The Theory and Practice of Oligarchical Collectivism

Total Page:16

File Type:pdf, Size:1020Kb

The Theory and Practice of Oligarchical Collectivism The Theory and Practice of Oligarchical Collectivism The Theory and Practice of Oligarchical Collectivism, The term “oligarchical collectivism” is similar to the by the character Emmanuel Goldstein, is the fictional theory of bureaucratic collectivism put forth by some book that is used as a thematic and plot element in the Trotskyists in the late 1930s. Leon Trotsky is the likely dystopian novel Nineteen Eighty-Four (1949), by George model for Orwell’s Emmanuel Goldstein: a former mem- Orwell. According to Orwell’s plot, in the totalitarian ber of the Party inner circle who had been purged and society of Oceania, ruled by the seemingly omnipotent, declared an enemy by the Soviet state he had helped to omniscient Party, Emmanuel Goldstein (in the Party’s found, and subsequently a critic of its social system in ex- propaganda) is the principal enemy of the state – a for- ile, as Goldstein critiques the system of Oceania. How- mer member of the Inner Party – continually conspiring ever, the bureaucratic collectivist theory was formulated against the leadership of Big Brother. Early in the story, not by Trotsky, but by some of his followers mainly in the protagonist thinks to himself: “There were ... whis- the United States who dissented from his view of the So- pered stories of a terrible book, a compendium of all the viet Union as a degenerated workers’ state. These the- heresies, of which Goldstein was the author and which orists, such as Max Schachtman, saw the Soviet Union, circulated clandestinely here and there. It was a book along with Nazi Germany and Fascist Italy, as represent- without a title. People referred to it, if at all, simply as ing a new type of society, neither capitalist nor social- The Book". ist, characterized by direct, integrated political and eco- nomic rule by a new ruling class of totalitarian state bu- reaucrats. In the era of the Molotov-Ribbentrop Pact and the lead-up to World War II, this theory claimed that 1 Background the apparently opposed Fascist and Stalinist social sys- tems were in effect identical in essence, reminiscent of Goldstein’s claims that Oceania, Eurasia and Eastasia are The protagonist, Winston Smith, secretly hates the Party actually identical and only differ in the justifying ideol- and Big Brother. Eventually, he approaches O'Brien, ogy. For these reasons, some scholars such as James M. a high-level member of the Inner Party, believing him Decker have identified Goldstein’s book as a parody of part of the Brotherhood, Goldstein’s conspiracy against Trotsky’s real-life book The Revolution Betrayed,[3] while Oceania, Big Brother, and the Party. Initially, he appears others such as Carl Freedman have instead compared to as such, especially in arranging for Winston to receive a works such as ex-Trotskyist James Burnham's The Man- copy of Goldstein’s illegal book. O'Brien says it reveals agerial Revolution.[4] the true, totalitarian nature of the society the Party estab- lished in Oceania: Full membership to the Brotherhood requires reading it. 2 Contents When alone in the room above Mr. Charrington’s shop, Winston examines the book, before reading it, noting that Chapter I: Ignorance is Strength, and Chapter III: it was: War is Peace of “the book” are titled with Party slogans; The term “oligarchical collectivism” refers not only to the O'Brien later refers to chapters featuring a programme for Party’s ideology of Ingsoc (English Socialism) but also to deposing the Party. (Chapter II, presumably titled Free- the ideologies of the other two states (Neo-Bolshevism dom is Slavery after the remaining Party slogan, is not in Eurasia; in Eastasia, “Death Worship” or “Obliter- detailed in the novel.) ation of the Self”). Winston reads two long excerpts establishing[2] how the three totalitarian super-states – Oceania, Eastasia, and Eurasia – emerged from a global 2.1 Chapter I war, thus connecting the past and the present, and ex- plains the basic political philosophy of the totalitarianism Ignorance is Strength details the perpetual class strug- that derived from the authoritarian political tendencies gle characteristic of human societies;[5] beginning with manifested in the twentieth century. That the three “op- the historical observation that societies always have posing” ideologies are functionally identical is central to hierarchically divided themselves into social classes and the revelations of The Book. castes: the High (who rule); the Middle (who work for, 1 2 2 CONTENTS and yearn to supplant the High), and the Low (whose goal Big Brother is quotidian survival). Cyclically, the Middle deposed the <2% of High, by enlisting the Low. Upon assuming power, how- Inner population ever, the Middle (the new High class) recast the Low into Party their usual servitude. In the event, the classes perpetually repeat the cycle, when the Middle class speaks to the Low Outer Party class of “justice” and of “human brotherhood” in aid of becoming the High class rulers. ~85% of Ian Slater writes that Goldstein goes beyond George Or- population well’s beliefs in earlier work, such as A Clergyman’s Daughter, in which the Middle makes a pretence of be- Proles lieving in equality. In Animal Farm, the state sought power to improve society, but once technological ad- vances make equality possible, the Middle abandons their former promises, as liberalism only stands in the way of their aims; they become explicitly tyrannical and openly Oligarchical collectivism: The Oceanian social-class pyramid hostile to liberalism. The new rhetoric of the Middle be- in the year 1984. comes Ingsoc and hierarchical collectivism. This pursuit of naked power and utter lack of liberalism distinguishes the Party from previous tyrannies, though the Party ini- any unorthodoxy, the Ministry of Truth uses Newspeak, tially justifies its control through dedication to socialism. an impoverished language that makes heresy impossible By focusing on collectivism, the Party can consolidate by omitting words that could express it. Newspeak also their power and present Ingsoc as an inevitable followup reduces thought to simple opposites, such as good and to capitalism in which the Low are no longer exploited. “ungood”, an intentional dichotomy that hides nuance In reality, the social castes are no longer necessary, and and ambiguity while promoting black and white think- collectivism only serves to prolong the exploitation of the ing. Party members are further subject to self-deceptive Low. Slater states that while O'Brien does not own his habits of mind, such as crimestop (“preventive stupidity”), mansion, he still lives in luxury compared to the lower which halts thinking at the threshold of politically dan- castes. Once the Party consolidates its power, all justifi- gerous thought, and doublethink, which allows simultane- cations are abandoned. The Party itself is a meritocracy, ously holding and believing contradictory thoughts with- not hereditary. This is not rooted in egalitarianism but out noticing the contradiction,[9] to wit: practicality, as the Party realizes that its continuation de- pends on purity of orthodoxy, rather than a bloodline.[6] Unlike Orwell’s prior writing, the Party’s exploitation in 2.2 Chapter III this case is fully intentional. Slater writes that Orwell desired to show through the Party’s unrealistic politics Before reading the first chapter, Winston reads the third that modern authoritarianism was growing more lustful chapter War is Peace, which explains that slogan-title’s of power for power’s sake. Orwell believed that mod- meaning, by reviewing how the global super-states were ern states could bring about the desires of the Spanish established: The United States merged with the British Inquisition to not only control men but also control their Empire and Latin America to form Oceania; the USSR thoughts. This could be achieved through technological absorbed continental Europe to form Eurasia; and Eas- breakthroughs, such as the telescreen, a two-way televi- tasia emerged “after a decade of confused fighting”, sion that allows continuous government espionage of the with China’s annexation of Japan, Korea and parts of population. Efficient use of such technology to control Mongolia and Tibet. In various alliances, they have the populace requires centralisation, and the four min- warred for twenty-five years. Yet the perpetual war is istries of Oceania – The Ministry of Truth, The Ministry militarily nonsensical, because “it is a warfare of limited of Peace, the Ministry of Love, and the Ministry of Plenty aims between combatants who are unable to destroy one [7] – fill this need. another, have no material cause for fighting and are not di- The Proles usually are not subject to propaganda. In- vided by any genuine ideological difference”, since each stead, it is the middle class – the Outer Party – that the is a totalitarian state.[10] Inner Party fears. Because the Proles have lost every- Scientific advance is held carefully in check, as the Party thing and have nothing, they have no future. The Party, does not want to allow for any unaccounted abundance of through the Ministry of Truth, practices historical revi- goods, which could conceivably raise the quality of life sionism, which robs the Proles of a past, too. Robbed beyond bare subsistence for the Proles. The only techno- of the ability to learn from history and the worries of logical advances permitted are in mind control and geno- the future, the Proles exist in state of constant present cide, the twin goals of each of the superstates. Once mind [8] and are incapable of revolution. In order to prevent control is perfected, the superstates are free to destroy 3 their counterparts in a theoretical single, decisive strike Updated Edition. Infobase Publishing. p. 137. ISBN that precludes retaliation. Technological advancement, 9781438113005. even in war, can be counterproductive to the goals of the [4] Freedman, Carl (2002).
