Wu- Tang Clan Wu- Tang Forever
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Senate R Funding Educes 'Source' for Second Time
T DAILY THE Volume XXXVI, Number 45 IWhere You Read It First Tuesday, Marchs 31,1998 Senate reduces ‘Source’ funding for second time by ANDREWF’REEDMAN According to Thever, she met able to meet before spring break, Daily Editorial Board with Levenberg after the last Sen- however. The Primary Sourceis still feel- ate meeting. “[Levenberg] as- Until last evening, Levenberg ing the repercussions for alleg- sumed he was allocated $1 1,500 was unaware ofthe Senate’sdeci- edly turning its budget in late. nomatterwhat,”Theversaid,add- sion to remove him as signatory. Before spring break, the Tufts ing that in fact the amount was “The Senate has been stone-wall- Community Union (TCU) Senate only a suggested cap, and said ing us for weeks, I have to hear voted to reduce the Source’s bud- she and Levenberg were to agree about it from you guys; this is get from approximately$17,000 to on the final budget. ridiculous,” he said. a maximum of $1 1,500. At this “He rejected everything I had Levenberg saidThever ignored 1 Photo by Mike Weissmai Sunday’s meeting, the Senate to say. He didn’t even have an hise-mails followingspring break. TCU Senate voted on Spring Fling funding Sunday night. votedtogranttheSource$10,625. itemized budget for me then,” He said that Thever tried to con- The Senate also removed the Thever said. tact him before the Senate meeting publication’s signatory, Editor-in- She said an itemized budget on Sunday, but that he was in The Senate strikes the ChiefKeithLevenberg, which bars was sent to her after that meeting, Primary Sourceofficeworking on him from future budgetary nego- but said she had no other contact production of the next issue. -
January 1988
VOLUME 12, NUMBER 1, ISSUE 99 Cover Photo by Lissa Wales Wales PHIL GOULD Lissa In addition to drumming with Level 42, Phil Gould also is a by songwriter and lyricist for the group, which helps him fit his drums into the total picture. Photo by Simon Goodwin 16 RICHIE MORALES After paying years of dues with such artists as Herbie Mann, Ray Barretto, Gato Barbieri, and the Brecker Bros., Richie Morales is getting wide exposure with Spyro Gyra. by Jeff Potter 22 CHICK WEBB Although he died at the age of 33, Chick Webb had a lasting impact on jazz drumming, and was idolized by such notables as Gene Krupa and Buddy Rich. by Burt Korall 26 PERSONAL RELATIONSHIPS The many demands of a music career can interfere with a marriage or relationship. We spoke to several couples, including Steve and Susan Smith, Rod and Michele Morgenstein, and Tris and Celia Imboden, to find out what makes their relationships work. by Robyn Flans 30 MD TRIVIA CONTEST Win a Yamaha drumkit. 36 EDUCATION DRIVER'S SEAT by Rick Mattingly, Bob Saydlowski, Jr., and Rick Van Horn IN THE STUDIO Matching Drum Sounds To Big Band 122 Studio-Ready Drums Figures by Ed Shaughnessy 100 ELECTRONIC REVIEW by Craig Krampf 38 Dynacord P-20 Digital MIDI Drumkit TRACKING ROCK CHARTS by Bob Saydlowski, Jr. 126 Beware Of The Simple Drum Chart Steve Smith: "Lovin", Touchin', by Hank Jaramillo 42 Squeezin' " NEW AND NOTABLE 132 JAZZ DRUMMERS' WORKSHOP by Michael Lawson 102 PROFILES Meeting A Piece Of Music For The TIMP TALK First Time Dialogue For Timpani And Drumset FROM THE PAST by Peter Erskine 60 by Vic Firth 104 England's Phil Seamen THE MACHINE SHOP by Simon Goodwin 44 The Funk Machine SOUTH OF THE BORDER by Clive Brooks 66 The Merengue PORTRAITS 108 ROCK 'N' JAZZ CLINIC by John Santos Portinho A Little Can Go Long Way CONCEPTS by Carl Stormer 68 by Rod Morgenstein 80 Confidence 116 NEWS by Roy Burns LISTENER'S GUIDE UPDATE 6 Buddy Rich CLUB SCENE INDUSTRY HAPPENINGS 128 by Mark Gauthier 82 Periodic Checkups 118 MASTER CLASS by Rick Van Horn REVIEWS Portraits In Rhythm: Etude #10 ON TAPE 62 by Anthony J. -
Zen Masters at Play and on Play: a Take on Koans and Koan Practice
