Boston Symphony Orchestra Concert Programs, Summer, 1978

Total Page:16

File Type:pdf, Size:1020Kb

Boston Symphony Orchestra Concert Programs, Summer, 1978 « $m -tel Accompanist to Leonard Bernstein • Arthur Fiedler Gilbert Kalish • Seiji Ozawa • Andre Previn Gunther Schuller • YehudiWyner BOSTON SYMPHONY ORCHESTRA SEIJI OZAWA MS Music Director ^ ^ < Seiji Ozawa, Music Director Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor Ninety-Seventh Season 1977-1978 The Trustees of the Bostonjiymphony Orchestra Inc. Talcott M. Banks, Chairman Nelson J. Darling, Jr., President Philip K. Allen, Vice-President Sidney Stoneman, Vice-President Mrs. Harris Fahnestock, Vice-President John L. Thorndike, Vice-President Abram T. Collier, Treasurer Vernon R. Alden Archie C. Epps III Albert L. Nickerson Allen G. Barry E. Morton Jennings, Jr. Irving W. Rabb Leo L. Beranek Edward M. Kennedy Paul C. Reardon Mrs. John M. Bradley George H. Kidder David Rockefeller, Jr. Richard P. Chapman Roderick M. MacDougall Mrs. George Lee Sargent George Clowes Edward G. Murray • John Hoyt Stookey Trustees Emeriti Harold D. Hodgkinson John T. Noonan Mrs. James H. Perkins Administration of the Boston Symphony Orchestra Thomas D. Perry, Jr. Thomas W. Morris Executive Director Manager Gideon Toeplitz Daniel R. Gustin Assistant Manager A>>i*tant Manager Peter Gelb Joseph M. Hobbs Walter D. Hill Director of Promotion Director of Development Director of Business Affair! I Elizabeth A. Young Candice L. Miller Richard C. White Assistant Director Assistant Director Assistant to the of Promotion of Development Manager Elizabeth Dunton Dorothy M. Sullivan Anita R. Kurland Director of Sale* Controller Administrator of Youth Activities Charles Rawson James F. Kiley Katherine Whitty Manager of Box Office Operation* Manager, Coordinator ol Tanglewood Boston Council Niklaus Wyss Donald W. MacKenzie Richard Ortner Advisor for the Operation* Manager, Assistant Administrator. Music Director Symphony Hall Berkshire Mu*ic Cento Michael Steinberg Director ol Publications Programs copyright ^1978 Boston Symphony Orchestra Inc. 1 The Board of Overseers of the Boston Symphony Orchestra Inc. Dr. Leo L. Beranek Chairman Mrs. Norman L. Cahners Weston P. Figgins Mrs. Arthur I. Strang Vice Chairman Vice Chairman Secretary Charles F. Adams Mrs. Thomas Gardiner Richard P. Morse John Q. Adams Mrs. James Garivaltis Dr. Barbara W. Newell Mrs. Frank G. Allen Mrs. Robert Gibb Stephen Paine Hazen Ayer Jordan Golding David Pokross David W. Bernstein Mrs. John L. Grandin William Poorvu David Bird Mrs. Howard E. Hansen Harry Remis Gerhard Bleicken Mrs. Richard D. Hill Mrs. Peter van S. Rice Frederic Brandi Mrs. Amory Houghton, Jr. Mrs. Samuel L. Rosenberry Mrs. Mary Louise Cabot Richard S. Humphrey, Jr. Mrs. Jerome Rosenfeld Levin H. Campbell, III Mrs. Jim Lee Hunt Mrs. George Rowland Johns H. Congdon Mrs. Louis I. Kane Mrs. William Ryan Arthur P. Contas Leonard Kaplan Francis P. Sears y Jr. Robert Cushman Mrs. F. Corning Kenly William A. Selke Michael J. Daly Robert Kraft Gene Shalit Mrs. C. Russell Eddy Benjamin Lacy Samuel L. Slosberg Mrs. John Fitzpatrick Mrs. James F. Lawrence Mrs. Edward S. Stimpson Paul Fromm Mrs. Warren B. Manhard II D. Thomas Trigg Carlton P. Fuller Colman M. Mockler, Jr. Mrs. Donald Wilson Mrs. Thomas J. Galligan, Jr. Mrs. Elting E. Morison Roger Woodworth Mrs. Stephen V. C. Morris Boston University Tanglewood Thirteenth Institute Season Norman DellO JoiO, Executive Director Summer Instrumental and Vocal Programs for the outstanding high school/college-age musician. Private study with master artists including members of the faculty of the Boston University School of Music and the Boston Symphony Orchestra. Chamber music, orchestral and vocal performances at Tanglewood. For information: Dr. Gary L. Zeller, Boston University Tanglewood Institute, 855 Commonwealth Avenue, Boston, Massachusetts 02215. Telephone: 617/353-3386. Summer address: Tanglewood, Lenox, Massachusetts 01240. Summer telephone: 413/637-1430. A program offered by the Boston University School for the Arts in association with the Berkshire Music Center/Boston Symphony Orchestra. ^tff&Jfrg Www*' * ,>*" «6fc J > ;?' '^OR T TAVtO? -I'Jlif* AYLDR l97* T| 59^0 1973 ^' *LQR -rISP1 OR TAYLOR TAYLOR > ^S -,12^GH IS74 ^LOft11 197! *aylqr Taylor