Recommended publications
  • 1984 Sparknotes Summary Book 2
    1984 SparkNotes Summary Book 2 Summary: Chapter I At work one morning, Winston walks toward the men’s room and notices the dark-haired girl with her arm in a sling. She falls, and when Winston helps her up, she passes him a note that reads “I love you.” Winston tries desperately to figure out the note’s meaning. He has long suspected that the dark-haired girl is a political spy monitoring his behavior, but now she claims to love him. Before Winston can fully comprehend this development, Parsons interrupts him with talk about his preparations for Hate Week. The note from the dark-haired girl makes Winston feel a sudden, powerful desire to live. After several days of nervous tension during which he does not speak to her, Winston manages to sit at the same lunchroom table as the girl. They look down as they converse to avoid being noticed, and plan a meeting in Victory Square where they will be able to hide from the telescreens amid the movement of the crowds. They meet in the square and witness a convoy of Eurasian prisoners being tormented by a venomous crowd. The girl gives Winston directions to a place where they can have their tryst, instructing him to take a train from Paddington Station to the countryside. They manage to hold hands briefly. Summary: Chapter II Executing their plan, Winston and the girl meet in the country. Though he has no idea what to expect, Winston no longer believes that the dark-haired girl is a spy. He worries that there might be microphones hidden in the bushes, but feels reassured by the dark-haired girl’s evident experience.
    [Show full text]
  • Nineteen Eighty-Four
    MGiordano Lingua Inglese II Nineteen Eighty-Four Adapted from : http://en.wikipedia.org/wiki/Nineteen_Eighty-Four Nineteen Eighty-Four, sometimes published as 1984, is a dystopian novel by George Orwell published in 1949. The novel is set in Airstrip One (formerly known as Great Britain), a province of the superstate Oceania in a world of perpetual war, omnipresent government surveillance, and public manipulation, dictated by a political system euphemistically named English Socialism (or Ingsoc in the government's invented language, Newspeak) under the control of a privileged Inner Party elite that persecutes all individualism and independent thinking as "thoughtcrimes". The tyranny is epitomised by Big Brother, the quasi-divine Party leader who enjoys an intense cult of personality, but who may not even exist. The Party "seeks power entirely for its own sake. We are not interested in the good of others; we are interested solely in power." The protagonist of the novel, Winston Smith, is a member of the Outer Party who works for the Ministry of Truth (or Minitrue), which is responsible for propaganda and historical revisionism. His job is to rewrite past newspaper articles so that the historical record always supports the current party line. Smith is a diligent and skillful worker, but he secretly hates the Party and dreams of rebellion against Big Brother. As literary political fiction and dystopian science-fiction, Nineteen Eighty-Four is a classic novel in content, plot, and style. Many of its terms and concepts, such as Big Brother, doublethink, thoughtcrime, Newspeak, Room 101, Telescreen, 2 + 2 = 5, and memory hole, have entered everyday use since its publication in 1949.