ZEN MASTERS AT PLAY AND ON PLAY: A TAKE ON KOANS AND KOAN PRACTICE A thesis submitted to Kent State University in partial fulfillment of the requirements for the degree of Master of Arts by Brian Peshek August, 2009 Thesis written by Brian Peshek B.Music, University of Cincinnati, 1994 M.A., Kent State University, 2009 Approved by Jeffrey Wattles, Advisor David Odell-Scott, Chair, Department of Philosophy John R.D. Stalvey, Dean, College of Arts and Sciences ii TABLE OF CONTENTS Acknowledgements iv Chapter 1. Introduction and the Question “What is Play?” 1 Chapter 2. The Koan Tradition and Koan Training 14 Chapter 3. Zen Masters At Play in the Koan Tradition 21 Chapter 4. Zen Doctrine 36 Chapter 5. Zen Masters On Play 45 Note on the Layout of Appendixes 79 APPENDIX 1. Seventy-fourth Koan of the Blue Cliff Record: 80 “Jinniu’s Rice Pail” APPENDIX 2. Ninty-third Koan of the Blue Cliff Record: 85 “Daguang Does a Dance” BIBLIOGRAPHY 89 iii ACKNOWLEDGEMENTS There are times in one’s life when it is appropriate to make one’s gratitude explicit. Sometimes this task is made difficult not by lack of gratitude nor lack of reason for it. Rather, we are occasionally fortunate enough to have more gratitude than words can contain. Such is the case when I consider the contributions of my advisor, Jeffrey Wattles, who went far beyond his obligations in the preparation of this document. From the beginning, his nurturing presence has fueled the process of exploration, allowing me to follow my truth, rather than persuading me to support his. -
Killarmy, the Push
Killarmy, The Push (Beretta 9) This is for all y'all wanna be Millitant, Camoflauge (Y'all niggas ain't raw) Word up, we 'bout to show you how it's done (Word up man) How to rock the boots (Like this) The camoflauge (Great damn nigga White) The guns (The big ones that go..) (Beretta 9) Yo, watch for the shrapnel admiral Didn't know the kid was tactful My missles whistle at you spactual, subtract you Surrender all, we got you Blitzkrieg, fahtis bleed, it's natural The Army, take out your front line calmly - you like that Tell the Cap' the kids back the Millitant My regiment be five percent put Steelo in Killin these tracks, Beretta on attack This one for my die-hard niggas, watch yo' back Or wind up in the graveyard, in Allah tint Ask the fans, it's the Gods again And if we got to, then we kill again "Louie under, we're making another push" "Get your people together.. lieutenant?" "I got nothin left" "Dig a little deeper" (Superb) Yo.. Up all night writin darts Sniffin the pure, Christmas Eve '99 reminiscin and shit (Bout) who got hit, (Bout) who got bitch (Bout) who bitches that is, who got kids and Who sell crack, who a rapper now Who money-washin, who was P.O. Try to get him lockied up but his bitch is C.O. And she gon' tell the captain, he gon' buy him a boat The cap' gon' tell the judge, he gon' buy him a goat (And) The judge gon' tell the D.A., he gon' buy him some coke The D.A. -
A History of Hip Hop in Halifax: 1985 - 1998
HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998 by Michael McGuire Submitted in partial fulfilment of the requirements for the degree of Master of Arts at Dalhousie University Halifax, Nova Scotia August 2011 © Copyright by Michael McGuire, 2011 DALHOUSIE UNIVERSITY DEPARTMENT OF HISTORY The undersigned hereby certify that they have read and recommend to the Faculty of Graduate Studies for acceptance a thesis entitled “HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998” by Michael McGuire in partial fulfilment of the requirements for the degree of Master of Arts. Dated: August 18, 2011 Supervisor: _________________________________ Readers: _________________________________ _________________________________ ii DALHOUSIE UNIVERSITY DATE: August 18, 2011 AUTHOR: Michael McGuire TITLE: How the East Coast Rocks: A History Of Hip Hop In Halifax: 1985 - 1998 DEPARTMENT OR SCHOOL: Department of History DEGREE: MA CONVOCATION: October YEAR: 2011 Permission is herewith granted to Dalhousie University to circulate and to have copied for non-commercial purposes, at its discretion, the above title upon the request of individuals or institutions. I understand that my thesis will be electronically available to the public. The author reserves other publication rights, and neither the thesis nor extensive extracts from it may be printed or otherwise reproduced without the author’s written permission. The author attests that permission has been obtained for the use of any copyrighted material appearing in the -
The Evolution of Commercial Rap Music Maurice L
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research. -
RZA on the Soul of Music [EXCLUSIVE SOULHEAD INTERVIEW] @RZA @Erickablount January 8, 2015
