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Internet Killed the B-Boy Star: a Study of B-Boying Through the Lens Of
Internet Killed the B-boy Star: A Study of B-boying Through the Lens of Contemporary Media Dehui Kong Senior Seminar in Dance Fall 2010 Thesis director: Professor L. Garafola © Dehui Kong 1 B-Boy Infinitives To suck until our lips turned blue the last drops of cool juice from a crumpled cup sopped with spit the first Italian Ice of summer To chase popsicle stick skiffs along the curb skimming stormwater from Woodbridge Ave to Old Post Road To be To B-boy To be boys who snuck into a garden to pluck a baseball from mud and shit To hop that old man's fence before he bust through his front door with a lame-bull limp charge and a fist the size of half a spade To be To B-boy To lace shell-toe Adidas To say Word to Kurtis Blow To laugh the afternoons someone's mama was so black when she stepped out the car B-boy… that’s what it is, that’s why when the public the oil light went on changed it to ‘break-dancing’ they were just giving a To count hairs sprouting professional name to it, but b-boy was the original name for it and whoever wants to keep it real would around our cocks To touch 1 ourselves To pick the half-smoked keep calling it b-boy. True Blues from my father's ash tray and cough the gray grit - JoJo, from Rock Steady Crew into my hands To run my tongue along the lips of a girl with crooked teeth To be To B-boy To be boys for the ten days an 8-foot gash of cardboard lasts after we dragged that cardboard seven blocks then slapped it on the cracked blacktop To spin on our hands and backs To bruise elbows wrists and hips To Bronx-Twist Jersey version beside the mid-day traffic To swipe To pop To lock freeze and drop dimes on the hot pavement – even if the girls stopped watching and the street lamps lit buzzed all night we danced like that and no one called us home - Patrick Rosal 1 The Freshest Kids , prod. -
The B-Boy Summit Internationally Acclaimed B-Boy/B-Girl Event
THE B-BOY SUMMIT INTERNATIONALLY ACCLAIMED B-BOY/B-GIRL EVENT Produced by No Easy Props OVERVIEW The B-boy Summit continues to be a major trendsetter in Hip-Hop street dance, art and music culture. Established in 1994, The Summit presented innovative ideas in Hip-Hop culture, offering a conference forum complete with competitions, performances, panels, workshops, and a marketplace for consumer friendly products marketed toward the Hip-Hop community. Never content with success, The B-boy Summit continues its mission to bring the hottest street dance, art, and music above ground to the masses. The B-boy Summit has grown into an internationally acclaimed 3 day festival incorporating all aspects of Hip-Hop in different plateaus, including the most intense battles, rawest circles, theatre performances, a DJ/MC Talent Showcase and live aerosol art painting. The B-boy Summit was created in 1994 out of the need for a community orientated Hip-Hop event that encompassed knowledge of the history of Hip-Hop culture and the skills of B-boying and B-girling. At that point in time B-boys and B-girls didn’t have a platform in which to come together, dance and pay homage to the traditional dance of Hip-Hop. Each year the event has expanded to encompass B-boys, B-girls, MCs, Aerosol Artists, and DJs from across the globe, steadily building into what is now the foremost Hip-Hop cultural event in the world. More recently, The Summit has become one of the most important events for Lockers, Poppers, Freestyle and House Dancers to take part in during The Summit’s Funk Fest. -
La Publicidad En La Creación Y Fortalecimiento De La Imagen Corporativa Y De La Reputación
Facultad de Ciencias de la Comunicación Universidad Rey Juan Carlos La publicidad en la creación y fortalecimiento de la Imagen Corporativa y de la reputación Análisis de la Imagen de Marca de Red Bull Resumen: Estudio teórico sobre la Imagen y Comunicación Corporativa. Observación de las estrategias de marketing y comunicativas para la creación de la Imagen Corporativa y estudio de su impacto en el público. Análisis de la estrategia marketing de Red Bull e investigación sobre su Imagen de Marca. TRABAJO FIN DE GRADO Autor: Edgar Alvarez González Director: Maximiliano Fernández Fernández Grado en Comunicación Audiovisual Curso: 2013/2014 – convocatoria: noviembre Facultad de Ciencias de la Comunicación Universidad