    [Show full text]
  • Topic Abstract When the Clocks Were Striking Thirteen: 1984
    Topic Abstract When the Clocks Were Striking Thirteen: 1984 Non-Traditionals | Washington, D.C. | February 11-14, 2021 A Georgetown International Relations Association, Inc. Conference Dear Delegates and Advisors, Greetings from NAIMUN LVIII! The staff has been working hard to make the conference the most rewarding and educational experience yet, and we are excited to welcome you all to D.C. in February! This document is the topic abstract for When the Clocks Were Striking Thirteen: 1984. It contains three key elements to allow you to prepare well in advance for the committee: topic descriptions, questions to consider, and research avenues. This abstract will give you a better understanding of the committee’s content and procedures, and it can act as a starting point for further research. We hope to be of assistance to you in your preparation for NAIMUN LVIII. If you have any questions, comments, or concerns, please feel free to contact the Secretary- General, Director-General, or your Under-Secretaries-General. You may also contact your dais directly at [email protected]. We look forward to welcoming you to the NAIMUN family! Best, Alexander Chen Sanjna Jain Secretary-General Director-General [email protected] [email protected] Kate Reeves Hellen Kuang Under-Secretary-General, Under-Secretary-General, Non-Traditionals Non-Traditionals [email protected] [email protected] Topic Abstract | naimun.modelun.org | 2 What is a Crisis Committee? Crisis Committees are markedly different from both GAs and ECOSOCs. They tend to focus on specific issues, geographic areas, and historical periods. For example, the Court of Louis XIV, 1665 simulates the peak years of King Louis XIV in power, tackling issues from the international expansion of the French empire to developing domestic institutions.
    [Show full text]
  • Nineteen Eighty-Four
    Nineteen Eighty-Four This article is about the Orwell novel. For other uses, see 1984 (disambiguation). Nineteen Eighty-Four, sometimes published as 1984, is a dystopian novel by English author George Orwell pub- lished in 1949.[1][2] The novel is set in Airstrip One (for- merly known as Great Britain), a province of the super- state Oceania in a world of perpetual war, omnipresent government surveillance and public manipulation, dic- tated by a political system euphemistically named English Socialism (or Ingsoc in the government’s invented lan- guage, Newspeak) under the control of a privileged Inner Party elite, that persecutes individualism and independent thinking as "thoughtcrimes".[3] The tyranny is epitomised by Big Brother, the quasi- divine Party leader who enjoys an intense cult of per- sonality but who may not even exist. The Party “seeks power entirely for its own sake. We are not interested in the good of others; we are interested solely in power.”[4] The protagonist of the novel, Winston Smith, is a member of the Outer Party, who works for the Ministry of Truth (or Minitrue), which is responsible for propaganda and historical revisionism. His job is to rewrite past newspa- per articles, so that the historical record always supports A 1947 draft manuscript of the first page of Nineteen Eighty- the party line.[5] Smith is a diligent and skillful worker Four, showing the editorial development. but he secretly hates the Party and dreams of rebellion against Big Brother. As literary political fiction and dystopian science-fiction, his unforgiving novel” in 1944, the implications of divid- Nineteen Eighty-Four is a classic novel in content, plot ing the world up into Zones of influence that had been con- and style.
    [Show full text]
  • Narrative Viewpoint and the Representation of Power in George Orwell’S Nineteen Eighty-Four
    Narrative viewpoint and the representation of power in George Orwell’s Nineteen Eighty-Four BRIGID ROONEY This essay considers how ‘perspective’ and ‘choice of language’ in George Orwell’s novel, Nineteen Eighty-Four, position the reader and contribute to the text’s representation of power, powerplay and people power.1 The aims of this essay can be restated in the form of two key questions. What specific features of the narrative in Orwell’s Nineteen Eighty-Four construct the text’s representation of power, and of powerplay? How do those features position the responder to think and feel about political power and about whether there can be people power? Questions of medium, textual form, and genre It is important to distinguish, at the outset, between ‘narrative’, as a general term for story or the telling of story, and ‘the novel’, as a particular medium or form of narrative. Narratives are everywhere in culture. Not only are they integral to novels but they also permeate films, news reports, and even the everyday stories we use to make sense of life. Narratives always position the listener, reader, or responder in particular ways, expressing partial truths, and creating or constructing certain views of reality while minimizing or excluding others. The novel, on the other hand, is a specific textual form that developed, in the medium of print, during the last three hundred years or so in European societies. Not all cultures and societies have given rise to ‘novels’, though all have told stories, in visual, oral, or written forms. The European novel’s popularity peaked in the nineteenth century.
