Preview – the Gallery Guide – April-May 2007
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Borderline Research
Borderline Research Histories of Art between Canada and the United States, c. 1965–1975 Adam Douglas Swinton Welch A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Art University of Toronto © Copyright by Adam Douglas Swinton Welch 2019 Borderline Research Histories of Art between Canada and the United States, c. 1965–1975 Adam Douglas Swinton Welch Doctor of Philosophy Department of Art University of Toronto 2019 Abstract Taking General Idea’s “Borderline Research” request, which appeared in the first issue of FILE Megazine (1972), as a model, this dissertation presents a composite set of histories. Through a comparative case approach, I present eight scenes which register and enact larger political, social, and aesthetic tendencies in art between Canada and the United States from 1965 to 1975. These cases include Jack Bush’s relationship with the critic Clement Greenberg; Brydon Smith’s first decade as curator at the National Gallery of Canada (1967–1975); the exhibition New York 13 (1969) at the Vancouver Art Gallery; Greg Curnoe’s debt to New York Neo-dada; Joyce Wieland living in New York and making work for exhibition in Toronto (1962–1972); Barry Lord and Gail Dexter’s involvement with the Canadian Liberation Movement (1970–1975); the use of surrogates and copies at the Nova Scotia College of Art and Design (1967–1972); and the Eternal Network performance event, Decca Dance, in Los Angeles (1974). Relying heavily on my work in institutional archives, artists’ fonds, and research interviews, I establish chronologies and describe events. By the close of my study, in the mid-1970s, the movement of art and ideas was eased between Canada and the United States, anticipating the advent of a globalized art world. -
![[Carr – Bibliography]](https://docslib.b-cdn.net/cover/1319/carr-bibliography-401319.webp)
[Carr – Bibliography]
Bibliography Steven C. McNeil, with contributions by Lynn Brockington Abell, Walter, “Some Canadian Moderns,” Magazine of Art 30, no. 7 (July 1937): 422–27. Abell, Walter, “New Books on Art Reviewed by the Editors, Klee Wyck by Emily Carr,” Maritime Art 2, no. 4 (Apr.–May 1942): 137. Abell, Walter, “Canadian Aspirations in Painting,” Culture 33, no. 2 (June 1942): 172–82. Abell, Walter, “East Is West – Thoughts on the Unity and Meaning of Contemporary Art,” Canadian Art 11, no. 2 (Winter 1954): 44–51, 73. Ackerman, Marianne, “Unexpurgated Emily,” Globe and Mail (Toronto), 16 Aug. 2003. Adams, James, “Emily Carr Painting Is Sold for $240,000,” Globe and Mail (Toronto), 28 Nov. 2003. Adams, John, “…but Near Carr’s House Is Easy Street,” Islander, supplement to the Times- Colonist (Victoria), 7 June 1992. Adams, John, “Emily Walked Familiar Routes,” Islander, supplement to the Times-Colonist (Victoria), 26 Oct. 1993. Adams, John, “Visions of Sugar Plums,” Times-Colonist (Victoria), 10 Dec. 1995. Adams, Sharon, “Memories of Emily, an Embittered Artist,” Edmonton Journal, 27 July 1973. Adams, Timothy Dow, “‘Painting Above Paint’: Telling Li(v)es in Emily Carr’s Literary Self- Portraits,” Journal of Canadian Studies 27, no. 2 (Summer 1992): 37–48. Adeney, Jeanne, “The Galleries in January,” Canadian Bookman 10, no. 1 (Jan. 1928): 5–7. Art Gallery of Greater Victoria, Oil Paintings from the Emily Carr Trust Collection (ex. cat.). Victoria: Art Gallery of Greater Victoria, 1958. Art Gallery of Ontario, Emily Carr: Selected Works from the Collection of the Vancouver Art Gallery (ex. cat.). Toronto: Art Gallery of Ontario, 1974. -
Post-War & Contemporary
