Four Festivals and a City: a Critique of Actor-Network Theory As An

Total Page:16

File Type:pdf, Size:1020Kb

Four Festivals and a City: a Critique of Actor-Network Theory As An Four Festivals and a City: A critique of Actor-Network Theory as an approach to understanding the emergence and development of Flagship Festivals in Kilkenny from 1964 to 2004 By James Monagle Submitted for PhD consideration to N.U.I. Maynooth, Department of Geography and N.I.R.S.A. on the 30 th of October 2009 Prof. Mark Boyle, Head of Department Prof. Rob Kitchin and Mr. Brendan Bartley, Supervisors There is no absolute space (just as there is no absolute nature, no absolute society, no absolute time); only specific space-time configurations, conditioned by the rationalities and relations that run through networks (Murdoch, 2006, p.74) 2 Contents List of Maps....................................................................................................................... 7 List of Tables ..................................................................................................................... 7 List of Images .................................................................................................................... 7 Abstract.............................................................................................................................. 8 Acknowledgements ........................................................................................................... 9 Chapter 1. Introduction ................................................................................................ 11 1.2. Kilkenny: Facts and statistics .................................................................................... 12 1.3. Kilkenny: Medieval Capital....................................................................................... 16 1.4. Kilkenny: Tourism..................................................................................................... 18 1.5 Kilkenny: Selling Kilkenny ........................................................................................ 21 1.6 What’s next? Ordering chapters ................................................................................. 22 Chapter 2. Literature Review: Tourism, Atrists, Actors and Networks .................. 24 2.1 Why promote places?.................................................................................................. 24 2.1.1 Analysing images ..................................................................................................... 27 2.2 Tourism……………………………………………………………………………....33 2.2.1 Elements within tourism: Heritage .......................................................................... 36 2.2.2 Elements within tourism: Festivals.......................................................................... 37 2.2.3 Elements within tourism: Hallmark events, mega events and sports festivals ........ 41 2.3 The Arts in Ireland...................................................................................................... 47 2.3.1 The Arts Council of Ireland ..................................................................................... 51 2.3.2 The restructuring of the Arts Council of Ireland ..................................................... 52 2.3.3 The Arts Council and Irish festivals ........................................................................ 57 2.3.4 The Arts Plan 1999 – 2001 ...................................................................................... 59 2.3.5 Art festivals and combined Arts............................................................................... 60 2.4 Mapping Networks ..................................................................................................... 61 2.4.1 Actor-Network Theory ............................................................................................. 62 2.4.2 ANT: Translation ..................................................................................................... 64 2.4.3 Framing and disentanglement ................................................................................. 66 2.4.4 Past applications of ANT ......................................................................................... 67 Chapter 3. Methods and Methodology: Applying theory to practise ........................ 77 3.1 Doing research: Finding the right approach ............................................................... 79 3.1.1. Doing research: Beginning..................................................................................... 80 3 3.2 Doing research: Group Interviews.............................................................................. 83 3.3 Content analysis of local print media. ........................................................................ 85 3.4 Analysing festival programmes .................................................................................. 87 3.4.1. Souvenir programme image analysis...................................................................... 88 3.5 Doing research: Attending the festival ....................................................................... 89 3.5.1. Doing research: Participating in the festivals........................................................ 89 3.6 Ordering and communicating ..................................................................................... 90 Chapter 4. The Kilkenny Beer Festival (1964-1974) ................................................... 93 4.1 Product ........................................................................................................................ 94 4.2 Promotion.................................................................................................................... 97 4.2.1 Internally organised Promotion............................................................................... 97 4.2.2 External Promotion.................................................................................................. 98 4.3 Organisation.............................................................................................................. 100 4.3.1 Management........................................................................................................... 101 4.3.1.1 Coordination....................................................................................................... 101 4.3.1.2 Leadership .......................................................................................................... 101 4.3.1.3 Planning.............................................................................................................. 102 4.3.1.4 Evaluation........................................................................................................... 103 4.3.1.5 Human resources ................................................................................................ 104 4.3.1.6 Non-Human resources ........................................................................................ 105 4.3.1.7 Business and managerial technologies............................................................... 106 4.3.1.8 Financing............................................................................................................ 106 4.3.2 Power..................................................................................................................... 107 4.4 An ANT analysis of The Kilkenny Beer Festival..................................................... 109 4.5 Festival Legacy......................................................................................................... 113 Chapter 5. The Kilkenny Arts Week .......................................................................... 115 5.1 Product ...................................................................................................................... 117 5.2 Promotion.................................................................................................................. 122 5.2.1 Internally organised Promotion............................................................................. 123 5.2.1.1 Logos, Catalogues and Brochures...................................................................... 124 5.2.2 Externally organised Promotion: .......................................................................... 125 5.3 Organisation.............................................................................................................. 127 5.3.1 Management........................................................................................................... 129 4 5.3.1.1 Coordinating....................................................................................................... 130 5.3.1.2 Leadership .......................................................................................................... 130 5.3.1.3 Planning.............................................................................................................. 131 5.3.1.4 Evaluation........................................................................................................... 131 5.3.1.5 Human resources ................................................................................................ 132 5.3.1.6 Non- Human Resources ...................................................................................... 134 5.3.1.7 Business and managerial technologies............................................................... 134 5.3.1.8 Financing............................................................................................................ 137 5.3.2 Power....................................................................................................................
