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'Ways of Seeing': the Tasmanian Landscape in Literature
THE TERRITORY OF TRUTH and ‘WAYS OF SEEING’: THE TASMANIAN LANDSCAPE IN LITERATURE ANNA DONALD (19449666) This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities (English and Cultural Studies) 2013 ii iii ABSTRACT The Territory of Truth examines the ‘need for place’ in humans and the roads by which people travel to find or construct that place, suggesting also what may happen to those who do not find a ‘place’. The novel shares a concern with the function of landscape and place in relation to concepts of identity and belonging: it considers the forces at work upon an individual when they move through differing landscapes and what it might be about those landscapes which attracts or repels. The novel explores interior feelings such as loss, loneliness, and fulfilment, and the ways in which identity is derived from personal, especially familial, relationships Set in Tasmania and Britain, the novel is narrated as a ‘voice play’ in which each character speaks from their ‘way of seeing’, their ‘truth’. This form of narrative was chosen because of the way stories, often those told to us, find a place in our memory: being part of the oral narrative of family, they affect our sense of self and our identity. The Territory of Truth suggests that identity is linked to a sense of self- worth and a belief that one ‘fits’ in to society. The characters demonstrate the ‘four ways of seeing’ as discussed in the exegesis. ‘“Ways of Seeing”: The Tasmanian Landscape in Literature’ considers the way humans identify with ‘place’, drawing on the ideas and theories of critics and commentators such as Edward Relph, Yi-fu Tuan, Roslynn Haynes, Richard Rossiter, Bruce Bennett, and Graham Huggan. -
Around the Bend
Cultural Studies Review volume 18 number 1 March 2012 http://epress.lib.uts.edu.au/journals/index.php/csrj/index pp. 86–106 Emily Bullock 2012 Around the Bend The Curious Power of the Hills around Queenstown, Tasmania EMILY BULLOCK UNIVERSITY OF TASMANIA Approaching the town of Queenstown you can’t help but be taken aback by the sight of the barren hillsides, hauntingly bare yet strangely beautiful. This lunar landscape has a majestic, captivating quality. In December 1994 after 101 years of continuous mining—A major achievement for a mining company—the Mount Lyell Mining and Railway Company called it a day and closed the operation thus putting Queenstown under threat of becoming a ghost town. Now, with the mine under the ownership of Copper Mines of Tasmania, the town and the mine are once again thriving. Although Queenstown is primarily a mining town, it is also a very popular tourist destination offering visitors unique experiences. So, head for the hills and discover Queenstown—a unique piece of ‘Space’ on earth.1 In his discussion of the labour of the negative in Defacement: Public Secrecy and the Labour of the Negative, Michael Taussig opens out into a critique of criticism. ISSN 1837-8692 Criticism, says Taussig, is in some way a defacement, a tearing away at an object that ends up working its magic on the critic and forging a ‘curious complicity’ between object and critic.2 Taussig opens up a critical space in which to think with the object of analysis, cutting through transcendental critique, as a critical defacement, which, in the very act of cutting, produces negative energy: a ‘contagious, proliferating, voided force’ in which the small perversities of ‘laughter, bottom-spanking, eroticism, violence, and dismemberment exist simultaneously in violent silence’.3 This complicity in thinking might be charged by critical methodologies which engage in, and think through, peripatetic movements. -
LANDMARKS Ilona Schneider – Seeing Comes Before Words
