Asklepios' Arrival at Athens
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A DIACHRONIC EXAMINATION OF THE ERECHTHEION AND ITS RECEPTION Alexandra L. Lesk, B.A., M.St. (Oxon.), M.A. Presented to McMicken College of Arts and Sciences and the Department of Classics of the University of Cincinnati in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy 2004 Committee: C. Brian Rose (Chair) Jack L. Davis Kathleen M. Lynch J. James Coulton Abstract iii ABSTRACT “A Diachronic Examination of the Erechtheion and Its Reception” examines the social life of the Ionic temple on the Athenian Akropolis, which was built in the late 5th century B.C. to house Athens’ most sacred cults and relics. Using a contextualized diachronic approach, this study examines both the changes to the Erechtheion between its construction and the middle of the 19th century A.D., as well as the impact the temple had on the architecture and art of these successive periods. This approach allows the evidence to shed light on new areas of interest such as the Post-Antique phases of the building, in addition to affording a better understanding of problems that have plagued the study of the Erechtheion during the past two centuries. This study begins with a re-examination of all the pertinent archaeological, epigraphical, and literary evidence, and proposes a wholly new reconstruction of how the Erechtheion worked physically and ritually in ancient times. After accounting for the immediate influence of the Erechtheion on subsequent buildings of the Ionic order, an argument for a Hellenistic rather than Augustan date for the major repairs to the temple is presented. -
Urban Planning in the Greek Colonies in Sicily and Magna Graecia
Urban Planning in the Greek Colonies in Sicily and Magna Graecia (8th – 6th centuries BCE) An honors thesis for the Department of Classics Olivia E. Hayden Tufts University, 2013 Abstract: Although ancient Greeks were traversing the western Mediterranean as early as the Mycenaean Period, the end of the “Dark Age” saw a surge of Greek colonial activity throughout the Mediterranean. Contemporary cities of the Greek homeland were in the process of growing from small, irregularly planned settlements into organized urban spaces. By contrast, the colonies founded overseas in the 8th and 6th centuries BCE lacked any pre-existing structures or spatial organization, allowing the inhabitants to closely approximate their conceptual ideals. For this reason the Greek colonies in Sicily and Magna Graecia, known for their extensive use of gridded urban planning, exemplified the overarching trajectory of urban planning in this period. Over the course of the 8th to 6th centuries BCE the Greek cities in Sicily and Magna Graecia developed many common features, including the zoning of domestic, religious, and political space and the implementation of a gridded street plan in the domestic sector. Each city, however, had its own peculiarities and experimental design elements. I will argue that the interplay between standardization and idiosyncrasy in each city developed as a result of vying for recognition within this tight-knit network of affluent Sicilian and South Italian cities. This competition both stimulated the widespread adoption of popular ideas and encouraged the continuous initiation of new trends. ii Table of Contents: Abstract. …………………….………………………………………………………………….... ii Table of Contents …………………………………….………………………………….…….... iii 1. Introduction …………………………………………………………………………..……….. 1 2. -
Athenians and Eleusinians in the West Pediment of the Parthenon
