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A Dance “Festival Within a Festival” at the Fringe
A dance “festival within a festival” at The Fringe www.bookingdance.com SEE 7 DYNAMIC DANCE COMPANIES FROM AMERICA IN ONE SHOW WED, AUG 12 - SUN, AUG 16 Cover and inside cover photo:Lois Greenfield WORLD PREMIERES ABOUT BOOKING DANCE FESTIVALS ALL COMPANIES DEBUTING IN EDINBURGH FOR THE FIRST TIME The Booking DANCE FESTIVAL is the brainchild of Producer Jodi Kaplan, born with the intention of creating a cultural exchange between performing artists and international communities. The Festival occurs Welcome! annually at different locations around the globe, continually bridging dance artists and audiences worldwide. It is the long-term vision of Booking DANCE FESTIVAL to return annually to the Edinburgh Fringe for a full Booking DANCE FESTIVAL Edinburgh 2009 is the first dance “festival within a festival” three week run while additionally producing showcases in a third-world country every two years and the presented by Producer Jodi Kaplan / BookingDance at the Edinburgh Fringe. summer Olympics every four years. Booking DANCE FESTIVAL Edinburgh 2009 is a continuation of a cultural exchange between performing You will see seven of the best USA Dance Companies performing at The Fringe for the first time. artists and communities on a global scale. Last summer, coinciding with the Beijing Olympics, Jodi Kaplan Ranging stylistically from classical modern to traditional dance from around the globe, this & Associates produced Booking DANCE FESTIVAL Beijing 2008 as the first of its international productions. diverse program showcases seven innovative -
Zvidance DABKE
presents ZviDance Sunday, July 12-Tuesday, July 14 at 8:00pm Reynolds Industries Theater Performance: 50 minutes, no intermission DABKE (2012) Choreography: Zvi Gotheiner in collaboration with the dancers Original Score by: Scott Killian with Dabke music by Ali El Deek Lighting Design: Mark London Costume Design: Reid Bartelme Assistant Costume Design: Guy Dempster Dancers: Chelsea Ainsworth, Todd Allen, Alex Biegelson, Kuan Hui Chew, Tyner Dumortier, Samantha Harvey, Ying-Ying Shiau, Robert M. Valdez, Jr. Company Manager: Jacob Goodhart Executive Director: Nikki Chalas A few words from Zvi about the creation of DABKE: The idea of creating a contemporary dance piece based on a Middle Eastern folk dance revealed itself in a Lebanese restaurant in Stockholm, Sweden. My Israeli partner and a Lebanese waiter became friendly and were soon dancing the Dabke between tables. While patrons cheered, I remained still, transfixed, all the while envisioning this as material for a new piece. Dabke (translated from Arabic as "stomping of the feet") is a traditional folk dance and is now the national dance of Lebanon, Jordan, Syria, and Palestine. Israelis have their own version. It is a line dance often performed at weddings, holidays, and community celebrations. The dance strongly references solidarity, and traditionally only men participated. The dancers, linked by hands or shoulders, stomp the ground with complex rhythms, emphasizing their connection to the land. While the group keeps rhythm, the leader, called Raas (meaning "head"), improvises on pre-choreographed movement phrases. He also twirls a handkerchief or string of beads known as a Masbha. When I was a child and teenager growing up in a Kibbutz in northern Israel, Friday nights were folk dance nights. -
River North Dance Chicago
