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A Dance “Festival Within a Festival” at the Fringe
A dance “festival within a festival” at The Fringe www.bookingdance.com SEE 7 DYNAMIC DANCE COMPANIES FROM AMERICA IN ONE SHOW WED, AUG 12 - SUN, AUG 16 Cover and inside cover photo:Lois Greenfield WORLD PREMIERES ABOUT BOOKING DANCE FESTIVALS ALL COMPANIES DEBUTING IN EDINBURGH FOR THE FIRST TIME The Booking DANCE FESTIVAL is the brainchild of Producer Jodi Kaplan, born with the intention of creating a cultural exchange between performing artists and international communities. The Festival occurs Welcome! annually at different locations around the globe, continually bridging dance artists and audiences worldwide. It is the long-term vision of Booking DANCE FESTIVAL to return annually to the Edinburgh Fringe for a full Booking DANCE FESTIVAL Edinburgh 2009 is the first dance “festival within a festival” three week run while additionally producing showcases in a third-world country every two years and the presented by Producer Jodi Kaplan / BookingDance at the Edinburgh Fringe. summer Olympics every four years. Booking DANCE FESTIVAL Edinburgh 2009 is a continuation of a cultural exchange between performing You will see seven of the best USA Dance Companies performing at The Fringe for the first time. artists and communities on a global scale. Last summer, coinciding with the Beijing Olympics, Jodi Kaplan Ranging stylistically from classical modern to traditional dance from around the globe, this & Associates produced Booking DANCE FESTIVAL Beijing 2008 as the first of its international productions. diverse program showcases seven innovative -
Westfest Site Specific Bios
Peter Adams is a composer, producer, sound designer, and multi-Instrumentalist. Classically trained and unconfined by genre, Peter has produced two albums and numerous works for modern dance, film, theater, and television. His combination of traditional, sampled, and virtual instruments creates a wide spectrum of sounds, allowing for music both intimate and expansive. He has performed throughout the country, including with the Cincinnati Ballet, and has been critically acclaimed by Spin, Magnet, Performing Songwriter, and NPR. Jonathan Campbell received his B.F.A. from The Juilliard School in 2010 and Austin Diaz graduated from NYU's Tisch School of the Arts with a B.F.A in 2011. They both currently dance for Sidra Bell Dance New York. In August 2011, Campbell and Diaz co-founded MADboots dance co. Please visit www.madbootsdance.com and become a friend of MADboots! Emeri Fetzer is a dancer/choreographer and writer from SLC, Utah. After graduating from Goucher College, Emeri worked at Jacob's Pillow then moved to New York in 2011. Since, she was Company Manager for Jacoby & Pronk, contributor for Theater Development Fund, and is Managing Editor at DancePulp.com. She is thrilled to be debuting the first of many dance collaborations. Luke Folger began speaking the language of music from a young age in Washington and Montana, where his parents built strange new instruments from recycled materials, homemade speakers and audio gear, and brought him to weekend barter fair/drum circles in fields with colorful locals. High school marching drum corps, numerous punk rock bands, and a visual arts degree led him to join the music and arts community of NYC in 2007. -
Keigwin + Company
presents KEIGWIN + COMPANY LARRY KEIGWIN Artistic Director ANDREA LODICO WELSHONS Executive Director NICOLE WOLCOTT Co-Founder/Education Director BRANDON COURNAY Rehearsal Director & Company Manager RANDI RIVERA Production & Stage Manager DANCERS ZACKERY BETTY, KACIE BOBLITT, BRANDON COURNAY, KILE HOTCHKISS, GINA IANNI, EMILY SCHOEN, JACLYN WALSH, NICOLE WOLCOTT 1 KEIGWIN + COMPANY EPISODES (2014) LOVE SONGS (2006) CHOREOGRAPHY Larry Keigwin CHOREOGRAPHY Larry Keigwin with the Company LIGHTING DESIGN Burke Wilmore LIGHTING DESIGN Burke Wilmore COSTUMES Sarah Laux COSTUMES Fritz Masten MUSIC On the Town – Three Dance Episodes, Leonard Bernstein MUSIC Roy Orbison “Blue Bayou” and “Crying” DANCERS Zackery Betty, Kacie Boblitt / Gina DANCERS Emily Schoen & Brandon Cournay Ianni*, Brandon Cournay, Kile Hotchkiss, Emily UNDERSTUDY Gina Ianni Schoen, Jaclyn Walsh MUSIC Aretha Franklin “Baby, I Love You” and “I Episodes was commissioned by the John F. Never Loved a Man (The Way I Love You)” Kennedy Center for the Performing Arts and DANCERS Jaclyn Walsh & Zackery Betty the National Symphony Orchestra, Christoph Eschenbach, Music Director, as part of the 2014 MUSIC Nina Simone “Ne Me Quitte Pas” NEW Moves: Symphony + Dance. and “I Put a Spell on You” *alternating cast DANCERS Nicole Wolcott & Larry Keigwin Love Songs was created in part with generous CONTACT SPORT (2012) support from The Greenwall Foundation. CHOREOGRAPHY Larry Keigwin MUSIC “Monotonous,” Lyrics by June Carroll & TRIPTYCH (2009) Music by Arthur Siegel; Performed by Eartha CHOREOGRAPHY -