ATHENIANS AND ELEUSINIANS IN THE WEST PEDIMENT OF THE PARTHENON (PLATE 95) T HE IDENTIFICATION of the figuresin the west pedimentof the Parthenonhas long been problematic.I The evidencereadily enables us to reconstructthe composition of the pedimentand to identify its central figures.The subsidiaryfigures, however, are rath- er more difficult to interpret. I propose that those on the left side of the pediment may be identifiedas membersof the Athenian royal family, associatedwith the goddessAthena, and those on the right as membersof the Eleusinian royal family, associatedwith the god Posei- don. This alignment reflects the strife of the two gods on a heroic level, by referringto the legendary war between Athens and Eleusis. The recognition of the disjunctionbetween Athenians and Eleusinians and of parallelism and contrastbetween individualsand groups of figures on the pedimentpermits the identificationof each figure. The referenceto Eleusis in the pediment,moreover, indicates the importanceof that city and its majorcult, the Eleu- sinian Mysteries, to the Athenians. The referencereflects the developmentand exploitation of Athenian control of the Mysteries during the Archaic and Classical periods. This new proposalfor the identificationof the subsidiaryfigures of the west pedimentthus has critical I This article has its origins in a paper I wrote in a graduateseminar directedby ProfessorJohn Pollini at The Johns Hopkins University in 1979. I returned to this paper to revise and expand its ideas during 1986/1987, when I held the Jacob Hirsch Fellowship at the American School of Classical Studies at Athens. In the summer of 1988, I was given a grant by the Committeeon Research of Tulane University to conduct furtherresearch for the article. -
Let's Go to the Acropolis Peripatos
Let’s Go to the Acropolis Peripatos A Child’s Pathfinder Ministry of Culture Acropolis Restoration Service First Ephorate of Prehistoric & Classical Antiquities Department of Information & Education ➢ ¡ 5 4 3 1 2 The Acropolis Peripatos down to the 2nd century A.C. 6 1. Klepsydra 8. Theatre of Dionysos 2. Sanctuary of Apollo 9. Two Temples of Dionysos 3. Sanctuary of Zeus 10. Choregic Monument of Thrasyllos 4. Sanctuary of Pan & the Nymphs 11. Choregic Monument of Nikias 5. Sanctuary of Aphrodite & Eros 12. Asklepieion 6. Aglaureion 13. Stoa of Eumenes 7. Odeion of Pericles 14. Odeion of Herodes Attikos 10 12 14 7 13 8 11 9 9 He opened his eyes and he made a wish that this time it would really be daylight. Three times during the night he had waked up thinking it was morning. He could hardly wait for this special day to come. This was the day that his tutor, his paidagogos, Phoinikas, had promised to take him to the Sanctuary of Asklepios, just below the Acropolis. There he could ask the god, who was the patron of medicine, to grant him his great wish: to become some day himself a physician, to help his fellow human beings, to lessen pain and to cure illness, even the most difficult and severe! He was sure the healer-god would make his dream come true… Phoinikas had told him that Asklepios was the oldest and best physician of all time, way ahead of all the others. It was even said that he could raise the dead; and there was a story that once upon a time Hades, the god of the Underworld, had complained to Zeus that Asklepios had raised so many of the dead that there were fewer people living in his underworld kingdom, which was in danger of becoming empty. -
The Lameness of King Philip II and Royal Tomb I at Vergina, Macedonia
The lameness of King Philip II and Royal Tomb I at Vergina, Macedonia Antonis Bartsiokasa,1, Juan-Luis Arsuagab,c,1, Elena Santosb, Milagros Algabab, and Asier Gómez-Olivenciad,e,f,b aLaboratory of Anthropology, Department of History and Ethnology, Democritus University of Thrace, 69100 Komotini, Greece; bCentro Mixto Universidad Complutense de Madrid-Instituto de Salud Carlos III de Evolución y Comportamiento Humanos, 28029 Madrid, Spain; cDepartmento de Paleontología, Universidad Complutense de Madrid, Madrid, Spain; dDepartmento de Estratigrafía y Paleontología, Universidad del País Vasco-Euskal Herriko Unibertsitatea, 48080 Bilbao, Spain; eIKERBASQUE, the Basque Foundation for Science, 48013 Bilbao, Spain; and fÉquipe de Paléontologie Humaine, UMR 7194, CNRS, Département de Préhistoire, Muséum National d’Histoire Naturelle, Musée de l’Homme, 75016 Paris, France Contributed by Juan-Luis Arsuaga, June 9, 2015 (sent for review March 30, 2015) King Philip II was the father of Alexander the Great. He suffered been presented before. Only a brief mention was made of few of a notorious penetrating wound by a lance through his leg that was them in a couple of lines (4, 7), and certainly nothing was reported nearly fatal and left him lame in 339 B.C.E. (i.e., 3 y before his on their lesions. assassination in 336 B.C.E.). In 1977 and 1978 two male skeletons were excavated in the Royal Tombs II and I of Vergina, Greece, Methods respectively. Tomb I also contained another adult (likely a female) We have established the presence of three individuals: two adults (Individuals and a newborn skeleton. The current view is that Philip II was 1 and 2) and one newborn (Individual 3). -