    [Show full text]
  • AP United States Government and Politics Study Questions
    AP United States Government and Politics Study Questions - 1984 When George Orwell's novel, 1984, was published in 1949, it gained instant notoriety. Some saw it as a true vision of Stalin's Soviet Union, a condemnation of totalitarianism, a study of power and its abuse through propaganda and terror. Others viewed it as a cautionary tale of the future, a society without moral direction, willing to be dominated by its technology and the image of “Big Brother.” The book stands today as a classic, some would say sarcastic, description of repression and human frailty. It is a work which demands thought and seeks reasoned evaluation. After reading 1984, please analyze the book and develop answers to the following questions. You may attend to other themes or issues as well, but make sure you focus the assignment around the questions presented below: 1) What are some of the primary themes present in 1984? Please address the particular themes of love, technology, and revolt. How are love and human relationships viewed by Orwell in the society of 1984? To what extent is ideology the basis of revolt? Or is revolt based around other principles? 2) What is the function of technology in 1984? How has technology been perverted in 1984 and what technological problems are still being studied at that time? 3) How are classes structured in the society of 1984? What is the Inner Party and what is the Outer Party? What is the function of the Proles in the society of 1984? What is meant by the slogan, “Proles and Animals are Free?” Is Winston Smith a sane
    [Show full text]
  • Here Is Truth and There Are Facts
    STUDY GUIDE AUCKLAND ARTS FESTIVAL AND GWB ENTERTAINMENT IN ASSOCIATION WITH STATE THEATRE COMPANY SOUTH AUSTRALIA AND AUCKLAND THEATRE COMPANY PRESENT THE HEADLONG, NOTTINGHAM PLAYHOUSE & ALMEIDA THEATRE PRODUCTION BY GEORGE ORWELL A NEW ADAPTATION CREATED BY ROBERT ICKE AND DUNCAN MACMILLAN “There is truth and there are facts. Freedom is the freedom to say that two plus two makes four.” Winston STUDY GUIDE contents Cast Headshots and Roles 3 Plot Overview 4 Orwell’s 1984 Appendix 4 Q&A 5 Technical Design 11 Insight from the Cast 12 Theatrical Style 15 Characters 15 Themes 17 Symbolism 18 Quotes 19 Background Information 20 Activities for the Classroom 24 Responding to 1984 29 Further Questions 31 Useful Links 33 Simple Plot Summary 34 Essays and Further Information 35 Glossary of Newspeak 40 Please note: The Pre-Show Briefing Document includes; Introduction to the show, A list of the Cast and Creative Team, Biography on Orwell, Preshow Activities and Links, Theatre Review Preparation and a Note for Students. Photo Credit – James Hartley 2 cast Paul Blackwell – Parsons Tom Conroy – Winston Rose Riley – Julia Terence Crawford – O’Brien Bill Allert – Martin Guy O’Grady – Syme Fiona Press – Mrs Parsons Simon London – Charrington Please go to http://www.1984play.com.au where the cast and creative’s professional 3 bios are listed. plot overview 1984 is set in the same year as its name, in a world called Oceania. Oceania is a place where the Inner Party watches its citizens actions and scrutinizes their thoughts. Defying a ban on individuality, the protagonist, Winston, a member of the Outer Party, writes his thoughts in a diary and falls in love with a young headstrong woman named Julia.