Artist Bios and Piece Descriptions
1 PERFORMANCE MIX ARTISTS 2013:BIOGRAPHIES Renée Archibald presents Shake Shake, a duet that brings new life to the old cliché of the dancer’s body as instrument. The work investigates sound as a kinetic sense, with rhythm accumulating and dissolving into sempiternal metabolic process and tumbling into finely-tuned cacophony that animates the performance space with lush visual noise. Shake Shake is performed by Jennifer Lafferty and Renée Archibald. Archibald is currently a third year MFA candidate and Teaching Assistant in The Department of Dance at the University of Illinois. After receiving a BFA from University of North Carolina School of the Arts, Archibald lived in New York City for ten years where she performed with independent artists including Christopher Williams, Ann Liv Young, and Rebecca Lazier. Her choreographic work has been presented at NY venues including The Brooklyn Museum, The Chocolate Factory, Danspace Project, Dance Theater Workshop, and The Kitchen. Archibald has taught at Barnard College and White Mountain Summer Dance Festival and has received choreographic residencies through the Brooklyn Arts Exchange, Movement Research, and Yaddo. In 2012, she was awarded the U of Dance Department's Vannie L. Sheiry Memorial Scholarship for outstanding performance. vimeo.com/reneearchibald Oren Barnoy presents Angels My House I Promise. Barnoy dives into an unknown world of dance while investigating not knowing. This experience of dancing is somewhere between ritual, improvisation, score, therapy, and set choreography. It produces itself. Barnoy showed his choreography between 2000-2004 at Joyce SoHo, PS1, Dancenow, Galapagos, WAX. In 2005, Barnoy took a four year break from dance and moved to Miami. -
Zvidance DABKE
presents ZviDance Sunday, July 12-Tuesday, July 14 at 8:00pm Reynolds Industries Theater Performance: 50 minutes, no intermission DABKE (2012) Choreography: Zvi Gotheiner in collaboration with the dancers Original Score by: Scott Killian with Dabke music by Ali El Deek Lighting Design: Mark London Costume Design: Reid Bartelme Assistant Costume Design: Guy Dempster Dancers: Chelsea Ainsworth, Todd Allen, Alex Biegelson, Kuan Hui Chew, Tyner Dumortier, Samantha Harvey, Ying-Ying Shiau, Robert M. Valdez, Jr. Company Manager: Jacob Goodhart Executive Director: Nikki Chalas A few words from Zvi about the creation of DABKE: The idea of creating a contemporary dance piece based on a Middle Eastern folk dance revealed itself in a Lebanese restaurant in Stockholm, Sweden. My Israeli partner and a Lebanese waiter became friendly and were soon dancing the Dabke between tables. While patrons cheered, I remained still, transfixed, all the while envisioning this as material for a new piece. Dabke (translated from Arabic as "stomping of the feet") is a traditional folk dance and is now the national dance of Lebanon, Jordan, Syria, and Palestine. Israelis have their own version. It is a line dance often performed at weddings, holidays, and community celebrations. The dance strongly references solidarity, and traditionally only men participated. The dancers, linked by hands or shoulders, stomp the ground with complex rhythms, emphasizing their connection to the land. While the group keeps rhythm, the leader, called Raas (meaning "head"), improvises on pre-choreographed movement phrases. He also twirls a handkerchief or string of beads known as a Masbha. When I was a child and teenager growing up in a Kibbutz in northern Israel, Friday nights were folk dance nights. -
River North Dance Chicago
