Chapter H 62 DESIGN, CONSTRUCTION, INS'falla1'ion
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HVAC 1956 January
Wisconsin Administrative Code Rules of . ' INDUSTRIAL COMMISSION .. HEATING, VENTILATION AND AIR CONDITIONING Cite the rules in this Code as (for example) Wis. Adm. Code section Ind 58.01 . ·~ . INDUSTRIAL COMMISSION State Office Building, Madison 2, Wisconsin 0 () INDUSTRIAL COMMISSION OF WISCONSIN R. G. KNUTSON ARTHUR W. ENRIGHT Chairman Conirnissione1· JOHN H. ROUSE Co1nniissioner HELEN E. GILL, Secretary ROGER OSTREM C. J. CADDELL Di'rector, Division of Bldg. Enginee1· Industrial Safety and Buildings HEATING, VENTILATION AND AIR CONDITIONING CODE INTRODUCTION Authority The Heating, Ventilation and Air Conditioning Code has been adopted by the Industrial Commission in dischaTge of its duties under Sections 101.01 to 101.28, inclusive, of the Statutes of Wisconsin. The orders of this code \Vere adopted by the Indus.trial Co1nmission on January 29, 1954 and became effective March 21, 1954 with the excep tion of the follo\ving sections, 1vhich became effective March 28, 1954: Ind-58.10-5 Ind-58.41-3 Ind-58.48-2 Ind-58.66-2 (c) Ind-58.69-6 Ind-58. 7 4-4 History Prior to the adoption of the Heating and Ventilation Code by the Industrial Commission on July 6, 1923, the general requirements on ventilation of public buildings and places of employment in Wisconsin \Vere enforced as a part of the Building Code and of the General Orders on Sanitation, issued by the Industrial Commission. The Build ing Code became effective on October 9, 1914, and the ventilation requirements therein were amended only in minor details prior to July 6, 1923. The General Orders on Sanitation becan1e effective on February 20, 1913. -
Regimes of Truth in the X-Files
Edith Cowan University Research Online Theses: Doctorates and Masters Theses 1-1-1999 Aliens, bodies and conspiracies: Regimes of truth in The X-files Leanne McRae Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses Part of the Film and Media Studies Commons Recommended Citation McRae, L. (1999). Aliens, bodies and conspiracies: Regimes of truth in The X-files. https://ro.ecu.edu.au/ theses/1247 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses/1247 Edith Cowan University Research Online Theses: Doctorates and Masters Theses 1999 Aliens, bodies and conspiracies : regimes of truth in The -fiX les Leanne McRae Edith Cowan University Recommended Citation McRae, L. (1999). Aliens, bodies and conspiracies : regimes of truth in The X-files. Retrieved from http://ro.ecu.edu.au/theses/1247 This Thesis is posted at Research Online. http://ro.ecu.edu.au/theses/1247 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). -
TECHNOPHOBIA! Science Fiction Visions of Posthuman Technology
TECHNOPHOBIA! science fiction visions of posthuman technology Daniel Dinello university of texas press Austin Frontispiece: Human under the domination of corporate science and autonomous technology (Metropolis, 1926. Courtesy Photofest). Copyright © 2005 by the University of Texas Press All rights reserved Printed in the United States of America First edition, 2005 Requests for permission to reproduce material from this work should be sent to Permissions, University of Texas Press, P.O. Box 7819, Austin, TX 78713-7819. www.utexas.edu/utpress/about/bpermission.html The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Dinello, Daniel Technophobia! : science fiction visions of posthuman technology / by Daniel Dinello. — 1st ed. p. cm. Includes bibliographical references and index. isbn 0-292-70954-4 (cl. : alk. paper) — isbn 0-292-70986-2 (pbk. : alk. paper) 1. Science fiction—History and criticism. 