The Soundof Music
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Kelsey Lacombe
Canada’s Première Agency for Dance Educators www.quickballchange.com [email protected] KELSEY LACOMBE TEACHING EXPERIENCE Shelley Shearer School of Dance Recreational & Competitive Ballet, Tap, Jazz, Musical Theatre Teacher PERFORMANCE EXPERIENCE 42nd Street Phyllis Dale Drayton/Michael Lichtefeld Bend it Like Beckham Swing/DC Bend It Toronto Inc/M Paul/G Berti Cinderella Ensemble Rainbow Stage Holiday Inn Ensemble Drayton/Michael Lichtefeld Beauty and the Beast Silly Girl Rainbow Stage/R Herriot/S Manchulenko Beauty and the Beast Ensemble/Belle u/s Capitol/A. Sarmiento/K. Gage Crazy for You Patsy Citadel/Theatre Calgary/D. Tekatch Cinderella: Panto Ensemble Drayton/David Connolly Anything Goes Chastity Drayton/Michael Lichtefeld Damn Yankees Sister Miller/DC Theatre Sheridan/Ray Hogg Legally Blonde Elle Woods Theatre Sheridan/G. Peterson Atlantis Chora Theatre Sheridan/CMTP/R Ouzounian Sister Act Ensemble Rainbow Stage/Ray Hogg West Side Story Pauline Rainbow Stage/Tracy Flye Chess Ensemble/DC Theatre Sheridan/D Evans/J Tomaino The Producers Usherette Rainbow Stage/Ray Hogg Les Feux Follets Featured Charlottetown Festival/K. Gage Annie Cecile Rainbow Stage/D. Fletcher Footloose Wendy Jo Rainbow Stage/Carson Nattrass RELATED EXPERIENCE Carrie: The Musical Hart House Theatre/Assistant Choreographer Grand Hotel Theatre Sheridan/Assistant Choreographer Sheridan College Dance Tutor Damn Yankees Dance Captain (Sheridan) Chess Dance Captain (Sheridan) EDUCATION & CERTIFICATION Sheridan College Bachelor Music Theatre Performance ISTD Ballet – Grade 6 OTHER Royal Manitoba Theatre Centre Scholarship 2014-2016 CAEA . -
THE SOUND of MUSIC Wednesday, October 7, 2015 Ahmanson Theatre, Los Angeles
experienceL.A. THE SOUND OF MUSIC Wednesday, October 7, 2015 Ahmanson Theatre, Los Angeles THE SOUND OF MUSIC The Sound of Music is a stage and film musical based on The Story of the Trapp Family Singers, the memoir of Maria von Trapp. The story takes place in Austria at the brink of World War II. Maria, a plucky nun turned governess, is charged with caring for the seven children of a military captain. Maria’s delightful teaching of music to the children leads to their becoming a celebrated touring act, the innocence of which is shattered as the realities of Nazi rule become inescapable. Notably, many details of the von Trapp family story were changed to increase the dramatic impact of the musical version. Inspired by a pair of German films about the von Trapps from the mid-1950s, the stage version of The Sound of Music premiered on Broadway in 1959. The production won multiple Tony Awards, and the show has been revived many times since, including a renowned 1998 Broadway revival. The 1965 film version starring Julie Andrews won five Academy Awards and is still beloved today by viewers around the world. Written by Rodgers and Hammerstein, the songs of The Sound of Music—including “My Favorite Things,” “Do, Re, Mi,” “Edelweiss,” and the title song—have been celebrated for more than half a century. RODGERS AND HAMMERSTEIN Composer Richard Rodgers and librettist Oscar Hammerstein were one of the most prolific, successful songwriting teams in the history of musical theatre. The pair’s first collaboration, Oklahoma! (1943), marked the start of a new theatrical genre: the musical play, which combined elements of musical comedy, operetta, and drama. -
Actor/Dancer/Singer Actra/Equity
BRENDA GORLICK - ACTOR/DANCER/SINGER ACTRA/EQUITY Tel: (204) 284-8645 Height: 5’5” Cell: (204) 795-9741 Weight: 118 lbs. Email: [email protected] Website: www.brendagorlick.ca FILM & TELEVISION THE HORSEMEN Lee Shoemaker Mandate Pictures/Jonas Ackerlun STRIKE! THE MUSICAL Rose Elkin Danny Schur Productions SHALL WE DANCE Dance Competition Judge Miramax Productions Dance Crew Liaison Choreographic Dept. MARY KAY PROJECT Phyllis Flatow (Principal) Alliance Atlantis ONE JANE DOE Daniella (Principal) CBC WITHOUT A WORD Special Dance Extra Buffalo Gal Prod. SHIRLEY HOLMES Woman (Actor) Credo Productions THE COMEDY OF ERRORS Quartet (Feature) CBC ELECTRIC