Rey Juan Carlos Autor: Edgar Álvarez González. Director: Maximiliano Fernández Fernández La publicidad en la creación y fortalecimiento de la Imagen Corporativa y de la reputación Análisis de la Imagen de Marca de Red Bull “El convencimiento racional por si mismo no genera acción en el ser humano. Se necesita el impulso de las emociones para decidirnos a dar un paso.” (Costa, 2004: 13) -2- Facultad de Ciencias de la Comunicación Universidad Rey Juan Carlos Autor: Edgar Álvarez González. Director: Maximiliano Fernández Fernández La publicidad en la creación y fortalecimiento de la Imagen Corporativa y de la reputación Análisis de la Imagen de Marca de Red Bull ÍNDICE 1. INTRODUCCIÓN 5 1.1. Elección y planteamiento del tema 5 1.2. Interés científico 6 1.3. Interés social 6 1.4. Objeto de estudio 7 1.5. Metodología 8 1.6. Fuentes 9 1.7. Estado de la cuestión 10 1.8. -
March 2021.Pdf
UK EDITION MARCH 2021, £3.50 BEYOND THE ORDINARY SUBSCRIBE: GETREDBULLETIN.COM THE MINT 400 Desert drama at the iconic American off-road race ROAR OF THE ROSES England rugby’s women on the push for sporting glory CORAL CRUSADE How freediver GUILLAUME NÉRY and a group of young Polynesian innovators are fighting to save our underwater world FORD RANGER RAPTOR LET NOTHING STAND IN YOUR WAY. CONQUER ALL WITH TERRAIN MANAGEMENT FEATURING FOX RACING SUSPENSION. #NoObstacles ford.co.uk Editor’s letter CONTRIBUTORS BIG IDEAS THIS ISSUE In this month’s issue of The Red Bulletin, we meet inspiring characters who remind us that we don’t need to possess all the answers to have a plan. When Titouan Bernicot gave up his place at business school in France and moved back to Mo’orea, the small island in French Polynesia where he’d grown up, he wasn’t exactly sure how he was going to achieve his goal – to GAVIN BOND The British snapper is more help save the coral reefs around his island. He only knew that used to fashion shoots than trying to do it was the only way he could be happy. Bernicot motorsports, but somehow found himself at US off-road has since founded the Coral Gardeners (page 30), a group of race The Mint 400. “It was surfers, fishermen and freedivers who are working to save not three dusty days in the desert I won’t forget,” he says. “It only the reefs around Mo’orea, but around the world. was my last shoot before the And in our feature Think Bigger (page 41) we discover the pandemic hit, but dodging trucks and wearing a mask to athletes who used 2020 not as a year to stay at home, but as avoid the inhaling the dust one in which to push themselves further than ever, using new did not prepare me for what followed in 2020.” Page 50 training grounds, methods and contacts to do it. -
The Legion of Extraordinary Dancers from Wikipedia, the Free Encyclopedia
The Legion of Extraordinary Dancers From Wikipedia, the free encyclopedia The Legion of Extraordinary Dancers, commonly called The LXD, was a 2010–2011 web series about two groups of rival dancers: The Alliance of the Dark who are the villains and The Legion of Extraordinary Dancers, the heroes, who discover they The Legion of [3][4] have superpowers referred to as "the Ra" through their dance abilities. The entire story takes place over hundreds of Extraordinary Dancers years, beginning in the 1920s up to the year 3000.[1] The series was created, directed and produced by Jon M. Chu,[4][5] who says he was inspired to create the series by Michael Jackson's "Thriller" and "Smooth Criminal" music videos and by the dancers he met while filming the movie Step Up 2: The Streets.[6][7][fn 2] He has described the show as "balletic", "operatic", "high quality"[6] and a "Justice League of dance."[3] The Genre Web series series was choreographed by Christopher Scott and Harry Shum, Jr. with assistant choreography by Galen Hooks.[2][4][8][fn 3] Dance Members had a wide variety of specialties including hip-hop, krumping, contemporary, tricking, popping, b-boying, jazz, tap, Action/adventure and ballet.[1][4][8] All of the choreography and stunts were real; there were no special effects or wire work[6] and the entire Drama Interactive series was shot on location without the use of green screens.[1] Created by Jon M. Chu 50% of the sales of the official LXD t-shirt went to support the work of the non-profit organization Invisible Children, Directed by Jon M. -
Danse : Quels Sont Les Meilleurs Artistes De Breakdance En France ?