• FEATURES • INTERVIEWS • PRINCE • AUDIO • VIDEO • EVENTS • ABOUT • SHOP • FEATURES o • INTERVIEWS • PRINCE o • AUDIO o • VIDEO o • EVENTS o o • ABOUT o o o • SHOP 0 Everybody is Talking About the Good Ole Days: RZA on the Soul of Music [EXCLUSIVE SOULHEAD INTERVIEW] @RZA @ErickaBlount January 8, 2015 . Everybody is Talking About the Good Ole Days: RZA on the Soul of Music by Ericka Blount Danois If hip-hop tours, white appropriation, anniversary celebrations, books and hip-hop documentaries aren’t an indication that hip-hop has reached the status of Beatles-style nostalgia and reverence, then releasing a Wu-Tang Clan 20th anniversary reunion album, A BetterTomorrow, is solid proof that the genre has officially arrived. RZA, always the heart of the operation, worked tirelessly to round up the troops and dissolve beefs for the reunion album that dropped Dec. 2, 2014. “I wanted to make a record that pays homage to soul music and hip-hop,” he said about the making of this album. “I went to the past to make something for the future.” RZA came out of his own pockets to fund the album to the tune of half a million dollars. Some of the best in the industry are featured on the album—Rick Rubin, Adrian Younge, David Porter, Kenny Gamble and Rob Cavallo, all had their hands in the pot. Wu-Tang has always done things big and with vision. RZA led the 9-member group to an unprecedented label deal where each member was able to launch solo records. The deal allowed them to become the most revolutionary rap group of the mid-’90s releasing five group and 19 compilation albums totaling over 6 platinum records and over 40 million sold. -
Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy
Illinois State University ISU ReD: Research and eData Theses and Dissertations 3-2-2017 On My Grind: Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy Evan Nave Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the African American Studies Commons, Creative Writing Commons, Curriculum and Instruction Commons, and the Educational Methods Commons Recommended Citation Nave, Evan, "On My Grind: Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy" (2017). Theses and Dissertations. 697. https://ir.library.illinoisstate.edu/etd/697 This Dissertation is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. ON MY GRIND: FREESTYLE RAP PRACTICES IN EXPERIMENTAL CREATIVE WRITING AND COMPOSITION PEDAGOGY Evan Nave 312 Pages My work is always necessarily two-headed. Double-voiced. Call-and-response at once. Paranoid self-talk as dichotomous monologue to move the crowd. Part of this has to do with the deep cuts and scratches in my mind. Recorded and remixed across DNA double helixes. Structurally split. Generationally divided. A style and family history built on breaking down. Evidence of how ill I am. And then there’s the matter of skin. The material concerns of cultural cross-fertilization. Itching to plant seeds where the grass is always greener. Color collaborations and appropriations. Writing white/out with black art ink. Distinctions dangerously hidden behind backbeats or shamelessly displayed front and center for familiar-feeling consumption. -
Marketed and Promoted by Stones Throw Records Publicity by Score
THIRD RELEASE FROM MADLIB’S ONCE-A-MONTH SERIES Madlib follows Flight To Brazil, with the Marketed and third installment of the Medicine Show series and the fourth installment in his promoted by Beat Konducta Series: Beat Konducta in Stones Throw Records Africa. Previous entries include: Beat Konducta: Movie Scenes, Beat Konducta: in Publicity by Score Press India and Beat Konducta: Dil Cosby and Dil Withers Suites. Limited edition Beat Konducta In Africa contains over Format: CD forty instrumental hip hop tracks produced and mixed by Madlib. This Cat. No: MMS 003 epic “beat tape” springs from obscure Label: Madlib Medicine Show vinyl gems culled from the afro-beat, Available: March 23rd, 2010 funk, psych, garage-rock, prog-rock and soul movements of countries as diverse as Zambia, Nigeria, Ethiopia, Ghana, Botswana and the Ivory Coast. The Madlib Medicine Show series is a combination of Madlib's new hip-hop productions, remixes, beat tapes, and jazz, as well as mixtapes of funk, soul, Brazilian, psych, jazz and other undefined forms of music from the Beat Konducta's 4-ton* stack of vinyl. Next up: 420 Chalice All Stars (All Jamaican Sounds) *4-tons of vinyl, this is true. It’s all in his studio. DISC ONE: Jawbones 1. Free 2. Ihadmyheadoverthechickensouppot 3. Mary 4. Don’t Judge Your Brother 5. Cat House Blues 6. The Ones Left Behind 7. Betrayed 8. Bullheads In My Shoes Blues 9. Karen DISC TWO: Since Washington 10. Alone And Watching 11. Sad Sunday 12. Now Is Here 13. Donna 14. 3 AM 15. It Doesn’t Matter … Yes It Does … But I Can’t Stop 16. -
Gone Too Soon Remembering Civil Rights Icon Dr