Tradition and Innovation in Olympiodorus' "Orphic" Creation of Mankind Radcliffe .G Edmonds III Bryn Mawr College, [email protected]
Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College Greek, Latin, and Classical Studies Faculty Research Greek, Latin, and Classical Studies and Scholarship 2009 A Curious Concoction: Tradition and Innovation in Olympiodorus' "Orphic" Creation of Mankind Radcliffe .G Edmonds III Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: http://repository.brynmawr.edu/classics_pubs Part of the Classics Commons Custom Citation Edmonds, Radcliffe .,G III. "A Curious Concoction: Tradition and Innovation in Olympiodorus' 'Orphic' Creation of Mankind." American Journal of Philology 130, no. 4 (2009): 511-532. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. http://repository.brynmawr.edu/classics_pubs/79 For more information, please contact [email protected]. Radcliffe G. Edmonds III “A Curious Concoction: Tradition and Innovation in Olympiodorus' ‘Orphic’ Creation of Mankind” American Journal of Philology 130 (2009), pp. 511–532. A Curious Concoction: Tradition and Innovation in Olympiodorus' Creation of Mankind Olympiodorus' recounting (In Plat. Phaed. I.3-6) of the Titan's dismemberment of Dionysus and the subsequent creation of humankind has served for over a century as the linchpin of the reconstructions of the supposed Orphic doctrine of original sin. From Comparetti's first statement of the idea in his 1879 discussion of the gold tablets from Thurii, Olympiodorus' brief testimony has been the -
The Protrepticus of Clement of Alexandria: a Commentary
Miguel Herrero de Jáuregui THE PROTREPTICUS OF CLEMENT OF ALEXANDRIA: A COMMENTARY to; ga;r yeu'do" ouj yilh'/ th'/ paraqevsei tajlhqou'" diaskedavnnutai, th'/ de; crhvsei th'" ajlhqeiva" ejkbiazovmenon fugadeuvetai. La falsedad no se dispersa por la simple comparación con la verdad, sino que la práctica de la verdad la fuerza a huir. Protréptico 8.77.3 PREFACIO Una tesis doctoral debe tratar de contribuir al avance del conocimiento humano en su disciplina, y la pretensión de que este comentario al Protréptico tenga la máxima utilidad posible me obliga a escribirla en inglés porque es la única lengua que hoy casi todos los interesados pueden leer. Pero no deja de ser extraño que en la casa de Nebrija se deje de lado la lengua castellana. La deuda que contraigo ahora con el español sólo se paliará si en el futuro puedo, en compensación, “dar a los hombres de mi lengua obras en que mejor puedan emplear su ocio”. Empiezo ahora a saldarla, empleándola para estos agradecimientos, breves en extensión pero no en sinceridad. Mi gratitud va, en primer lugar, al Cardenal Don Gil Álvarez de Albornoz, fundador del Real Colegio de España, a cuya generosidad y previsión debo dos años provechosos y felices en Bolonia. Al Rector, José Guillermo García-Valdecasas, que administra la herencia de Albornoz con ejemplar dedicación, eficacia y amor a la casa. A todas las personas que trabajan en el Colegio y hacen que cumpla con creces los objetivos para los que se fundó. Y a mis compañeros bolonios durante estos dos años. Ha sido un honor muy grato disfrutar con todos ellos de la herencia albornociana. -
The Pedestal of the Athena Promachos 109
