Neutralism: Identifying the Commons Ideology Behind Net Neutrality
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CULTIVATING OPEN INFORMATION PLATFORMS: A LAND TRUST MODEL MOLLY SHAFFER VAN HOUWELING* INTRODUCTION James Boyle has led a recent call for intellectual property “environmentalism”—a movement to fend off perceived threats to the public interest posed by expansions in the scope and term of intellectual property protection.1 Inspired in part by Boyle’s message, a number of organizations have sprung up that aspire to expand and cultivate the body of intellectual works that are not subject to proprietary control.2 The Internet’s original development as a non-proprietary in- formation platform is another source of inspiration for this incip- ient movement.3 The Internet is built on a suite of protocols— * Assistant Professor of Law, University of Michigan Law School. Thanks to Kenneth Bamberger, Stefan Bechtold, Glenn Otis Brown, Julie Cohen, Bruce Damer, Rebecca Eisenberg, Edward Felten, Frank Hecker, Daphne Keller, Thom LeDoux, Mark Lemley, Lawrence Lessig, Douglas Lichtman, Ronald Mann, Thomas Nachbar, Maureen O’Rourke, Timothy Schoechle, Theodore Ts’o, Robert Van Houweling, and Jonathan Zittrain for comments. This essay was the basis for a presentation at the Silicon Flatirons Telecommunications Program Conference on Regulation of Information Platforms. Thanks to Philip Weiser for organizing the conference and to him and the other conference participants for their comments. 1. See, e.g., James Boyle, A Politics of Intellectual Property: Environmentalism for the Net?, 47 DUKE L.J. 87, 108-16 (1997); James Boyle, The Second Enclosure Movement and the Construction of the Public Domain, 39-43 (paper presented at the Duke conference on the Public Domain, Nov. 2001), discussion draft available at http://www.law.duke.edu/pd/papers/boyle.pdf; see also Seth Shulman, Intellectual- Property Ecology, TECHNOLOGY REVIEW, Mar. -
SFLC V Conservancy
Trademark Trial and Appeal Board Electronic Filing System. http://estta.uspto.gov ESTTA Tracking number: ESTTA863914 Filing date: 12/11/2017 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD Proceeding 92066968 Party Defendant Software Freedom Conservancy Correspondence PAMELA S CHESTECK Address CHESTEK LEGAL P O BOX 2492 RALEIGH, NC 27602 UNITED STATES Email: [email protected] Submission Motion for Summary Judgment Yes, the Filer previously made its initial disclosures pursuant to Trademark Rule 2.120(a); OR the motion for summary judgment is based on claim or issue pre- clusion, or lack of jurisdiction. The deadline for pretrial disclosures for the first testimony period as originally set or reset: 07/20/2018 Filer's Name Pamela S Chestek Filer's email [email protected] Signature /Pamela S Chestek/ Date 12/11/2017 Attachments Motion for SJ on affirmative defenses-signed.pdf(756280 bytes ) Kuhn-Declara- tion_summary-judgment_as-submitted_reduced-size-signed.pdf(2181238 bytes ) Sandler-declara- tion_summary-judgment_as-submitted-reduced-size-signed.pdf(1777273 bytes ) Chestek declaration_summary-judgment-signed-with-exhibits.pdf(2003142 bytes ) IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD In the Mater of Registraion No. 4212971 Mark: SOFTWARE FREEDOM CONSERVANCY Registraion date: September 25, 2012 Sotware Freedom Law Center Peiioner, v. Cancellaion No. 92066968 Sotware Freedom Conservancy Registrant. RESPONDENT’S MOTION FOR SUMMARY JUDGMENT ON ITS AFFIRMATIVE DEFENSES Introducion The Peiioner, Sotware Freedom Law Center (“SFLC”), is a provider of legal services. It had the idea to create an independent enity that would ofer inancial and administraive services for free and open source sotware projects. -
The Economic Evaluation Alternatives to Digital