LANDMARKS Ilona SchneIder – Seeing comes before words. The child looks and recognizes before it can speak... It is seeing which establishes our place in the surrounding world; we explain that world with words, but words can never undo the fact that we are surrounded by it. The relation between what we see and what we know is never settled. John Berger Ways of Seeing 2 Mt Paris DaM 2013 (detail) giclée print, 100 x 137.4cm When you go out there you don’t get away from it all... you come home to yourself Peter dombrovskis on first looking at Ilona Schneider’s wonderful images of the Tasmanian landscape, viewers are likely to find themselves drawn in two conflicting directions. on the one hand, what appears in these images are indeed landscapes, and their appearance is not dissimilar from the way landscape appears within the tradition of ‘romantic’ landscape art. here we see landscape in its power and presence, in its seeming beauty and its sublimity, in its topographic singularity. on the other hand, this experience of landscape is tempered, perhaps even countered, by the sense that what appears are landscapes that may well be thought compromised, diminished, scarred by the marks of human activity and habitation. The tension between these conflicting directions is a large part of what gives these images such an immediately affecting character. These are not images from which one can easily stand aside or with respect to which one can remain neutral – as if what is presented are mere objects of aesthetic and spectatorial appreciation. -
Water Management in the Anthony–Pieman Hydropower Scheme
Water management in the Anthony–Pieman hydropower scheme Pieman Sustainability Review June 2015 FACT SHEET Background The Anthony–Pieman hydropower scheme provides a highly valued and reliable source of electricity. The total water storage of the hydropower scheme is 512 gigalitres and the average annual generation is 2367 gigawatt hours. Construction of the Anthony–Pieman hydropower scheme has resulted in creation of water storages (lakes) and alterations to the natural flow of existing rivers and streams. The Pieman Sustainability Review is a review of operational, social and environmental aspects of the Anthony–Pieman hydropower scheme that are influenced by Hydro Tasmania. This fact sheet elaborates on water management issues presented in the summary report, available at http://www.hydro.com.au/pieman-sustainability-review Water storage levels in the Anthony–Pieman Water levels have been monitored at these storages since hydropower scheme their creation in stages between 1981 and 1991. The Anthony–Pieman hydropower scheme includes eight Headwater storages: Lake Mackintosh and Lake water storages, classified as headwater storages (Lakes Murchison Mackintosh and Murchison), diversion storages (Lakes Lakes Mackintosh and Murchison are the main headwater Henty and Newton and White Spur Pond) and run-of-river storages for the Anthony–Pieman hydropower scheme. storages (Lakes Rosebery, Plimsoll and Pieman). Lakes The water level fluctuates over the entire operating range Murchison, Henty and Newton and White Spur Pond do not from Normal Minimum Operating Level (NMOL) to Full release water directly to a power station; rather they are Supply Level (FSL) (Figures 1, 2). used to transfer water to other storages within the scheme. -
Conservation Photography Wilderness Values Wilderness Education Tanzania, Italy, Russia, Guianas INTERNATIONAL Journal of Wilderness
Conservation Photography Wilderness Values Wilderness Education Tanzania, Italy, Russia, Guianas INTERNATIONAL Journal of Wilderness APRIL 2005 VOLUME 11, NUMBER 1 FEATURES INTERNATIONAL PERSPECTIVES (continued) EDITORIAL PERSPECTIVES 31 The Ruaha National Park, Tanzania 3 Can We Let Wilderness Just Be Wilderness? BY SUE STOLBERGER BY CHAD P. DAWSON 35 Wilderness Is More Than “Nature” SOUL OF THE WILDERNESS BY FRANCO ZUNINO 4 A Wilderness Challenge BY MICHAEL FROME 38 Plant Community Monitoring in Vodlozhersky National Park, Karelia, Russia STEWARDSHIP BY RALPH DUNMORE 8 Conservation Photography Art, Ethics, and Action BY CRISTINA MITTERMEIER WILDERNESS DIGEST 43 Announcements and Wilderness Calendar SCIENCE AND RESEARCH 14 A GIS–based Inductive Study of Wilderness Values Book Reviews BY GREGORY BROWN and LILIAN ALESSA 46 The Enduring Wilderness: Protecting Our Natural Heritage through the Wilderness Act PERSPECTIVES FROM THE ALDO LEOPOLD by Doug Scott WILDERNESS RESEARCH INSTITUTE REVIEW BY JOHN SHULTIS, IJW BOOK EDITOR 19 The Fire Effects Planning Framework BY ANNE BLACK 46 Wildland Recreation Policy: An Introduction, 2nd ed. by J. Douglas Wellman and Dennis B. Propst REVIEW BY CHAD DAWSON EDUCATION AND COMMUNICATION 21 Wilderness Education 46 Wildlife Tourism: Impacts, Management The Ultimate Commitment to Quality and Planning Wilderness Stewardship edited by Karen Higginbottom BY GREG HANSEN and TOM CARLSON REVIEW BY SARAH ELMELIGI INTERNATIONAL PERSPECTIVES 26 Conservation Planning in the Tropics FRONT COVER A photographer’s dream day at Mount McKinley, Lessons Learned from the Denali National Park, Alaska. Photo by Cathy Hart. Guianan Ecoregion Complex INSET Cristina Mittermeier looking a dung beetle in the eye, BY G. JAN SCHIPPER Tembe Elephant Reserve, KwaZulu Natal, South Africa. -
