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For Better Or for Worse: Coming out in the Funny Pages Bonnie Brennen Marquette University, [email protected]
Marquette University e-Publications@Marquette College of Communication Faculty Research and Communication, College of Publications 10-1-1995 For Better or For Worse: Coming Out in the Funny Pages Bonnie Brennen Marquette University, [email protected] Sue A. Latky University of Iowa Published version. Studies in Popular Culture, Vol. 18, No. 1 (October 1995): 23-47. Publisher Link. © 1995 Popular Culture Association in the South. Used with permission. Bonnie Brennen was affiliated with SUNY at the time of publication. Sue A. La(ky and Bonnie Brennen For Better or For Worse: Coming Out in the Funny Pages Among the most significant occasions in the lives of gay men and lesbians is the one in which they realize that their sexual orientation situates them as "other." One aspect of this process, known as coming out, is the self-acknowledgement ofbeing gay or lesbian, while another aspect consists of revealing this identity to family members and friends. During her 1980s fieldwork with lesbians and gay men in San Francisco, anthropologist Kath Weston observed that "no other topic generated an emotional response comparable to coming out to blood (or adoptive) relatives" (1991, 43). She wrote: When discussion turned to the subject of straight family, it was not unusual for interviews to be interrupted by tears, rage, or a lengthy silence. "Are you out to your parents?" and "Are you out to your family?" were questions that almost inevitably arose in the process of getting to know another lesbian or gay person. ( 43) In Spring of 1993, such a "coming out" process was played out in North American newspapers through Canadian artist Lynn Johnston's syndicated comic strip, For Better or For Worse. -
Police Charge Student in Ashby Room Wrecking
w e cBt&eze Jamca Madison University Monday, December e, 19S2 Vol.00 No.25 SGA committee Police charge student wants half kegs in Ashby room wrecking Student Government Association By GREG HENDERSON of why Duda and Smith's room was damaged. "I members are pushing to legalize the use of A JMU student has been arrested in connection don't even know them." one-half kegs for dorm parties. with the wrecking of a room in Ashby Hall Friday Balenger does not live in Ashby. He lives in the Currently, university policy allows dnly night. Sigma Phi Epsilon fraternity house, but said the quarter-kegs at dorm parties. Steven W. Balenger, 20, a junior from Leesburg, fraternity had nothing to do with Friday night's in- The Student Services Committee of the Va., was charged with assault and battery of a cident. SGA recently sent a letter to housing police officer, destruction of public property, and Duda said Balenger had told him Saturday that director James Krivoski. The main thrust public drunkenness, according to Rockingham he had had a disagreement with a resident of of the letter was that one one-half keg County jail records. Spotswood Hall, and he thought he was in that costs less than two one-quarter kegs. Witnesses said a man broke into Ashby room 19 person's room. Dave Harvey, the committee's chair- about 9:15 p.m. Friday and began destroying Balenger refused to comment on this. man, said, "To us, it's just a question of things. No one was in the room when the man first Balenger also would not comment on whether he practicality." broke in. -
Auditions for Doonesbury
Auditions for Doonesbury Auditions: Monday August 16 6:00-9:00pm Wednesday August 18 6:00-9:00pm Call-Backs: Sunday August 22 11:00am-5:00pm Producer: Standing Room Only Performing Arts Production: Doonesbury Book/Lyrics: Garry Trudeau Music: Elizabeth Swados Based on the Pulitzer Prize-winning comic strip, Doonesbury is a musical comedy set in 1983 on the momentous occasion of college graduation. While they try to survive commencement, the roommates at Walden commune must fend off Zonker's Uncle Duke, who wants to demolish their off-campus house and replace it with luxury condominiums. Meanwhile, Mike Doonesbury steadfastly pursues his feisty girlfriend J.J., while contending with her estrangement from her mother Joanie. Productions Dates: November 4 - 21 What to Prepare: Performers for this show must be able to perform to an accompaniment track. Please have your tracks with you for your audition. Please prepare a two-minute upbeat selection by any contemporary theatre composer of the period, for example: Marvin Hamlisch, Michael Gore, Alan Menkin, Stephen Schwartz, Andrew Lloyd Webber, etc. And remember, we’re casting smart, witty cartoon characters. Contact: Andrew at [email protected] or 631-338-8833 Character Breakdown: The script calls for some performers to also portray incidental characters (including President Ronald Reagan). Strong singers are needed. The entire cast joins in each song, singing harmony -- performers must be able to hold their own parts. Roland Burton Hedley III (male, 40-50, average build, baritone) Self-important, conservative, intrepid News Correspondent for ABC reporting on today’s college student; has a rich speaking voice. -