THE ECONOMIC EVALUATION of ALTERNATIVES TO DIGITAL COPYRIGHT Peter Eckersley Department of Computer Science & Software Engineering and Intellectual Property Research Institute of Australia, The University of Melbourne SERCIAC 2003 (Preliminary Version) 1 ABSTRACT A certain air of controversy has arisen around copyright law, as a result of its interactions with digital technology. The body of literature claiming that existing copyright laws are economically sub-optimal is growing rapidly. Some authors are even claiming that it would be better to have no copyright system at all, while others argue that alternatives, such as various forms of public funding, would be preferable to exclusive rights in literary and artistic works. This paper explores the economic differences between a system of consumer-regulating copyright based on “digital rights management”, and alternatives based on public funding. I argue that the distinctions are sufficiently intricate that they elude any simple modelling technique. Instead, this paper attempts a semi-analytic comparison which weighs a set of different factors which may favour either copyright or the alternatives. When these are summed, it is concluded that well-designed systems of public funding are almost certain to produce better social welfare outcomes than DRM-based copyright. 2 1 Introduction The infrastructure for purely digital information economies is only beginning to crystallise1. As this occurs, it has become apparent that some of the central assumptions which have defined information industries in the past are in danger of unravelling. Perhaps the most prominent assumption of this kind is that states of artificial scarcity will be maintained by the exclusive rights of copyright law (in combination with “digital rights management”). -
Anarchism Triumphant: Free Software and the Death of Copyright
Anarchism Triumphant: Free Software and the Death of Copyright Eben Moglen£ May 17, 1999 I Software as Property: The Theoretical Paradox SOFTWARE: no other word so thoroughly connotes the practical and social effects of the digital revolution. Originally, the term was purely tech- nical, and denoted the parts of a computer system that, unlike “hardware,” which was unchangeably manufactured in system electronics, could be al- tered freely. The first software amounted to the plug configuration of ca- bles or switches on the outside panels of an electronic device, but as soonas linguistic means of altering computer behavior had been developed, “soft- ware” mostly denoted the expressions in more or less human-readable lan- guage that both described and controlled machine behavior.1 £ Professor of Law & Legal History, Columbia Law School. Prepared for delivery at the Buchmann International Conference on Law, Technology and Information, at Tel Aviv Uni- versity, May 1999; my thanks to the organizers for their kind invitation. I owe much as always to Pamela Karlan for her insight and encouragement. Thanks are due to Jerome Saltzer, Richard Stallman, and numerous others who freely contributed corrections and im- povements to this paper. I especially wish to thank the programmers throughout the world who made free software possible. 1The distinction was only approximate in its original context. By the late 1960s cer- tain portions of the basic operation of hardware were controlled by programs digitally en- coded in the electronics of computer equipment, not subject to change after the units left the factory. Such symbolic but unmodifiable components were known in the trade as “mi- crocode,” but it became conventional to refer to them as “firmware.” Softness, the term “firmware” demonstrated, referred primarily to users’ ability to alter symbols determining machine behavior. -
Coase's Penguin, Or, Linux and the Nature of the Firm
Coase’s Penguin, or, Linux and The Nature of the Firm Yochai Benkler* Abstract For decades our common understanding of the organization of economic production has been that individuals order their productive activities in one of two ways: either as employees in firms, following the directions of managers, or as individuals in markets, following price signals. This dichotomy was first identified in the early work of Ronald Coase and was developed most explicitly in the work of institutional economist Oliver Williamson. In this paper I explain why we are beginning to see the emergence of a new, third mode of production, in the digitally networked environment, a mode I call commons-based peer production. In the past three or four years, public attention has