post-wAr & contemporAry Art Sale Wednesday, november 21, 2018 · 4 Pm · toronto i ii Post-wAr & contemPorAry Art Auction Wednesday, November 21, 2018 4 PM Post-War & Contemporary Art 7 PM Canadian, Impressionist & Modern Art Design Exchange The Historic Trading Floor (2nd floor) 234 Bay Street, Toronto Located within TD Centre Previews Heffel Gallery, Calgary 888 4th Avenue SW, Unit 609 Friday, October 19 through Saturday, October 20, 11 am to 6 pm Heffel Gallery, Vancouver 2247 Granville Street Saturday, October 27 through Tuesday, October 30, 11 am to 6 pm Galerie Heffel, Montreal 1840 rue Sherbrooke Ouest Thursday, November 8 through Saturday, November 10, 11 am to 6 pm Design Exchange, Toronto The Exhibition Hall (3rd floor), 234 Bay Street Located within TD Centre Saturday, November 17 through Tuesday, November 20, 10 am to 6 pm Wednesday, November 21, 10 am to noon Heffel Gallery Limited Heffel.com Departments Additionally herein referred to as “Heffel” consignments or “Auction House” [email protected] APPrAisAls CONTACT [email protected] Toll Free 1-888-818-6505 [email protected], www.heffel.com Absentee And telePhone bidding [email protected] toronto 13 Hazelton Avenue, Toronto, Ontario M5R 2E1 shiPPing Telephone 416-961-6505, Fax 416-961-4245 [email protected] ottAwA subscriPtions 451 Daly Avenue, Ottawa, Ontario K1N 6H6 [email protected] Telephone 613-230-6505, Fax 613-230-8884 montreAl CatAlogue subscriPtions 1840 rue Sherbrooke Ouest, Montreal, Quebec H3H 1E4 Heffel Gallery Limited regularly publishes a variety of materials Telephone 514-939-6505, Fax 514-939-1100 beneficial to the art collector. -
Vernon & District Family History Society Library Catalogue
Vernon & District Family History Society Library Catalogue Location Title Auth. Last Notes Magazine - American Ancestors 4 issues. A local history book and is a record of the pioneer days of the 80 Years of Progress (Westlock, AB Committee Westlock District. Many photos and family stories. Family Alberta) name index. 929 pgs History of Kingman and Districts early years in the 1700s, (the AB A Harvest of Memories Kingman native peoples) 1854 the Hudson Bay followed by settlers. Family histories, photographs. 658 pgs Newspapers are arranged under the place of publication then under chronological order. Names of ethnic newspapers also AB Alberta Newspapers 1880 - 1982 Strathern listed. Photos of some of the newspapers and employees. 568 pgs A history of the Lyalta, Ardenode, Dalroy Districts. Contains AB Along the Fireguard Trail Lyalta photos, and family stories. Index of surnames. 343 pgs A local history book on a small area of northwestern Alberta from Flying Shot to South Wapiti and from Grovedale to AB Along the Wapiti Society Klondyke Trail. Family stories and many photos. Surname index. 431 pgs Alberta, formerly a part of the North-West Territories. An An Index to Birth, Marriage & Death AB Alberta index to Birth, Marriage and Death Registrations prior to Registrations prior to 1900 1900. 448 pgs AB Ann's Story Clifford The story of Pat Burns and his ranching empire. History of the Lower Peace River District. The contribution of AB Around the Lower Peace Gordon the people of Alberta, through Alberta Culture, acknowledged. 84 pgs Illustrated Starting with the early settlers and homesteaders, up to and AB As The Years Go By... -
FIERMAN Letterhead Template
! Jeneen Frei Njootli is a Canadian born Artist who lives and works in Vancouver, BC. [email protected] 604-726-3565 SELECTED EXHIBITIONS 2018 My Sister/Ma Soeur, Contemporary Indigenous Art Biennial/ La Biennale d’Art Contemporain Autochtone (BACA) (upcoming), with Tsēma Igharas, Montreal QC These Hands, Coney Island Baby with Gabrielle L’Hirondelle Hill, Chandra Melting Tallow, Tania Willard and Amy Kazymerchyk, Western Front, Vancouver BC Pink Noise Pop Up, ONE AND J + 1 with Space One, Instant Coffee and grunt gallery, Seoul ROK Inaugural Fashion Show, UnFURled, Whitehorse YT Common Cause: before and beyond the global, Mercer Union, Toronto ON Being Skidoo film screening and performance, Available Light Film Festival, Whitehorse YT 2017 Art Toronto, Macaulay & Co. Fine Arts, Toronto ON Western Canada Fashion Week, Ociciwan Collective, Edmonton AB Crafted Strangers, Center for Craft, Creativity and Design, Asheville NC Thunder in Our Voices, Interurban Gallery, Vancouver BC Vancouver Indigenous Fashion Week, Queen Elizabeth Theatre, Vancouver BC LandMarks2017, Vuntut Gwitchin Traditional Territory, Old Crow YT wnoondwaamin: we hear them, Platform Gallery (Saskatoon SK), Whitewater Gallery (North Bay 2016 ON), Art Gallery of South Western Manitoba (Brandon MB) Vancouver Special: Ambivalent Pleasures, Vancouver Art Gallery, Vancouver BCwnoondwaamin: we hear them, Trinity Square Video, Toronto ON Emergence, Fazakas Gallery, Vancouver BC Our Home is Our Gallery, Yukon Arts Centre, Whitehorse YTif this were a draft, would you dodge -