Cheryl Mann River North Dance Chicago Frank Chaves, Artistic Director • Gail Kalver, Executive Director The Company: Levizadik Buckins, Taeler Cyrus, Michael Gross, Hank Hunter, Lauren Kias, Ethan R. Kirschbaum, Melanie Manale-Hortin, Michael McDonald*, Hayley Meier, Olivia Rehrman, Ahmad Simmons, Jessica Wolfrum *Performing apprentice Artistic & Production Sara Bibik, Assistant to the Artistic Director • Claire Bataille, Ballet Mistress Joshua Paul Weckesser, Production Stage Manager and Technical Director Mari Jo Irbe, Rehearsal Director • Laura Wade, Ballet Mistress Liz Rench, Wardrobe Supervisor Administration Alexis Jaworski, Director of Marketing • Salena Watkins, Business Manager Diana Anton, Education Manager • Paula Petrini Lynch, Development Manager Christopher W. Frerichs, Grant Writer Lisa Kudo, Development and Special Events Assistant PROGRAM The Good Goodbyes Beat Eva (World Premiere) -Intermission- Three Renatus Forbidden Boundaries Thursday, April 4 at 7:30 PM Friday, April 5 at 8 PM Saturday, April 6 at 2 PM & 8 PM Media support for these performances is provided by WHYY. 12/13 Season | 23 PROGRAM The Good Goodbyes Choreography: Frank Chaves Lighting Design: Todd Clark Music: Original composition by Josephine Lee Costume Design: Jordan Ross Dancers: Taeler Cyrus, Michael Gross, Lauren Kias, Ethan R. Kirschbaum, Melanie Manale-Hortin, Hayley Meier, Jessica Wolfrum Artistic Director Frank Chaves’ newest work, The Good Goodbyes, is an homage to the relationships forged and nurtured within the dance community. Set to an original piano suite by Josephine Lee, artistic director of the acclaimed Chicago Children’s Choir, this wistful and bittersweet work for seven dancers suggests “the beautiful memories and the wonderful relationships I’ve forged with dancers over the years. I want to celebrate the incredibly intimate, intense, fulfilling and—because of the nature of our profession—often short-lived connections we’ve made, and have bid goodbye along the way,” says Chaves. -
Dreams of a Wood Sprite
DREAMS OF A WOOD SPRITE Gideon Lester talks to director and choreographer Martha Clarke about flying, animals, and A Midsummer Night's Dream. Gideon Lester: A Midsummer Night's Dream is the first Shakespeare that you've directed. When Robert Woodruff approached you to direct at the A.R.T., why did you suggest this play? Martha Clarke: For years I've known that if ever I were to tackle Shakespeare, this would be the play. It's the only one I instinctively felt I would understand, being a bit of a wood sprite. G.L.: How are you a wood sprite? M.C.: You're not supposed to ask those questions. Let's just say that I understand stories of love, transformation, and projecting one's amorous baggage onto someone else. G.L.: So the play has been on your mind for a long time. M.C.: If you can call this a mind! When I was fourteen I played Puck in high school and I still remember great chunks of the text. G.L.: Before rehearsals began you spent a week working with four actors and a vocal coach, Deborah Hecht. You remarked afterwards that the process had made the prospect of staging the play less daunting to you. What did you mean? M.C.: Deb investigates text in the same way that I explore physicality. She unpacks its rhythm, shape, energy, and phrasing - in a sense turning it into music. Shakespeare's language can be either energized or contained, like movement. Speaking the verse requires the actor to make sounds - tight and small or long and full - just as a dancer creates a physical gesture. -
On Movement Direction in Musicals. an Interview with Lucy Hind