No Ordinary Place. No Ordinary Festival
Queenstown, Tasmania | 14–16 October 2016 | theunconformity.com.au No ordinary place. No ordinary festival. 1 WELCOME TO QUEENSTOWN and Tasmania’s West IN 2016, The Unconformity will once again Coast for The Unconformity. This festival is really like no bring an exciting program of contemporary arts other, one that must be experienced to be believed. experiences to Queenstown and surrounds. These arts experiences are as varied and An unconformity is an area of rock that shows a geological unique as the voices they represent with works break in time. The Unconformity Festival bridges every by local, national and international artists. layer of the West Coast and, like its geological namesake, indicates a break in the region’s past and present. It brings The value the Festival brings to the Queenstown the community together to celebrate Queenstown’s rugged community is significant. It encourages backbone, unique arts culture and unmatched sense of place. community members to come together and participate in the arts and the calibre of its This year’s festival program showcases local, interstate program attracts more visitors to the region and overseas artists to present a weekend for everyone each biennial year. The Unconformity compels to enjoy. It is as dramatic as the surrounding landscape. visitors to engage with and explore the unique The Tasmanian Government is proud to support The region that is Tasmania’s remote West Coast, Unconformity in 2016. Congratulations to the team behind drawing them back again and again. the festival who, along with the Queenstown community, Over the past six years, the festival bring this extraordinary mix of arts and heritage together has flourished and grown and is now a for all of us to embrace. -
Annual Waterways Report
Annual Waterways Report Pieman Catchment Water Assessment Branch 2009 ISSN: 1835-8489 Copyright Notice: Material contained in the report provided is subject to Australian copyright law. Other than in accordance with the Copyright Act 1968 of the Commonwealth Parliament, no part of this report may, in any form or by any means, be reproduced, transmitted or used. This report cannot be redistributed for any commercial purpose whatsoever, or distributed to a third party for such purpose, without prior written permission being sought from the Department of Primary Industries and Water, on behalf of the Crown in Right of the State of Tasmania. Disclaimer: Whilst DPIW has made every attempt to ensure the accuracy and reliability of the information and data provided, it is the responsibility of the data user to make their own decisions about the accuracy, currency, reliability and correctness of information provided. The Department of Primary Industries and Water, its employees and agents, and the Crown in the Right of the State of Tasmania do not accept any liability for any damage caused by, or economic loss arising from, reliance on this information. Department of Primary Industries and Water Pieman Catchment Contents 1. About the catchment 2. Streamflow and Water Allocation 3. River Health 1. About the catchment The Pieman catchment drains a land mass of more than 4,100 km 2 stretching from about Lake St Clair in the Central Highlands west more than 90 km to Granville Harbour on the rugged West Coast of Tasmania. Major rivers draining the catchment are the Savage, Donaldson and Whyte rivers in the lower catchment, the Pieman, Huskisson rivers in the middle catchment and the Mackintosh, Murchison and Anthony rivers in the upper catchment. -
Hydro 4 Water Storage