2. Technology in literature. I. Title. pn3433.6.d56 2005 809.3'876209356—dc22 2005019190 NINE Technology Is a Virus machine plague virus horror: technophobia and the return of repressed flesh Technophiliacs want to escape from the body—that mor- tal hunk of animated meat. But even while devising the mode of their disembodiment, a tiny terror gnaws inside them—virus fear. The smallest form of life, viruses are parasites that live and reproduce by penetrating and commandeering the cell machinery of their hosts, often killing them and moving on to others. ‘‘As the means become available for the technology- creating species to manipulate the genetic code that gave rise to it,’’ says techno-prophet Ray Kurzweil, ‘‘...newvirusescanemergethroughacci- dent and/or hostile intention with potentially mortal consequences.’’1 The techno-religious vision of immortality represses horrific images of mutilated bodies and corrupted flesh that haunt our collective nightmares in the science fiction subgenre of virus horror. -
Bldg 1921 Code
INDUSTRIAL COMMISSION OF WISCONSIN /q 21 GEO P HAMBRECHT. ChaiTman FRED M. WILCOX THOMAS F. KONOP E. E. WIITE, Seudar11 R. McA. KEOWN. Eng/nHr W. C. MUEHLSTEIN, BuflJln' En1lnrer E.W. CALLEN, JOSEPH H. BROWN, BullJinl ln•P"Jor. LIST OF HOLLOW TILE APPROVED J<'OR LOAD-BEAllING AND EXPOSED CONTRUCTION llollo'v tile used in load bearing or exposed \\'Ork in \Visconsin n1ust n1eet wilh the requirc1ncnts of Order 5:109, of the Stale Building Code (see reprint herein). No hollo'v tile rnay he used for such work until com~ plete and satisfactory tests ha\'C been ntade and sub1nitted to the Indus· trial Commission for appro,·al. The requirement of Order 5309 does not apply to tile used only for interior non-bearing partitions. TESTS H.epreseulativc tile of each n1alerial, grade, size, shape and variety in tended for use in load-bearing and exposed \\'ork inust be tested to deter inine "·hethcr the strength, absorption and per cent of hollow spaces meet with the Building Code re'luirements. If t\\•o or inore plants are n1aking the satne type or brand of ti e, the product of each plant rnust be tested and approved separately. Tests for strerigth n1ust be nui.de in the position they are intended to be laid in use. !\1easurcincnts to detcrn1ine hollo\\' space rnust be taken at the inside of the scoring. 'J'he tests of tile may be made at any recognized laboratory. '!'he testing laboratory of the College of Engineering at Madison is available for such \Vork. If tests arc to be made at I\1adison, address your samples to Prof. -
DECLARATION of Jane Sunderland in Support of Request For
Columbia Pictures Industries Inc v. Bunnell Doc. 373 Att. 1 Exhibit 1 Twentieth Century Fox Film Corporation Motion Pictures 28 DAYS LATER 28 WEEKS LATER ALIEN 3 Alien vs. Predator ANASTASIA Anna And The King (1999) AQUAMARINE Banger Sisters, The Battle For The Planet Of The Apes Beach, The Beauty and the Geek BECAUSE OF WINN-DIXIE BEDAZZLED BEE SEASON BEHIND ENEMY LINES Bend It Like Beckham Beneath The Planet Of The Apes BIG MOMMA'S HOUSE BIG MOMMA'S HOUSE 2 BLACK KNIGHT Black Knight, The Brokedown Palace BROKEN ARROW Broken Arrow (1996) BROKEN LIZARD'S CLUB DREAD BROWN SUGAR BULWORTH CAST AWAY CATCH THAT KID CHAIN REACTION CHASING PAPI CHEAPER BY THE DOZEN CHEAPER BY THE DOZEN 2 Clearing, The CLEOPATRA COMEBACKS, THE Commando Conquest Of The Planet Of The Apes COURAGE UNDER FIRE DAREDEVIL DATE MOVIE 4 Dockets.Justia.com DAY AFTER TOMORROW, THE DECK THE HALLS Deep End, The DEVIL WEARS PRADA, THE DIE HARD DIE HARD 2 DIE HARD WITH A VENGEANCE DODGEBALL: A TRUE UNDERDOG STORY DOWN PERISCOPE DOWN WITH LOVE DRIVE ME CRAZY DRUMLINE DUDE, WHERE'S MY CAR? Edge, The EDWARD SCISSORHANDS ELEKTRA Entrapment EPIC MOVIE ERAGON Escape From The Planet Of The Apes Everyone's Hero Family Stone, The FANTASTIC FOUR FAST FOOD NATION FAT ALBERT FEVER PITCH Fight Club, The FIREHOUSE DOG First $20 Million, The FIRST DAUGHTER FLICKA Flight 93 Flight of the Phoenix, The Fly, The FROM HELL Full Monty, The Garage Days GARDEN STATE GARFIELD GARFIELD A TAIL OF TWO KITTIES GRANDMA'S BOY Great Expectations (1998) HERE ON EARTH HIDE AND SEEK HIGH CRIMES 5 HILLS HAVE -
The X-Files Battles