arts Editorial “It’s All about Working with the Story!”: On Movement Direction in Musicals. An Interview with Lucy Hind George Rodosthenous School of Performance and Cultural Industries, University of Leeds, Leeds LS2 9JT, UK; [email protected] Received: 22 April 2020; Accepted: 28 April 2020; Published: 30 April 2020 Abstract: Lucy Hind is a South African choreographer and movement director who lives in the UK. Her training was in choreography, mime and physical theatre at Rhodes University, South Africa. After her studies, Hind performed with the celebrated First Physical Theatre Company. In the UK, she has worked as movement director and performer in theatres including the Almeida, Barbican, Bath Theatre Royal, Leeds Playhouse Lowry, Sheffield Crucible, The Old Vic and The Royal Exchange. Lucy is also an associate artist of the award-winning Slung Low theatre company, which specializes in making epic theatre in non-theatre spaces. Here, Lucy talks to George Rodosthenous about her movement direction on the award-winning musical Girl from the North Country (The Old Vic/West End/Toronto and recently seen on Broadway), which was described by New York Times critic Ben Brantley as “superb”. The conversation delves into Lucy’s working methods: the ways she works with actors, the importance of collaborative work and her approach to characterization. Hind believes that her work affects the overall “tone, the atmosphere and the shape of the show”. Keywords: choreography; dance; direction; creative team; collaboration; musicals; rehearsals; movement; movement direction 1. Choreography or Movement Direction? George Rodosthenous (GR): Thank you for joining us today for a discussion about your work on the award-winning Girl from the North Country. -
Martha Graham Dance Company Presents NEW@Graham with Maxine Doyle and Bobbi Jene Smith December 18–19, 2018
Martha Graham Dance Company Presents NEW@Graham With Maxine Doyle and Bobbi Jene Smith December 18–19, 2018 New York, NY, November 27, 2018 – The Martha Graham Dance Company’s NEW@Graham series offers a look inside the creative process of new works commissioned by the Company. On December 18 and 19, the Company will present a work-in-progress showing of choreographers Maxine Doyle and Bobbi Jene Smith’s collaborative work for the Company, followed by a conversation with the artists. NEW@Graham will take place on Tuesday, December 18, and Wednesday, December 19, at 7pm, at the Martha Graham Studio Theater. Doyle and Smith are using the classic myth of Demeter and Persephone to investigate the natural human preoccupation with death and the underworld, and the role that women play in our understanding of mortality. Titled Deo, the work features an original score by experimental electronic musician Lesley Flanigan. Deo will premiere as part of the Graham Company’s Eve Project season at The Joyce Theater in April 2019. Tickets are $25 (general) and $20 (students) and can be purchased by phone at 212-229-9200, or online at www.marthagraham.org/studioseries. The Martha Graham Studio Theater is located at 55 Bethune Street, 11th floor, in Manhattan. About the Artists Maxine Doyle is an independent choreographer and director. Since 2002 she has been associate director and choreographer for Punchdrunk, for which she has codirected many works including the multi-award-winning Sleep No More (London, Boston, New York, Shanghai) and The Drowned Man. Her work for theater and opera includes Evening at the Talk House (NT) and The Cunning Little Vixen (Glyndebourne). -
