Handel's Messiah
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Annual Report
COUNCIL ON FOREIGN RELATIONS ANNUAL REPORT July 1,1996-June 30,1997 Main Office Washington Office The Harold Pratt House 1779 Massachusetts Avenue, N.W. 58 East 68th Street, New York, NY 10021 Washington, DC 20036 Tel. (212) 434-9400; Fax (212) 861-1789 Tel. (202) 518-3400; Fax (202) 986-2984 Website www. foreignrela tions. org e-mail publicaffairs@email. cfr. org OFFICERS AND DIRECTORS, 1997-98 Officers Directors Charlayne Hunter-Gault Peter G. Peterson Term Expiring 1998 Frank Savage* Chairman of the Board Peggy Dulany Laura D'Andrea Tyson Maurice R. Greenberg Robert F Erburu Leslie H. Gelb Vice Chairman Karen Elliott House ex officio Leslie H. Gelb Joshua Lederberg President Vincent A. Mai Honorary Officers Michael P Peters Garrick Utley and Directors Emeriti Senior Vice President Term Expiring 1999 Douglas Dillon and Chief Operating Officer Carla A. Hills Caryl R Haskins Alton Frye Robert D. Hormats Grayson Kirk Senior Vice President William J. McDonough Charles McC. Mathias, Jr. Paula J. Dobriansky Theodore C. Sorensen James A. Perkins Vice President, Washington Program George Soros David Rockefeller Gary C. Hufbauer Paul A. Volcker Honorary Chairman Vice President, Director of Studies Robert A. Scalapino Term Expiring 2000 David Kellogg Cyrus R. Vance Jessica R Einhorn Vice President, Communications Glenn E. Watts and Corporate Affairs Louis V Gerstner, Jr. Abraham F. Lowenthal Hanna Holborn Gray Vice President and Maurice R. Greenberg Deputy National Director George J. Mitchell Janice L. Murray Warren B. Rudman Vice President and Treasurer Term Expiring 2001 Karen M. Sughrue Lee Cullum Vice President, Programs Mario L. Baeza and Media Projects Thomas R. -
Handel's Oratorios and the Culture of Sentiment By
Virtue Rewarded: Handel’s Oratorios and the Culture of Sentiment by Jonathan Rhodes Lee A dissertation submitted in partial satisfaction of the Requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Davitt Moroney, Chair Professor Mary Ann Smart Professor Emeritus John H. Roberts Professor George Haggerty, UC Riverside Professor Kevis Goodman Fall 2013 Virtue Rewarded: Handel’s Oratorios and the Culture of Sentiment Copyright 2013 by Jonathan Rhodes Lee ABSTRACT Virtue Rewarded: Handel’s Oratorios and the Culture of Sentiment by Jonathan Rhodes Lee Doctor of Philosophy in Music University of California, Berkeley Professor Davitt Moroney, Chair Throughout the 1740s and early 1750s, Handel produced a dozen dramatic oratorios. These works and the people involved in their creation were part of a widespread culture of sentiment. This term encompasses the philosophers who praised an innate “moral sense,” the novelists who aimed to train morality by reducing audiences to tears, and the playwrights who sought (as Colley Cibber put it) to promote “the Interest and Honour of Virtue.” The oratorio, with its English libretti, moralizing lessons, and music that exerted profound effects on the sensibility of the British public, was the ideal vehicle for writers of sentimental persuasions. My dissertation explores how the pervasive sentimentalism in England, reaching first maturity right when Handel committed himself to the oratorio, influenced his last masterpieces as much as it did other artistic products of the mid- eighteenth century. When searching for relationships between music and sentimentalism, historians have logically started with literary influences, from direct transferences, such as operatic settings of Samuel Richardson’s Pamela, to indirect ones, such as the model that the Pamela character served for the Ninas, Cecchinas, and other garden girls of late eighteenth-century opera. -
Selected Vocal Repertoire