BATTLES RULE BOOK Ages 14+ “Sorry, nobody down here but the FBI’s most unwanted.” “Agent Mulder. Hi, I’m Dana Scully. I’ve been assigned to work with you.” – Fox Mulder and Dana Scully The Story So Far… For the past few years, players have fought epic battles featuring comic book heroes and villains as well as horrifying aliens, deadly hunters, vampires, and their victims. Now the struggle has entered our very own governments! Will you join the Bureau and fight from within? Or will you side with the dastardly Syndicate and team up with our would-be alien conquerors? Or maybe you have a wilder idea – to harness the supernatural power of the Monsters of the Week? What is the Vs. System® 2PCG®? The Vs. System® 2PCG® is a card game where 2-4 players each build a deck of Characters, Plot Twists, Locations, and Equipment to try to defeat their opponents. Each Vs. System® 2PCG® product comes with a full playset of cards. Game Contents • 200 Cards • Assorted Counters • This Rulebook Issues and Giant-Sized Issues The Vs. System® 2PCG® releases a new expansion almost every month. “Issues” are small expansions that include 55 cards. “Giant-Sized Issues” are large expansions, include 200 cards and are great for new players to get into the game. This Giant-Sized Issue adds one new Good team and two new Evil teams to the game: The Bureau ( ), The Syndicate ( ), and Monsters of the Week ( ) . 1 If you’re familiar with the Vs. System® 2PCG®... If you’ve already played the Vs. -
EB Insects in TV Episodes
TV Episodes, Series, and Movies TV Episodes: Carter, C. (Writer) & Napolitano, J. (Director). (1994). Darkness Falls. [Television series episode]. In C. Carter (Producer), The X-files. Los Angeles: Fox Broadcasting Company. Synopsis: FBI agents Dana Scully and Fox Mulder visit a forest where loggers have been disappearing. They find a body wrapped in what looks like an insect cocoon and while staying in a cabin in the area, discover a swarm of green bugs that come out every night to attack any living thing. Chapelle, J. (Director). (2011). Immortality [Television series episode]. In J.J. Abrams, Fringe. Los Angeles: Fox Broadcasting Company. Synopsis: In an alternate universe, the Fringe team investigates and tries to stop an entomologist whose research with a new insect now requires him to feed it human flesh. Craig, C. G. (Producer). (2008). Show Me the Mummy [Television series episode]. In A. Cosby & J Paglia (Creators), Eureka. New York: SyFy Channel. Synopsis: A mummy full of insects infests the small town of Eureka, OR. Kane, A. (Director). (2008). Bzzzzzzz! [Television series episode]. In B. Fuller (Creator), Pushing Daisies. New York: American Broadcasting Company. Synopsis: After a spokesperson of a honey-using cosmetics company is stung to death, Chuck disguises herself as the new “Bee Girl” to get to the bottom of things. Morgan, G., Wong, J. (Writers), & Nutter, D. (Director). (1993). Ice [Television series episode]. In C. Carter (Producer), The X-files. Los Angeles: Fox Broadcasting Company. Synopsis: FBI agents Dana Scully and Fox Mulder visit the arctic with three other scientists and encounter an alien worm that uses humans and animals as its host. -
Jung, the Shadow, and the X-Files
JUNG, THE SHADOW, AND THE X-FILES By JENIFER JENSEN A capstone submitted to the Graduate School-Camden Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Master of Arts Graduate Program in Liberal Studies Written under the direction of Greg Salyer And approved by ______________________________ Greg Salyer Camden, New Jersey May 2019 CAPSTONE ABSTRACT Jung, The Shadow, and The X-Files by Jenifer Jensen Capstone Director: Greg Salyer This capstone explores Jung’s theory of the shadow, personal unconscious, and collective unconscious, using The X-Files as its narrative transport. When television show The X- Files premiered on September 10, 1993, no one anticipated its impact on a generation of television viewers. The X-Files is an American