Recommended publications
  • 1 Sex Differences in Preferences for Humor Produced by Men Or Women: Is Humor in the Sex of the Perceiver? [Word Count = <25
    1 Sex differences in preferences for humor produced by men or women: Is humor in the sex of the perceiver? [word count = <2500] Address correspondence to: 2 ABSTRACT It is a common argument that men are funnier than women. Recently, this belief has received modest empirical support among evolutionary psychologists who argue that humor results from sexual selection. Humor signals intelligence, and women thus use humor to discriminate between potential mates. From this, it follows that in addition to men being skilled producers of humor, women should be skilled perceivers of humor. Extant research has focused on humor production; here we focus on humor perception. In three studies, men and women identified the most humorous professional comedian (Studies 1 and 2) or individual they know personally (Study 3). We found large sex differences. In all three studies, men overwhelmingly preferred humor produced by other men, whereas women showed smaller (study 1) or no (studies 2 and 3) sex preference. We discuss biological and cultural roots of humor in light of these findings. 3 Sex differences in humor perception: Is humor in the sex of the perceiver? Although sex differences in the ability to produce humor have been debated at least since the 17th century (Congreve, 1695/1761; for more recent discussion, see the dialog between Hitchens and Stanley, Hitchens, 2007; Stanley, 2007), surprisingly few empirical studies exist on the topic. Yet understanding any sex difference in humor production or perception is important, since research suggests that humor mediates crucial social, psychological, and physiological processes. Socially, humor performs invaluable roles in persuasion (Mulkay, 1988) and managing personal relationships (Shiota, Campos, Keltner, & Hertenstein, 2004).
    [Show full text]
  • Along These Lines,April 2016
    2016 Washington Youth Tour delegates selected at annual banquet The 2016 Youth Tour Essay finalists were recognized at a recent banquet. Shown left to right are Jamie Martin, William Hartmann, Jessica Litloff, Adam Howe, Sarah Johnson, John Wiese, WAFB Meteorologist Jeff Morrow (keynote and DEMCO Youth Tour Alum of 2002), DEMCO Manager of Member and Public Relations David Latona, Sawyer Welborn, Grace Bordelon, Hannah Cowart, Ashley Gouedy, Kennedy Wilcher and Abigail Wootan. Along these Manager’s Report LINES By John vranic April 2016 DEMCO CEO and General Manager ALONG THESE LINES is an official publication of Dixie Electric Membership Corp. It is written for and distributed to members of the cooperative nine times each year. Dixie Electric Membership Corp. Leaders of tomorrow lauded is a non-profit rural electric cooperative providing service to 100,000 consumer-owners in seven Louisiana parishes. The Cooperative headquarters at Youth Tour banquet is located at 16262 Wax Road, Greenwell Springs, LA. All comments, suggestions and requests for ne of my favorite events to attend Louisiana’s delegation on Capitol Hill. information concerning this publication should be each spring is the annual DEMCO They have lots of time for socializing with addressed to ALONG THESE LINES, Dixie Electric Youth Tour Banquet. young people from other states and also Membership Corp., P.O. Box 15659, Baton Rouge, O LA 70895, (225) 261-1221. This is a special occasion organized receive leadership training and learn more by your local cooperative to recognize the about the country’s electric cooperative the program. DEMCO 12 finalists who have entered the Youth movement.