Cheryl Mann River North Dance Chicago Frank Chaves, Artistic Director • Gail Kalver, Executive Director The Company: Levizadik Buckins, Taeler Cyrus, Michael Gross, Hank Hunter, Lauren Kias, Ethan R. Kirschbaum, Melanie Manale-Hortin, Michael McDonald*, Hayley Meier, Olivia Rehrman, Ahmad Simmons, Jessica Wolfrum *Performing apprentice Artistic & Production Sara Bibik, Assistant to the Artistic Director • Claire Bataille, Ballet Mistress Joshua Paul Weckesser, Production Stage Manager and Technical Director Mari Jo Irbe, Rehearsal Director • Laura Wade, Ballet Mistress Liz Rench, Wardrobe Supervisor Administration Alexis Jaworski, Director of Marketing • Salena Watkins, Business Manager Diana Anton, Education Manager • Paula Petrini Lynch, Development Manager Christopher W. Frerichs, Grant Writer Lisa Kudo, Development and Special Events Assistant PROGRAM The Good Goodbyes Beat Eva (World Premiere) -Intermission- Three Renatus Forbidden Boundaries Thursday, April 4 at 7:30 PM Friday, April 5 at 8 PM Saturday, April 6 at 2 PM & 8 PM Media support for these performances is provided by WHYY. 12/13 Season | 23 PROGRAM The Good Goodbyes Choreography: Frank Chaves Lighting Design: Todd Clark Music: Original composition by Josephine Lee Costume Design: Jordan Ross Dancers: Taeler Cyrus, Michael Gross, Lauren Kias, Ethan R. Kirschbaum, Melanie Manale-Hortin, Hayley Meier, Jessica Wolfrum Artistic Director Frank Chaves’ newest work, The Good Goodbyes, is an homage to the relationships forged and nurtured within the dance community. Set to an original piano suite by Josephine Lee, artistic director of the acclaimed Chicago Children’s Choir, this wistful and bittersweet work for seven dancers suggests “the beautiful memories and the wonderful relationships I’ve forged with dancers over the years. I want to celebrate the incredibly intimate, intense, fulfilling and—because of the nature of our profession—often short-lived connections we’ve made, and have bid goodbye along the way,” says Chaves. -
2000 M.F.A., Scenic Design, Yale School of Drama 1995 B.S., Theater, Northwestern University
102 Monroe Street office: 212-618-6106 www.lukecantarella.com Brooklyn, NY 11216 mobile: 646-263-4989 e-mail: [email protected] or [email protected] education: 2000 M.F.A., Scenic Design, Yale School of Drama 1995 B.S., Theater, Northwestern University other training: School of the Art Institute, Art Students League, The Drawing Center, Columbia University (Summer Intensive in German) teaching: 2012-present Associate Professor/Pace University Head of Set Design (2013-present): Responsibilities include undergraduate teaching, course development, mentoring student designers, 1st year student advisement Head of Production and Design (2012-2013): Responsibilities include undergraduate teaching, establishing a curriculum for new BFA program in Production & Design, recruiting and retaining students, hiring and mentoring new faculty, student mentorship, production planning and budgeting. 2008-12 Assistant Professor/University of California, Irvine Head of Set Design Program: Responsibilities include teaching both graduate and undergraduate courses, curriculum design, recruiting and retaining students, mentorship, thesis reviews, production planning and budgeting scenic design: # 2015 Auctioning the Ainsleys, directed by Abigail Adams, People’s Light 56 Ted’s Talk, created and directed by David Strassman, Australian Tour 55 Good People, directed by Rob Ruggiero, TheaterWorks 54 Junie B. Jones: Essential Survival Guide to School, directed by Peter Flynn, Theaterworks USA 53 Woody Sez, directed by Nick Corley, Asolo Repertory Theater 52 The Silo Mervin vs. Butter Miriam Bible Match, directed by Sarah Krohn, Studio 42 50 2014 Fractalicious!, directed and created by Bryan Reynolds 49 Transversal Theater– 2014 Interference Festival, Cluj, Romania The Light in the Piazza, directed by Victoria Clark, Pace Performing Arts 48 Row After Row, directed by David Bradley, People’s Light 47 Woody Sez, directed by Nick Corley, People’s Light, TheaterWorks 45 The Other Place, directed by Rob Ruggiero, 44 The Repertory Theater of St. -
On Movement Direction in Musicals. an Interview with Lucy Hind