pop cultural mainstay. The paradoxical brilliance of the show is that it both influenced and interpreted popular American culture. Something vital about our time in history speaks through the stories it tells. It is not the only science fiction television show to create legions of fans, spawn movies, books, comics, and general obsession in American geekdom. But it is the only television show which began in 1993, ran for almost a decade, and then returned, fourteen years later with episodes seeking transcendent answers about what it means to be human, and the possibility of knowledge, truth, and power in the era of Trump, fake news and social media. ii 1 Jung, the Shadow, and The X-Files Introduction – The X-Files I am interested in exploring Jung’s theory of the shadow, personal unconscious, and collective unconscious, using The X-Files as its narrative transport. -
Scholastic Canada Ltd. Toronto New York London Auckland Sydney Mexico City New Delhi Hong Kong Buenos Aires Scholastic Canada Ltd
Scholastic Canada Ltd. Toronto New York London Auckland Sydney Mexico City New Delhi Hong Kong Buenos Aires Scholastic Canada Ltd. 604 King Street West, Toronto, Ontario M5V 1E1, Canada Scholastic Inc. 557 Broadway, New York, NY 10012, USA Scholastic Australia Pty Limited PO Box 579, Gosford, NSW 2250, Australia Scholastic New Zealand Limited Private Bag 94407, Botany, Manukau 2163, New Zealand Scholastic Children’s Books Euston House, 24 Eversholt Street, London NW1 1DB, UK www.scholastic.ca Library and Archives Canada Cataloguing in Publication Title: Finding Cooper / Stacey Matson. Names: Matson, Stacey, author. Identifiers: Canadiana (print) 20190098228 | Canadiana (ebook) 20190098236 | ISBN 9781443163415 (softcover) | ISBN 9781443163422 (ebook) Subjects: LCSH: Cooper, D. B—Juvenile fiction. Classification: LCC PS8626.A839 F55 2019 | DDC jC813/.6—dc23 If you purchased this book without a cover, you should be aware that this book is stolen property. It was reported as “unsold and destroyed” to the publisher, and neither the author nor the publisher has received any payment for this “stripped book.” Photos © Shutterstock: cover left (Viorel Sima), cover center right, iii (Pikovit), cover bottom right (Stanislaw Mikulski), 1 stamp and throughout (carmen2011). Text copyright © 2019 by Stacey Matson. All rights reserved. No part of this publication may be reproduced or stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, recording, or otherwise, without written permission of the publisher, Scholastic Canada Ltd., 604 King Street West, Toronto, Ontario M5V 1E1, Canada. In the case of photocopying or other reprographic copying, a licence must be obtained from Access Copyright (Canadian Copyright Licensing Agency), www.accesscopyright.ca or 1-800-893-5777. -
The Breakthrough Character of the X-Files: Genre Hybridity and Narrative Structure
Acta Universitatis Wratislaviensis • No 3869 Literatura i Kultura Popularna XXIV, Wrocław 2018 DOI: 10.19195/0867-7441.24.13 Agnieszka Smoręda ORCID: 0000-0001-7451-0933 University of Łódź The breakthrough character of The X-Files: Genre hybridity and narrative structure Keywords: The X-Files, narrative complexity, narrative strategies, genre hybridity, TV series, television Słowa kluczowe: Z Archiwum X, złożoność narracyjna, strategie narracyjne, hybrydyzacja gatunkowa, serial, telewizja The beginning of the 1990s was for the United States a particular time. The end of the Cold War and the lack of an easily identifiable external enemy forced many Americans to focus on the country’s internal problems.1 At the same time, the entertainment industry, television in particular, began to change as well. The technological evolution made television producers ever so boldly use the achieve- ments of the film industry, such as hand-held cameras, first incorporated in the late 1980s in the TV series Hill Street Blues (created by Steven Bochco, Michael Ko- zoll, 1981–1987) and popularized