Selected Vocal Repertoire * = premiered by Barbara Hannigan van der Aa Here (to be found) * Here (in circles) * One * Abrahamsen let me tell you* Andriessen Four Beatles Songs Writing to Vermeer (Saskia) * Aperghis de la nature de la gravité de la nature de l’eau * Ayres In the Alps* J.S. Bach B minor mass Coffee Cantata (Lieschen) Hunt Cantata (Diana) Jauchzet Gott in allen Landen (Cantata 51) Johannes Passion Lutheran Mass Magnificat Matthäus Passion Peasant Cantata C.P.E. Bach Passion de Lezten Leidens Barry Karlheinz Stockhausen * La Plus Forte (Madame X) * The Bitter Tears of Petra von Kant (Gabrielle) The Importance of Being Earnest (Cecily Cardew) Beckwith Synthetic Trios Benjamin Written on Skin (Agnes)* Berg Der Wein Lulu (title role) Sieben Frühe Lieder Wozzeck fragments for soprano and orchestra Berio Sequenza 3 Sinfonia Binsbergen Sidenote: Howard Report* Boccherini Stabat Mater Boulez Le visage nuptial Pli selon pli Britten Les Illuminations The Rape of Lucretia (Lucia) Carissimi Jephtha (Jephtha’s daughter) Castiglione Cantus Planus Cavalli Giasone (Amore, Alinda) Charpentier Actéon (Arethuze) Chin Le silence des sirènes * Clerambault L’amour piqué par une abeille Crumb Apparition Dallapiccola Cinque frammenti di Saffo Debussy La Damoiselle Elue Defoort House of the Sleeping Beauties (The Women) * Dusapin Passion (Lei)* To God Dutilleux Correspondances Eötvös Octet Plus * Snatches of a Conversation Foss Time Cycle Francesconi Etymo Gluck Orfeo ed Eurydice (Amor) Grisey Quatre chants pour franchir le seuil Gubaidulina Hommage -
“Thank You Class of 2020 for the Amazing Memories and God Bless America.” Salutatorian Speech Given by Ajit Singh Saran
SUMMER 2020 CHRONICLES CHRONICLESTHE CBA MAGAZINE CBA NAMES NEW PRINCIPAL 2020 GRADUATION #BRONATIONDAY DONOR HONOR ROLL “Thank you Class of 2020 for the amazing memories and God Bless America.” Salutatorian speech given by Ajit Singh Saran SUMMER 2017 | 1 CONTENTSCHRONICLES ADMINISTRATION Message from PRESIDENT the President 2 Dr. James Schlegel PRINCIPAL CBA Names Charles Abba New Principal 3 ASSOCIATE PRINCIPAL MESSAGE Brother James Dries Honors Night 5 ATHLETIC DIRECTOR Blaine Drescher ’04 Athletics 6 ASSISTANT PRINCIPAL FROM THE FOR STUDENTS Robert Groelz ’94 8th Grade Moving-Up 8 MIDDLE SCHOOL PRINCIPAL Roger Powers MR. CHUCK ABBA NAMED PRESIDENT 2020 Graduation 10 DIRECTOR OF ADMISSIONS Brian O’Connell 45TH PRINCIPAL OF CBA Message from Each spring we hold BronationDay, a one- DIRECTOR OF CAMPUS MINISTRY the Chairman 19 Dear CBA Family, Owen O’Leary day campaign to fund a campus project to Mr. Abba earned his Bachelor of of our faculty and handles the In a typical summer, we reflect on the benefit our students. This BronationDay DIRECTOR OF STUDENT GUIDANCE Alumni Notes 20 David Doemel ’71 Arts degree from Union College oversight and administration achievements of the recently finished was different; to offset the financial impact in 1974 and went on to attain his of major testing programs such school year. For everyone throughout the the pandemic has had on our families, CHIEF FINANCIAL OFFICER In Memoriam 23 Vicki Roberts country, this year has been anything but we established a CBA Family Emergency Master’s degree in education as the NYS Regents Exams and normal. Our year started as planned, but in Fund to help CBA families affected by the DIRECTOR OF INSTITUTIONAL Donor Honor Roll 25 ADVANCEMENT from the College of St. -
Thomas Morell and His Letter About Handel Author(S): Ruth Smith Reviewed Work(S): Source: Journal of the Royal Musical Association, Vol
Thomas Morell and His Letter about Handel Author(s): Ruth Smith Reviewed work(s): Source: Journal of the Royal Musical Association, Vol. 127, No. 2 (2002), pp. 191-225 Published by: Taylor & Francis, Ltd. on behalf of the Royal Musical Association Stable URL: http://www.jstor.org/stable/3840463 . Accessed: 17/03/2012 11:56 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Royal Musical Association and Taylor & Francis, Ltd. are collaborating with JSTOR to digitize, preserve and extend access to Journal of the Royal Musical Association. http://www.jstor.org fournal ofthe RoyalMusical Association, 127 (2002) ? RoyalMusical Association Thomas Morell and his Letter about Handel RUTH SMITH Thomas Morell (1703-84) is known to music scholars chiefly as the librettist of Handel's oratorios Judas Maccabaeus (1747), Alexander Balus (1748), Theodora (1750) and Jephtha (1752). He is also important for having written another signal document: the longest and most detailed surviving first-hand description of collaboration with Handel.1 There is no biography of Morell, and modern accounts depend on the material -
