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The Making of the Sainsbury Centre the Making of the Sainsbury Centre
The Making of the Sainsbury Centre The Making of the Sainsbury Centre Edited by Jane Pavitt and Abraham Thomas 2 This publication accompanies the exhibition: Unless otherwise stated, all dates of built projects SUPERSTRUCTURES: The New Architecture refer to their date of completion. 1960–1990 Sainsbury Centre for Visual Arts Building credits run in the order of architect followed 24 March–2 September 2018 by structural engineer. First published in Great Britain by Sainsbury Centre for Visual Arts Norwich Research Park University of East Anglia Norwich, NR4 7TJ scva.ac.uk © Sainsbury Centre for Visual Arts, University of East Anglia, 2018 The moral rights of the authors have been asserted. All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher. British Library Cataloguing-in-Publication Data. A catalogue record is available from the British Library. ISBN 978 0946 009732 Exhibition Curators: Jane Pavitt and Abraham Thomas Book Design: Johnson Design Book Project Editor: Rachel Giles Project Curator: Monserrat Pis Marcos Printed and bound in the UK by Pureprint Group First edition 10 9 8 7 6 5 4 3 2 1 Superstructure The Making of the Sainsbury Centre for Visual Arts Contents Foreword David Sainsbury 9 Superstructures: The New Architecture 1960–1990 12 Jane Pavitt and Abraham Thomas Introduction 13 The making of the Sainsbury Centre 16 The idea of High Tech 20 Three early projects 21 The engineering tradition 24 Technology transfer and the ‘Kit of Parts’ 32 Utopias and megastructures 39 The corporate ideal 46 Conclusion 50 Side-slipping the Seventies Jonathan Glancey 57 Under Construction: Building the Sainsbury Centre 72 Bibliography 110 Acknowledgements 111 Photographic credits 112 6 Fo reword David Sainsbury Opposite. -
Fire in the Sea LIBRARY Oceanographer Rachel Haymon's Deep-Sea Discovery Won't You Consider Sending Rice Something Back?
ati°1 9) MAPIHI kGAZINE OF RICE LNI1ERSIT1 JUNE/JULYRI 1993 RICE UNIVERSITY JUN IA) 1993 Fire in the Sea LIBRARY Oceanographer Rachel Haymon's Deep-Sea Discovery Won't you consider sending Rice something back? Your voluntary subscription helps cover the cost of our prizewinning magazine. Please see the bound-in, postage-paid envelope for full subscription details and subscribe today. mEl RI FEATURES 12 Newsworthies RICE UNIVERSITY Since the early 1980s, Rice professors Stephen Klineberg and Robert Stein JUN 10 1993 have monitored Houston's vital signs and examined its politics. Along the way, they've become media favorites. —by David D. Medina LIBRARY 4•---i "'""Th•"""P1 18 Booked for the Summer Rice professors and administrators help Sallyport readers find the perfect books to dive into this summer. 26 Fire in the Sea The deep-sea eruption that oceanographer and Rice gradu- ate Rachel Haymon discovered in 1991 raises new ques- tions about the biological and geological forces at work on the ocean floor. —by Philip Montgomery 32 Making a Difference In the midst of preparations for his move to Columbia University, George Rupp discusses his views on institution building and on the big impact of small decisions. —by Michael Berryhill 38 Four Star Alums The Association of Rice Alumni celebrates four stellar alumni: Melvin Perelman, Alan Chapman, Robert Cruikshank and William Broyles. —by Michele Pavarino June /July '93 1 Lett rs Through the Sallyport Jungle Gym warrior cheers to the beat of a different drum. 6 News Excerpts from Jimmy Carter's commencement address; new director of admission named; and DOD awards Rice $19.3 million grant. -
Exploring Skylines
Design Processes Architecture Gallery Activity Teacher’s Information Room 128 Materials wall E. Eden Project Biome (model), Nicholas Grimshaw & Partners, Lent by Grimshaw, RIBA: MOD/GRIM/1 D. Stansted Airport (Structural models) Lent by Arup Associates V&A: LOAN:ARUP.3-2003 C. St Mary’s Axe Foster & Partners, V&A: LOAN:FOSTER.1-2003 B. Sydney Opera House Wooden model of Jorn Utzon's design. RIBA Library Drawings Collection www.ribapix.com Use the object labels to find out more information about A. St Paul’s Cathedral the models and to see images Sir Christopher Wren of completed buildings. V&A: E.1195-1931 Architecture Gallery, Room 128, Level 4 The Architecture gallery features highlights from the world-class V&A and RIBA collections. On display are models, drawings, photographs and fragments of buildings from across the globe. In this gallery, students will be able to learn about different processes that architects have used to develop and present design ideas and get inspiration for their own projects. Key objects and processes that you could point out to students and explore together as a group are shown on the above map. They include: www.vam.ac.uk/schools 1 A. St Paul's Cathedral Drawing 1923-8 by R. B. Brook-Greaves (isometric projection) and W. Godfrey Allen London, England Pen and ink on paper, 3943 x 2747 mm Built 1675-1711 Given by Sir Mervyn Macartney Sir Christopher Wren (1632-1723) V&A: E.1195-1931 St Paul's Cathedral took 36 years to build. This magnificent drawing (which took draughtsmen more than four years to complete) shows how it is constructed. -