ADF-Timeline.Pdf
Timeline 1934 • ADF, then known as the Bennington School of Dance, is founded at Bennington College in Bennington, Vermont. The first six-week session attracts 103 students (68 of whom were dance teachers) from 26 states, the District of Columbia, Canada and Spain. Their ages range from 15 to 49. • Martha Hill and Mary Josephine Shelly are Co-Directors. Martha Graham, Doris Humphrey, Charles Weidman, and Hanya Holm, also known as "The Big Four,” are recruited to be faculty. They each teach for a week in succession. 1935 • Martha Graham premieres Panorama with Alexander Calder mobiles (his first dance collaboration). • Doris Humphrey premieres New Dance. • The "Big Four" overlap teaching during the six weeks. 1936 • Betty Ford (Elizabeth Bloomer) is a student. • Humphrey completes her New Dance Trilogy with premiere of With My Red Fires; Weidman creates Quest. • World debut of Lincoln Kirstein's Ballet Caravan. Kirstein delivers lectures on classical ballet. 1937 • Anna Sokolow, José Limón, and Esther Junger are the first Bennington Fellows. • Premieres of Holm's Trend, Limón's Danza de la Muerte, Sokolow's Facade-Esposizione Italiana. • Alwin Nikolais is a student. • Graham premieres two solos. 1938 • Premieres are Graham's American Document, Holm's Dance of Work and Play and Dance Sonata, Humphrey's Passacaglia in C Minor, and Weidman's Opus 51. • Anna Halprin and Alwin Nikolais are students. 1939 • Bennington School of Dance spends summer at Mills College in Oakland, CA. • Merce Cunningham is a student. • Limón premieres 5-part solo, Danza Mexicanas. • John Cage gives concert of percussion music. 1940 • School of Dance returns to Bennington and is incorporated under The School of the Arts to foster relationships with the other arts. -
Philadanco! Xmas Philes
Deborah Boardman Deborah THE PHILADELPHIA DANCE COMPANY PHILADANCO! XMAS PHILES Founder, Executive/Artistic Director, DFA, DHL, DA Joan Myers Brown Company Rosita Adamo, Janine Beckles, William E. Burden, Mikaela Fenton, Clarricia Golden, Joe Gonzalez, Jameel M. Hendricks, Victor Lewis Jr., Kareem Marsh, Dana Nichols, Brandi Pinnix, Courtney Robinson, Jah’meek D. Williams, Marcus Williams, Tony Harris (Guest Artist) D/2 Apprentice Company Onederful Ancrum, Ankhtra Battle, Kaniyah Browne, Lindsey Lee, Briana Marshall, Angelica Merced, Dahlia Patterson, Nasir Pittman, Donyae Reaves, Francis Sloane, Taylor Sparks, Lourdes Taylor, Rhapsody Taylor, Dominique Thompson D/3 Youth Ensemble Donovan Blake, Jaheara Brown, Kaniah Browne, Naiya Brown, Arianna Deshields, Nyilah Johnson, Kelsey Jones, Bethany Morris, Mahogani Richardson-Webb, Tiana Smith, Khidir Webster PROGRAM There will be an intermission. Thursday, December 12 @ 7:30 PM Friday, December 13 @ 8 PM Saturday, December 14 @ 2 PM Saturday, December 14 @ 8 PM Zellerbach Theatre The 19/20 dance series is Xmas Philes was commissioned presented by the Annenberg in 2000 by the Annenberg Center Center and NextMove Dance. and NextMove Dance. 19/20 SEASON 51 PROGRAM NOTES Xmas Philes Choreographer Daniel Ezralow Assistant to the Choreographer Debora Chase-Hicks Music Various Artists Lighting Design Clifton Taylor Costume Design Jackson Lowell Costume Execution Natasha Guruleva PRELUDE The Entire Cast WHITE XMAS Tony Harris, Jr. RUDOLPH Rosita Adamo, Janine Beckles, Mikaela Fenton, Clarricia Golden, -
Dance Brochure
