Felix Issue 351, 1974
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Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
A Punk Rock Short Film
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Spring 5-15-2015 For Want Of: A Punk Rock Short Film Jonathan P. Kieran University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Film Production Commons Recommended Citation Kieran, Jonathan P., "For Want Of: A Punk Rock Short Film" (2015). University of New Orleans Theses and Dissertations. 1992. https://scholarworks.uno.edu/td/1992 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. For Want Of: A Punk Rock Short Film A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts in Film Production by Jonathan P. Kieran B.A. Ursinus College, 2007 May, 2015 Dedicated to my mother and sister and to my fellow filmmakers. ii Table of Contents Abstract .............................................................................................................................. -
Jobz Are Us: the Ethical Dilemmata of the Humble Scrivener
Jobz Are Us: The Ethical Dilemmata of the Humble Scrivener Toiling away here in the bloggy vineyard, Your Narrator finds himself in near-constant search of gainful, remunerative scribbling. Oh sure, regaling the tens of loyal i2b followers with insight, pith<fn>Yeth. Pith.</fn>, andtres bon mots in return for your undying adulation is all the reward an inky wretch could hope for. But the family has this annoying tendency to, you know, eat, so I expose my tender talents to the cruel world in hopes that someone will toss a few shekls my way.<fn>That Donate button over to the right has not brought the expected riches, needless to say.</fn> <fn>The mere mention of which – the Donate button, that is – is of course, a classic example of shameless whoring, one which allows the reader a choice between casting judgement on Your Narrator or of empathizing with his plight.</fn> <fn>And, also too, this mentioning – re: the judgement v. empathy conflict – potentially instantiates a frisson of guilt in the freeloading reader, which pointing out represents a further, and perhaps more pathetic, instance of Narratory whoring.</fn> So I troll, I dig. I hustle. And occasionally, I am rewarded beyond my wildest dreams when I find an inducement like this: Do you love essential oils? Do you love to write about them and take pictures? [….] Essential Oil company is looking for someone who is passionate and knowledgeable about essential oils. We currently have a blog and we are looking to add guest editors/bloggers to our mix. -
Group Protests Marine Presence , Qu.Wiidnesday, Jan
73. Vol. ,23, Issue 16 THE TRINITY February t£ 1975 Trinity College TRIPOD Hartford, Conn. Student Elections Fill 12 College Committees Student elections were held last Fred Lahey 55 Thursday, Jan. 30, in the lobby of Mather Policy Board (1) Mather Hall. Twenty-three Kim Jonas 28 (write-in* positions on 12 college committees Special Committee on FU»ap» were filled by the winning can- pointment, Tenure, and didates whose names and total Promotions (2) votes received appear below. Total Steve Kayman 127 voter turnout on election day was SheUa Driscoll 109 610. Student Activities Committee (3) Election Results Jim Cobbs 141 Academic Affairs Committee (1) Peter Pieragostini 141 Paul Sachs 176 Ramsay Gross 130 College Affairs Committee (1) Parking Appeals Board (3) Adrienne Mally 147 Stan Goldich 197 Curriculum Committee (1) Ralph Stone 172 Bill Levy 114 Craig Shields 156 Financial Affairs Committee (1) Studeiit Government Association Stan Goldich 159 Library Committee (1) Pat Heffernan 227 • George Stiffler 301 Sheila Driscoll 190 Mather Hall Board of Gover- Richard Chamberlain 140 nors— upperclass position (2) Barbara Husum 130 Mary Desmond 153 Bill O'Brien 117 Jay Morgan 148 Mather Hall Board of Gover- Trinity College Council (1) nors—freshman position (l) Mike Brown 19 (write-in) photo by Al Moore Reaction Mixed Group Protests Marine Presence , Qu.Wiidnesday, Jan. 29, an anti- hearing the parting words of a another location on campus. The tn&tmte {action led by Peter Jessop marine recruiter whom Margolis removal of the Marines might, '76 and John Bach, a 27 year old reported to have said, "I'll see you however, entail more than just a Hartford resident, distributed next year. -
1-24-21 Sermon
1-24-21 "The Trouble with Mercy" Jonah 3:1-5, 10; 4:1-5 Central Christian Church David A. Shirey The reading began with the words, “The word of the LORD came to Jonah a second time, saying, “Get up, go to Nineveh, that great city, and proclaim to it the message that I tell you.” If this is the “second time” God instructed Jonah to go to Ninevah, what happened the first time? Well, the first time is at the beginning of Chapter 1 when God says, “Arise, go to Ninevah.. and cry against it; for their wickedness has come up before me” (Jonah 1:1, 2). “Go to Ninevah,” God says. Ninevah—capitol city of Assyria. Assyria, the nation that destroyed Israel in 721 B.C. Assyria, the nation that then subjugated and oppressed the southern kingdom of Judah for almost 100 years. Assyria: present-day Iraq. The book of Jonah begins with a prophet called up for duty—drafted to serve in the Persian Gulf as a missionary to his nation’s bitterest foe. Well, Jonah was a draft-dodger. He said, “Go to Ninevah? Nothin’ doin’!” and rather than heading north to Canada, he fled west toward Tarshish. Ninevah was due east by land. Jonah sailed due west by sea. Caught the first ship out of Joppa the next morning and went AWOL from the Lord’s command. Tarshish, many scholars believe, was a coastal city in Spain. Think Acapulco. Maui. Shangri-la. In other words, a much more preferable place to serve God than Ninevah. -
