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MY KING (MON ROI) a Film by Maïwenn
LES PRODUCTIONS DU TRESOR PRESENTS MY KING (MON ROI) A film by Maïwenn “Bercot is heartbreaking, and Cassel has never been better… it’s clear that Maïwenn has something to say — and a clear, strong style with which to express it.” – Peter Debruge, Variety France / 2015 / Drama, Romance / French 125 min / 2.40:1 / Stereo and 5.1 Surround Sound Opens in New York on August 12 at Lincoln Plaza Cinemas Opens in Los Angeles on August 26 at Laemmle Royal New York Press Contacts: Ryan Werner | Cinetic | (212) 204-7951 | [email protected] Emilie Spiegel | Cinetic | (646) 230-6847 | [email protected] Los Angeles Press Contact: Sasha Berman | Shotwell Media | (310) 450-5571 | [email protected] Film Movement Contacts: Genevieve Villaflor | PR & Promotion | (212) 941-7744 x215 | [email protected] Clemence Taillandier | Theatrical | (212) 941-7744 x301 | [email protected] SYNOPSIS Tony (Emmanuelle Bercot) is admitted to a rehabilitation center after a serious ski accident. Dependent on the medical staff and pain relievers, she takes time to look back on the turbulent ten-year relationship she experienced with Georgio (Vincent Cassel). Why did they love each other? Who is this man whom she loved so deeply? How did she allow herself to submit to this suffocating and destructive passion? For Tony, a difficult process of healing is in front of her, physical work which may finally set her free. LOGLINE Acclaimed auteur Maïwenn’s magnum opus about the real and metaphysical pain endured by a woman (Emmanuelle Bercot) who struggles to leave a destructive co-dependent relationship with a charming, yet extremely self-centered lothario (Vincent Cassel). -
Nr Kat Artysta Tytuł Title Supplement Nośnik Liczba Nośników Data
nr kat artysta tytuł title nośnik liczba data supplement nośników premiery 9985841 '77 Nothing's Gonna Stop Us black LP+CD LP / Longplay 2 2015-10-30 9985848 '77 Nothing's Gonna Stop Us Ltd. Edition CD / Longplay 1 2015-10-30 88697636262 *NSYNC The Collection CD / Longplay 1 2010-02-01 88875025882 *NSYNC The Essential *NSYNC Essential Rebrand CD / Longplay 2 2014-11-11 88875143462 12 Cellisten der Hora Cero CD / Longplay 1 2016-06-10 88697919802 2CELLOSBerliner Phil 2CELLOS Three Language CD / Longplay 1 2011-07-04 88843087812 2CELLOS Celloverse Booklet Version CD / Longplay 1 2015-01-27 88875052342 2CELLOS Celloverse Deluxe Version CD / Longplay 2 2015-01-27 88725409442 2CELLOS In2ition CD / Longplay 1 2013-01-08 88883745419 2CELLOS Live at Arena Zagreb DVD-V / Video 1 2013-11-05 88985349122 2CELLOS Score CD / Longplay 1 2017-03-17 0506582 65daysofstatic Wild Light CD / Longplay 1 2013-09-13 0506588 65daysofstatic Wild Light Ltd. Edition CD / Longplay 1 2013-09-13 88985330932 9ELECTRIC The Damaged Ones CD Digipak CD / Longplay 1 2016-07-15 82876535732 A Flock Of Seagulls The Best Of CD / Longplay 1 2003-08-18 88883770552 A Great Big World Is There Anybody Out There? CD / Longplay 1 2014-01-28 88875138782 A Great Big World When the Morning Comes CD / Longplay 1 2015-11-13 82876535502 A Tribe Called Quest Midnight Marauders CD / Longplay 1 2003-08-18 82876535512 A Tribe Called Quest People's Instinctive Travels And CD / Longplay 1 2003-08-18 88875157852 A Tribe Called Quest People'sThe Paths Instinctive Of Rhythm Travels and the CD / Longplay 1 2015-11-20 82876535492 A Tribe Called Quest ThePaths Low of RhythmEnd Theory (25th Anniversary CD / Longplay 1 2003-08-18 88985377872 A Tribe Called Quest We got it from Here.. -
The Representation of Suicide in the Cinema