Danse : Quels sont les meilleurs artistes de breakdance en France ? Bibliothèque francophone multimédia de Limoges – Notre réponse du 19/08/2020. TheDigitalArtist on Pixabay (Pete Linforth ) De manière générale, Wikipédia recense des compagnies de breakdance en France et la plupart ont des sites web ou des pages Facebook où vous pouvez les contacter. Définir le meilleur athlète d’une discipline peut s’avérer très subjectif. Par exemple ici, sur le blog ladansehiphop.com, Manon et Nicolas, deux passionnés de Hip-Hop, nous listentleur danseurs préférés par discipline (popping, locking, krump…) du breakdance. Breakdance : art ? sport ? danse urbaine ? Il est important de souligner qu’étant donné l’origine urbaine du breakdance, cette discipline n’était pas forcément structurée comme peut l’être par exemple le rugby, le football ou les danses de salon. Ces dernières pratiques répondent, en effet, à des codes très précis et sont depuis longtemps organisés avec l’appui de la Fédération Française de Danse et de laFédération international de danse. Le breakdance aux Jeux Olympiques ? Néanmoins, avec l’arrivée du breakdance aux prochains Jeux Olympiques de 2024, il a fallu structurer la discipline. Paris 2024 : le breakdance fait son entrée au programme des Jeux olympiques par France24, le 07/12/2020. Il a fallu également sélectionner quels seraient les athlètes français pour représenter nos couleurs. Une question qui fait d’ailleurs débat. Le breakdance aux Jeux olympiques : la crainte de dénaturer un art par Fiona Moghaddam, France Culture, le 30/06/2019. Ainsi vous pourrez retrouvez le règlement technique de la danse Hip-hop tel que défini par la Fédération Française de Danse. -
Press Release
OT VINTA “OT VINTA” are inventors and founders of the original music style "Ukrabilly". Even hardened snobs and downers break into dance whenever they hear their hits: "I Shouldn’t Have Eaten Onions", "Rock and Roll for Turtles", "Grandma’s Cabinet", "Dryg-tyn- dymba", "Mare" and ""Ukraine" Between My Legs”. "OT VINTA” - Ukrainian band that has faithful fans all over the world, from Japan to Holland. The secret of their success is simple: one-of-a-kind style "Ukrabilly", drive, humor and positive energy. This special mix does not leave anyone indifferent! It all began in 1994 when Yuri Zhuravel realized his dream - assembled a band. Three young guys from city of Rivne with pompadours and double-bass decided to sing in Ukrainian, breaking rules and canons of traditional rockabilly. This made them stand out amongst other bands. Though at first this decision brought many problems, soon the band’s unique approach helped to overcome existing stereotypes. Their music did not fit into the classical rockabilly framework, so they’ve invented “Ukrabilly”, which used Ukrainian folk music instead of American country music as an inspiration. Moreover, their appearance, behavior on stage, costumes and exclusive electro-goat-bass (based on Ukrainian folk instrument) added originality and it became impossible to confuse them with someone else. Since the late 90s “OT VINTA” are touring nonstop. In recent years “OT VINTA” perform a lot in Europe - Ukrabilly is played at "Lowlands" (Netherlands) “Hodokvas” (Slovakia), “Zwarte Cross Fest” (Holland), “Visagino Country” (Lithuania), “Campus Fest” (Germany) and “Hinter-Tux Fest” (Austria). They are well known in Poland since the early 2000s because of their appearances at “Lemko’s Vatra”, “Podlasie Autumn”, “Psychobilly night”, “Breakout” and other major festivals. -
Certain Energy Drink Products