RIBA Annual Report 2019
A SUSTAINABLE FUTURE ANNUAL REPORT AND FINANCIAL STATEMENTS 31 DECEMBER 2019 RIBA was founded in 1834 for “the general advancement of civil architecture”. Our purpose is to deliver sustainable buildings and places, stronger communities and an inclusive environment for all. We rely on our members, supporters and charitable trading operations to make our work possible. We uphold the highest standards of professionalism and best practice. We value inclusion, collaboration, knowledge and progression, qualities that will enable our members to succeed, now and in the future. Our purpose is to deliver sustainable buildings and places, stronger communities and an inclusive environment for all. RIBA Annual Report and Financial Statements 2019 2 CONTENTS 1 2 A STRONG ORGANISATION A STRONG PROFESSION FOR WITH A BRIGHT FUTURE 10 A SUSTAINABLE SECTOR 20 Governance for a sustainable future 11 Leading the profession on climate 22 Maintaining financial strength 12 A Plan of Work for sustainable projects 23 A year of membership growth 13 Progress in continuing professional Supporting and developing our people 14 development 24 Digital investment for the long term 16 Creating new business for members 25 Becoming a truly global organisation 18 Fire safety for future generations 27 A brand for the future 19 Standing up for equality 28 Education for tomorrow’s profession 31 Engaging with architects everywhere 32 Setting the professional standard 37 3 4 A STRONG VOICE FOR FINANCIAL LASTING CHANGE 38 REVIEW 64 Speaking up for change 40 Financial review 64 Awards -
Press Kit Lille 2016
www.lilletourism.com PRESS KIT LILLE 2016 ALL YOU NEED IS LILLE Press Release Just 80 minutes away from London, 1 hour from Paris and 35 minutes from Brussels, Lille could quite easily have melted into the shadows of its illustrious neighbours, but instead it is more than happy to cultivate and show off all that makes it stand out from the crowd! Flemish, Burgundian and then Spanish before it became French, Lille boasts a spectacular heritage. A trading town since the Middle Ages, a stronghold under Louis XIV, a hive of industry in the 19th century and an ambitious hub in the 20th century, Lille is now imbued with the memories of the past, interweaved with its visions for the future. While the Euralille area is a focal point of bold architecture by Rem Koolhaas, Jean Nouvel or Christian de Portzamparc, the Lille-Sud area is becoming a Mecca for fashionistas. Since 2007, some young fashion designers (sponsored by Agnès b.) have set up workshops and boutiques in this new “fashion district” in the making. With lille3000, it’s the whole city that has started to look towards the future, enjoying a dramatic makeover for this new recurrent event, geared towards contemporary art and innovation. The European Capital of Culture in 2004, Lille is now a leading light in this field, with the arts ma- king themselves quite at home here. From great museums to new alternative art centres, from the Opera to the theatres through the National Or- chestra, culture is a living and breathing part of everyday life here. -
Persons Index
Architectural History Vol. 1-46 INDEX OF PERSONS Note: A list of architects and others known to have used Coade stone is included in 28 91-2n.2. Membership of this list is indicated below by [c] following the name and profession. A list of architects working in Leeds between 1800 & 1850 is included in 38 188; these architects are marked by [L]. A table of architects attending meetings in 1834 to establish the Institute of British Architects appears on 39 79: these architects are marked by [I]. A list of honorary & corresponding members of the IBA is given on 39 100-01; these members are marked by [H]. A list of published country-house inventories between 1488 & 1644 is given in 41 24-8; owners, testators &c are marked below with [inv] and are listed separately in the Index of Topics. A Aalto, Alvar (architect), 39 189, 192; Turku, Turun Sanomat, 39 126 Abadie, Paul (architect & vandal), 46 195, 224n.64; Angoulême, cath. (rest.), 46 223nn.61-2, Hôtel de Ville, 46 223n.61-2, St Pierre (rest.), 46 224n.63; Cahors cath (rest.), 46 224n.63; Périgueux, St Front (rest.), 46 192, 198, 224n.64 Abbey, Edwin (painter), 34 208 Abbott, John I (stuccoist), 41 49 Abbott, John II (stuccoist): ‘The Sources of John Abbott’s Pattern Book’ (Bath), 41 49-66* Abdallah, Emir of Transjordan, 43 289 Abell, Thornton (architect), 33 173 Abercorn, 8th Earl of (of Duddingston), 29 181; Lady (of Cavendish Sq, London), 37 72 Abercrombie, Sir Patrick (town planner & teacher), 24 104-5, 30 156, 34 209, 46 284, 286-8; professor of town planning, Univ. -
Book XVIII Prizes and Organizations Editor: Ramon F