The Representation of Suicide in the Cinema John Saddington Submitted for the degree of PhD University of York Department of Sociology September 2010 Abstract This study examines representations of suicide in film. Based upon original research cataloguing 350 films it considers the ways in which suicide is portrayed and considers this in relation to gender conventions and cinematic traditions. The thesis is split into two sections, one which considers wider themes relating to suicide and film and a second which considers a number of exemplary films. Part I discusses the wider literature associated with scholarly approaches to the study of both suicide and gender. This is followed by quantitative analysis of the representation of suicide in films, allowing important trends to be identified, especially in relation to gender, changes over time and the method of suicide. In Part II, themes identified within the literature review and the data are explored further in relation to detailed exemplary film analyses. Six films have been chosen: Le Feu Fol/et (1963), Leaving Las Vegas (1995), The Killers (1946 and 1964), The Hustler (1961) and The Virgin Suicides (1999). These films are considered in three chapters which exemplify different ways that suicide is constructed. Chapters 4 and 5 explore the two categories that I have developed to differentiate the reasons why film characters commit suicide. These are Melancholic Suicide, which focuses on a fundamentally "internal" and often iII understood motivation, for example depression or long term illness; and Occasioned Suicide, where there is an "external" motivation for which the narrative provides apparently intelligible explanations, for instance where a character is seen to be in danger or to be suffering from feelings of guilt. -
YANDRO for This
VOL.XVII NO. I Published as -regular?y as time and 7 . < i...., i «•:■;■. ' ■■ very, these days) by the Rev. Robert Cottl-on s;;d Co 2 < ?n Rout.- 5 :i1 Cixy, Indiana k?3k8f USA British agent* Alan 77 S?anstead ‘‘..’■ad Hcdd.rj !•>'£■, Great Britain Price, USi 40/ per copy 4 for >1 50 or 12 for $4 00 Price, Britain* 3/0 per -copy- 4 for 10/0 r or .12 far 26/0 s still cto not u»,.•<• t-.> i>. .-?;.■■■>.■-■ -d in r.-tb“” luc-, (Would you, if yon put- out something that looked .likb this?* however even w get ■.■■■? roultilith working the way ** 6 supposed to ” X have a trou. ■ . m u. .-a order _ we are not happy about re* views. An occasional naw reader si. Lots of them at once no C'CufESTS Ramblings (editorial) P JWC ..... t a *■ o ♦ <? r * 9 B Rumblings (editorial) .. ■ RSC t = 4 2 C o o C « 0 a 4 Golden 'Minutes (book ..-<. *i>rats) RSC .... « C G c P P • * •» 6 Envy (verse) . , . L Sprague de Camp © • » a p • 13 The KhlghWfoskowiti rriarlaat:.,-.;: varLtxAe) .. Sam Moskowitz a O 0 a o « • < p 14 Announcements r t W . > e O 9 a • 0 p * • 18 Strange fruit (fans-in? reviews} , X* * .'O . „ e b O o e o 0 * c 19 Technical And 0<N.t 1. j; '. (V?.: ■ c P C < © w • p n 26 Grumblir. g.; (1 st ter s) tarn ♦ « » 0 c e c a 28 The ads begin on page 37 ARTrfCRK Cover by . -
New Arrivals August 2020
EMMA STEWART RESOURCES CENTRE New Arrivals August 2020 Emma Stewart Resources Centre Saskatchewan Teachers’ Federation Mail: 2317 Arlington Avenue, Saskatoon, SK S7J 2H8 Office: Arbos Centre for Learning, 2311 Arlington Ave, Saskatoon, SK Telephone: 306-373-1660 Email: [email protected] Please note: Annotations have been excerpted and/or adapted from descriptions provided by the publishers. 004.678083 K15 Kamenetz, Anya The art of screen time : how your family can balance digital media and real life New York, NY : Public Affairs, 2018. Subjects: Families. Information technology—Social aspects. Internet addiction. Internet and children. Internet and families. Summary: Many have been quick to declare this the dawn of a neurological and emotional crisis, but solid science on the subject is surprisingly hard to come by. In this book, the author takes a refreshingly practical look at the subject. Surveying hundreds of fellow parents on their practices and ideas, and cutting through a thicket of inconclusive studies and overblown claims, she hones a simple message, a riff on Michael Pollan's well-known "food rules": Enjoy Screens. Not too much. Mostly with others. 