Ref: LCAA7075 £750,000
Ref: LCAA7075 £750,000 Vellansagia, Head of the Lamorna Valley, Nr. St Buryan, Penzance, Cornwall FREEHOLD A wonderful opportunity to acquire a superb non-Listed 4 double bedroomed, 3 reception roomed period house which has been lovingly restored and imaginatively extended to create a unique dwelling of immense quality, character and charm displaying a level of specification and craftsmanship which needs to be seen first hand to be fully appreciated. In a gorgeous sheltered garden plot of approximately 1 acre with no close neighbours, double garage, studio and further outbuildings, less than 2 miles from Lamorna Cove. 2 Ref: LCAA7075 SUMMARY OF ACCOMMODATION Ground Floor: covered entrance porch into huge open-plan kitchen/dining room/family room (28’7” x 24’2”), larder, utility room, wc, triple aspect garden room, sitting room (26’4” x 16’6”) with woodburning stove. First Floor: approached off two separate staircases, galleried landing, master bedroom with en-suite bathroom, guest bedroom with en-suite shower room, circular staircase leads to secondary first floor landing, two further double bedrooms, family bathroom. Outside: double garage and workshop. Timber studio. Traditional stone outbuilding. Parking for numerous vehicles. Generous lawned gardens bounded by mature deciduous tree borders and pond. In all, approximately, 1 acre. DESCRIPTION • The availability of Vellansagia represents an incredibly exciting opportunity to acquire a truly unique family home comprising a lovingly restored non-Listed period house which has been transformed with a beautiful, contrasting large modern extension (more than doubling the size of the original house). Displaying a superb bespoke standard of finish and craftsmanship which needs to be seen first hand to be fully appreciated. -
To Download Your Cornwall Guide to Your Computer
THE OFFICIAL MAGAZINE BRTRAVEL CULTURE HERITAGE ITA STYLE INDIGITAL GUIDE Explore CORNWALL'S COUNTRY LANES AND COASTLINE www.britain-magazine.com BRITAIN 1 The tiny, picturesque fishing port of Mousehole, near Penzance on Cornwall's south coast Coastlines country lanes Even& in a region as well explored as Cornwall, with its lovely coves, harbours and hills, there are still plenty of places that attract just a trickle of people. We’re heading off the beaten track in one of the prettiest pockets of Britain PHOTO: ALAMY PHOTO: 2 BRITAIN www.britain-magazine.com www.britain-magazine.com BRITAIN 3 Cornwall Far left: The village of Zennor. Centre: Fishing boats drawn up on the beach at Penberth. Above: Sea campion, a common sight on the cliffs. Left: Prehistoric stone circle known as the Hurlers ornwall in high summer – it’s hard to imagine a sheer cliffs that together make up one of Cornwall’s most a lovely place to explore, with its steep narrow lanes, lovelier place: a gleaming aquamarine sea photographed and iconic views. A steep path leads down white-washed cottages and working harbour. Until rolling onto dazzlingly white sandy beaches, from the cliff to the beach that stretches out around some recently, it definitely qualified as off the beaten track; since backed by rugged cliffs that give way to deep of the islets, making for a lovely walk at low tide. becoming the setting for British TV drama Doc Martin, Cgreen farmland, all interspersed with impossibly quaint Trevose Head is one of the north coast’s main however, it has attracted crowds aplenty in search of the fishing villages, their rabbit warrens of crooked narrow promontories, a rugged, windswept headland, tipped by a Doc’s cliffside house. -
The National Gallery of Canada: a Hundred Years of Exhibitions: List and Index