Mark Morris Dance Group
CAL PERFORMANCES PRESENTS Friday, May 29, 2009, 8pm Saturday, May 30, 2009, 8pm Sunday, May 31, 2009, 3pm Zellerbach Hall Mark Morris Dance Group Craig Biesecker Samuel Black Joe Bowie Elisa Clark Amber Darragh† Rita Donahue Domingo Estrada, Jr.‡ Lauren Grant John Heginbotham David Leventhal Laurel Lynch Bradon McDonald Dallas McMurray Maile Okamura June Omura Noah Vinson Jenn Weddel Julie Worden Michelle Yard Lesley Garrison Claudia MacPherson Kanji Segawa Billy Smith Utafumi Takemura Prentice Whitlow † on leave ‡ apprentice Mark Morris, Artistic Director Nancy Umanoff,Executive Director MetLife Foundation is the Mark Morris Dance Group’s Official Tour Sponsor. Major support for the Mark Morris Dance Group is provided by Carnegie Corporation of New York, JP Morgan Chase Foundation, The Howard Gilman Foundation, Independence Community Foundation, The Fan Fox and Leslie R. Samuels Foundation, The Shubert Foundation, and Jane Stine and R. L. Stine. The Mark Morris Dance Group New Works Fund is supported by The Andrew W. Mellon Foundation, Ellsworth Kelly Foundation, The Gladys Krieble Delmas Foundation, The Untitled Foundation, The Shelby and Frederick Gans Fund, Meyer Sound/Helen and John Meyer, and Poss Family Foundation. The Mark Morris Dance Group’s performances are made possible with public funds from the New York City Department of Cultural Affairs; the New York State Council on the Arts, a State Agency; and the National Endowment for the Arts Dance Program. Cal Performances’ presentation of L’Allegro, il Penseroso ed il Moderato is made possible by the National Endowment for the Arts’ American Masterpieces: Dance Initiative, administered by the New England Foundation for the Arts, and by Bank of America. -
Commencement May2021 Progr
CLASS OF COMMENCEMENT MAY 15, 2021 II The pandemic did not diminish your years of hard work, nor did it define who you will become. In fact, it has brought into sharp focus the remarkable humans you already are. Your ability to reach this day — GRADUATING FROM THE UNIVERSITY OF CALIFORNIA, BERKELEY — is nothing short of heroic. Congratulations, CLASS OF 2021. PROGRAM WELCOME AND LAND ACKNOWLEDGEMENT ALFRED DAY ASSOCIATE DEAN OF STUDENTS AND DIRECTOR CENTER FOR SUPPORT AND INTERVENTION NATIONAL ANTHEM JAE JOON (JOSEPH) SHIN ’21 INTRODUCTION OF CHANCELLOR T. CHRIST NIKITA DHAR ’21 VICE PRESIDENT, SENIOR CLASS COUNCIL WELCOME REMARKS AND AWARD PRESENTATION CAROL T. CHRIST CHANCELLOR THE UNIVERSITY MEDALIST LEYLA KABULI ’21 STUDENT PERFORMANCE OWEN FARMER ’21 GUINNESS WORLD RECORD UNICYCLIST CLASS OF 2021 SENIOR GIFT PRESENTATION DOUGLAS WICKHAM ’21 PRESIDENT, CAL STUDENT PHILANTHROPY ERIC MANZO ’21 VICE PRESIDENT OF MEMBERSHIP, CAL STUDENT PHILANTHROPY INTRODUCTION OF KEYNOTE SPEAKER MEGAN WIENER ’21 PRESIDENT, SENIOR CLASS COUNCIL KEYNOTE SPEAKER ADEWALE “WALLY” ADEYEMO ’04 DEPUTY SECRETARY OF THE TREASURY STUDENT PERFORMANCE BARETROUPE CONFERRING OF DEGREES CAROL T. CHRIST CHANCELLOR HAIL TO CALIFORNIA DECADENCE A CAPPELLA 2 KEYNOTE SPEAKER ADEWALE “WALLY” ADEYEMO ’04 Wally Adeyemo, the Deputy Secretary of the Treasury, has spent most of his career in public service, convening governments, companies, and organizations to achieve common goals. Adeyemo came to the Treasury Department from the Obama Foundation, where he served as president beginning in August 2019. Before that he was a senior advisor at the Center for Strategic and International Studies and at Blackrock and held several public service roles. -
Nadia Boulanger and Her World