Ernest Glen Wever Biographical Memoir
NATIONAL ACADEMY OF SCIENCES E RNEST GLEN WEVER 1902—1991 A Biographical Memoir by J A C K VERNON Any opinions expressed in this memoir are those of the author(s) and do not necessarily reflect the views of the National Academy of Sciences. Biographical Memoir COPYRIGHT 1997 NATIONAL ACADEMIES PRESS WASHINGTON D.C. ERNEST GLEN WEVER October 16, 1902–September 4, 1991 BY JACK VERNON E WERE DRIVING from Princeton, N.J., to Hibernia, N.␣ J., Wwhen I asked Glen Wever, “What do we know about hearing in bats?” He answered, “About all we know is what Donald Griffin has written; that is, they detect and catch their prey by echo location, a term invented by Griffin. We really know nothing about their hearing ability except that it must be amazing; after all, they do with their ears what the rest of us do with our eyes.” This conversation took place over forty years ago. Glen Wever and I were driving to Hibernia to try to lo- cate an abandoned zinc mine that we had heard was the home of hibernating bats. We were on a bat-collecting trip, the first of many to follow, from which we hoped to acquire some bats (Myotis Lucifugus, as it turned out) for experi- mental purposes. We planned to record the AC cochlear potentials from the bats’ inner ears, which, at that time, had never been done. A filling-station attendant in Hibernia directed us to the zinc mine, where we found the entrance blocked with a heavy steel plate and a sign that read “KEEP OUT.” Left to my own devices, I think I would have obeyed the sign, but Glen said, “I think we can just manage to crawl 371 372 BIOGRAPHICAL MEMOIRS under that barricade.” We proceeded to do just that. -
Left to My Own Devices
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 12-17-2010 Left to My Own Devices Charisse Celino University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Celino, Charisse, "Left to My Own Devices" (2010). University of New Orleans Theses and Dissertations. 1251. https://scholarworks.uno.edu/td/1251 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Left to My Own Devices A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts in Fine Arts By Charisse Celino B.A., Loyola University, 2002 B.F.A, Loyola University, 2008 December 2010 Copyright 2010, Charisse Celino ii Acknowledgements I would like to thank my committee; Doyle Gertjejansen for asking the right questions, Cheryl Hayes for heart and soul and Jim Richard for fighting for and believing in me. -
Welcome to the CD Series That Has Now Lived Nine Lives, Rock 'N Roll Roots Volume 9! with Your Help, We've Assembled Another
Welcome to the CD series that has now lived nine lives, Rock ’N Roll Roots Volume 9! With your help, we’ve assembled another dozen dazzlers with a savory shot of hometown heroes. This year we’re proud to partner with Children’s Home + Aid. This 124-year- old organization is involved in every aspect of helping children’s lives, especially in the education arena where music classes are just one of the many programs offered to those families who need the help. For more information on this outstanding agency, log onto www.childrenshomeandaid.org. As I go kicking and screaming into the future refusing to download music as a source of entertainment, I say long live the CD and our record collections! Thank you once again for coming along on this ride of keeping our music alive and giving a little help along the way to those who need it. Viva la You! Bob Stroud BLACK BACK 1 THE RASPBERRIES – GO ALL THE WAY At approximately 1:30 into The Buckinghams’ sixth hit their first. Chicago was a captive audience for this east 8 CLASSICS IV – SPOOKY From the ashes of Spirit came this quartet who took Taking what had been a charming Drifters release (CARMEN) of 1967, something happens that stunned the band coast quartet who scored a second smash with this (BUIE/COBB/MIDDLEBROOK/SHAPIRO) their name from a Chuck Berry song. Lead by Jay and rearranging it into something truly unique and Published by Universal–Songs Of Polygram o/b/o the first time they heard the finished product at a slick, jazzy tale of two streetwise misfits. -
To Lasker's Philosophy
cash box,- news Breaking Nickey Barclay Key To Lasker's Philosophy by David Budge LOS ANGELES - Jay Lasker, president That 20% is in direct personnel costs, of Ariola America Records more than not in advertising and other promotional agreeing with last week's Cash Box expenses. We've weighted the company editorial (Breaking New Acts - Key to to having an 80% promotion expense by The Future); is doing something about it. design. The record business is not a Lasker and his partner, Howard Stark sales or merchandising business. It's a founded Ariola on the premise that they promotion business." would succeed primarily on building the Whether established or just starting careers of new artists rather than spend- out, an artist cannot make it without ing their money on 'established' acts. heavy promotion. Obviously, in the case Lasker told Cash Box, "I'd never buy of new talent, the more promotion the an artist for Ariola. The philosophy in better. Said Lasker, "All the in-store dis- establishing this company has been to plays in the world don't mean a thing un- SHEER GOLD ATTACK - While in Boston to kick off Queen's 1976 world tour, develop new artists. You can't make any less a person has heard a record on the Elektra/Asylum chairman Joe Smith presented Queen with a gold record for money buying up artists." In pursuit of radio. The breaking of new artists is their third Elektra album, "Sheer Heart Attack." Pictured above are to r.): bassist his goal, Lasker has already achieved absolutely critical. -