    [Show full text]
  • Music & Film Memorabilia
    MUSIC & FILM MEMORABILIA Friday 11th September at 4pm On View Thursday 10th September 10am-7pm and from 9am on the morning of the sale Catalogue web site: WWW.LSK.CO.Uk Results available online approximately one hour following the sale Buyer’s Premium charged on all lots at 20% plus VAT Live bidding available through our website (3% plus VAT surcharge applies) Your contact at the saleroom is: Glenn Pearl [email protected] 01284 748 625 Image this page: 673 Chartered Surveyors Glenn Pearl – Music & Film Memorabilia specialist 01284 748 625 Land & Estate Agents Tel: Email: [email protected] 150 YEARS est. 1869 Auctioneers & Valuers www.lsk.co.uk C The first 91 lots of the auction are from the 506 collection of Jonathan Ruffle, a British Del Amitri, a presentation gold disc for the album writer, director and producer, who has Waking Hours, with photograph of the band and made TV and radio programmes for the plaque below “Presented to Jonathan Ruffle to BBC, ITV, and Channel 4. During his time as recognise sales in the United Kingdom of more a producer of the Radio 1 show from the than 100,000 copies of the A & M album mid-1980s-90s he collected the majority of “Waking Hours” 1990”, framed and glazed, 52 x 42cm. the lots on offer here. These include rare £50-80 vinyl, acetates, and Factory Records promotional items. The majority of the 507 vinyl lots being offered for sale in Mint or Aerosmith, a presentation CD for the album Get Near-Mint condition – with some having a Grip with plaque below “Presented to Jonathan never been played.
    [Show full text]
  • Versailles: French TV Goes Global Brexit: Who Benefits? with K5 You Can
    July/August 2016 Versailles: French TV goes global Brexit: Who benefits? With K5 you can The trusted cloud service helping you serve the digital age. 3384-RTS_Television_Advert_v01.indd 3 29/06/2016 13:52:47 Journal of The Royal Television Society July/August 2016 l Volume 53/7 From the CEO It’s not often that I Huw and Graeme for all their dedica- this month. Don’t miss Tara Conlan’s can say this but, com- tion and hard work. piece on the gender pay gap in TV or pared with what’s Our energetic digital editor, Tim Raymond Snoddy’s look at how Brexit happening in politics, Dickens, is off to work in a new sector. is likely to affect the broadcasting and the television sector Good luck and thank you for a mas- production sectors. Somehow, I’ve got looks relatively calm. sive contribution to the RTS. And a feeling that this won’t be the last At the RTS, however, congratulations to Tim’s successor, word on Brexit. there have been a few changes. Pippa Shawley, who started with us Advance bookings for September’s I am very pleased to welcome Lynn two years ago as one of our talented RTS London Conference are ahead of Barlow to the Board of Trustees as the digital interns. our expectations. To secure your place new English regions representative. It may be high summer, but RTS please go to our website. She is taking over from the wonderful Futures held a truly brilliant event in Finally, I’d like to take this opportu- Graeme Thompson.
    [Show full text]
  • BBC Press & Publicity
    British Broadcasting Corporation BBC Worldwide Press Office Level 5, 6 Eden Park Drive, Macquarie Park NSW 2113 Monday March 26, 2012 UKTV ANNOUNCES A WEALTH OF AUSTRALIAN PREMIERES FOR 2012 GOING FOR GOLD, WE’LL TAKE MANHATTAN, ONE NIGHT, INSIDE MEN, FALCÓN AND NEVER MIND THE BUZZCOCKS Australia’s UKTV today announces brand new premium drama and entertainment content for 2012 including Going for Gold, We’ll Take Manhattan, One Night, Inside Men, Falcón and the ultimate irreverent music quiz show Never Mind the Buzzcocks which has never before screened in Australia. Starring Doctor Who’s Matt Smith, Going for Gold (1 x 90) is the powerful and uplifting story of how two men from very different backgrounds triumphed against the odds, capturing Olympic Gold in the double sculling and embodying the battling spirit of the 1948 London games. This is the first of three dramas with a London theme. Set over one hot summer’s night when nerves are frayed and tensions ride high, One Night (4 x 50) follows four very ordinary, but very different people whose fates become intertwined by a seemingly trivial event…with far reaching consequences. It’s winter 1962, and the cockney photographer David Bailey and unknown model Jean Shrimpton (played by Doctor Who’s side kick Karen Gillan) are sent to New York for a prestigious Vogue photo shoot. The 90 minute drama, We’ll Take Manhattan tells the story of a wild week, their love affair, terrible fights with their fashion editor – and how two young people with no such intention happened to change the world of fashion forever.