tayloi? TAYLOR. Americas best loved premium Champagne. The Taylor Wine Company, Inc., Hammondsport, N.Y. 14840 - Producers of When you cantbe at Tanglewood, listen here: IN MASSACHUSETTS WGBH 89.7 FM Boston WFCR 88.5 FM Amherst IN NEW YORK WAMC 90.3 FM Albany IN MAINE WMEA 90.1 FM Portland WMEH 90.9 FM Bangor WMEM 106.1 FM Presque Isle Live Broadcasts of the BSO concerts at Tanglewood are originated by WGBH, are Listen . and if you Boston, and made like what you hear, possible in part by a grant write for our free monthly from the Prudential program guide. Insurance Company of WAMC America. Albany Medical College Listen. It's almost like Albany, New York 12208 being here. National Public Radio npr in eastern New York and western New England JUST SEND DANNON $2.50 AND TWO LIDS Ludwig would love it. Our Dannon Yogurt, 22-11 38th Avenue talked-about Beethoven T-shirt Long Island City, N.Y. 11101 at a lid-flipping price. Soft, fine Please send me the following blend of 50% cotton/50% Beethoven T-shirts: S M L XL polyester. Black and red design on white background. Sizes are For each one, here is $2. 50 (check or money order) and two disks from Dannon Yogurt caps. S,M,L,XL,so they're sure to fit all Name. music lovers. For each shirt, send $2.50 Address. City. plus two disks from Dannon caps, | to: Dannon Yogurt, 22-11 38th State. Zip. Avenue, Long Island City, N.Y. Good only in USA. Void where prohibited. Add local taxes where applicable. 11101. See convenient coupon. -I TANGLEWOOD In August 1934, a group of music-loving summer residents of the Berkshires organized a series of three outdoor concerts at Interlaken, to be given by members of the New York Philharmonic under the direction of Henry Hadley. The venture was so successful that the promoters incorporated the Berkshire Symphonic Festival and repeated the experi- ment during the next summer. The Festival committee then invited Serge Koussevitzky and the Boston Symphony Orchestra to take part in the following year's concerts. The Orchestra's Trustees accepted, and on 13 August 1936 the Boston Symphony gave its first concerts in the Berkshires (at Holmwood, a former Vanderbilt estate, later the Center at Foxhollow). The series, again consisting of three concerts, was given under a large tent, and a total of nearly 15,000 people attended. In the winter of 1936, Mrs. Gorham Brooks and Miss Mary Aspinwall Tappan offered Tanglewood, the Tappan family estate, with its buildings and 210 acres of lawns and meadows, as a gift to Koussevitzky and the Orchestra. The offer was gratefully accepted, and on 12 August 1937 the Festival's largest crowd thus far assembled under a tent for the first Tanglewood concert, a program of music by Wagner. As Koussevitzky began The Ride of the Valkyries, a storm erupted, overpowering the music and causing the concert to be interrupted three times before the first half could be completed. The second half of the program had to be changed because of water damage to some of the instruments, and, when the concert ended, Miss Gertrude Robinson Smith, one of the Festival's founders, came to the stage and told the audience that the storm had demonstrated the need for a permanent structure. A hundred thousand dollars, she said, would be needed for this purpose, and the response to her plea was so generous that within a short time the amount was fully subscribed. Plans for the Music Shed were drawn up by the eminent architect Eliel Saarinen, and, as modified by Josef Franz of Stockbridge, who also directed construction, it was completed on 16 June 1938, a month ahead of schedule. Seven weeks later, Serge Koussevitzky led the inaugural concert, which included a performance of Beethoven's Ninth Symphony. By 1941, the Theatre- Concert Hall, the Chamber Music Hall, and several small studios —all part of the Berkshire Music Center, which had begun operations the preceding year —were finished, and the Festival had so expanded its activities and its reputation for excellence that it attracted nearly 100,000 visitors. Today Tanglewood annually draws close to a quarter of a million visitors; in addition to the twenty-four regular concerts of the Boston Symphony, there are weekly chamber music concerts, "Prelude" concerts, and open rehearsals, the annual Festival of Contemporary Music, and almost daily concerts by the gifted