Career Navigation Strategies for the (So-Called) “Lost Generation” NEMA 2015, Portland, ME Wednesday, November 4, 1:45 – 3:15 P.M
The Gen-X Factor: Career Navigation Strategies for the (So-Called) “Lost Generation” NEMA 2015, Portland, ME Wednesday, November 4, 1:45 – 3:15 p.m. Facilitator Biographies Marilyn Weiss Cruickshank has over two decades of non-profit experience helping museums, historic sites, parks, and cultural organizations fulfill their educational mission. In her consulting business, Creative Simplicity Organizing & Productivity, which she founded in 2009, Marilyn has worked with hundreds of clients to get them better organized and be more efficient with their space, time, and resources. She works one-on-one with staff, facilitates large and small projects, and presents professional development workshops, all to help individuals and professionals deal with the overwhelm they face on a daily basis. Prior to her work with Creative Simplicity, Marilyn successfully ran her own museum education consulting business for 14 years. Focusing her time on regional and national museum projects, she worked on evaluation, curriculum development, teacher workshops, the creation of education advisory committees, educational content for the Internet, and the facilitation of community partnerships. Marilyn is a former Director of Education of the USS Constitution Museum, a former New England Museum Association Board Member, and a past recipient of AAM’s Nancy Hanks Memorial Award for Professional Excellence in the museum field. She has an M.B.A. with a concentration in non-profit management and a B.A. in Art History. Elisabeth Nevins has enjoyed over 14 years helping people connect with content, collections, and stories in ways that engage, enlighten, and inspire. Her firm, Seed Education Consulting, advises on and creates educational experiences and interpretive content for museums and historic sites. -
Reflections of First-Generation, Low Income, Puerto Rican College Students on the Impact of a High School Upward Bound Program O
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2001 Reflections of first-generation, low income, Puerto Rican college students on the impact of a high school Upward Bound program on their ability to succeed in post-secondary education. Paulette Marie Dalpes University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Dalpes, Paulette Marie, "Reflections of first-generation, low income, Puerto Rican college students on the impact of a high school Upward Bound program on their ability to succeed in post-secondary education." (2001). Doctoral Dissertations 1896 - February 2014. 5417. https://scholarworks.umass.edu/dissertations_1/5417 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. REFLECTIONS OF FIRST-GENERATION, LOW INCOME, PUERTO RICAN COLLEGE STUDENTS ON THE IMPACT OF A HIGH SCHOOL UPWARD BOUND PROGRAM ON THEIR ABILITY TO SUCCEED IN POST-SECONDARY EDUCATION A Dissertation Presented by PAULETTE MARIE DALPES Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF EDUCATION May 2001 School of Education © Copyright by Paulette Marie Dalpes 2001 All Rights Reserved REFLECTIONS OF FIRST-GENERATION, LOW-INCOME, PUERTO RICAN COLLEGE STUDENTS ON THE IMPACT OF A HIGH SCHOOL UPWARD BOUND PROGRAM ON THEIR ABILITY TO SUCCEED IN POST-SECONDARY EDUCATION A Dissertation Presented by PAULETTE MARIE DALPES DEDICATION To my parents Eleanor M. -
Houston This Summer and Are Done
Rice legal counsel OK's liquor license for student pub by STEVE GOLVACH In a letter, dated April 19, to ning four major legal questions: pub once it is open? beer-wine facility is understood The University Pub for the Dean of Students Fred A. Wier- (1) Who should actually hold the and closely followed. basement of Sammy's came one um, the law firm reported that, license? (2) What exi The report could find no legal The report also said that step closer to reality this week "Rice should not be greatly af- abilities would the university P barriers to the opening of the "There is no sustainable argu- after Baker & Botts, the Univer- fected from a. legal standpoint cur as a result pub, but did urge caution to ment that the property would sity's law firm, returned a favor- by the operation of a Wine and Would theri e sure that the university has become part of the public do- able opinion on several legal Beer Retailer's Permit [sic]." change in fficient liability insurance co- main ... by merely opening the questions which had halted the status? The letter presented a sum- unive rage and that the complex set facility for the sale of beer." project temporarily. „ mary of relevant statutes concer- tain coni f rules regarding operation of a Both Dean Wierum and the Pub Committee members inter- preted the letter with great op- It's not over. timism. The Pub Committee is sche- duled to meet again this Friday to discuss the immediate future of the proposed pub.