TERM OF REFERENCE 3: STATE-WIDE WATER STORAGE MANAGEMENT The causes of the floods which were active in Tasmania over the period 4-7 June 2016 including cloud-seeding, State-wide water storage management and debris management. 1 CONTEXT 1.1 Cause of the Floods (a) It is clear that the flooding that affected northern Tasmania (including the Mersey, Forth, Ouse and South Esk rivers) during the relevant period was directly caused by “a persistent and very moist north-easterly airstream” which resulted in “daily [rainfall] totals [that were] unprecedented for any month across several locations in the northern half of Tasmania”, in some cases in excess of 200mm.1 (b) This paper addresses Hydro Tasmania’s water storage management prior to and during the floods. 1.2 Overview (a) In 2014, Tasmania celebrated 100 years of hydro industrialisation and the role it played in the development of Tasmania. Hydro Tasmania believes that understanding the design and purpose of the hydropower infrastructure that was developed to bring electricity and investment to the state is an important starting point to provide context for our submission. The Tasmanian hydropower system design and operation is highly complex and is generally not well understood in the community. We understand that key stakeholder groups are seeking to better understand the role that hydropower operations may have in controlling or contributing to flood events in Tasmania. (b) The hydropower infrastructure in Tasmania was designed and installed for the primary purpose of generating hydro-electricity. Flood mitigation was not a primary objective in the design of Hydro Tasmania’s dams when the schemes were developed, and any flood mitigation benefit is a by-product of their hydro- generation operation. -
EPBC Act Referral
EPBC Act referral Note: PDF may contain fields not relevant to your application. These fields will appear blank or unticked. Please disregard these fields. Title of proposal 2021/8909 - South Marionoak Tailings Storage Facility, Rosebery, Tasmania Section 1 Summary of your proposed action 1.1 Project industry type Mining 1.2 Provide a detailed description of the proposed action, including all proposed activities The proposed action is the construction and operation of a new Tailings Storage Facility (TSF) at South Marionoak (SMO) in proximity to Rosebery, Tasmania within the West Coast municipality (South Marionoak TSF). The South Marionoak TSF will form part of the MMG Rosebery mine operations and will allow for piping and disposal of tailings resulting from the processing plant. The proposed South Marionoak TSF will provide long term essential tailings storage for the Rosebery Mine. Rosebery Mine has operated continuously since 1936 as an underground polymetallic base metal mine with a capacity to produce up to 1,100,000 tonnes of ore per year. Rosebery produces zinc, copper and lead concentrates, as well as gold ore. The mine has used the Bobadil TSF, situated approximately 2.5 km north of the mine, and 2/5 Dam TSF situated approximately 1 km south of the mine. The TSFs are expected to reach capacity within the next few years, and a new TSF will be required to support the mine’s ongoing operation. The South Marionoak TSF has been designed as an off-stream facility with storage volume of approximately 25 Mm3 and an anticipated lifespan of around 42 years (based on current tailings production rates). -
3966 Tour Op 4Col
The Tasmanian Advantage natural and cultural features of Tasmania a resource manual aimed at developing knowledge and interpretive skills specific to Tasmania Contents 1 INTRODUCTION The aim of the manual Notesheets & how to use them Interpretation tips & useful references Minimal impact tourism 2 TASMANIA IN BRIEF Location Size Climate Population National parks Tasmania’s Wilderness World Heritage Area (WHA) Marine reserves Regional Forest Agreement (RFA) 4 INTERPRETATION AND TIPS Background What is interpretation? What is the aim of your operation? Principles of interpretation Planning to interpret Conducting your tour Research your content Manage the potential risks Evaluate your tour Commercial operators information 5 NATURAL ADVANTAGE Antarctic connection Geodiversity Marine environment Plant communities Threatened fauna species Mammals Birds Reptiles Freshwater fishes Invertebrates Fire Threats 6 HERITAGE Tasmanian Aboriginal heritage European history Convicts Whaling Pining Mining Coastal fishing Inland fishing History of the parks service History of forestry History of hydro electric power Gordon below Franklin dam controversy 6 WHAT AND WHERE: EAST & NORTHEAST National parks Reserved areas Great short walks Tasmanian trail Snippets of history What’s in a name? 7 WHAT AND WHERE: SOUTH & CENTRAL PLATEAU 8 WHAT AND WHERE: WEST & NORTHWEST 9 REFERENCES Useful references List of notesheets 10 NOTESHEETS: FAUNA Wildlife, Living with wildlife, Caring for nature, Threatened species, Threats 11 NOTESHEETS: PARKS & PLACES Parks & places, -