Document generated on 09/28/2021 7:08 p.m. RACAR : Revue d'art canadienne Canadian Art Review The National Gallery of Canada: A Hundred Years of Exhibitions List and Index Garry Mainprize Volume 11, Number 1-2, 1984 URI: https://id.erudit.org/iderudit/1074332ar DOI: https://doi.org/10.7202/1074332ar See table of contents Publisher(s) UAAC-AAUC (University Art Association of Canada | Association d'art des universités du Canada) ISSN 0315-9906 (print) 1918-4778 (digital) Explore this journal Cite this article Mainprize, G. (1984). The National Gallery of Canada: A Hundred Years of Exhibitions: List and Index. RACAR : Revue d'art canadienne / Canadian Art Review, 11(1-2), 3–78. https://doi.org/10.7202/1074332ar Tous droits réservés © UAAC-AAUC (University Art Association of Canada | This document is protected by copyright law. Use of the services of Érudit Association d'art des universités du Canada), 1984 (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ The National Gallery of Canada: A Hundred Years of Exhibitions — List and Index — GARRY MAINPRIZE Ottawa The National Gallerv of Canada can date its February 1916, the Gallery was forced to vacate foundation to the opening of the first exhibition of the muséum to make room for the parliamentary the Canadian Academy of Arts at the Clarendon legislators. -
Callresponse March 23 – May 5, 2018 at EFA Project Space, 323 W
FOR IMMEDIATE RELEASE Laakkuluk Williamson-Bathory, Timiga nunalu, sikulu (My body, the land and the ice), 2016. Photo: Jamie Griffiths. #callresponse March 23 – May 5, 2018 At EFA Project Space, 323 W. 39th St., 2nd Floor, www.efanyc.org Gallery Hours: Wed-Sat, 12-6 pm Opening Reception: Friday, March 23, 6–8:30 pm Organized by: Tarah Hogue, Maria Hupfield, and Tania Willard Artists: Christi Belcourt, IV Castellanos, Marcia Crosby, Maria Hupfield, Ursula Johnson, Cheryl L'Hirondelle, Isaac Murdoch, Esther Neff, Tanya Tagaq, Tania Willard and Laakkuluk Williamson- Bathory with local respondents Jennifer Kreisberg and Laura Ortman From March 23 – May 5, 2018, EFA Project Space presents the US debut of #callresponse, an artistic and curatorial collaboration led by Indigenous women. A touring exhibition with responsive programming, #callresponse promotes discussion and action around Indigenous cultural revitalization, land-based knowledge, and cross-cultural solidarity. Shining a light on work that is both urgent and long-term, #callresponse acts as a connective support system that begins with commissioned artworks created by five Indigenous North American women artists and their invited guest respondents. A touring exhibition, #callresponse opened at Vancouver’s grunt gallery in 2016, and the project continues to evolve and engage each to which it travels with specific programming. #callresponse strategically centers Indigenous women across multiple platforms, moving between specificity of Indigenous nations, site, online space, and the gallery. The project focuses on forms of performance, process, and translation that incite dialogue and catalyze action across borders between individuals, communities, territories and institutions. An online platform using the hashtag #callresponse on social media connects the geographically diverse sites and provides opportunities for networked exchanges. -
Bloomsbury Adult Catalog Fall 2020
BLOOMSBURY Fall 2020 September – December BLOOMSBURY PUBLISHING SEPTEMBER 2020 The Apology Eve Ensler From the bestselling author of The Vagina Monologues—a powerful, life-changing examination of abuse and atonement. Like millions of women, Eve Ensler has been waiting much of her lifetime for an apology. Sexually and physically abused by her father, Eve has struggled her whole life from this betrayal, longing for an honest reckoning from a man who is long dead. After years of work as an anti-violence activist, she decided she would wait no longer; an apology could be imagined, by her, for her, to her. The Apology, written by Eve from her father’s point of view in the words she longed to hear, attempts to transform the abuse she suffered with unflinching truthfulness, compassion, and an expansive vision for the future. Through The Apology, Eve has set out to provide a new way for herself and a BIOGRAPHY & AUTOBIOGRAPHY possible road for others so that survivors of abuse may finally envision how to / LITERARY be free. She grapples