CIRCUS Dancer/Choreographer CITY-TV FRONT PAGE CHALLENGE Special Guest CBC THEATRE NINE! Claudia Dry Cold Productions/Donna Fletcher WIZARD OF OZ Wicked Witch Rainbow Stage Inc./Richard Hurst STRIKE World Premiere Ensemble Danny Schur Productions/Ann Hodges BEAUTY AND THE BEAST Babette Rainbow Stage Inc./Robb Paterson CHICAGO Mary Sunshine Rainbow Stage Inc./Bill Robertson EVITA Ensemble M.T.C./Th. Calgary/Tim French A CHORUS LINE Sheila Rainbow Stage Inc./Richard Hurst 42ND STREET Dorothy Brock Rainbow Stage Inc./Robb Paterson SOUND OF MUSIC Elsa Rainbow Stage Inc./Brian Foley DAMN YANKEES Lola Rainbow Stage Inc./Brian Foley GUYS AND DOLLS Agatha, u.s. Sarah Stratford Festival/Brian MacDonald AS YOU LIKE IT Hysperia, u.s. Audrey Stratford Festival/Richard Monette KISS ME KATE Ensemble, u.s.Hattie Stratford Festival/Donald Saddler COMEDY OF ERRORS Quartet Stratford Festival/Richard Monette NUNSENSE Sister Mary Leo Nunsense /Diane Nyland Proctor A CHORUS LINE Kristine/Judy/Connie/Bebe Vancouver Playhouse/Jeff Hyslop CDN. FORCES TOUR Choreographer/Dancer Overseas Tour/Ray St. -
HAVE GERMAN WILL TRAVEL "The Sound of Music": Fact Or Fiction
HAVE GERMAN WILL TRAVEL sound of Music "The Sound of Music": Fact or Fiction Real Story of the von Trapp Family The History of the von Trapp Family Georg died in decided to stop 1947 and was touring in 1955. The group consisted mostly of non-family members because many of the von buried in the Trapps wanted to pursue other endeavors, and only Maria's iron will had kept the group together family for so long. cemetery on the property. In 1956, Maria, Johannes, Rosmarie, and daughter Maria went to New Guinea to do missionary work. Later, Maria Those who had ran the Trapp Family Lodge for many years. Of the children, Rupert was a medical doctor; applied for Agathe was kindergarten teacher in Maryland; Maria was a missionary in New Guinea citizenship for 30 years; Werner was a farmer; Hedwig taught music; Johanna married and eventually returned achieved it in to live in Austria; Martina married and died in childbirth; Rosmarie and Eleonore both 1948. The settled in Vermont; and Johannes managed the Trapp Family Lodge. Maria died in Trapp Family 1987 and was buried alongside Georg and Martina. Lodge (which is still operating \Vhen the Captain died on May 30, 1947, the children started to rebel. today) opened They were tired of living on the road, and they wanted to start famili es to guests in and settle down. All of the children eventually broke away, and the van Trapps stopped touring in 1956. The fami1y corporation 1950. While bought an old farn1 house in Stowe, Vermont, with everyone helping to build the home fame and and take care of the fmm. -
Beautiful Family! Broadway/ First National Tour: Beautiful; Betty/ Ensemble
SARAH BOCKEL (Carole King) is thrilled to be back on the road with her Beautiful family! Broadway/ First National Tour: Beautiful; Betty/ Ensemble. Regional: Million Dollar Quartet (Chicago); u/s Dyanne. Rocky Mountain Repertory Theatre- Les Mis; Madame Thenardier. Shrek; Dragon. Select Chicago credits: Bohemian Theatre Ensemble; Parade, Lucille (Non-eq Jeff nomination) The Hypocrites; Into the Woods, Cinderella/ Rapunzel. Haven Theatre; The Wedding Singer, Holly. Paramount Theatre; Fiddler on the Roof, ensemble. Illinois Wesleyan University SoTA Alum. Proudly represented by Stewart Talent Chicago. Many thanks to the Beautiful creative team and her superhero agents Jim and Sam. As always, for Mom and Dad. ANDREW BREWER (Gerry Goffin) Broadway/Tour: Beautiful (Swing/Ensemble u/s Gerry/Don) Off-Broadway: Sex Tips for Straight Women from a Gay Man, Cougar the Musical, Nymph Errant. Love to my amazing family, The Mine, the entire Beautiful team! SARAH GOEKE (Cynthia Weil) is elated to be joining the touring cast of Beautiful - The Carole King Musical. Originally from Cape Girardeau, Missouri, she has a BM in vocal performance from the UMKC Conservatory and an MFA in Acting from Michigan State University. Favorite roles include, Sally in Cabaret, Judy/Ginger in Ruthless! the Musical, and Svetlana in Chess. Special thanks to her vital and inspiring family, friends, and soon-to-be husband who make her life Beautiful. www.sarahgoeke.com JACOB HEIMER (Barry Mann) Theater: Soul Doctor (Off Broadway), Milk and Honey (York/MUFTI), Twelfth Night (Elm Shakespeare), Seminar (W.H.A.T.), Paloma (Kitchen Theatre), Next to Normal (Music Theatre CT), and a reading of THE VISITOR (Daniel Sullivan/The Public). -