THE PEDESTALOF THE ATHENA PROMACHOS fr IHE FOUNDATIONS of the base of the Athena Promachos statue which once stood on the Acropolis of Athens lie about forty meters to the east of the Propy- laea and almost on.the axis of that great building (Figure 1).1 Fig. 1. The Athena Promachos As the Promachos statue was erected to commemorate the battle of Marathon, or possibly the Persian Wars in general, it is likely that the dedicatory inscription referred to this fact and that trophies won in the battles against the Persians were 1 When E. Beule wrote his great book L'Acropole d'Athe'nes, he reported (III, p. 307) as an already established fact the assignment of certain foundations and rock cuttings to the pedestal of the Promachos monument; compare also W. judeich, Topographie von Athen2, pp. 234-235; G. Lippold, R.E., s.v. Pheidias, cols. 1924-1925; C. Picard, Mai el d'Archeologie Grecql e, II, pp. 338-342. W. B. Dinsmoor assigned (A.J.A., XXV, 1921, p. 128, fig. 1) a fragment of an ovolo moulding to the capping course of the pedestal; compare also L. Shoe, Profiles of Greek Mouldings, p. 19 and plates C, 2, and IX, 6; G. P. Stevens, H:esperia, V, 1936, pp. 495, note 3, and 496, fig. 46. G. P. Stevens examined in detail the architectural remains (Hesperia, V, 1936, pp. 491-499, and figs. 42-49), and the present report is a continuation of his study based on the attribution by A. E. Raubitschek of two inscribed blocks to the lowest marble course of the pedestal (A.J.A., XLIV, 1940, p. -
Attic Inscriptions Online Website
Attic Inscriptions: Education Teachers’ Notes on OCR A-LEVEL ANCIENT HISTORY Attic Inscriptions for the Greece Period Study These notes offer introductory commentaries on ancient Athenian inscriptions relevant to the Greece Period Study, ‘Relations between Greek states and between Greek and non-Greek states, 492–404 BC’. They are aimed at teachers in the hope that they provide guidance on the relevance of ancient Athenian inscriptions to the specification and also some insight into the application and analysis of inscriptions as sources for ancient Greek history. We focus on eight selected inscriptions. Three are prescribed sources for the specification, while five are non-prescribed. The non-prescribed sources allow teachers to widen their students’ knowledge; moreover, it should be remembered that candidates can be credited equally for using prescribed and non-prescribed sources in their answers, and we feel that these five sources offer a great deal for teachers and students to work with. The notes were written by Peter Liddel and James Renshaw, drawing upon the translations and commentaries of S.D. Lambert and others on the Attic Inscriptions Online website. We welcome comments on this material or ideas for their expansion: [email protected] Prescribed Sources: 1. Athenian Tribute List (454/3) 2. Athenian relations with Chalkis (446/5 (or 424/3?) 3. Decrees about reassessment of Tribute (Thoudippos’ decrees) (425/4) Non-Prescribed sources: 4. Memorial of Athenian war dead (460-59) 5. Regulations for Erythrai (454-450) 6. Foundation of colony at Brea (c. 440-432) 7. Financial decrees (Kallias’ decrees) (434/3?) 8. -
Heroes of the Bronze Age
ARCH 0412 From Gilgamesh to Hektor: Heroes of the Bronze Age April 20, 2016: The Hero of Lefkandi Creating and Negotiating Boundaries Timeline of Ancient Greece HOMERIC EPICS Composed Written Modified Early Bronze Age Middle Bronze Age Late Bronze Age Proto-Geometric Geometric Archaic Classic (3000-2000 BCE) (2000-1700 BCE) (1700-1100 BCE) (1100-900 BCE) (900-700 BCE) (700-480 BCE) (480-323 BCE) LEFKANDI HEROON Placing offerings in Mycenaean tombs start in late 8th century BCE Euboea and Lefkandi Lefkandi Cemeteries Toumba Cemetery ‘The Apsidal Building’ aka ‘Heroon’ • c. 1000 BCE • Short-lived • Built over Mycenaean tombs • Stratigraphic relationship between the burials and the structure unknown • Partly demolished after a short period of use Protogeometric and Geometric period houses in Greece Lefkandi: Apsidal house at Nichoria, Messenia, The largest of the apsidal 800-750 BC. houses known from this time period ‘Pesistris’ (Colonnade) Main (Eastern) Entrance ‘Pesistris’ (Colonnade) Reconstruction of Temple of Apsidal building of Lefkandi Zeus at Olympia Lefkandi: Female Inhumation Lefkandi: Male Cremation Funeral? ‘When we removed the clay floor to the east of the burial pit, we found an area of rock scorched by a fierce fire and containing a circle of postholes, each filled with charred wood, presumably the remains of the supporting timbers of the pyre on which our hero had been cremated.’ (Popham, Touloupa, Sackett 1982: 173) Lefkandi: Horse Burials The Afterlife of the Heroon The tumulus of Marathon Lefkandi and Homeric Funeral The people hitched up mules and oxen to their wagons and then gathered before the city with all speed. -