NADIA BOULANGER AND HER WORLD Program Eight Boulanger the Curator Saturday, August 14, 2021 LUMA Theater 1 pm Program Nine Remembering Ethel Smyth and Boulanger’s Circle at Home and Abroad BARD MUSIC FESTIVAL Saturday, August 14, 2021 REDISCOVERIES Sosnoff Theater 5 pm Fisher Center The Fisher Center develops, produces, and presents performing arts across disciplines through new productions and context-rich programs that challenge and inspire. As a premier professional performing arts center and a hub for research and education, the Fisher Center supports artists, students, and audiences in the development and examination of artistic ideas, offering perspectives from the past and present, as well as visions of the future. The Fisher Center demonstrates Bard’s commitment to the performing arts as a cultural and educational necessity. Home is the Fisher Center for the Performing Arts, designed by Frank Gehry and located on the campus of Bard College in New York’s Hudson Valley. The Fisher Center offers outstanding programs to many communities, including the students and faculty of Bard College, and audiences in the Hudson Valley, New York City, across the country, and around the world. The Center presents more than 200 world-class events and welcomes 50,000 visitors each year. The Fisher Center supports artists at all stages of their careers and employs more than 300 professional artists annually. The Fisher Center is a powerful catalyst of art-making regionally, nationally, and worldwide. Every year it produces eight to 10 major new works in various disciplines. Over the past five years, its commissioned productions have been seen in more than 100 communities around the world. -
The Sword of Judith Judith Studies Across the Disciplines Edited by Kevin R
The Sword of Judith Judith Studies Across the Disciplines Edited by Kevin R. Brine, Elena Ciletti and Henrike Lähnemann To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/28 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Abraham Bosse, Judith Femme Forte, 1645. Engraving in Lescalopier, Les predications. Photo credit: Bibliothèque Nationale, Paris. Kevin R. Brine, Elena Ciletti and Henrike Lähnemann (eds.) The Sword of Judith Judith Studies Across the Disciplines Cambridge 2010 40 Devonshire Road, Cambridge, CB1 2BL, United Kingdom http://www.openbookpublishers.com © 2010 Kevin R. Brine, Elena Ciletti and Henrike Lähnemann Some rights are reserved. This book is made available under the Creative Commons Attribution-Non-Commercial-No Derivative Works 2.0 UK: England & Wales License. This license allows for copying any part of the work for personal and non-commercial use, providing author attribution is clearly stated. Details of allowances and restrictions are available at: http://www.openbookpublishers.com As with all Open Book Publishers titles, digital material and resources associated with this volume are available from our website: http://www.openbookpublishers.com ISBN Hardback: 978-1-906924-16-4 ISBN Paperback: 978-1-906924-15-7 ISBN Digital (pdf): 978-1-906924-17-1 All paper used by Open Book Publishers is SFI (Sustainable Forestry Initia- tive), and PEFC (Programme for the Endorsement of Forest Certification Schemes) Certified. Printed in the United Kingdom and United States by Lightning Source for Open Book Publishers Contents Introductions 1. -
HANDEL EDITION Liner Notes & Sung Texts
HANDEL EDITION Liner notes & sung texts (p. 40 – p. 97) LINER NOTES CD1 WATER MUSIC and in the fashionable country dance – and added splendid A king does not amuse himself alone highlights to the whole with horns (“French horns”, a novelty in On the evening of July 17, 1717, King George I of England England) and trumpets. Not only King George was enthusiastic boarded the royal barge at Whitehall in the company of a select about it. Striking proof of the popularity of the Water Music is group of ladies and was rowed up the Thames as far as Chelsea, the fact that pieces from it very soon found their way to the where Lady Catherine Jones was expecting him for supper. The concert platforms and into London's theatres; some were even river teemed with boats and barges, as the Daily Courant