Im a G E Fe a Tu Re S a U D Re Y D W Y E R Fro M a P H O to B Y a V Ita L Z E M E R
Image features Audrey Dwyer from a photo by Avital Zemer. 1 A Message from the Artistic and Executive Directors Welcome to Seussical – one of our favourite musicals at YPT. Apart from being great fun and featuring terrific performances, this is a profound story. At its centre is Horton the Elephant’s assertion that "a person’s a person no matter how small". Obviously, these are words to live by. They are also a call to action for young people – to think and care about those who are sometimes forgotten or unseen. We hope Seussical inspires all audience members, young and not so young, to be conscious of the impact of their actions. Think how much better the world would be. To quote another song from the show "Oh the thinks you can think – if you’re willing to try..." Our show runs through the Holidays with public performances every day between December 27th and 31st. Perhaps you know someone for whom Seussical tickets would make a great gift! We wish you the very best for the Holidays and the New Year to come. ALLEN MACINNIS NANCY J. WEBSTER Artistic Director Executive Director Young People’s Theatre is a member of the Professional Association of Canadian Theatres (PACT) and engages, under the terms of the Canadian Theatre Agreement, professional Artists who are members of Canadian Actors’ Equity Association. This facility is supported through Toronto Arts Council Strategic Funding. Young People’s Theatre is situated on the territories of the Mississaugas of New Credit and other Indigenous peoples, whom we acknowledge and respect. -
Die Trapp Familie
CD 301_Layout 1 26.08.14 16:59 Seite 14 Salzburg Parks. Für die rekonvaleszente Tochter Maria wird die erst 18-jährige Maria Auguste Kutschera, wel- che als Erzieherin im Kloster Nonnberg arbeitet, als Hauslehrerin eingestellt. Die in Wien geborene Waise gehört dem Bund Neuland an, einem 1919 gegründeten katholischer Verband, der sie nach- haltig prägt. Zwei Jahre später heiraten von Tapp und Maria, 1929 und 1931 werden zwei Töchter geboren. 1933 verliert von Trapp sein gesamtes Vermögen durch die Fehlspekulation seiner Hausbank. Die Hausangestellten werden entlassen, die Familie zieht in deren Zimmer unter den Dachstuhl und vermietet die Bel Etage an Festspielgäste und Künstler, unter anderem an die weltberühmte Wie- ner Sängerin Lotte Lehmann. Maria von Trapp gründet mit Hilfe des Hauskaplans einen Famili- enchor, und nimmt, ermuntert durch Lotte Leh- mann, 1937 an dem Volkssängerwettbewerb der Salzburger Festspiele statt, den sie gewinnen. Es folgt ein erstes Radiokonzert und das Angebot einer Konzertreise durch Amerika. 1938 erfolgt der Anschluss Österreichs an das Dritte Reich und der als kaisertreu bekannte Georg von Trapp befürchtet Repressalien, zumal er ein Konzert der Familie zu Hitlers Geburtstag abge- lehnt hatte. Er vermietet das Haus an einen geist- lichen Orden und emigriert mit der gesamten Familie und dem Chorleiter und Hauskaplan Georg Wasner in die USA. Mit dem Zug geht es über Italien, die Schweiz und Frankreich nach Eng- land, von dort mit dem Schiff nach New York. Fast DIE TRAPP FAMILIE acht Monate sind die Trapps unter dem Namen "The Trapp Family Singers" im familieneigenen Bus in der USA auf Konzertreisen unterwegs, dann Eine österreichisch-amerikanische Geschichte läuft das Visum ab und sie entschließen sich nach Norwegen zu reisen, wo ebenfalls Konzerte statt- Text: Eva von Schilgen | Fotos: Fotos mit freundlicher Genehmigung Anton finden. -
June 1-3,2(>(>7