026.7415 P574 Phoenix, Jack Maximizing the impact of comics in your library : graphic novels, manga, and more Santa Barbara, CA : Libraries Unlimited, 2020. Subjects: Libraries—Activity programs. Libraries—Special collections—Comic books, strips, etc. Libraries—Special collections—Graphic novels. Summary: This unique guide offers fresh insights on how graphic novels and comics differ from traditional books and require different treatment in the library, from purchasing, shelving, and cataloging to readers' advisory services, programs, and curriculum. 027.625 T459 Thomas, Nancy Pickering; Crow, Sherry R. -
American Film Market 2010
AmericAn Film mArket 2010 promoreel available iN POST-PRODUCTION SPOnSORING By Malgorzata Szumowska FOr ELLEN By So Yong Kim iN PRODUCTION tHe mONK HELLO DARKNESS By Dominik Moll By Richard Glatzer and Wash Westmoreland lORE By Cate Shortland COMPLETeD BlAck HeAVen By Gilles Marchand tHe WOmAn tHe tree IN tHe FiFtH By Julie Bertuccelli By Pawel Pawlikowski Silent SOUlS By Aleksei Fedorchenko tHink GlOBAl, Act rUrAl By Coline Serreau AFM 2010 / promoreel available WitH vincent Cassel (mesrine, eastern promises, irreversible), Deborah François (tHe FIRST DaY oF tHe REST tHe mONK oF YoUr LIFe, tHe PAGe tURNER), A film by Dominik moll Sergi lopez (PAN’S LABYRINTH, WITH th A FRIEND LIKE HARRY), Geraldine Chaplin The rise and fall of a Capuchin Monk in 17 century Madrid. (THE ORPHANAGE, TALK TO HER) Abandoned as a baby on the steps of a monastery and raised in strict Capu- By tHe DirectOr of A FRIEND LIKE chin fashion, Ambrosio has become the most famous preacher in the country. HARRY (Cannes 2000 / Official Competition), While large crowds from all over the country come to hear his mesmerizing LEMMING (Cannes 2005 / Official Competition) preaches, he’s also bitterly envied for his success by certain fellow monks. PrODUceD By Convinced of his virtue and righteousness, Brother Ambrosio thinks he is Diaphana Films and Morena Films immune to temptation… In association with Sofica Coficup-Backup Films Until obscure events start terrorizing the monastery. Could they be connected FranCe, Spain to the unexpected arrival of Valerio, an apprentice monk who has the miracu- Budget 15 Million USD lous gift to relieve Ambrosio’s splitting headaches, and hides his disfigured DeliVery SprinG 2011 face under a wax mask? Adapted from Matthew Lewis’ eponymous cult classic Gothic novel. -
Non-Fiction Non-Fiction
NON-FICTION CHARLES GILLIBERT PRESENTS Competition Special Presentations NON-FICTION France – 107 min – 1.85 INTERNATIONAL SALES INTERNATIONAL PRESS IN VENICE 5 rue Nicolas Flamel RENDEZ-VOUS 75004 Paris, France Viviana Andriani, Aurélie Dard 2, rue Turgot 75009 Paris, France Ph.: +33 1 53 10 33 99 Tel : +33 1 42 66 36 35 www.playtime.group [email protected] +33 6 80 16 81 39 (Viviana) +33 6 77 04 52 20 (Aurélie) [email protected] CLICK HERE TO DOWNLOAD STILLS SYNOPSIS Alain, a successful Parisian publisher struggling to adapt to the digital revolution, has major doubts about the new manuscript of Léonard, one of his long-time authors - another work of auto- fiction recycling his love affair with a minor celebrity. Selena, Alain’s wife, a famous stage actress, is of the opposite opinion. DIRECTOR'S STATEMENT Our world keeps changing. It always has been. The challenge is our ability to keep an eye on that flux and to understand what is truly at stake in order to adapt, or not. After all, this is what politics and opinions are about. The digitalization of our world and its reconfiguration into algorithms is the modern vector of a change that confuses and overwhelms us. Digital economy infriges rules and often laws. Moreover it questions what seemed solid and granted in society. Yet, it dissolves on mere contact. Non-Fiction does not attempt to analyze workings of this new economy, but rather to observe how those questions shake us, personally, emotionally, and sometimes humorously. OLIVIER ASSAYAS (DIRECTOR) Born in Paris on January 25th 1955, Olivier Assayas started out as a painter and graphic designer. -