with questions she has sought answers to since she first Bloomsbury Publishing | 9/15/2020 9781635575118 | $16.00 / $22.00 Can. realized the impact of her father’s abuse on her life: How do we offer a doorway Trade Paperback | 128 pages rather than a locked cell? How do we move from humiliation to revelation, from 8.3 in H | 5.5 in W curtailing behavior to changing it, from condemning perpetrators to calling Other Available Formats: them to reckoning? What will it take for abusers to genuinely apologize? Hardcover ISBN: 9781635574388 Remarkable and original, The Apology is an acutely transformational look at how, from the wounds of sexual abuse, we can begin to reemerge and heal. -
Team Pace Actual Times Rolls-Royce Harriers Circuit Of
Rolls-Royce Harriers Circuit of Cornwall Challenge May 2009 - Actual Times A = Team A, B = Team B, K = Kayak section, C = Cycling section LEG DAY FROM TO Team Actual Times Pace TIME TIME LEG RUN LEG TOT TOTAL LEG TOTAL MPH OUT IN TIME TIME TIME HR MILES MILES 1 Fri Mead Coombe A 13:40 14:49 1:09 1:09 1.15 5.4 5.4 4.70 2 Fri Coombe Bude (Crooklets Beach) A 14:49 15:22 0:33 0:33 1.70 3.3 8.7 6.00 3 Fri Bude Widemouth Bay A 15:27 16:04 0:37 0:42 2.40 4.0 12.7 6.49 4 Fri Widemouth Bay Crackington Haven A 16:05 17:31 1:26 1:27 3.85 6.8 19.5 4.74 5 Fri Crackington Haven Boscastle A 17:33 19:12 1:39 1:41 5.53 6.8 26.3 4.12 6 Fri Boscastle Tintagel B 19:16 20:18 1:02 1:06 6.63 5.0 31.3 4.84 7 Fri Tintagel Trebarwith B 20:20 20:45 0:25 0:27 7.08 1.8 33.1 4.32 8 Fri Trebarwith Port Isaac B 20:45 22:45 2:00 2:00 9.08 6.9 40.0 3.45 9 Sat Port Isaac Polzeath B 22:49 0:56 2:07 2:11 11.27 8.8 48.8 4.16 10 Sat Polzeath Rock Ferry B 0:57 1:40 0:43 0:44 12.00 2.9 51.7 4.05 K1 Sat Rock Ferry Padstow K 1:55 2:04 0:09 0:24 12.40 0.6 52.3 4.27 11 Sat Padstow Trevone A 2:12 3:26 1:14 1:22 13.77 5.7 58.0 4.62 12 Sat Trevone Porthcothan A 3:26 5:30 2:04 2:04 15.83 7.9 65.9 3.82 13 Sat Porthcothan NewquayWatergate Bay A 5:32 6:42 1:10 1:12 17.03 6.8 72.7 5.83 14 Sat Watergate Bay Fistral Beach A 6:45 7:30 0:45 0:48 17.83 5.1 77.8 6.80 15 Sat Newquay Holywell (beach) A 7:32 8:51 1:19 1:21 19.18 6.5 84.3 4.94 16 Sat HolywellFistral Beach (beach) Perranporth A 8:53 9:32 0:39 0:41 19.87 4.5 88.8 6.92 17 Sat Perranporth St Agnes B 9:32 11:25 1:53 1:53 21.75 8.3 97.1 -
Grunt Gallery Annual Report 2013-2014
grunt gallery Annual Report 2013-2014 Program Director’s Report by Glenn Alteen Chair’s Report by Laiwan Board Members Biographies Staff Biographies Strategic Plan Summary Fundraising Report Programming Summary Special Projects Financial Graphs Program Director’s Report 2014 Receiving word of the $400,000 award of the Mount Pleasant Production Spaces on the eve of our 30th anniversary bodes well for our organization’s future. The award will pay off our mortgage and give us a quarter of a million dollars as a capital nest egg towards our future space needs. Along with the facility we will now own outright and our endowment currently valued at $550,000, we have financial equity to think seriously about our future. This financial capital comes as a result of our cultural capital that has been building up over the past 30 years. This capital in the form of our archives, our websites, our administrative and programing systems and our network of artists, supporters and patrons is the product of many years of underpaid and volunteer labour by a host of artists, curators and other cultural workers. These investments of energy and support have been the base of our continued success. This gives us much to celebrate for our 30th Birthday. The programming year that has just concluded was very substantial, with a strong representation of international artists including: • Agente Costura, a new performance by Brazillian artist Lisa Simpson; • Mamook Ipsoot, a new community project with Dutch artist Desiree Palmen working with seven aboriginal youth; • Trapez and Dynamo Lines by German artist Josephin Böttger at grunt, Surrey Urban Screens and the New Forms Festival; • Nothing to Lose, an exhibition and performance by Lebanese artist Rabih Mroue in conjunction with the PuSh Performing Arts Festival.