Boosey & Hawkes Music Publishers Limited Dance 2006 Edition Also see www.boosey.com/downloads/dance06icolour.pdf Figure drawings for a relief mural by Ivor Abrahams (courtesy Bernard Jacobson Gallery) The Boosey & Hawkes catalogue contains many of the most significant and popular scores in the dance repertoire, including original ballets (see below) and concert works which have received highly successful choreographies (see page 9). To hear some of the music, a free CD sampler is available upon request. Works written as ballets composer work, duration and scoring background details Andriessen Odyssey 75’ Collaboration between Beppie Blankert and Louis Andriessen 4 female singers—kbd sampler based on Homer’s Odyssey and James Joyce’s Ulysses. Inspired by a fascination with sensuality and detachment, the ballet brings together the ancient, the old and the new. Original choreography performed with four singers, three dancers and one actress. Argento The Resurrection of Don Juan 45’ Ballet in one act to a scenario by Richard Hart, premiered in 1955. 2(II=picc).2.2.2—4.2.2.1—timp.perc:cyms/tgl/BD/SD/tamb— harp—strings Bernstein The Dybbuk 50’ First choreographed by Jerome Robbins for New York City Ballet 3.3.4.3—4.3.3.1—timp.perc(3)—harp—pft—strings—baritone in 1974. It is a ritualistic dancework drawing upon Shul Ansky’s and bass soli famous play, Jewish folk traditions in general and the mystical symbolism of the kabbalah. The Robbins Dybbuk invites revival, but new choreographies may be created using a different title. Bernstein Facsimile 19’ A ‘choreographic essay’ dedicated to Jerome Robbins and 2(II=picc).2.2(=Ebcl).2—4.2.crt.2.1—timp.perc(2)— first staged at the Broadway Theatre in New York in 1946. -
Miki Orihara Solo Concert
LaGuardia Performing Arts Center Steven Hitt...Artistic Producing Director Handan Ozbilgin...Associate Director/Artistic Director Rough Draft Festival Carmen Griffin...Theatre Operations Manager/Technical Director Toni Foy...Education Outreach Coordinator Isabelle Marsico...Events Coordinator Caryn Campo...Finance Officer LaGuardia Performing Arts Center Mariah Sanchez...House Manager Scott Davis...Line Producer Juan Zapata...Graphic Designer Luisa Fer Alarcon...Video Editor/Designer Dayana Sanchez...Marketing Coordinator MIKI ORIHARA SOLO CONCERT Production Staff Patrick Anthony Surillo...Resident Stage Manager Cassandra Lynch...Props Master Hollis Duggans…Production Staff Works of American and Japanese Modern Dance Pioneers Winter Muniz…Production Staff Piano by Nora Izumi Bartosik Technical Staff Glenn Wilson...Stage Manager/Assistant Technical Director Melody Beal...Lighting Designer Alex Desir...Master Electrician Ronn Thomas...Sound Engineer Miki Orihara Marland Harrison...Technician Denton Bailey...Technician Giovanni Perez...Technician House Staff Marissa Bacchus Jason Berrera Julio Chabla Rachel Faria Anne Husmann Emily Johnson Martha Graham Doris Humphrey Rebecca Shrestha LaGuardia Community College Dr. Gail O. Mellow...President Dr. Paul Arcario...Provost and Senior Vice President 31-10 Thomson Avenue Long Island City, 11101 Seiko Takata Konami Ishii Yuriko Upper left: Martha Graham in Lamentation(1930) Photo by Soichi Sunami, courtesy of The Sunami Family. Upper middle: Miki Orihara, Photo by Tokio Kuniyoshi. Upper right: Doris Humphrey photo by Soichi Sunami , courtesy of the Sunami Family. Lower left: Seiko Takata(1938) in Mother Photo courtesy of Nanako Yamada. Lower middle: Konami Ishii in Koushou (1938) Photo courtesy of Noriko Sato. Lower right: Yuriko in The Cry (1963) Photo courtesy of the Kikuchi Family. WWW.LPAC.NYC RESONANCE III “Onko chishin” – is a Japanese expression describing an attempt to discover new things by studying the past. -