Car ,)Ed Gay and Lesbian Collections As Weill ,C, :Urses.It Is Quite Amazing That Sornethlnq] I
ontroseVoice THE NEWSPAPEROF MONTROSE 0 QIornrnunit~ Jublisqing QIornplln~ 0 FRIDAY,April 7, 1989o ISSUE 441 MONTROSE WEATHER: Friday night: Partly cloudy and mild, low 58. Saturday: Partly cloudy and warm, high 82, low 62. Sunday: Partly cloudy and a little warmer. High 84, low 65. Nearly 100 new exhibitors in this year's Spring Festival It must be spring! "We received more The Westheimer Colo- than 400. applications ny Art Festival enters from exhibitors, many of whom signed up for its sixteenth year Satur- .,..•.. day, April 8, with more this show before leaving and better art and crafts the fall show in Octo- to usher in springtime ber,' said Gayle Mueller, in Montrose. festival director. "Our Among the 276juried fall show was an excep- artists from across the tional one for the art- United States, but espe- .ists, many ofwhom said cially from the South- they were sold out by west, will be approxi- .Sunday afternoon;' mately 90 who will be The festival this year displaying their talent has a threefold person- for the first time at the ality: art, entertainment corner of Montrose and and food. Metal fused sculpture by Austin's Daryl Colburn is example of high quality arts and Westheimer. crafts at Westheimer Colony Art Festival opening Saturday Continued page 7 Burritos replacing bar-b-que on busy Montrose corner p , ".lW· , "L"'l:auy -1.rurrr-L-n.-e-j,:'U-U-L-n.~ west, will be approxi- Sunday afternoon?' mately 90 who will be The festival this year displaying their talent has a threefold person- for the first time at the ality: art, entertainment corner of Montrose and and food. -
Doonesbury Cast Biographies
Doonesbury Cast Bios 1/ ___________________________________________________________________________ Alex Doonesbury A true child of the media, Alex Doonesbury was born in real time on cable television. At the time, her mother, J.J., was a performance artist/taxi driver, and her father Mike Doonesbury was a chronically underemployed advertising “consultant.” In her early years, Alex was cared for by nanny Zonker Harris, with few apparent side effects. When her parents split up Alex and her father settled in Seattle, where she attended great public schools and became a seriously competent hacker before she reached puberty. She played a key role in successfully bringing the Boomer and Gen-X worlds together, represented by her father and coder extraordinaire Kim Rosenthal. Throughout the dotcom boom the three played hardball with software, searching for the Killer App. In the post-bubble world they now run myVulture.com, for whom Alex aggressively acquires the intellectual assets of failed dotcoms. In her spare time Alex maintains the phenomenally successful Alex-cam web site, and issues tickets to SUV’s for “violating the public good.” She has serious issues with her father over file-sharing, which he deplores. Her mother JJ, an intermittently successful sculptor, lives nearby, co-habiting with Zeke, whose name Alex mispronounces as “Uncle Stupidhead.” Alice P. Schwartzman Alice has traveled a long and increasingly open road, from New York debutante to doyenne of the Washington homeless. She put in long years as a seamstress in Manhattan’s garment district, and for a time, during her barfly years, was pro- foundly acquainted with a particular stool in a neighborhood pub. -
MONT CLARION Vol
Montclair State University Montclair State University Digital Commons The onM tclarion Student Newspapers 9-25-1975 The onM tclarion, September 25, 1975 The onM tclarion Follow this and additional works at: https://digitalcommons.montclair.edu/montclarion Recommended Citation The onM tclarion, "The onM tclarion, September 25, 1975" (1975). The Montclarion. 277. https://digitalcommons.montclair.edu/montclarion/277 This Book is brought to you for free and open access by the Student Newspapers at Montclair State University Digital Commons. It has been accepted for inclusion in The onM tclarion by an authorized administrator of Montclair State University Digital Commons. For more information, please contact [email protected]. MONT CLARION Vol. 51, No. 4 Montclair State College, Upper Montclair, N) 07043 Thurs., Sept. 25, 1975 By Rich Figel dorm outside of an individual's room, At the meeting SGA president, hol. Although there is no official Beers, a resident assistant in Bohn Irritated Freeman Hall students but many students felt that Blanton’s Manny C. Menendez questioned the written policy approved by the MSC Hall and vice-presdident of the voiced their dissatisfaction over the fears are unfounded fact that SGA was never consulted Board of Trustees Blanton felt it residence hall federation, felt that the change in the administration's policy individual's room, but many students about the change in policy. necessary to "protect the students." federation was ignored. toward alchohol in the dorms felt that Blanton's fears are Blanton said he did consult Blanton at one point said, "We B EER S ALSO said that the Tuesday evening in a public meeting unfounded. -