U.S. International Trade Commission COMMISSIONERS Deanna Tanner Okun, Chairman Irving A. Williamson, Vice Chairman Charlotte R. Lane Daniel R. Pearson Shara L. Aranoff Dean A. Pinkert Address all communications to Secretary to the Commission United States International Trade Commission Washington, DC 20436 U.S. International Trade Commission Washington, DC 20436 www.usitc.gov In the Matter of Certain Energy Drink Products Investigation No. 337-TA-678 Publication 4286 November 2011 UNITED STATES INTERNATIONAL TRADE COMMISSION Washington, D.C. 20436 In the Matter of Investigation No. 337-T A-678 CERTAIN ENERGY DRINK PRODUCTS NOTICE OF ISSUANCE OF A CORRECTED GENERAL EXCLUSION ORDER AGENCY: U.S. International Trade Commission. ACTION: Notice. SUMMARY Notice is hereby given that the U.S. l;~temational Trade Commission has determined to revise the general exclusion order issued in the subject investigation on September 8,2010. FOR FURTHER INFORMATION CONTACT: .Tia Chen, Esq., Office of the General Connse:, U.S. International Trade Commission, 500 E Street, S.W., Washington, D.C. 20436, telephone 202-708-3747. Copies of all nonconfidential documents filed in connection with this investigation are or will be available for inspection during i)fficial business hours (8A5 a.m. to 5:15 .a.m.l in the Office of the Secretary, U.S. International Trade Commission,500E Street, S 'N., asi1ington, D.C. 20436, telephone 202-205·2000. Hearing-impaIred persons are advised that intCmnation on this matter can be obtained by contacting the Commission's TDD terminal on 202-205-1810. General information concerning the C'ommission may also be.obtained by accessing its Internet server The public record for this investigation may be view~d on the Commission's electronic docket (ED IS) at '-"-~~~:.=.:,.~~~ SUPPLEMENTARY INFORMATION: This trademark and copyright-based investigation was institllteu by the Commission on June 17,2009, based on a complaint filed by Red Bull GmbH of Fuschl am See, Austria, and Red Bull NOlih America, Inc. -
Social and Dynamic Productions of Breaking and Hip Hop Culture
School of Media, Creative Arts and Social Inquiry “Our Lives are Lived in Freestyle”: Social and Dynamic Productions of Breaking and Hip Hop Culture Lucas Marie This thesis is presented for the Degree of Doctor of Philosophy of Curtin University September 2018 DECLARATION To the best of my knowledge and belief this thesis contains no material previously published by any other person except where due acknowledgment has been made. This thesis contains no material which has been accepted for the award of any other degree or diploma in any other university. Signature: ………Lucas Marie………….……….. Date: …28/9/2018… ABSTRACT Based on fieldwork with breakers living in New York, Osaka, and Perth, as well from prior experiences within my field of study, this thesis builds on a growing body of scholarship which examines the productions, expressions and consumptions of hip hop culture. This study looks at how breakers—hip hop dance practitioners—work to produce, sustain and transform hip hop culture in ways that are local and unique. It is not, however, my intention to set out a definitive list of good or bad, authentic or unauthentic, notions of hip hop, or to suggest that there is one true or correct way in which to participate and identify as a member of. What is emphasised are the ways in which breakers, through their embodied dance practices, negotiate, express, understand and conceptualise hip hop. The title of this thesis, “Our Lives are Lived in Freestyle”, is a line from a spoken word poem, by a breaker from Texas named Marlon. In breaking, to “freestyle” means to improvise in the moment; to use the tools one has at their disposal to perform and create. -
Augenblick Issue 1 / 2019
aUGENbLICK Issue 1 / 2019 Magazine for alumni, students and staff as well as friends and supporters of Harz University of Applied Sciences 02 magazine augenblick, issue 1 / 2019 Content Imprint Overview augenblick At a glance Anniversary Magazine for alumni, students and staff as well as friends and supporters of 04 "Try studying" with the Orientation 13 Twenty years of the Faculty of Harz University of Applied Sciences Programme Administrative Sciences at Harz 05 New Dean's Offices elected – relay University publisher baton passed on Prof. Dr. Folker Roland 06 New chapter for family friendliness President of Harz University of 06 New Board of Trustees takes up its work Social Media Applied Sciences Friedrichstrasse 57-59 14 #HSHARZ 38855 Wernigerode, Germany Retrospective A selection of the most beautiful Instagram pictures of the