Killer Instinct Mesrine
MESRINE: KILLER INSTINCT (Part 1) MESRINE: PUBLIC ENEMY No. 1 (Part 2) Press Materials: www.musicboxfilms.com Press Contact New York Press Contact Los Angeles Sophie Gluck & Associates Marina Bailey Film Publicity Sophie Gluck Marina Bailey 124 West 79th Street 1615 North Laurel Avenue #201 New York, NY 10024 Los Angeles, CA 90046 Tel: (212) 595-2432 Tel: (323) 650-3627 [email protected] [email protected] 1 MESRINE: KILLER INSTINCT (Part 1) Winner – 3 César Awards Best Actor, Best Director, Best Sound Starring - Vincent Cassel, Gérard Depardieu, Cécile de France, Roy Dupuis, Gilles Lellouche, Elena Anaya, Ludivine Sagnier Based on the Book L’instinct de mort by Jacques Mesrine Screenplay by Abdel Raouf Dafri Written by Jean-François Richet and Abdel Raouf Dafri Produced by Thomas Langmann Directed by Jean-François Richet Running Time: Part 1 – 113 minutes MPAA Rating: R (for strong brutal violence, some sexual content and language) SYNOPSIS Across Canada, the United States and Spain, through France and Algeria, Mesrine: Killer Instinct tells the story of the incredible rise of one of history’s greatest gangsters. Always on the run, a renegade existence only a bullet can stop. MESRINE: KILLER INSTINCT - the first of two parts - charts the outlaw odyssey of Jacques Mesrine (Vincent Cassel), the legendary French gangster of the 1960s and 1970s who came to be known as French Public Enemy No. 1 and The Man of a Thousand Faces. Infamous for his bravado and outrageously daring prison escapes, Mesrine carried out numerous robberies, kidnappings and murders in a criminal career that spanned continents until he was shot dead in 1979 by France's notorious anti- gang unit. -
A FILM by DOMINIK MOLL DIAPHANA FILMS Presents
DIAPHANA FILMS presents A FILM BY DOMINIK MOLL DIAPHANA FILMS presents A FILM BY DOMINIK MOLL RUNTIME: 101 MINUTES SYNOPSIS Philippe Mars, divorced father of two and IT specialist (senior computer programmer?), feels cramped by his daily grind and swamped by the world around him: his overambitious teenage daughter, his pubescent son who has decided to go vegetarian, his TV journalist ex-wife, his domineering painter sister, his elderly neighbour who’s mentally stuck in the 1970s, his parents who died in a car crash, his falsely laid-back boss.... They all seem to have ganged up to make his world more complicated. When Jérôme, an infectiously insane co-worker, gatecrashes Philippe’s life, it veers completely out of control. INTERVIEW WITH DOMINIK MOLL The film begins on Philippe Mars’s (François his depth in the 21st. At the beginning of the film, With a boss who goes around handing out sweets Damiens) 49th birthday, which nobody else could Philippe Mars feels trapped by his own self and to his employees... care less about. A divorced father trapped in an his life, in which he finds it increasingly difficult to uninspiring job and a humdrum home life, Philippe perceive any meaning. But a string of events leads Yes, I lifted that straight out of a management seems to have lost faith in the future. It sounds like him to see everything – his work, his children, his tutorial! the premise of a standard psychological drama... life – in a different way. Originally, I also intended but the film is anything but that. -
Into the Forest