arts Editorial “It’s All about Working with the Story!”: On Movement Direction in Musicals. An Interview with Lucy Hind George Rodosthenous School of Performance and Cultural Industries, University of Leeds, Leeds LS2 9JT, UK; [email protected] Received: 22 April 2020; Accepted: 28 April 2020; Published: 30 April 2020 Abstract: Lucy Hind is a South African choreographer and movement director who lives in the UK. Her training was in choreography, mime and physical theatre at Rhodes University, South Africa. After her studies, Hind performed with the celebrated First Physical Theatre Company. In the UK, she has worked as movement director and performer in theatres including the Almeida, Barbican, Bath Theatre Royal, Leeds Playhouse Lowry, Sheffield Crucible, The Old Vic and The Royal Exchange. Lucy is also an associate artist of the award-winning Slung Low theatre company, which specializes in making epic theatre in non-theatre spaces. Here, Lucy talks to George Rodosthenous about her movement direction on the award-winning musical Girl from the North Country (The Old Vic/West End/Toronto and recently seen on Broadway), which was described by New York Times critic Ben Brantley as “superb”. The conversation delves into Lucy’s working methods: the ways she works with actors, the importance of collaborative work and her approach to characterization. Hind believes that her work affects the overall “tone, the atmosphere and the shape of the show”. Keywords: choreography; dance; direction; creative team; collaboration; musicals; rehearsals; movement; movement direction 1. Choreography or Movement Direction? George Rodosthenous (GR): Thank you for joining us today for a discussion about your work on the award-winning Girl from the North Country. -
Philadanco! Xmas Philes
Deborah Boardman Deborah THE PHILADELPHIA DANCE COMPANY PHILADANCO! XMAS PHILES Founder, Executive/Artistic Director, DFA, DHL, DA Joan Myers Brown Company Rosita Adamo, Janine Beckles, William E. Burden, Mikaela Fenton, Clarricia Golden, Joe Gonzalez, Jameel M. Hendricks, Victor Lewis Jr., Kareem Marsh, Dana Nichols, Brandi Pinnix, Courtney Robinson, Jah’meek D. Williams, Marcus Williams, Tony Harris (Guest Artist) D/2 Apprentice Company Onederful Ancrum, Ankhtra Battle, Kaniyah Browne, Lindsey Lee, Briana Marshall, Angelica Merced, Dahlia Patterson, Nasir Pittman, Donyae Reaves, Francis Sloane, Taylor Sparks, Lourdes Taylor, Rhapsody Taylor, Dominique Thompson D/3 Youth Ensemble Donovan Blake, Jaheara Brown, Kaniah Browne, Naiya Brown, Arianna Deshields, Nyilah Johnson, Kelsey Jones, Bethany Morris, Mahogani Richardson-Webb, Tiana Smith, Khidir Webster PROGRAM There will be an intermission. Thursday, December 12 @ 7:30 PM Friday, December 13 @ 8 PM Saturday, December 14 @ 2 PM Saturday, December 14 @ 8 PM Zellerbach Theatre The 19/20 dance series is Xmas Philes was commissioned presented by the Annenberg in 2000 by the Annenberg Center Center and NextMove Dance. and NextMove Dance. 19/20 SEASON 51 PROGRAM NOTES Xmas Philes Choreographer Daniel Ezralow Assistant to the Choreographer Debora Chase-Hicks Music Various Artists Lighting Design Clifton Taylor Costume Design Jackson Lowell Costume Execution Natasha Guruleva PRELUDE The Entire Cast WHITE XMAS Tony Harris, Jr. RUDOLPH Rosita Adamo, Janine Beckles, Mikaela Fenton, Clarricia Golden, -
Dance Brochure
Boosey & Hawkes Music Publishers Limited Dance 2006 Edition Also see www.boosey.com/downloads/dance06icolour.pdf Figure drawings for a relief mural by Ivor Abrahams (courtesy Bernard Jacobson Gallery) The Boosey & Hawkes catalogue contains many of the most significant and popular scores in the dance repertoire, including original ballets (see below) and concert works which have received highly successful choreographies (see page 9). To hear some of the music, a free CD sampler is available upon request. Works written as ballets composer work, duration and scoring background details Andriessen Odyssey 75’ Collaboration between Beppie Blankert and Louis Andriessen 4 female singers—kbd sampler based on Homer’s Odyssey and James Joyce’s Ulysses. Inspired by a fascination with sensuality and detachment, the ballet brings together the ancient, the old and the new. Original choreography performed with four singers, three dancers and one actress. Argento The Resurrection of Don Juan 45’ Ballet in one act to a scenario by Richard Hart, premiered in 1955. 2(II=picc).2.2.2—4.2.2.1—timp.perc:cyms/tgl/BD/SD/tamb— harp—strings Bernstein The Dybbuk 50’ First choreographed by Jerome Robbins for New York City Ballet 3.3.4.3—4.3.3.1—timp.perc(3)—harp—pft—strings—baritone in 1974. It is a ritualistic dancework drawing upon Shul Ansky’s and bass soli famous play, Jewish folk traditions in general and the mystical symbolism of the kabbalah. The Robbins Dybbuk invites revival, but new choreographies may be created using a different title. Bernstein Facsimile 19’ A ‘choreographic essay’ dedicated to Jerome Robbins and 2(II=picc).2.2(=Ebcl).2—4.2.crt.2.1—timp.perc(2)— first staged at the Broadway Theatre in New York in 1946. -