The Parthenon, Part I: from Its Multiple Beginnings to 432 BCE"
1 THE FORTNIGHTLY CLUB Of REDLANDS, CALIFORNIA Founded 24 January 1895 Meeting Number 1856 March 13, 2014 "The Parthenon, Part I: From its Multiple Beginnings to 432 BCE" Bill McDonald Assembly Room, A. K. Smiley Public Library 2 [1] (Numbers in red catalog the slides) Fortnightly Talk #6 From Herekleides of Crete, in the 3rd century BCE: “The most beautiful things in the world are there [in Athens}… The sumptuous temple of Athena stands out, and is well worth a look. It is called the Parthenon and it is on the hill above the theatre. It makes a tremendous impression on visitors.” Reporter: Did you visit the Parthenon during your trip to Greece?” Shaq: “I can’t really remember the names of the clubs we went to.” Architects, aesthetes, grand tour-takers from England, France and Germany all came to Rome in the 3rd quarter of the 18th century, where they developed on uneven evidence a newly austere view of the classical world that in turn produced the Greek revival across northern Europe and in America. Johann Joachim Winckelmann (1717 – 1768) [2], a self-made scholar of ancient Greek language and texts, was their unofficial high priest. In 1755 Winckelmann arrived for the first time in Rome, where thanks not only to his brilliant publications but also to a recent and, shall we say, a timely conversion to Catholicism, he was admitted by papal authorities to the Vatican galleries and storerooms (his friend Goethe said that Winckelmann was really “a pagan”). His contemporaries in Rome saw Greek civilization as a primitive source for Roman art, and had never troubled to isolate Greek art from its successor; Winckelmann reversed that, making Greek art and 3 architecture, especially sculpture—and especially of the young male form that he especially admired—not only distinctive in its own right but the font of the greatest Western art. -
Lecture 05 Greek Architecture Part 2
Readings Pages 54-60, A World History of Architecture, Fazio, Michael, Moffet & Wodehousecopoy Pages 60– 65 Great Architecture of the World ARCH 1121 HISTORY OF ARCHITECTURAL TECHNOLOGY Photo: Alexander Aptekar © 2009 Gardner Art Through the Ages Classical Greek Architecture 480 – 431BCE: Known as the Classical Period in Greek History Assertion that human intelligence puts man above the rest of nature Architecture began in the service of religion 7th century BCE – 1st efforts to create proper shapes and design Beauty = Gods Secret of beauty lay in ratios and proportions Invented democracy and philosophy Created works of art in drama, sculpture and architecture Greek Architecture 480 – 431BCE Temples first built with wood, then stone w/ terra cotta tiles Purely formal objects Greeks pursued the beauty through architecture and materials The home of the Gods Became the principal ornaments in the cities, generally on hills or other prominent locations www.greatbuildings.com www.greatbuildings.com Temple of Hephaestus megron Athenian Treasury Classical Orders In classical Greek architecture, beauty lay in systems of the ratios and proportions. A system or order defined the ideal proportions for all the components of the temples according to mathematical ratios – based on the diameter of the columns. What is an order? An order includes the total assemblage of parts consisting of the column and its appropriate entablature which is based on the diameter of the column. Temple of Hera II (Poseidon) 450 BCE The column is vertical and supports the structure. Its diameter sets the proportion of the other parts. The entablature is horizontal and consists of many elements.