    [Show full text]
  • Jarred Christmas
    Jarred Christmas COMEDIAN, WRITER, TV & RADIO PRESENTER, IMPROVISER AND ACTOR ‘BEST CHILDREN’S SHOW’ NOMINEE – LEICESTER COMEDY FESTIVAL 2017 ‘BEST COMPERE’ - CHORTLE AWARDS 2016 New Zealand Sensation Jarred Christmas is one of the most innovative and exciting stand-ups on the UK circuit. A sought-after headliner famed for his quick-witted spontaneity, masterful skills of improvisation and energetic storytelling; Jarred is a regular at the Edinburgh Festival, and at comedy clubs and International festivals around the globe. He is a regular team member at The Comedy Store’s weekly topical show The Cutting Edge and was recently named Best Compere at the 2016 Chortle Awards; scooping the title for the second time. A dynamic onstage persona combined with the ability to improvise with anything that’s thrown his way makes Jarred’s comedy sizzle with originality. Early in his career he supported both Ross Noble and Tommy Tiernan on UK tours. He has since written and performed in countless shows at the Edinburgh Festival and has toured the UK in his own right with his solo shows Jarred Christmas Stands Up and Let’s Go Mofo. He is currently playing to packed theatres across the UK hosting the All Star Stand Up Tour. The show features a world-class line-up of comedians and Jarred is honoured to be hosting the show for the second year running. Combining his superlative improv and stand-up comedy skills (not to mention vocal agility), Jarred has recently developed The Mighty Beatbox Gameshow and a child-friendly version The Mighty Kids Beatbox Gameshow which he hosts alongside acclaimed beatboxer The Hobbit.
    [Show full text]
  • Integratedliving Receives International Award
    The only way to fi nd out what’s going on! Serving the Hunter for over 20 years with a readership of over 4,000 weekly! Thursday 31st May, 2018 Missed an issue? www.huntervalleyprinting.com.au/Pages/Entertainer.php integratedliving receives See inside international award Driving the Hunter for 60 years! TV Guide A company that had its genesis in Muswellbrook has won the best home care operator in Asia Pacifi c region. integratedliving an organisation that was launched in Muswellbrook over a decade ago and since spread to most states of Australia. The Asia Pacifi c Eldercare Awards saw the organisation up against several international companies. CEO of integratedliving Catherine Daley says AWARD RECOGNITION: CEO of integratedliving Catherine Daley (centre) at the Asia the innovative programs introduced by the Pacifi c Eldercare presentation of awards. company was a big factor in winning the award. integratedliving Australia has a proud history of providing in home support services to older people in regional, rural and remote Australia. From those small beginnings as a local provider for aged care services in Muswellbrook and Murrurundi to being acknowledged as a lead provider in health management and home and community living services, integratedliving has grown to support more than 8000 people in local communities. New areas are being added regularly to the growing network. SESSION TIMES: THURSDAY 31 MAY - WEDNESDAY 6 JUNE Cinema is CLOSED Mondays outside of School & Public Holidays SOLO: A STAR WARS STORY BREATH (M) 135mins (M) 120mins
    [Show full text]
  • Laugh and Learn
    Illinois Wesleyan University Magazine, 2002-2017 Volume 21 Issue 4 Winter 2012-2013 Article 4 Winter 2013 Laugh and Learn Sarah Zeller Julian '07 Illinois Wesleyan University, [email protected] Follow this and additional works at: https://digitalcommons.iwu.edu/iwumag Recommended Citation Julian '07, Sarah Zeller (2013) "Laugh and Learn," Illinois Wesleyan University Magazine, 2002-2017: Vol. 21 : Iss. 4 , Article 4. Available at: https://digitalcommons.iwu.edu/iwumag/vol21/iss4/4 This is a PDF version of an article that originally appeared in the printed Illinois Wesleyan University Magazine, a quarterly periodical published by Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the University and/or the author of this document. Brooke Trantor ’11 pursues a lifelong dream as a student in the legendary Second City improv troupe’s Hollywood conservatory. By SARAH (ZELLER) JULIAN '07 Devoting your life to comedy takes a serious amount of work. That’s what Brooke Trantor ’11, found when she moved to Los Angeles and jumped headfirst into an acting career one year ago. This winter, the IWU acting major will graduate from Second City Hollywood’s Conservatory, where she has studied improvisational and sketch comedy in addition to working as a producer, intern, house manager and box office employee. Launched in Chicago’s Old Town neighborhood in 1959, the legendary Second City improv group has expanded to L.A. and Toronto. Its alumni constitute an A-list of comedians, including John Belushi, Mike Myers, Stephen Colbert, Julia Louis-Dreyfus and Tina Fey. It has also established training centers taught by improv pros, many who are current Second City performers.