under laid with texts, two were used in Polly, the sequel to the announced two days later, for everybody who was anybody in legendary 'Beggar’s Opera by John Gay and John Christopher London wanted to accompany the king on this pleasure trip. A Pepusch and one was included in The English Dancing Master by special attraction was provided by a barge of the City Company, John Playford, a famous; often republished collection of popular on which some fifty musicians performed music composed dances. The “Minuet for the French Horn” and the ''Trumpet especially for the occasion; the king liked it so much that he had Minuet” enjoyed particular popularity. They were also the first it repeated twice. -
The Monteverdi Project"
From the Director Good Evening All, I am overjoyed to be writing my first director's note for UNI Opera! Welcome to "The Monteverdi Project". Tonight we feature several students from the School of Music in three short pieces by Claudio Monteverdi. It was a joy to work with these artists and help them interpret these works through a modern lens. It is thrilling to produce an evening of music that is as striking today as it was when it was written almost four HUNDRED years ago (Il combattimento di Tancredi e Clorinda premiered in 1624!). Please join me in recognizing the bravery and discipline these students have that allowed this evening to come to fruition. Despite a worldwide pandemic, these artists opened their hearts and allowed us to all be together again, even if only just for a little while. With deepest gratitude, Richard Gammon Director of Opera Program 7:30 p.m. performance “Lamento della ninfa” La ninfa Athena-Sadé Whiteside Coro Aricson Jakob, Dylan Klann, Brandon Whitish Actor Collin Ridgley “Lamento d’Arianna” -fragment- Arianna Joley Seitz “Il combattimento di Tancredi e Clorinda” Il testo Alyssa Holley Tancredi Jovon Eborn Clorinda Deanna Ray Eberhart -INTERMISSION- 9 p.m. performance “Lamento della ninfa” La ninfa Athena-Sadé Whiteside Coro Aricson Jakob, Dylan Klann, Brandon Whitish Actor Collin Ridgley “Lamento d’Arianna” -fragment- Arianna Joley Seitz “Il combattimento di Tancredi e Clorinda” Il testo Alyssa Holley Tancredi Aricson Jakob Clorinda Madeleine Marsh Production Team Conductor/Harpsichordist . .Korey Barrett Stage Director . Richard Gammon Set and Lighting Designer . .W. Chris Tuzicka Costume Designer . -
Opera King Arthur 7-21.Indd
OPERA SUMMERSCAPE 2021 King Arthur (LE ROI ARTHUS) BY ERNEST CHAUSSON SOSNOFF THEATER JULY 25 – AUGUST 1, 2021 Fisher Center The Fisher Center develops, produces, and presents performing arts across disciplines through new productions and context-rich programs that challenge and inspire. As a premier professional performing arts center and a hub for research and education, the Fisher Center supports artists, students, and audiences in the development and examination of artistic ideas, offering perspec- tives from the past and present, as well as visions of the future. The Fisher Center demonstrates Bard’s commitment to the performing arts as a cultural and educational necessity. Home is the Fisher Center for the Performing Arts, designed by Frank Gehry and located on the campus of Bard College in New York’s Hudson Valley. The Fisher Center offers outstanding programs to many com- munities, including the students and faculty of Bard College, and audiences in the Hudson Valley, New York City, across the country, and around the world. The Center presents more than 200 world-class events and welcomes 50,000 visitors each year. The Fisher Center supports artists at all stages of their careers and employs more than 300 profes- sional artists annually. The Fisher Center is a powerful catalyst of art-making regionally, nationally, and worldwide. Every year it produces eight to 10 major new works in various disciplines. Over the past five years, its commissioned productions have been seen in more than 100 communities around the world. During the 2018–19 season, six Fisher Center productions toured nationally and internationally.