focused on a fifteen-year- old social-economic phenomenon in the software development world. This phenomenon, called free software or open source software, involves thousands or even tens of thousands of programmers contributing to large and small scale projects, where the central organizing principle is that the software remains free of most constraints on copying and use common to proprietary materials. No one “owns” the software in the traditional sense of being able to command how it is used or developed, or to control its disposition. The result has been the emergence of a vibrant, innovative and productive collaboration, whose participants are not organized in firms and do not choose their projects in response to price signals. This paper explains that while free software is highly visible, it is in fact only one example of a much broader social-economic phenomenon. -
From Material Scarcity to Arti8cial Abundance – the Case of Fablabs and 3D Printing Technologies Primavera De Filippi, Peter Troxler
From material scarcity to arti8cial abundance – The case of FabLabs and 3D printing technologies Primavera de Filippi, Peter Troxler To cite this version: Primavera de Filippi, Peter Troxler. From material scarcity to arti8cial abundance – The case of FabLabs and 3D printing technologies. van den Berg B. & van der Hof S. 3D Printing : Legal, philosophical and economic dimensions., T.M.C. Asser Instituut pp. 65-83, 2015. hal-01265229 HAL Id: hal-01265229 https://hal.archives-ouvertes.fr/hal-01265229 Submitted on 31 Jan 2016 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Primavera De Filippi & Peter Troxler [4] From material scarcity to arti8cial abundance – The case of FabLabs and 3D printing technologies Primavera De Filippi & Peter Troxler 1. Introduction Digital media allowed for the emergence of new artistic practices and innovative modes of production. In particular, the advent of Internet and digital technologies drastically enhanced the ability for multiple au- thors to collaborate towards the creation of large-scale collaborative works, which stand in contrast to the traditional understanding that artistic production is essentially an individual activity. The signi6cance of these practices in the physical world is illustrated by the recent deployment of FabLabs (Fabrication Laboratories), that employ innovative technologies – such as, most notably, 3D printing, which is recently gaining the most interest – to encourage the development of new methods of artistic production based on participation and interaction between peers. -
The Free/Open Source Software Movement Resistance Or Change? Civitas - Revista De Ciências Sociais, Vol
Civitas - Revista de Ciências Sociais ISSN: 1519-6089 [email protected] Pontifícia Universidade Católica do Rio Grande do Sul Brasil Georgopoulou, Panayiota The free/open source software movement Resistance or change? Civitas - Revista de Ciências Sociais, vol. 9, núm. 1, enero-abril, 2009, pp. 65-76 Pontifícia Universidade Católica do Rio Grande do Sul Porto Alegre, Brasil Available in: http://www.redalyc.org/articulo.oa?id=74212712006 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative The free/open source software movement Resistance or change? O movimento de software livre/aberto Resistência ou mudança? Panayiota Georgopoulou* Abstract: At a time when private companies are inventing methods of “locking information” and when neo-liberal governments are imposing strict sanctions on those who violate intellectual property rights, the Free/Open Source Software (FOSS) movement has been countering neo-liberalism and general privatization: it defies ownership regulations in a key area of growth in contemporary capitalistic societies, namely, the construction and use of information. At the end of the ‘90s, FOSS seemed to be a disruptive and destabilizing force in terms of intellectual property and neo- liberalism, yet as open software, it has evolved into a singular economic phenomenon indicating that commercialization -
Annual Report