    [Show full text]
  • Quiz for 1984
    Quiz for 1984 1. What are the Party slogans – War Is Peace, 7. Where is the telescreen hidden in the room Freedom Is Slavery, Ignorance Is Strength – with Julia and Winston? examples of? a. Behind a painting a. Old Speak b. Behind the bureau b. New Speak c. Above the sink c. Doublethink d. Behind a mirror d. Oceanian 8. Where is Winston taken to be tortured? 2. Where does Winston Smith work? a. The Ministry of Torture a. The Fiction Deparment b. The Ministry of Love b. The Ministry of Truth c. The Ministry of Hate c. The War Ministry d. The Ministry of Justice d. The Outer Party Headquarters 9. What room is Winston sent to in order to 3. What does the note that Julia first gives confront his worst fears? Winston say? a. Room 212 a. “Can we meet?” b. Room 18 b. “I am your ally.” c. Room 222 c. “I am Big Brother.” d. Room 101 d. “I love you.” 10. What is Winston’s greatest fear? 4. Where do Winston and Julia go for their a. Cockroaches romantic trysts? b. Snakes a. The file room in the office c. Rats b. A room above a shop d. Needles c. The Fiction Department d. A parked car in the country 11. What does the paperweight symbolize? a. Totalitarianism 5. What group do Julia and Winston believe b. Winston and Julia’s relationship O’Brien is a member of? c. Big Brother a. The Counter Action Force d. The destruction of religion b. The Eurasian Alliance c.
    [Show full text]
  • A Critique of Orwell's Oligarchic Collectivism As an Economic System
    E U I W 0 R K I N G P A P E R N° 85/161 I i A CRITIQUE OF ORWELL'S OLIGARCHIC COLLECTIVISM AS AN ECONOMIC SYSTEM by ~ Domenico Mario NUT! 320 EUI 320 EUROPEAN UNIVERSITY INSTITUT~ DEPARTMENT OF ECONOMICS 8UI E U I W 0 R K I N G P A P E R N° 85/161 A CRITIQUE OF ORWELL'S OLIGARCHIC COLLECTIVISM AS AN ECONOMIC SYSTEM by ~ Domenico Mario NUT! Forthcoming in: Coexistence: A Review of East-West and Development Issues, 1985. BADIA FIESOLANA, SAN DOMENICO DI FIESOLE All rights reserved. No part of this paper may be reproduced in any fo~ without permission of the authors. (C) Domenico Mario Nuti Printed in Italy in April 1985 European University Institute Badia Fiesolana 50016 SAN DOMENICO (Fi) Italy. Summary This paper assesses the consistency, efficiency and viability of the economic system implicit and explicit in Orwell's Nineteen Eighty­ Four. The first section illustrates the main features of Orwell's model: (its geopolitics, the convergence to a single system, ownership, planning, markets and prices, information, statistics, resources, technology, trade, public policy, permanent warfare) and its internal dynamics. The second section provides a critique, based on the implausibility of the whole if not of the parts of the model, the uni-dimensionality and indivisibility of Orwell's notion of power, the informational inefficiency of the system, the unwarranted extension of the results of the model to a three-players game between the superstates, technological regress, the lack of micro­ foundations, the economic position of .Puter Party.members, the dehumani­ sation of the working class.
    [Show full text]
  • An Introduction to George Orwell's Nineteen Eighty-Four (1984)
    An Introduction to George Orwell's Nineteen Eighty-Four (1984) Nineteen Eighty-Four (commonly abbreviated to 1984) is a dystopian novel by the English writer George Orwell, and first published by Secker and Warburg in 1949 (but written in ’48). The book tells the story of Winston Smith and his attempt to rebel against the totalitarian state in which he lives. Along with Aldous Huxley's Brave New World, Nineteen Eighty-Four is among the most famous and most cited works of dystopian fiction in literature. Translations of the book are available in 15 languages and the novel itself has left a profound impression upon the English language: Nineteen Eighty-Four, its terminology and even its author have become bywords in discussions concerning privacy or state-security issues. The term "Orwellian" has come to describe actions or organizations reminiscent of the totalitarian society depicted throughout the novel. Novel history Title Originally Orwell titled the book The Last Man in Europe, but his publisher, Frederic Warburg, suggested a change to assist in the book's marketing. Orwell did not object to this suggestion. The reasons for the current title of the novel are not absolutely known. In fact, Orwell may have only switched the last two digits of the year in which he wrote the book (1948). Alternatively, he may have been making an allusion to the centenary of the Fabian Society, a socialist organization founded in 1884. The allusion may have also been directed to Jack London's novel The Iron Heel (in which the power of a political movement reaches its height in 1984), to G.