8 88 8 88 Organizations 8888on.com 8888 Basic Photography in 180 Days Book XVIII Prizes and Organizations Editor: Ramon F. aeroramon.com Contents 1 Day 1 1 1.1 Group f/64 ............................................... 1 1.1.1 Background .......................................... 2 1.1.2 Formation and participants .................................. 2 1.1.3 Name and purpose ...................................... 4 1.1.4 Manifesto ........................................... 4 1.1.5 Aesthetics ........................................... 5 1.1.6 History ............................................ 5 1.1.7 Notes ............................................. 5 1.1.8 Sources ............................................ 6 1.2 Magnum Photos ............................................ 6 1.2.1 Founding of agency ...................................... 6 1.2.2 Elections of new members .................................. 6 1.2.3 Photographic collection .................................... 8 1.2.4 Graduate Photographers Award ................................ 8 1.2.5 Member list .......................................... 8 1.2.6 Books ............................................. 8 1.2.7 See also ............................................ 9 1.2.8 References .......................................... 9 1.2.9 External links ......................................... 12 1.3 International Center of Photography ................................. 12 1.3.1 History ............................................ 12 1.3.2 School at ICP ........................................ -
Dossier 2021Award.Pdf
Contents Fundació Mies van der Rohe The Pavilion The Prize Organisation Role of the Nominators Criteria for the Proposal of Works General Information Proposal Procedure For more information, please contact Ivan Blasi, EUMiesAward Coordinator Jordi García, EUMiesAward Secretary Fundació Mies van der Rohe Provença 318, pral. 2 08037 Barcelona e-mail: [email protected] phone: +34 932 151 011 www.eumiesaward.com Fundació Mies van der Rohe Fundació Mies van der Rohe is a platform whose core mission is to inspire through architecture. It encourages and sponsors activities related to good architecture on the basis of the values represented by Ludwig Mies van der Rohe, advocating its role as a strategic thrust for the improvement of our cities – the quality of life of our people and their cultural enrichment. The Pavilion The Foundation has also been a driving force behind the Pavilion, originally built by Mies van der Rohe himself in Barcelona for the 1929 International Exposition, a veritable living icon of global significance, regarded as one of the four canonical works of modern architecture. This symbol has become an obligatory destination for architects from around the world and all those who appreciate rigour and quality. The programme of interventions in the Pavilion has created a highly valuable space for cultural exchanges, research, opportunities and international visibility for emerging architectural and artistic talents. The Prize The Foundation has organised the prestigious “European Union Prize for Contemporary Architecture – Mies van der Rohe Award” with the support of the European Commission since 1988. It allows a unique insight into the evolution of architecture in Europe over the past 32 years. -
Oxford Map V3
NR No 29, known as Green House, was built SG EP for the idealist philosopher and liberal TH NORTH Green. A fellow of Balliol, he died a year ST GILES AND TO THE EAST EAST OF PARKS ROAD SPSJ St Philip and St James. The grand later, aged 45. NP&EL Nuclear Physics and Engineering BD Go through the gate opposite Keble, parish church for the new residential JT Radiohead were first signed to a Labs. Arup’s fan-shaped nuclear and turn right at TG Jackson’s joyously developments in north Oxford. Built by record label after a gig at the Jericho accelerator can be enjoyed for its purely inappropriate Electrical Laboratory (EL), GE Street (1860-6) in doctrinal Gothic Tavern in 1991; other bands local to the sculptural qualities, while the surfaces, with its garlanded centrepiece Revival, but it’s hard not to be impressed town include Ride and Supergrass. compared to Martin’s contemporary (1908-10). Following the route through by the scale and complete authority of RO The Radcliffe Observatory is arguably Brutalist work, are positively ornamental stodgy neo-Georgian, Hawkins Brown’s its execution. the most beautiful such building ever (1971-6) SG:BA Impressive late 17th-century design Biochemistry Department appears as an NME Suburban Gothic. An important constructed. A defining work of English MI Tastefully done modernist Maths explosion of colour. (Limited access) early example of the centrally planned Neoclassicism, it was built by Institute from 1964-6, following the one on the corner, set back a little for UM University Museum (1855-60). -
UK Pavilion, Expo '92, Seville Architect: Nicholas Grimshaw & Partners Ltd