[Credits] Licensed under Creative Commons Attribution license (CC BY 4.0). All text by John Hsieh and Georgia Young, except the Letter from the Executive Director, which is by John Sullivan. Images (name, license, and page location): Wouter Velhelst: cover image; Kori Feener, CC BY-SA 4.0: inside front cover, 2-4, 8, 14-15, 20-21, 23-25, 27-29, 32-33, 36, 40-41; Michele Kowal: 5; Anonymous, CC BY 3.0: 7, 16, 17; Ruben Rodriguez, CC BY-SA 4.0: 10, 13, 34-35; Anonymous, All rights reserved: 16 (top left); Pablo Marinero & Cecilia e. Camero, CC BY 3.0: 17; Free This report highlights activities Software Foundation, CC BY-SA 4.0: 18-19; Tracey Hughes, CC BY-SA 4.0: 30; Jose Cleto Hernandez Munoz, CC BY-SA 3.0: 31, Pixabay/stevepb, CC0: 37. and detailed financials for Fiscal Year 2016 Fonts: Letter Gothic by Roger Roberson; Orator by John Scheppler; Oswald by (October 1, 2015 - September 30, 2016) Vernon Adams, under the OFL; Seravek by Eric Olson; Jura by Daniel Johnson. Created using Inkscape, GIMP, and PDFsam. Designer: Tammy from Creative Joe. 1] LETTER FROM THE EXECUTIVE DIRECTOR 2] OUR MISSION 3] TECH 4] CAMPAIGNS 5] LIBREPLANET 2016 6] LICENSING & COMPLIANCE 7] CONFERENCES & EVENTS 7 8] LEADERSHIP & STAFF [CONTENTS] 9] FINANCIALS 9 10] OUR DONORS CONTENTS our most important [1] measure of success is support for the ideals of LETTER FROM free software... THE EXECUTIVE we have momentum DIRECTOR on our side. LETTER FROM THE 2016 EXECUTIVE DIRECTOR DEAR SUPPORTERS For almost 32 years, the FSF has inspired people around the Charity Navigator gave the FSF its highest rating — four stars — world to be passionate about computer user freedom as an ethical with an overall score of 99.57/100 and a perfect 100 in the issue, and provided vital tools to make the world a better place. -
Copyright and Inequality
Washington University Law Review Volume 92 Issue 1 2014 Copyright and Inequality Lea Shaver Indiana University Robert H. McKinney School of Law Follow this and additional works at: https://openscholarship.wustl.edu/law_lawreview Part of the Intellectual Property Law Commons, and the Law and Society Commons Recommended Citation Lea Shaver, Copyright and Inequality, 92 WASH. U. L. REV. 117 (2014). Available at: https://openscholarship.wustl.edu/law_lawreview/vol92/iss1/7 This Article is brought to you for free and open access by the Law School at Washington University Open Scholarship. It has been accepted for inclusion in Washington University Law Review by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. COPYRIGHT AND INEQUALITY LEA SHAVER ABSTRACT The standard theory of copyright law imagines a marketplace efficiently serving up new works to an undifferentiated world of consumers. Yet the reality is that all consumers are not equal. Class and culture combine to explain who wins, and who loses, from copyright protection. Along the dimension of class, the inequality insight reminds us just because new works are created does not mean that most people can afford them, and calls for new attention to problems of affordability. Copyright protection inflates the price of books, with implications for distributive justice, democratic culture, and economic efficiency. Along the dimension of culture, the inequality insight points out that it is not enough for copyright theory to speak generally of new works; it matters crucially what languages those works are being created in. Copyright protection is likely to be an ineffective incentive system for the production of works in “neglected languages” spoken predominantly by poor people. -
Coase's Penguin, Or, Linux and the Nature of the Firm
Articles Coase's Penguin, or, Linux and The Nature of the Firm Yochai Benklert CONTENTS INTROD UCTION ..........................................................................................371 I. PEER PRODUCTION ALL AROUND ......................................................381 A . Content .........................................................................................384 B. Relevance/Accreditation.............................................................. 390 C. Value-Added Distribution............................................................ 