year 2018 editorial address 07 Nintendo, Ubisoft & Co.: Games University chirping at Twitter Communications and Marketing industry networks at Harz University Press spokeswoman: Janet Anders 08 Get out the popcorn! Friedrichstrasse 57-59 Campus life 38855 Wernigerode, Germany Phone: +49 3943 659-822 Open Campus 16 Working Group "Sustainable Harz E-Mail: [email protected] University" wins Environment Prize 09 "Campusfever" with a big party 2018 conception & editorial 17 New sports facilities on the Eileen Demangé Wernigerode campus Up and away 17 Raise the curtain for the design "Kulturschock" Annett Leopold 10 From the Harz to the Tokyo Game Show 18 Family atmosphere at Harz University 11 From France to -
Contagious Is Ten
Social Change / xxx Contagious is ten. Welcome... 14 28 31 47 THE CONTAGIOUS DECADE SMALL BUT PERFECTLY FORMED 06 A Primer 40 Little brands, big thinkers Log off, lean in and pore over Katrina Dodd’s attempt In each of our past 20 issues, Contagious has at imposing neatly alphabetised order on the chaos of celebrated seven small companies hoping to change the Contagious zeitgeist. the world. We take a look at some of our favourites – and add a few more to the ranks. WELCOME TO CONTAGIOUS X 14 Brands for the next decade STRENGTH STUDY / Publishing Application instructions for this special dose of the 47 By Chloe Markowicz magazine. Side effects may include broad inspiration, Landscape Brands evolve from being publicists brand bravery and a healthy dose of disdain for the to publishers status quo. Brand Spotlight Red Bull Opinion Tyler Brûlé, editor in chief, Monocle STRENGTH STUDY / Disruption 19 By Emily Hare STRENGTH STUDY / Data Landscape How can brands make disruption work 57 By Chris Barth while protecting themselves against challengers? Landscape The fine art of surfacing signal from noise Brand Spotlight Tesla Brand Spotlight IBM Opinion Jonathan Mildenhall, CMO, Airbnb Opinion Vikram Somaya, general manager of WeatherFX, The Weather Company 28 CUT OUT AND KEEP A brief history of (Contagious) time / FEATURE / The technology boneyard The ten commandments 66 Explosive digital development has its casualties. Will A crunched-down illustration of the major tech, social Sansom considers those that became cautionary tales. and business developments on one side and Contagious’ non-denominational lessons to live by on the other. -
Promotion – Red Bull Dietrich Mateschitz Founded Red Bull in 198 and Launched the Red Bull Energy Drink 1987
Promotion – Red Bull Dietrich Mateschitz founded Red Bull in 198 and launched the Red Bull Energy Drink 1987. Red Bull uses a progressive marketing strategy. There are several traditional approaches to promotion. Perhaps the best known is advertising. This is a key element of what is known as above-the-line promotion. This type of promotion usually delivers messages to a wide audience using the press, television, radio and the internet. Although this makes it easy to reach a large audience, it is more difficult to deliver a memorable message that is tailored to a specific target market. It can be costly: for example, television adverts at prime time are very expensive. In addition, businesses cannot completely control who sees or hears their adverts or how they respond. Red Bull’s above- the-line promotion primarily helps to increase top of mind brand awareness amongst consumers. Below-the-line promotions encompass all other forms of promotional activity. To reach targeted groups of consumers, Red Bull focuses heavily on developing inventive below-the-line promotions. Unlike other businesses, Red Bull creates and organises its own events around the world. These events provide a platform for talented athletes to showcase their skills and ambition. Sporting events include Red Bull X-Fighters and Red Bull Air Race, where the world’s top FMX riders and pilots respectively perform world class flips, turns and tricks in front of tens of thousands of spectators. These events help to establish the brand values. They also begin the AIDA process, creating awareness and interest in Red Bull products.