    [Show full text]
  • We Love Big Brother: an Analysis of the Relationship Between Orwell's Nineteen Eighty-Four and Modern Politics in the United S
    University of Connecticut OpenCommons@UConn Honors Scholar Theses Honors Scholar Program Spring 5-4-2018 We Love Big Brother: An Analysis of the Relationship between Orwell’s Nineteen Eighty- Four And Modern Politics in the United States and Europe Edward Pankowski [email protected] Follow this and additional works at: https://opencommons.uconn.edu/srhonors_theses Part of the Literature in English, North America Commons, and the Political Theory Commons Recommended Citation Pankowski, Edward, "We Love Big Brother: An Analysis of the Relationship between Orwell’s Nineteen Eighty-Four And Modern Politics in the United States and Europe" (2018). Honors Scholar Theses. 559. https://opencommons.uconn.edu/srhonors_theses/559 We Love Big Brother: An Analysis of the Relationship between Orwell’s Nineteen Eighty-Four And Modern Politics in the United States and Europe By Edward Pankowski Professor Jennifer Sterling-Folker Thesis Adviser: Professor Sarah Winter 5/4/2018 POLS 4497W Abstract: In recent months since the election of Donald Trump to the Presidency of the United States in November 2016, George Orwell’s Nineteen Eighty-Four has seen a resurgence in sales, and terms invented by Orwell or brought about by his work, such as “Orwellian,” have re- entered the popular discourse. This is not a new phenomenon, however, as Nineteen Eighty-Four has had a unique impact on each of the generations that have read it, and the impact has stretched across racial, ethnic, political, and gender lines. This thesis project will examine the critical, popular, and scholarly reception of Nineteen Eighty-Four since its publication 1949. Reviewers’ and commentators’ references common ideas, themes, and settings from the novel will be tracked using narrative theory concepts in order to map out an understanding of how the interpretations of the novel changed over time relative to major events in both American and Pankowski 1 world history.
    [Show full text]
  • 1984 George Orwell
    1984 by George Orwell Reflections by the Class 3AB June 2017 – HN Development of Winston’s Attention Tina Stebler Topic Since the beginning of the book the reader knows that Winston Smith didn’t think like most of the people around him. In fact: he was a “Thought-Criminal”. Winston could still remember the past and because of that he had to be very careful. But his attention to the Party wasn’t the same in every chapter. The development of Winston’s attention can be shown in a diagram. Important quotations “Now that he had recognised himself as a dead man it became important to stay alive as long as possible.” - Part One, Chapter Two, p. 28 “Never show resentment!” - Part One, Chapter Three, p. 35 “He stopped, turned aside and pressed a switch on the wall. There was a sharp snap. The voice had stopped.” - Part Two, Chapter Eight, p. 153 Explanation for the last quotation: O’Brien turned off the telescreen. After that Winston thought everything he will say, wouldn’t be heard from the proles. He fully trusted O’Brien from this moment, only because the telescreen was turned off. Diagram 10 9 8 7 6 5 4 ATTENTION 3 2 1 0 1 2 3 4 5 6 7 8 1 2 3 4 5 6 7 8 9 10 1 2 3 4 5 6 CHAPTER Conclusion At the beginning Winston was very careful not to stand out. Then he began to write in his diary. When the woman over the telescreen called his name in chapter three, he was a little shocked and was more careful.
    [Show full text]