2016 Scripps/ADF Award
HONORARY CHAIRPERSONS Mrs. Laura Bush Mrs. Hillary Rodham Clinton Mrs. George Bush Mrs. Nancy Reagan Mrs. Rosalynn Carter Mrs. Betty Ford (1918–2011) BOARD OF DIRECTORS Allen D. Roses, M.D., Chairman Charles L. Reinhart, President, Director Emeritus Curt C. Myers, Secretary/Treasurer Jennings Brody PRESS CONTACT Mimi Bull National Press Representative: Lisa Labrado Rebecca B. Elvin Richard E. Feldman, Esq. [email protected] James Frazier, Ed.D. Jenny Blackwelder Grant Direct: 646-214-5812/Mobile: 917-399-5120 Dave Hurlbert Nancy McKaig Jodee Nimerichter North Carolina Press Representative: Sarah Tondu Adam Reinhart, Ph.D. [email protected] Arthur H. Rogers III Ted Rotante Office: 919-684-6402/Mobile: 919-270-9100 Judith Sagan Russell Savre FOR IMMEDIATE RELEASE 2016 SAMUEL H. SCRIPPS/AMERICAN DANCE FESTIVAL AWARD PRESENTED TO LAR LUBOVITCH Durham, NC, January 19, 2016—The American Dance Festival (ADF) will present the 2016 Samuel H. Scripps/American Dance Festival Award for lifetime achievement to Artistic Director and choreographer, Lar Lubovitch. Established in 1981 by Samuel H. Scripps, the annual award honors choreographers who have dedicated their lives and talent to the creation of modern dance. Mr. Lubovitch’s work, acclaimed throughout the world, is renowned for its musicality, emotional style, highly technical choreography, and deeply humanistic voice. The $50,000 award will be presented to Mr. Lubovitch in a brief ceremony on Monday, July 11th at 7:00pm, prior to Lar ADVISORY COMMITTEE Lubovitch Dance Company’s performance at the Durham Performing Arts Center. Robby Barnett Brenda Brodie Martha Clarke “We are exceptionally delighted to honor Lar Lubovitch with this award. -
Fax Coversheet
1111 amberamber trail, madison, trail, ct 06443 madison, ct 0 6 4 4203 3 668 -3153 2 mobile 0 3 2036 6245 8 -3175- 3153 ph/fax [email protected] LIGHTING DESIGNER UNITED SCENIC ARTISTS, LOCAL 829 AGENT: RUSS ROSENSWEIG SUMMIT ENTERTAINMENT 203 453-0188 [email protected] CURRENT ACADEMIC APPOINTMENT PROFESSOR AND CO-CHAIR, DESIGN DEPARTMENT, YALE SCHOOL OF DRAMA NOMINATIONS/AWARDS AMERICAN THEATRE WING, BAY AREA CRITICS CIRCLE, DALLAS THEATER CRITICS FORUM, DRAMA DESK, HELEN HAYES, HENRY HEWES DESIGN, LUCILLE LORTEL AND OUTER CRITICS CIRCLE PRODUCTIONS 2019 OLD GLOBE ROMEO AND JULIET San Diego BY WILLIAM SHAKESPEARE BARRY EDELSTEIN, DIR. OLD GLOBE AS YOU LIKE IT San Diego BY WILLIAM SHAKESPEARE JESSICA STONE, DIR. MARK TAPER FORUM HAPPY DAYS BY SAMUEL BECKETT JAMES BUNDY, DIR. YALE REPERTORY THEATRE GOOD FAITH BY KAREN HARTMAN KENNY LEON, DIR. 2018 LYRIC OPERA OF KANSAS CITY MADAME BUTTERFLY BY GIACOMO PUCCINI RON DANIELS, DIR. HARTFORD STAGE COMPANY HENRY V BY WILLIAM SHAKESPEARE ELIZABETH WILLIAMSON, DIR. ARENA STAGE AT THE MEAD CENTER TURN ME LOOSE KREEGER THEATRE BY GETCHEN LAW Washington, DC JOHN GOULD RUBIN, DIR. OLD GLOBE MUCH ADO ABOUT NOTHING San Diego BY WILLIAM SHAKESPEARE KATHLEEN MARSHALL, DIR. WESTPORT COUNTRY PLAYHOUSE FLYIN’ WEST BY PEARL CLEAGE SERET SCOTT, DIR. AMERICAN REPERTORY THEATRE THE WHITE CARD BY CLAUDIA RANKINE DIANE PAULUS, DIR. 2017 YALE REPERTORY THEATRE NATIVE SON BY NAMBI KELLEY SERET SCOTT, DIR. MAGIC THEATRE THE EVA TRILOGY San Francisco BY BARBARA HAMMOND ⚫ Page 1 11 amber trail, madison, ct 0 6 4 4 3 2 0 3 6 6 8 - 3153 11 amber trail, madison, ct 06443 203 668-3153 mobile 203 245-3175 ph/fax [email protected] LORETTA GRECO, DIR.