LES FILMS DE FRANÇOISE, GÖTAFILM and FILM VÄST present INTO THE FOREST A film by Gilles Marchand Written by Gilles Marchand and Dominik Moll Jérémie ELKAÏM, Timothé VOM DORP, Théo VAN DE VOORDE, Sophie QUINTON, Mireille PERRIER 103 min – France/Sweden - 2016 - DCP - Colour INTERNATIONAL SALES INTERNATIONAL PR WILD BUNCH Press Office Festival del film VINCENT MARAVAL & NOEMIE Locarno DEVIDE Stefanie Kuchler, [email protected] [email protected] CAROLE BARATON & OLIVIER +41 79 565 05 13 BARBIER [email protected] Giulia Fazioli, EMILIE SERRES [email protected] [email protected] +41 79 617 00 31 SILVIA SIMONUTTI [email protected] SWITZERLAND Jean-Yves Gloor [email protected] +41 79 210 98 21 +41 21 92 360 00 SYNOPSIS Tom and his older brother Benjamin haven’t seen their father in a long time. They travel to Sweden where he lives, to spend the summer holidays with him. Tom is anxious about meeting this strange, solitary man again. The father, meanwhile, is convinced that Tom has the gift of seeing things that others can’t... INTERVIEW WITH GILLES MARCHAND Where did the idea of making this film come from? The starting point is closely linked to trips my brother and I used to take as children to see my father who lived abroad. It was impressive to go see him in a faraway country, to discover a way of life we knew nothing about. We were uneasy but also curious and extremely attentive. I relied on my memories, but mostly on sensations. I wanted to convey things through the eyes of a child. -
DP-Web-FETE-DE-FAMILLE.Pdf
avec LUANA BAJRAMI LAETITIA COLOMBANI ISABEL AIMÉ GONZALEZ SOLA ALAIN ARTUR JOSHUA ROSINET MILAN HATALA SOLAL FERREIRA LES FILMS DU WORSO PRÉSENTE 101 MIN – FRANCE – 2019 – 1.85 – 5.1 AU CINÉMA LE 4 SEPTEMBRE DISTRIBUTION RELATIONS PRESSE Marie-Christine Damiens 5, rue Darcet 13, rue Yves Toudic 75017 Paris 75010 Paris tél : 01 44 69 59 59 Tél. : 01 42 22 12 24 www.le-pacte.com [email protected] MATÉRIEL PRESSE DISPONIBLE SUR WWW.LE-PACTE.COM ENTRETIEN AVEC CÉDRIC KAHN Votre onzième long métrage s’inscrit Le dispositif du film, qui emprunte au dans ce qui est presque un genre en soi : théâtre, est-il apparu rapidement à le film de famille. Quelle a été l’origine de l’écriture ? ce projet ? Il n’y a pas eu d’intention de faire L’origine, je ne sais pas exactement, mais « théâtre », mais disons que ça s’est ce que je peux dire, c’est que je portais imposé naturellement par le sujet, cette histoire en moi depuis longtemps, puisqu’il y a une unité de lieu (la maison), peut-être même depuis toujours et qu’il de temps (le film se passe en moins de 24 m’a fallu tout ce temps et tous ces films heures) et d’action (tout s’organise autour pour m’autoriser à la raconter. Mais à de l’anniversaire de la mère). Le film est partir du moment où ça s’est imposé, tout construit en trois actes et les dialogues SYNOPSIS est allé très vite. À l’automne 2017, alors sont abondants. -
Wettbewerb (48
Filme im Wettbewerb 24 Wochen (24 Weeks) von Anne Zohra Berrached mit Julia Jentsch, Bjarne Mädel, Johanna Gastdorf, Emilia Pieske, Maria Dragus. Produktion: zero one film, Berlin; ZDF/Das kleine Fernsehspiel, Mainz; Filmakademie Baden-Württemberg, Ludwigsburg. Weltvertrieb: Beta Cinema, Oberhaching. Originalsprache: Deutsch. Untertitel: Englisch Alone in Berlin (Jeder stirbt für sich allein) von Vincent Perez mit Emma Thompson, Brendan Gleeson, Daniel Brühl, Mikael Persbrandt, Monique Chaumette, Joachim Bissmeier, Katrin Pollitt, Lars Rudolph, Uwe Preuss, Daniel Sträßer. Produktion: X Filme Creative Pool, Berlin; Master Movies, Paris; FilmWave, London; Pathé Production, Paris; Buffalo Films, Paris; WS Film Produktion, Dirmstein. Deutscher Verleih: X Verleih, Berlin. Weltvertrieb: Cornerstone Films, London. Originalsprache: Englisch. Untertitel: Deutsch L'avenir (Things to Come) von Mia Hansen-Løve mit Isabelle Huppert, André Marcon, Roman Kolinka, Edith Scob, Sarah Le Picard, Solal Forte, Elise Lhomeau, Lionel Dray, Grégoire Montana-Haroche, Lina Benzerti. Produktion: CG Cinema, Paris; DETAiLFILM, Hamburg. Deutscher Verleih: Zentropa Hamburg, Hamburg. Weltvertrieb: Les Films du Losange, Paris. Originalsprache: Französisch. Untertitel: Deutsch/Englisch Boris sans Béatrice (Boris without Béatrice) von Denis Côté mit James Hyndman, Simone- Élise Girard, Denis Lavant, Isolda Dychauk, Dounia Sichov, Laetitia Isambert-Denis, Bruce La Bruce, Louise Laprade. Produktion: Metafilms, Montreal. Weltvertrieb: Films Boutique, Berlin. Originalsprache: