thinking with scalable patterns in interdisciplinary game studies Abstract Games offer a scaled and scalable experience of technologically mediated human action and interaction. The study of games therefore holds the potential to offer a far wider analysis of our technical and social structures than might be first apparent. Yet this scaling of behaviours and frameworks is applicable not only beyond simply an increase in degree, but also across different types of meaning, society, reality, and our understanding of them. Thus, to assess the expansion of games beyond conventional dimensionality, we can identify in games and game studies a fractal metaphor to guide our analysis. Drawing on concepts of iteration, self-similarity, recursion, complexity, and scalability, this article examines key games that embody a fractal dimension to their in-game universe, the player’s experience, the game’s development, and games as a field of study. The fractal analysis of a game will thereby be revealed as also an analysis of the metagame and its situatedness in broader concerns of technoculture and its academic study. The model offered will be applied to specific games and the existing literature through which game studies is formed as an interdisciplinary fractal conceptual space of its own. Key words: fractal, game studies, games, No Man’s Sky, Everything, EVE Online Introduction The playing of a particular game generates iterative and often functionally self-similar experiences for players based on the ludic and narrative constructs that constitute the game itself.