young musicians of the Berkshire Music Center. Arthur Fiedler and the Boston Pops perform each summer, and the Festival also includes a series of concerts by popular artists. The season offers not only a vast quantity of music but also a vast range of musical forms and styles, all of it presented with a regard for artistic excellence that makes the Festival unique. Tanglewood and the Berkshire Music Center, projects with which Koussevitzky was involved until his death, have become a fitting shrine to his memory, a living embodiment of the vital, humanistic tradition that was his legacy. BARNES&NOBLE The Classical Record Center \ . More music for your money. New York: Fifth Avenue and 18th St., Fifth Avenue and 48th St. Boston: 395 Washington Street (Across from Filene's) Open Sundays (New York only), Master Charge, VISA Since 1831 . S. S. Pierce From that first moment when you taste any one of our M line of liquors, premium California or imported wines, you'll know what we mean by our guarantee of quality and value. It has
Recommended publications
  • Eberhard Waechter“
    DIPLOMARBEIT Titel der Diplomarbeit „Eberhard Waechter“ Verfasserin Mayr Nicoletta angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, 2011 Studienkennzahl: A 317 Studienrichtung: Theater-, Film- und Medienwissenschaft Betreuerin: Univ.-Prof.Dr. Hilde Haider-Pregler Dank Ich danke vor allem meiner Betreuerin Frau Professor Haider, dass Sie mir mein Thema bewilligt hat und mir mit Rat und Tat zur Seite stand. Ich danke der Familie Waechter und Frau Anneliese Sch. für die Bereitstellung des Materials. Ich danke meiner Schwester Romy und meiner „Seelenverwandten“ Sheila und all meinen Freunden für ihre emotionale Unterstützung und die zahlreichen motivierenden Gespräche. Ich danke meinem Bruder Florian für die Hilfe im Bereich der Computertechnik. Ein großer Dank gilt meiner Tante Edith, einfach dafür, dass es dich gibt. Außerdem danke ich meinen Großeltern, dass sie meine Liebe zur Musik und zur Oper stets enthusiastisch aufgenommen haben und mit mir Jahr für Jahr die Operettenfestspiele in Bad Ischl besucht haben. Ich widme meine Diplomarbeit meinen lieben Eltern. Sie haben mich in den letzten Jahren immer wieder finanziell unterstützt und mir daher eine schöne Studienzeit ermöglicht haben. Außerdem haben sie meine Liebe und Leidenschaft für die Oper stets unterstützt, mich mit Büchern, Videos und CD-Aufnahmen belohnt. Ich danke euch für eure Geduld und euer Verständnis für eure oft komplizierte und theaterbessene Tochter. Ich bin glücklich und froh, so tolle Eltern zu haben. Inhalt 1 Einleitung ..........................................................................................
    [Show full text]
  • Texto Para Homologação
    Paulo Egídio Lückman O Método de Cordas Duplas de Luis Soler Realp: Análise e Comparação com Publicações Afins. CAMPINAS 2012 i ii UNIVERSIDADE ESTADUAL DE CAMPINAS INSTITUTO DE ARTES Paulo Egídio Lückman O Método de Cordas Duplas de Luis Soler Realp: Análise e comparação com publicações afins. Dissertação de Mestrado apresentada ao Programa de Pós-Graduação em Música do Instituto de Artes da Unicamp como requisito para a obtenção do título de Mestre em Música na Área de Concentração: Práticas Interpretativas. Orientador: Prof. Dr. Esdras Rodrigues Silva. Este exemplar corresponde à versão final da Dissertação defendida pelo aluno Paulo Egídio Lückman e orientada pelo Prof. Dr. Esdras Rodrigues Silva. _____________________________________________ Campinas 2012 iii iv v vi A Jaqueline, minha esposa, por ter suportado a ausência. vii viii AGRADECIMENTOS A Deus, por insistir amorosamente em me dar muito mais do que mereço; Às famílias, minha e da minha esposa, por terem aceitado tão poucas visitas deste filho/irmão/genro/cunhado nos últimos anos, e especialmente a meu pai, Egídio Paulo Lückman, de quem tenho muitas saudades, e que deve estar orgulhoso; Aos professores de violino que me trouxeram desde os primeiros passos até este ponto: Carlos Alberto Vieira, Nikolas Fidantsef, Luis Soler (centro deste trabalho), Marco Damm e, de modo especial, o grande mestre e inspirador Paulo Bosísio; Aos professores com quem fiz matérias no IA: Doutores Emerson de Biaggi, Fernando Hashimoto, Tristan Torriani e Maria José Carrasqueira, pela experiência
    [Show full text]