Leonard A. Anderson M. Seth Reines Executive Director Artistic Director June 1-3,2(>(>7 nte Media -I1 I - I , ,, This program is partially supportec grant from the Illinois Arts Council. Named a Partner In Excellence by the Illinois Arts Council. IF IT'S GOT OUR NAME ON IT YOlU'VE GOT OUR WORD ON If. attachments that are tough enough for folks Ib you. And then we put wr gllarantee on m,m, In fact,we ofb the WustryS only 3-year warm&, Visit mgrHd.com. Book By James Goldman Music Lyrics by Stephen Sondheim Produced Originally on Broadway by Harold Prince By special arrangement with Cameron Mackintosh Directed & Staged by Tony Parise Assistant To The Directorr AEA Stage Manager Marie Jagger-Taylor* Tom Reynolds* Lighting Designer Musical Director Sound Designer Joe Spratt P. Jason Yarcho David J. Scobbie The Cast (In Order of Appearance) Dimitri Weismann .............................................................................................Guy S. Little Jr.* Roscoe....................................................................................................................... Tom Bunfill Phyllis Rogers Stone................................................................................... Colleen Zenk Pinter* Benjamin Stone....................................................................................................... Mark Pinter* Sally Durant Plumrner........................................................................................ a McNeely* Buddy Plummer........................................................................................................ -
Oscar Hammerstein II Collection
Oscar Hammerstein II Collection Guides to Special Collections in the Music Division of the Library of Congress Music Division, Library of Congress Washington, D.C. 2018 Contact information: http://hdl.loc.gov/loc.music/perform.contact Catalog Record: https://lccn.loc.gov/2014565649 Additional search options available at: https://hdl.loc.gov/loc.music/eadmus.mu018003 Processed by the Music Division of the Library of Congress Finding aid encoded by Library of Congress Music Division, 2018 Collection Summary Title: Oscar Hammerstein II Collection Span Dates: 1847-2000 Bulk Dates: (bulk 1920-1960) Call No.: ML31.H364 Creator: Hammerstein, Oscar, II, 1895-1960 Extent: 35,051 items Extent: 160 containers Extent: 72.65 linear feet Language: Collection material in English Location: Music Division, Library of Congress, Washington, D.C. LC Catalog record: https://lccn.loc.gov/2014565649 Summary: Oscar Hammerstein II was an American librettist, lyricist, theatrical producer and director, and grandson of the impresario Oscar Hammerstein I. The collection, which contains materials relating to Hammerstein's life and career, includes correspondence, lyric sheets and sketches, music, scripts and screenplays, production materials, speeches and writings, photographs, programs, promotional materials, printed matter, scrapbooks, clippings, memorabilia, business and financial papers, awards, and realia. Selected Search Terms The following terms have been used to index the description of this collection in the LC Catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically. People Brill, Leighton K.--Correspondence. Buck, Pearl S. (Pearl Sydenstricker), 1892-1973--Correspondence. Buck, Pearl S. (Pearl Sydenstricker), 1892-1973. Crouse, Russel, 1893-1966. -
The Sound of Music at the Paramount Seattle
SEPTEMBER 2017 September 6 – 11, 2017 My wealth. My priorities. My partner. You’ve spent your life accumulating wealth. And, no doubt, that wealth now takes many forms, sits in many places, and is managed by many advisors. Unfortunately, that kind of fragmentation creates gaps that can hold your wealth back from its full potential. The Private Bank can help. The Private Bank uses a proprietary approach called the LIFE Wealth Cycle SM to ind those gaps—and help you achieve what is important to you. To learn more, please visit unionbank.com/theprivatebank or contact: Lisa Roberts Managing Director, Private Wealth Management [email protected] 4157057159 Wills, trusts, foundations, and wealth planning strategies have legal, tax, accounting, and other implications. Clients should consult a legal or tax advisor. ©2017 MUFG Union Bank, N.A. All rights reserved. Member FDIC. Union Bank is a registered trademark and brand name of MUFG Union