    [Show full text]
  • Women Directors – Who’S Calling the Shots?
    Women Directors – Who’s Calling the Shots? Women Directors in British Television Production A Report by Directors UK May 2014 Contents Page 1. Executive Summary 2 2. About Directors UK/ Background to the Research 4 3. Women Directors and Employment: The Data 5 4. Drama 11 5. Entertainment and Comedy Programmes 14 6. Children’s Programmes 17 7. Factual Programmes 18 8. Why is this happening? Responses to Findings 21 9. Recommendations 24 10. Appendix Gender make-up of the UK’s film and television Directors 28 Maintaining a Career as a Director 29 Production Companies 30 Methodology 31 Children’s programmes featured in this report 31 Drama programmes featured in this report 33 Entertainment/Comedy programmes featured in this report 36 Factual programmes featured in this report 38 Women Directors – Who’s Calling the Shots? A Report by Directors UK 1. Executive Summary This study, conducted throughout 2013, examined a range of television programmes produced by BBC, ITV Studios, and six leading independent production companies; All3Media, Endemol, Fremantle, Kudos, Shed and Zodiak. The study provides a snapshot of employment patterns and practices on programmes transmitted up to December 2012. The data is drawn from programme credits for UK commissioned television programmes, matched with the most comprehensive database of directors working on those programmes. It shows a worrying decrease in employment for women directors in the most recent 2 years analysed (i.e. 2011 and 2012), specifically in drama, entertainment and comedy. Key findings 0% Women directors have ever worked on many popular dramas and entertainment shows. 13% Drama episodes directed by women in 2011 and 2012, down from 14% of the total sample1.
    [Show full text]
  • 1 © 2013 Yougov Ltd. All Rights Reserved Yougov.Co.Uk Liberal
    Liberal Democrat rank Have I Got News for You 1 Mock the Week 2 QI 3 Black Books 4 The IT Crowd 5 Brass Eye 6 Doctor Who 7 Red Dwarf 8 Futurama 9 Newswipe with Charlie Brooker 10 Family Guy 11 Russell Howard's Good News 12 Pride and Prejudice 13 Sherlock 14 The Thick of It 15 Being Human 16 Wallace and Gromit 17 Grand Designs 18 Elementary 19 Bremner, Bird and Fortune 20 8 Out of 10 Cats 21 Just a Minute 22 Blackadder 23 The Big Bang Theory 24 Fry's Planet Word 25 Jeeves and Wooster 26 Spaced 27 Dexter 28 Castle 29 The Armando Iannucci Shows 30 House of Cards 31 Green Wing 32 Firefly 33 That Mitchell And Webb Look 34 Buffy the Vampire Slayer 35 Parks and Recreation 36 Brainiac 37 Whose Line Is It Anyway? 38 Time Team 39 Tomorrow's World 40 Scrubs 41 Peep Show 42 Knowing Me, Knowing You... with Alan Partridge 43 BBC News 44 Campus 45 The Golden Age of Canals 46 That Was The Week That Was 47 Charlie Brooker's Screenwipe 48 1 © 2013 YouGov Ltd. All Rights Reserved yougov.co.uk Liberal Democrat rank Look Around You 49 Stand Up for the Week 50 Arrested Development 51 Dirk Gently 52 Stingray 53 The Sunday Night Project 54 Would I Lie To You? 55 Psychoville 56 The Big Fat Quiz of the Year 57 Wonders of the Universe 58 South Park 59 Vicious 60 Watson & Oliver 61 Dead Ringers 62 Absolutely Fabulous 63 Extreme Makeover 64 True Blood 65 Jack Dee Live at the Apollo 66 Nigella Bites 67 Planet Earth 68 Hancock's Half Hour 69 Friends 70 Putin, Russia and the West 71 How the Earth Was Made 72 Kath & Kim 73 Changing Rooms 74 My So-Called Life 75 Click 76 Ask Rhod Gilbert 77 Vic Reeves Big Night Out 78 Batman 79 How Clean is Your House? 80 Goodness Gracious Me 81 Supernatural 82 Walking with Dinosaurs 83 American Dad! 84 The Hitchhiker's Guide to the Galaxy 85 The Day Today 86 Not the Nine O'Clock News 87 Argumental 88 Is It Bill Bailey? 89 Russell Howard Live 90 Acorn Antiques 91 The Impressions Show with Culshaw and Stephenson 92 My Hero 93 The Office 94 House 95 New Girl 96 The Returned 97 Big Train 98 Due South 99 Destination Titan 100 2 © 2013 YouGov Ltd.