1 WOODCHIPPING the SPIRIT of TASMANIA Tim Bonyhady Centre
WOODCHIPPING THE SPIRIT OF TASMANIA Tim Bonyhady Centre for Environmental Law and Policy, Australian National University, Canberra, Australia When the National Gallery of Victoria reopened its building on St Kilda Road last year, the focus was on the architecture of Mario Bellini and the new display of the Gallery’s international collection. Natural inspiration, an exhibition curated by Isobel Crombie in the Gallery’s modest photography space on its top floor, attracted little notice, despite being one of the highlights of the Gallery’s opening display. Its most innovative ingredient was the inclusion of four works by the Tasmanian photographer, Peter Dombrovskis – the first time a major Australian art museum had put a significant group of Dombrovskis’s work on display, let alone placed it in an international context.1 This recognition of Dombrovskis’s work was all the more remarkable because the institutional response to his photographs during his lifetime could hardly have been more negative. Apart from the National Gallery of Victoria, which bought five of his photographs, the Tasmanian Museum and Art Gallery acquired just one and it was a donation. All other museums and libraries ignored him. The implication was that, for all Dombrovskis’s political significance as an environmental photographer, especially during the campaign to stop Tasmania’s Hydro-Electric Commission damming the Franklin River, he did not rate as an artist. The response of photographic historians was similar. Gael Newton ignored Dombrovskis in her Shades of Light: Photography and Australia 1839-1988 published for the Bicenntennial in 1988. Anne-Marie Willis gave him half a sentence in her Picturing Australia: A History of Photography published the same year.2 Geoffrey Batchen provided an explanation of this treatment in an essay in the American journal AfterImage in 1989 in which he described Dombrovskis’s photographs of the Franklin River as ‘conservative’ and ‘cloyingly sentimental’. -
Geological Survey Explanatory Report St Clair
e~'f3N TASMANIA DEPARTMENT OF MINES GEOLOGICAL SURVEY EXPLANATORY REPORT ONE MILE GEOLOGICAL MAP SERIES K'S5-1O-59 ST CLAIR A. B. Qm.L1Im lMIIBd aDder t.be IIIdbortIr of '1'l1lI JIoaourIIIIII Em &L1IO'r1' RDC& M.BA., !fIr!etr lot IIIDa far Ttwutl' 1.. D... WILIaa'... 0.,. 9 PrI8ta-. ~ _Ie ... _ , ... (It) TASMANI A DEPA RTM ENT OF MINES II 'I I GEOLOGICAL SURVEY EXPLANATORY REPORT ONE MILE GEOLOG ICAL MAP SER IES K/55-10-59 ST CLAIR by A. B. GULLINE Issued under the authority of The Honourable ERIC ELLIOTI' REECE. M.H.A .. Minister for Mines for Tasmania 1965 Hej.:isten'd loy thl.' Po~tmaijte .. -Gel1el"al rOt, tI'Kn~mi~siun Ihrou)!ht the PUll! II all a book. D. E. \VII,KINSO:-;', GO\,(~ I ' nmell t Pl"inter, Ta"marnll. Preface The St Clair Quadrangle, to which this report refers, contains the southern continuation of the glaciated region already surveyed in the Du Cane Quadrangle immediately to the north. Like the Du Cane Quadrangle, the St Clair Quadrangle has little mineral wealth but much to interest the bushwalker, and in addition, its easier access brings it within the range of the tourist. Indeed, a large part of the State's biggest scenic reserve, the Cradle Mountaln Lake St Clair National Park, occurs in this Quadrangle. Economically, the chief interest is centered in peculiarities of topography and drainage, enabling development of natural and artificial storage lakes to assist in t he production of hydro-electricity so necessary for industrial expansion. The St Clair Map Sheet presents a wide range of interesting studies for a variety of geologists including especially those inter~ ested in geomorphology and engineering, and it is to be hoped that this report will be followed by fUrther study.