Bank, N.A. EAP full-page template.indd 1 7/17/17 3:08 PM September 2017 Volume 22, No. 1 Paul Heppner Publisher Susan Peterson Design & Production Director Ana Alvira, Robin Kessler, Shaun Swick, Stevie VanBronkhorst Production Artists and Graphic Design Mike Hathaway Sales Director Brieanna Bright, Joey Chapman, Ann Manning Seattle Area Account Executives Amelia Heppner, Marilyn Kallins, Terri Reed STG at a Glance San Francisco/Bay Area Account Executives Carol Yip Sales Coordinator One of STG’s core values is to serve as stewards of Seattle’s historic Sara Keats Paramount, Moore, and Neptune Theatres, and part of our commitment to Online Editor keeping these spaces healthy and vibrant is to welcome a new generation of visitors and patrons to experience their magic firsthand. -
Von Trapp® Brewing
von Trapp® Brewing “A little of Austria, a lot of Vermont”™ By the family that inspired “The Sound of Music” About Our Lagers Johannes von Trapp always loved the crisp, clean, locally brewed lagers that he found in small towns in Austria. All of our lagers are brewed here at the Trapp Family Lodge, using our own water from an artesian spring high up in our mountains. Brewmaster JP Williams uses traditional Austrian brewing techniques such as “de-coction” and “step-mashing” to increase the complexity of the flavor profile. In our new state-of-the-art Brewery we follow the Reinsheitsgebot - the German Law of Purity of Brewing. No adjuncts, no substitutes, no marketing hype... just beer the way it’s meant to be. Pint $4.95 Flight $6.98 John Patrick Williams, Brewmaster Stowe, Vermont vonTrappBrewing.com (802) 253-0900 Golden Helles Our lightest offering, “Helles” is German for “bright.” It is golden in color, and is a crisp, easy drinking beer for all occasions: a true session lager. It is our only filtered lager. 4.9 ABV 20 IBU Bohemian Pilsner Our award winning Bohemian Pilsner is light straw to golden in color. A touch of Munich malt is added to give the beer a sweet caramel finish. We use Saaz and Perle hops, providing a predominantly peppery bitterness and spicy floral aroma. 5.4 ABV 42 IBU Vienna Style von Trapp Brewing’s Vienna lager is brewed with Munich, Pilsner and Vienna malts adding depth to its amber color. Subtle hops, crisp, with residual sweetness. 5.2 ABV 33 IBU Dunkel Our Dunkel, meaning dark in German, boasts brilliant crimson hues from the large amounts of Munich malts which creates a fuller-bodied beer. -
South Pacific
THE MUSICO-DRAMATIC EVOLUTION OF RODGERS AND HAMMERSTEIN’S SOUTH PACIFIC DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By James A. Lovensheimer, M.A. ***** The Ohio State University 2003 Dissertation Committee: Approved by Professor Arved Ashby, Adviser Professor Charles M. Atkinson ________________________ Adviser Professor Lois Rosow School of Music Graduate Program ABSTRACT Since its opening in 1949, Rodgers and Hammerstein’s Pulitzer Prize- winning musical South Pacific has been regarded as a masterpiece of the genre. Frequently revived, filmed for commercial release in 1958, and filmed again for television in 2000, it has reached audiences in the millions. It is based on selected stories from James A. Michener’s book, Tales of the South Pacific, also a Pulitzer Prize winner; the plots of these stories, and the musical, explore ethnic and cutural prejudice, a theme whose treatment underwent changes during the musical’s evolution. This study concerns the musico-dramatic evolution of South Pacific, a previously unexplored process revealing the collaborative interaction of two masters at the peak of their creative powers. It also demonstrates the authors’ gradual softening of the show’s social commentary. The structural changes, observable through sketches found in the papers of Rodgers and Hammerstein, show how the team developed their characterizations through musical styles, making changes that often indicate changes in characters’ psychological states; they also reveal changing approaches to the musicalization of the novel. Studying these changes provides intimate and, occasionally, unexpected insights into Rodgers and Hammerstein’s creative methods.