THE ARUP JOURNAL AUTUMN 1992 ARUJP Front cover: View from beneath canopy suspended from fac;;ade of Pabellon del Future, Expo '92, Seville (Photo: Fernando Alda) THEARUP Back cover: JOURNAL The UK Pavilion (Photo: Reid & Peck) Vol.27 No.3 Editor: Autumn 1992 David J . Brown Published by Art Editor: Ove Arup Partnership Desmond Wyeth FCSD 13 Fitzroy Street, Deputy Editor: London W1P 680 Helene Murphy 3 UK Pavilion, Ove Arup & Partners were the structural and services engineers for the Expo '92, Seville UK Pavilion, Expo '92 in Seville. This was constructed to conform with Ian Gardner, David Hadden 'The Age of Discovery' theme. 8 Frankfurt School Arup Associates prepared a design for a day care centre in Frankfurt. Greg Pearce, Peter Warburton one of the objectives being to achieve a 'low entropy' building. 9 Usine Thomson CSF The brief for the Thomson Factory, 15km south west of Paris, required Richard Hough, John Hewitt open spaces, a clear approach to circulation and scope for future expansion. Ove Arup & Partners International Ltd. were subcontractors to Renzo Piano Building Workshop for the superstructure. 10 Usine l'Oreal The new production and administrative headquarters building for Richard Hough, Mike Santi French cosmetics manufacturer l'Oreal in north-eastern Paris was carefully planned for an owner-occupier client. Ove Arup & Partners International Ltd. were bureau d 'etudes for the steel superstructure. 14 'II Grande Blgo', Genoa The Bigo. built to celebrate the Columbus quincentenary, is now a Peter Rice, Alistair Lenczner well-known Genoese landmark, for which Ove Arup & Partners International Ltd. were design engineers. -
Award Steering Committee
Aga Khan Award for Architecture 2 0 1 6 AWARD STEERING COMMITTEE His Highness the Aga Khan, Chairman. David Adjaye is founder and principal architect of Adjaye Associates, which was established in June 2000 and currently has offices in London, New York, and Accra. He was born in Tanzania in 1966. After gaining a Bachelor of Architecture from London South Bank University, he graduated with a master’s degree in architecture from the Royal College of Art in 1993, where he won the RIBA Bronze Medal. His completed works include: the Sugar Hill affordable housing project in Harlem, New York City (2015); two community libraries in Washington DC (2012); the Moscow School of Management SKOLKOVO (2010); The Nobel Peace Centre in Oslo (2005); the Museum of Contemporary Art in Denver (2007); and the Idea Stores (libraries) in London’s Tower Hamlets (2005). The practice is currently engaged in the Smithsonian Institution’s National Museum of African American History and Culture in Washington D.C, due to open in 2016. Mr. Adjaye’s belief in working together with partners has led to a number of notable collaborations on both building projects and exhibitions. His photographic survey of 52 cities across the continent of Africa, Urban Africa, exhibited at the Design Museum London (2010), has shifted the understanding of Africa’s metropolitan centres. His first midcareer retrospective exhibition, entitledMaking Place: The Architecture of David Adjaye, is currently running at the Art Institute of Chicago. Mr. Adjaye is currently the John C. Portman Design Critic in Architecture at Harvard University. He is a RIBA Chartered Member, an AIA Honorary Fellow, a Senior Fellow of the Design Futures Council and a Foreign Honorary Member of the American Academy of Arts and Letters. -
Tom Porter, John Neale: Architectural Supermodels
Tom Porter, John Neale: Architectural Supermodels - Physical Design Simulation, Architectural Press, 2000 RA Biography, abridged by Humphrey Waterhouse from Chapter 4, ‘Architectural Supermodels - Physical Design Simulation’ Richard Armiger: Network Modelmakers After studying sculpture in his native Baltimore, Richard Armiger worked for a spell as a photographer in the Boston-based Cambridge Seven Associates [1]. Here, he became intrigued by the architects’ approach to design and especially, their use of crude but honest models to develop three-dimensional ideas. Later, he left for England to study modelmaking at the Kent Institute of Art & Design under George Rome Innes [2]. Then followed a period making in-house models for Casson Conder Architects [3], Arup engineers and BBC Special Effects before setting up his London firm Network Modelmakers in 1983. Armiger is justifiably proud of his art background and sees architectural modelmaking as a perfect marriage between sculpture and architecture. A model can be considered a piece of sculpture, i.e., as being inspirational, representative and true to material. Furthermore, the issues that apply to sculpture such as innovation, materiality and symbolism – can also apply. He strives to achieve models that are unique to each architect and inspirational to each project. His artistic approach – often made keener by the leanness of budgets and tightness of deadlines – does not confine him to one or two clients. Rather, his client portfolio is composed of an impressive array of the more adventurous practices including those headed by David Chipperfield, Jan Kaplicky [4], John Pawson, Nicholas Grimshaw, John McAslan etc., and each of them will request, even demand, that their project be given a singular individuality.