396 D . Sum m ary ......................................................................................399 t Professor of Law, New York University School of Law. Research for this Article was partly supported by a grant from the Filomen D'Agostino and Max E. Greenberg Research Fund at the New York University School of Law. I owe thanks to many for comments on this and earlier drafts, including: Bruce Ackerman, Ed Baker, Elazar Barkan, Jamie Boyle, Dan Burk, Ben Damstedt, Bob Ellickson, Terry Fisher, Natalie Jeremijenko, David Johnson, Dan Kahan, Niva Elkin Koren, Tara Lenmey, Larry Lessig, Doug Lichtman, Jerry Mashaw, Eben Moglen, Mark Nadel, Helen Nissenbaum, George Priest, Peggy Radin, Carol Rose, Chuck Sabel, Alan Schwartz, Clay Shirky, Richard Stallman, and Kenji Yoshino. I owe special thanks to Steve Snyder for his invaluable research assistance on the peer production enterprises described here. I have gotten many questions about the "Coase's Penguin" portion of the title. -
Grassmuck.Pdf
Volker Grassmuck Freie Software Zwischen Privat- und Gemeineigentum Schriftenreihe Band 458 Volker Grassmuck Freie Software Zwischen Privat- und Gemeineigentum Mit Dank an alle, die Bug-Reports geschickt haben. Bonn 2004 © Bundeszentrale für politische Bildung (bpb) 2., korrigierte Auflage Redaktionsschluss: 30. November 2004 Redaktion: Thorsten Schilling Lektorat: Cornelia Schmitz, M.A., Bonn Projektmanagement: Sabine Berthold Diese Veröffentlichung stellt keine Meinungsäußerung der Bundeszentrale für politische Bildung dar. Für inhaltliche Aussagen trägt der Autor die Verantwortung. Die Website zum Buch: http://freie-software.bpb.de Typografie: Hans Schlimbach AGD, Köln; Satz: Medienhaus Froitzheim AG, Bonn, Berlin Umschlagmotiv: Mieke Gerritzen, nl.design, Amsterdam Umschlaggestaltung: Michael Rechl, Kassel, Wanfried Druck: Bercker, Kevelaer ISBN 3-89331-569-1 Inhalt Vorworte 1. Teil: Thorsten Schilling Die rechtliche Ordnung Georg Greve des Wissens 31 Free Software Foundation Europe 13 Volker Grassmuck Eigentum 36 Initialize 16 Allmende – vom Kollektiveigentum History 25 zum Privateigentum 37 Credits 27 Wissen: vom Eigentum zur Allmende Navigation 29 (Museen, Bibliotheken, Universitäten) 43 Wissen: von der Allmende zum Eigentum – Immaterialrecht 48 Patente 50 Die angloamerikanische Copyright-Tradition 51 Die kontinentaleuropäische Droit d’auteur-Tradition 58 Internationale Regelungen 62 Balance 65 Akteure der rechtlichen Ordnung des Wissens 72 Autorinnen 73 Verwertungsgesellschaften 76 Rechteindustrie 81 Öffentlichkeit 85 Medientechnologie -
Table of Contents
Table of Contents Preface . ix 1. Open Source Licensing, Contract, and Copyright Law . 1 Basic Principles of Copyright Law 1 Contract and Copyright 3 Open Source Software Licensing 4 Issues with Copyrights and Patents 7 The Open Source Definition 8 Warranties 11 2. The MIT, BSD, Apache, and Academic Free Licenses . 14 The MIT (or X) License 14 The BSD License 15 The Apache License, v1.1 and v2.0 17 The Academic Free License 24 Application and Philosophy 30 3. The GPL, LGPL, and Mozilla Licenses . 34 GNU General Public License 35 GNU Lesser General Public License 49 The Mozilla Public License 1.1 (MPL 1.1) 62 Application and Philosophy 81 4. Qt, Artistic, and Creative Commons Licenses . 85 The Q Public License 85 Artistic License (Perl) 90 Creative Commons Licenses 98 vii 5. Non-Open Source Licenses . 114 Classic Proprietary License 114 Sun Community Source License 120 Microsoft Shared Source Initiative 144 6. Legal Impacts of Open Source and Free Software Licensing . 147 Entering Contracts 148 Statutory Developments Related to Software Contracts 150 The Self-Enforcing Nature of Open Source and Free Software Licenses 151 The Global Scope of Open Source and Free Software Licensing 153 The “Negative Effects” of Open Source and Free Software Licensing 154 Community Enforcement of Open Source and Free Software Licenses 158 Compatible and Incompatible Licensing: Multiple and Cross Licensing 159 7. Software Development Using Open Source and Free Software Licenses . 164 Models of Open Source and Free Software Development 164 Forking 171 Choosing an Open Source or Free Software License 174 Drafting Open Source Licenses 176 Appendix: Creative Commons Attribution-NoDerivs License .