A&E Opinion Sports KoJa Kitchen serves Sinclair airs script about Champion track athlete Korean-Japanese fake news on dozens of stations, Destiny Longmire fusion with a twist sets sights on Olympics echoing Trump’s fake news rhetoric Page 5 Page 6 Page 8 Serving the San Jose State University community since 1934 Volume 150 No. 27 Wednesday, April 4, 2018 SPARTAN DAILY sjsunews.com/spartan_daily GONE TOO SOON REMEMBERING CIVIL RIGHTS ICON DR. MARTIN LUTHER KING JR. BY OMAR PEREZ Young was withh King on the MULTIMEDIA EDITOR balcony in the momentsoments after he was shot. April 4, 1968 was supposed to He was also one of King’s be like any other day for a 39-year- confidants and thehe two worked old activist and minister from closely coordinatingng desegregation Atlanta, Georgia. efforts throughout the South. King Dr. Martin Luther King Jr. grew to trust Young,ung, eventually and other Southern Christian assigning him commandmmand over the Leadership Conference (SCLC) SCLC while King spentpent time in jail. members were called into Memphis, According to the National Tennessee to support a sanitation Archives, King wasas shot minutes workers strike. after 6 p.m. and was pronounced King and fellow activists checked dead just about ann hour later. An into their rooms at the Lorraine autopsy later confirmedfirmed he died Motel, which at the time welcomed from a single gunshothot wound. African-Americans in an otherwise His death sent shockock wavwaveses unwelcoming Jim Crow South. across the country. Things took an unexpected “No one at thatat titimeme turn moments after King stepped wanted to believee that outside room 306 onto the balcony our leader had been that evening. -
New York State of Mind De Representatie Van New Yorkse Getto’S in Rapmuziek 1988-1995
New York State of Mind De representatie van New Yorkse getto’s in rapmuziek 1988-1995 Naam: Ollie Peijnenburg (S4599888) Begeleider: dr. C.W. van Galen Universiteit: Radboud Universiteit Nijmegen Opleiding: Master Geschiedenis en Actualiteit Collegejaar: 2019-2020 Datum: 15-03-2020 Inhoud Inleiding .................................................................................................................................................. 4 Onderzoeksopzet .................................................................................................................................... 6 1. Allow me to introduce myself ........................................................................................................ 9 Nas ...................................................................................................................................................... 9 The Notorious B.I.G. ........................................................................................................................ 10 Boogie Down Productions ................................................................................................................ 11 Wu-Tang Clan .................................................................................................................................. 12 Big L ................................................................................................................................................. 13 2. ‘Dwellin’ in the Rotten Apple’ .................................................................................................... -
Meth Wu-Massacre Mp3, Flac, Wma
Meth Wu-Massacre mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Wu-Massacre Country: Europe MP3 version RAR size: 1529 mb FLAC version RAR size: 1151 mb WMA version RAR size: 1129 mb Rating: 4.6 Votes: 324 Other Formats: RA AC3 MP3 MP4 FLAC WAV MP1 Tracklist Hide Credits Criminology 2.5 –Raekwon, Performer [I Keep Asking You Questions] – Black IvoryProducer – BT 1 Ghostface Killah 2:00 Written-By – C. Smith*, Corey Woods, D. Berger, D. Coles*, L. Burgess*, & Method Man P. Adams*, R. Diggs*, R. Patterson*, S. Bascombe* Mef Vs. Chef 2 Bass Guitar – Ethan PhillipsDrums – Pete McNealEdited By – Davey Chegwidden, LeronGuitar, Synthesizer [Midi Strings] – Josh –Method Man & Lopez*Keyboards – Dan HastieMixed By – Anthony "Acid" 2 2:03 Raekwon Caputo*Percussion – Davey ChegwiddenPerformer – Rhythm Roots AllstarsProducer – Allah MathematicsRecorded By – Anthony "Acid" Caputo*Saxophone – James KingTrumpet, Trombone – Jordan KatzWritten-By – C. Smith*, C. Woods*, R. Bean* Ya Moms (Skit) –Method Man & 3 Mixed By – Anthony "Acid" Caputo*Recorded By – Anthony "Acid" 0:36 Raekwon Caputo*Written-By – C. Smith*, C. Woods* Smooth Sailing (Remix) Featuring – Solomon Childs, Streetlife*Mixed By – Anthony "Acid" –Ghostface Killah Caputo*Performer [Tight Fit] – Bunny SiglerProducer – Ty 4 2:59 & Method Man Fyffe*Recorded By – Anthony "Acid" Caputo*Written-By – W. Sigler*, C. Smith*, D. Coles*, P. Charles*, T. Fyffe*, W. Dale*Written-By [Tight Fit] – Walter Sigler* Our Dreams Performer [We're Almost There] – Michael JacksonProducer, Mixed By – –Raekwon, RZARecorded By – Anthony "Acid" Caputo*, Jose "Choco" 5 Ghostface Killah 3:24 ReynosoWritten-By – B. Holland*, C. Smith*, C. Woods*, D. Coles*, E.