CV: Choreography and Dance
Leah O’Donnell 917-428-4344 email: [email protected] web: www.Leahfayeodonnell.com Choreographer and performer: dance, dance theater, opera, film and TV. Arts Writer. CHOREOGRAPHY RAD FEST 2020; EPIC CENTER, KALAMAZOO, MI — MARCH 2020 Choreographer: Dance of the Ancestors KALAMAZOO ART HOP 2020; KALAMAZOO, MI — MARCH 2020 Choreographer: Untitled site-specific work EISENHOWER DANCE DETROIT: DANCE MOSAICS; ROCHESTER, MI — 2020 Guest Choreographer for EDD’s Center Dance Ensemble: Blue Burrow THINK TANK 1, AMONG WOMEN; ANDY ARTS CENTER, DETROIT, MI — 2020 Choreographer: Watch Her Disappear NEWDANCEFEST, EISENHOWER DANCE DETROIT; ROCHESTER, MI — 2019. Guest Choreographer: Reverie. MICHIGAN OPERA THEATRE, DETROIT OPERA HOUSE — 2018 & 2019 Operetta Summer Workshop Choreographer: Operetta Remix (2019) Operetta Summer Workshop Choreographer: Iolanthe (2018) AMERICAN COLLEGE DANCE ASSOCIATION, NORTHEAST CONFERENCE; SUNY BROCKPORT, NY — 2019 Choreographer: Dance of the Ancestors. Gala selection WOMENS WORK FESTIVAL, KRISTI FAULKNER DANCE, BOLL THEATER; DETROIT, MI — 2019 Choreographer: Reverie JUMP/ CUT: A DANCE ON FILM FESTIVAL; BROOKLYN, NY — 2019 Featured Choreographer and Filmmaker: Eutierria WSU SPRING DANCE CONCERT, BONSTELLE THEATER; DETROIT, MI — 2019 Student Choreographer: Dance of the Ancestors WSU COMPANY ONE MAGGIE ALLESEE THEATER; DETROIT, MI — 2018 — 2019 Student Choreographer for Noel Night Performance and several school tours: Perennials, Dance of the Ancestors WSU DECEMBER DANCE CONCERT, MUSIC HALL CENTER FOR PERFORMING ARTS; DETROIT, MI — 2018 Student Choreographer: Dance of the Ancestors UM GILBERT AND SULLIVAN SOCIETY, LYDIA MENDELSOHN THEATRE; ANN ARBOR, MI — 2016 Choreographer: The Sorcerer DANCE & LIVE PERFORMANCE BIZARRE BAZAAR, COLLEGE FOR CREATIVE STUDIES FUNDRAISER; BIRMINGHAM, MI — 2019 Dancer. Chor. Biba Bell IMPRESSIONIST AND MODERN ART RECEPTION, SOTHEBY’S AUCTION HOUSE; NEW YORK, NY — 2015 Dancer. -
Pentacle Nextsteps Footpath Report
FootPath how the right support helps artists move forward Arts and Cultural Strategies DECEMBER 26, 2019 The research shows we can help. When a small cohort of artists took advantage of Pentacle’s nextSteps support system, they achieved 39% higher income over the course of 18 months. Let us help you reach the next level by putting our expertise to work for you. Table of Contents Foreword 02 Introduction 04 Executive Summary: Top Takeaways 05 What We Learned 14 ART Program Impact 19 Findings 27 Concluding Thoughts 31 About nextSteps 33 The Voices of ART Artists 34 Appendix Capacity Group Artists Bios 36 Comparison Group Artist Bios 40 Mentor Bios 45 Researcher Bio 49 Research Instruments 50 Notes 51 Resources 51 Thanks 52 Foreword Pentacle’s goal for the Administrative Resource Team (ART) research project has been not only to share our findings of the study with the field, but also provide the lessons learned for others to apply to their capacity-building efforts. When we looked back at Pentacle’s 40-plus-years working with performing artists, we could see that administrative support was vital to the creative process. Artists who moved from emergent to renowned had often utilized multiple services of Pentacle along their way. Although we believed in this methodology of administrative support, we had only anecdotal evidence to support our theory. With initial support from The Scherman Foundation’s Rosin Fund, and in collab- oration with Hollis Headrick/Arts and Cultural Strategies, Inc., we launched ART, a study designed to test our theory and provide insights into how to better serve our community of performing artists, particularly emerging, underrepresented artists of color.