    [Show full text]
  • Viewers at Its Peak
    Frank Skinner Comedian, Writer, TV and Radio Presenter Frank Skinner hosts Absolute Radio’s Sony Award winning Saturday morning flagship show, whose podcasts have been downloaded 6.5 million times. He is also President of the Samuel Johnson Society. He is the host of Room 101 and was a team captain on the recent I Love My Country. He is currently touring his latest stand up show, “Man In A Suit”. Skinner has done three series of the popular Frank Skinner’s Opinionated for BBC Two. As a keen ukulele fan, he has filmed a documentary investigating the life of George Formby for BBC Four. Additionally, Skinner has hosted the BBC Radio Three Christmas Day comedy panel show, The Right Notes in the Wrong Order; and in 2010, reunited with David Baddiel to exclusively present a series of shows for Absolute Radio throughout the FIFA World Cup™. This series reached number one in the iTunes Top 10 comedy podcasts chart within the first week of its launch and attracted over 3 million downloads in total. Skinner has also been a columnist for The Times. In 2009, Skinner completed the triple-extended, sell-out Credit Crunch Cabaret in London’s West End, offering recession-hit Londoners the chance to experience a variety of award-winning acts for just £10 a ticket. The show included Michael McIntyre, Al Murray - The Pub Landlord, John Bishop, Lee Mack, Russell Howard and Chris Addison. Skinner authored a Panorama (BBC One) special on taste and decency, as well as hosted Have I Got News For You? and Never Mind The Buzzcocks on BBC Two.
    [Show full text]
  • Dissident Communication in Stand-Up Comedy
    ARTICLE COMUN. MÍDIA CONSUMO, SÃO PAULO, V. 14, N. 40, P. 160-179, MAY/AUG. 2017 DOI 10.18568/cmc.v14i40.1348 Dissident communication in stand-up comedy: the case of Arab and Muslim countries A comunicação dissidente na comédia stand-up: o caso dos países árabes e muçulmanos Jacques A. Wainberg1 Abstract: This study is a content analysis of jokes produced and presented by stand-up comedians that in various parts of the world deal with a common theme, the inclusion of the Arab and the Muslim communities in modernity. This kind of humor became popular in many countries of the Middle East and Africa, similar to what is occurring in other continents. Countries like Saudi Arabia, Bahrain and Egypt nowadays tolerate, to some degree, the dissident humor proposed by such humorists. Seeing the Arab and Muslim societies laugh at themselves is a new and startling occurrence, since it breaks with the stereotypical image that they are unable to bear the satire and irony for being dominated by fear and conservatism. Keywords: Stand-up comedy; Humor; Joke; Dissidence Resumo: Este estudo analisa o conteúdo das piadas produzidas e apresenta- das por comediantes stand-up que, em várias partes do mundo, tratam de uma temática comum, a inserção do árabe e do muçulmano na modernidade. Este gênero de humor se difundiu em vários países do Oriente Médio e da África, à semelhança do que ocorre em outros continentes. Os governos de países como Arábia Saudita, Bahrein e Egito toleram hoje em dia, em algum grau, a dissi- dência proposta por tais humoristas.
    [Show full text]