in the following decade.2 For television’s Big Three — NBC, ABC, and CBS — new competition emerged through the creation of Fox Broadcasting Company. It began broadcasting in 1986 and only seven years later, in January 1993, FOX started offering original programming seven days a week, thus gaining the status of a broadcasting network. In the fall of the same year, The X-Files (created by Chris Carter, 1993–2002, 2016–2018), a defining series of the 1990s, debuts. The purpose of the following article is to examine the innovative character of the series, using on the one hand genre theory and on the other, David Bordwell’s historical poetics adapted by Jason Mittell “to understand the formal storytelling 1 L. -
Behind Closed Doors Abuse and Retaliation Against Hunger Strikers in U.S
ACLU AND PHR RESEARCH REPORT Behind Closed Doors Abuse and Retaliation Against Hunger Strikers in U.S. Immigration Detention Behind Closed Doors 1 ACLU AND PHR RESEARCH REPORT Behind Closed Doors Abuse and Retaliation Against Hunger Strikers in U.S. Immigration Detention © 2021 AMERICAN CIVIL LIBERTIES UNION AND PHYSICIANS FOR HUMAN RIGHTS Cover Photo © AP/David Goldman Acknowledgements We are indebted to the courageous former hunger Legal Research strikers who shared their stories with us. We stand Farzana Ali, Irene Hwang, Julia Kepczynska, PHR with the many other current and former hunger interns; Maddy Gates, ACLU intern strikers protesting detention and mistreatment by Medical Literature Review Immigration and Customs Enforcement (ICE). This Ranit Mishori, PHR; John Andrews, Katherine C. report would not have been possible without them. McKenzie, Sumaiya Sayeed, YCAM Lead Writers Report Reviewers Eunice Hyunhye Cho, ACLU National Prison Project Kathryn Hampton, Michele Heisler, Ranit Mishori, (ACLU-NPP); Joanna Naples-Mitchell, Physicians for Karen Naimer, Claudia Rader, Elsa Raker, Susannah Human Rights (PHR) Sirkin, Raha Wala, PHR; Jamil Dakwar, David Fathi, Contributing Writers Tamara Gregg, Emily Greytak, Hanna Johnson, Ranit Mishori, PHR; Matthew Wynia, PHR Advisory Michael Tan, Naureen Shah, ACLU; Matthew Wynia, Council; John Andrews, Katherine C. McKenzie, PHR Advisory Council; John Andrews, Katherine C. Sumaiya Sayeed, Yale Center for Asylum Medicine McKenzie, Sumaiya Sayeed, YCAM; Farzana Ali, PHR (YCAM) intern; Lani Galloway, -
Regulation 61-25 Retail Food Establishments
Regulation 61-25 Retail Food Establishments Disclaimer DHEC provides this copy of the regulation for the convenience of the public and makes every effort to ensure its accuracy. However, this is an unofficial version of the regulation. The regulation's most recent final publication in the South Carolina State Register presents the official, legal version of the regulation. 2600 Bull Street | Columbia, SC 29201 Statutory Authority: S.C. Code Sections 44-1-140(2), 44-1-150, and 44-1-180 Regulation History as Published in State Register Date Document Number Volume Issue May 27, 1983 288 7 5 March 28, 1986 559 10 3 June 23, 1995 1808 19 6 June 27, 2014 4424 38 6 April 24, 2015 (Errata) 4424 39 4 May 24, 2019 4842 43 5 September 27, 2019 (Errata) 4842 43 9 Table of Contents Chapter 1 Purpose and Definitions ..................................................................................... 1 1-1 TITLE, INTENT, SCOPE ............................................................................................... 1 1-101 Title ........................................................................................................................... 1 1-102 Intent ........................................................................................................................ 1 1-103 Scope ........................................................................................................................ 1 1-2 DEFINITIONS .............................................................................................................