Whatever Happened to Those Radical Boomer Activists from the '60S And
Magazine THE BOOMER ISSUE | MAGAZINE Whatever happened to those radical boomer activists from the ’60s and ’70s? The “Me Generation” propelled an age of dissent, and then seemed to lose interest. Or so the story goes. THE BOSTON GLOBE/FILE Antiwar protesters on Boston Common in 1969. By James Sullivan JUNE 06, 2018 TOM WOLFE FAMOUSLY TAGGED the 1970s the “Me Decade.” The era marked the coming of age of the baby boomers, who had been outraged students in the late 1960s: for civil rights and feminism, against the war in Vietnam and police brutality. When the world didn’t change fast enough, they sought personal gain and fulfillment instead. The “Me Generation” gorged on the most prosperous period in American history and left a mess for subsequent generations to clean up. Over time they’ve become the “worst generation,” GARRY TRUDEAU FOR THE BOSTON GLOBE even a “generation of sociopaths.” “Doonesbury” characters Zonker Harris, Ginny Slade, Joanie Caucus, and Mark Slackmeyer, then and now. Or so we’ve been told. Cartoonist Garry Trudeau illustrated the cover for the magazine’s Boomers Issue. ADVERTISING That’s a little harsh, say those who lived it. The “leading edge” boomers — those born between 1946 and 1955 — grew up with regular reminders of the existential threats that lurked beyond the cul-de-sac: “duck-and-cover” drills in case of nuclear attack, a president assassinated for the first time since 1901, civil rights protests and race rioting, and escalating involvement in Vietnam. Then came 1968. The year had just begun when the Tet Offensive, North Vietnam’s massive effort to inspire rebellion among the South Vietnamese and encourage the United States to scale back its involvement, launched on the Vietnamese new year in late January. -
Good Vibrations: Brian Wilson and the Beach Boys in Critical Perspective
Lambert, Philip. Good Vibrations: Brian Wilson and the Beach Boys In Critical Perspective. E-book, Ann Arbor, MI: University of Michigan Press, 2016, https://doi.org/10.3998/mpub.9275965. Downloaded on behalf of Unknown Institution 3RPP Good Vibrations Lambert, Philip. Good Vibrations: Brian Wilson and the Beach Boys In Critical Perspective. E-book, Ann Arbor, MI: University of Michigan Press, 2016, https://doi.org/10.3998/mpub.9275965. Downloaded on behalf of Unknown Institution 3RPP TRACKING* POP series editors: jocelyn neal, john covach, and albin zak Listening to Popular Music: Or, How I Learned to Stop Worrying and Love Led Zeppelin by Theodore Gracyk Sounding Out Pop: Analytical Essays in Popular Music edited by Mark Spicer and John Covach I Don’t Sound Like Nobody: Remaking Music in 1950s America by Albin J. Zak III Soul Music: Tracking the Spiritual Roots of Pop from Plato to Motown by Joel Rudinow Are We Not New Wave? Modern Pop at the Turn of the 1980s by Theo Cateforis Bytes and Backbeats: Repurposing Music in the Digital Age by Steve Savage Powerful Voices: The Musical and Social World of Collegiate A Cappella by Joshua S. Duchan Rhymin’ and Stealin’: Musical Borrowing in Hip-Hop by Justin A. Williams Sounds of the Underground: A Cultural, Political and Aesthetic Mapping of Underground and Fringe Music by Stephen Graham Krautrock: German Music in the Seventies by Ulrich Adelt Good Vibrations: Brian Wilson and the Beach Boys in Critical Perspective edited by Philip Lambert Lambert, Philip. Good Vibrations: Brian Wilson and the Beach Boys In Critical Perspective. -
Transcript of the Spoken Word, Rather Than Written Prose
THE GUANTÁNAMO BAY ORAL HISTORY PROJECT The Reminiscences of Jeremy Varon Columbia Center for Oral History Columbia University 2011 PREFACE The following oral history is the result of a recorded interview with Jeremy Varon conducted by Ronald J. Grele on May 12, 2011. This interview is part of the Guantánamo Bay Oral History Project. The reader is asked to bear in mind that s/he is reading a verbatim transcript of the spoken word, rather than written prose. 3PM Session One Interviewee: Jeremy Varon Location: New York, NY Interviewer: Ronald J. Grele Date: May 12, 2011 Q: This is an interview with Jeremy Varon being conducted at the Columbia University Oral History Research Office. I guess a place to start is by asking you about your family, where you were born, where you were raised and your early life. Varon: I was born in July 1967 — the height of the summer of love, as I like to think of it — in Alexandria, Virginia, which is a suburb of Washington, D.C. My father was born in Turkey, in Istanbul, as part of a Sephardic Jewish family. He came to the United States in 1960 to go to the Wharton School [of the University of Pennsylvania]. He was in his family's business. He never went back to Turkey. He settled in the United States. My mother was a German immigrant. She was born in 1940 in Berlin and came to the United States in 1959. They met at Penn. They moved to the Washington, D.C. area because my father got a job with the World Bank after completing his degree.