  • Register of Entertainers, Actors and Others Who Have Performed in Apartheid South Africa
    Register of Entertainers, Actors And Others Who Have Performed in Apartheid South Africa http://www.aluka.org/action/showMetadata?doi=10.5555/AL.SFF.DOCUMENT.nuun1988_10 Use of the Aluka digital library is subject to Aluka’s Terms and Conditions, available at http://www.aluka.org/page/about/termsConditions.jsp. By using Aluka, you agree that you have read and will abide by the Terms and Conditions. Among other things, the Terms and Conditions provide that the content in the Aluka digital library is only for personal, non-commercial use by authorized users of Aluka in connection with research, scholarship, and education. The content in the Aluka digital library is subject to copyright, with the exception of certain governmental works and very old materials that may be in the public domain under applicable law. Permission must be sought from Aluka and/or the applicable copyright holder in connection with any duplication or distribution of these materials where required by applicable law. Aluka is a not-for-profit initiative dedicated to creating and preserving a digital archive of materials about and from the developing world. For more information about Aluka, please see http://www.aluka.org Register of Entertainers, Actors And Others Who Have Performed in Apartheid South Africa Alternative title Notes and Documents - United Nations Centre Against ApartheidNo. 11/88 Author/Creator United Nations Centre against Apartheid Publisher United Nations, New York Date 1988-08-00 Resource type Reports Language English Subject Coverage (spatial) South Africa Coverage (temporal) 1981 - 1988 Source Northwestern University Libraries Description INTRODUCTION. REGISTER OF ENTERTAINERS, ACTORS AND OTHERS WHO HAVE PERFORMED IN APARTHEID SOUTH AFRICA SINCE JANUARY 1981.
    [Show full text]
  • The Inventory of the Deborah Voigt Collection #1700
    The Inventory of the Deborah Voigt Collection #1700 Howard Gotlieb Archival Research Center Voigt, Deborah #1700 6/29/05 Preliminary Listing I. Subject Files. Box 1 A Chronological files; includes printed material, photographs, memorabilia, professional material, other items. 1. 1987-1988. [F. 1] a. Mar. 1987; newsletters of The Riverside Opera Association, Verdi=s AUn Ballo in Maschera@ (role of Amelia). b. Apr. 1987; program from Honolulu Symphony (DV on p. 23). c. Nov. 1987; program of recital at Thorne Hall. d. Jan. 1988; program of Schwabacher Debut Recitals and review clippings from the San Francisco Examiner and an unknown newspaper. e. Mar. 1988; programs re: DeMunt=s ALa Monnaie@ and R. Strauss=s AElektra@ (role of Fünfte Magd). f. Apr. 1988; magazine of The Minnesota Orchestra Showcase, program for R. Wagner=s ADas Rheingold@ (role of Wellgunde; DV on pp. 19, 21), and review clippings from the Star Tribune and the St. Paul Pioneer Press Dispatch. g. Sep. - Oct. 1988; programs re: Opera Company of Philadelphia and the International Voice Competition (finalist competition 3; DV on p. 18), and newspaper clippings. 2. 1989. [F. 2] a. DV=s itineraries. (i) For Jan. 4 - Feb. 9, TS. (ii) For the Johann Strauss Orchestra on Vienna, Jan. 5 - Jan. 30, TS, 7 p. b. Items re: California State, Fullerton recital. (i) Copy of Daily Star Progress clipping, 2/10/89. (ii) Compendium of California State, Fullerton, 2/13/89. (iii) Newspaper clipping, preview, n.d. (iv) Orange County Register preview, 2/25/89. (v) Recital flyer, 2/25/89. (vi) Recital program, program notes, 2/25/89.
    [Show full text]
  • Symphony Shopping
    Table of Contents | Week 1 7 bso news 15 on display in symphony hall 16 bso music director andris nelsons 18 the boston symphony orchestra 21 a message from andris nelsons 22 this week’s program Notes on the Program 24 The Program in Brief… 25 Dmitri Shostakovich 33 Pyotr Ilyich Tchaikovsky 41 Sergei Rachmaninoff 49 To Read and Hear More… Guest Artist 55 Evgeny Kissin 58 sponsors and donors 78 future programs 82 symphony hall exit plan 83 symphony hall information the friday preview talk on october 2 is given by bso director of program publications marc mandel. program copyright ©2015 Boston Symphony Orchestra, Inc. program book design by Hecht Design, Arlington, MA cover photo of Andris Nelsons by Chris Lee cover design by BSO Marketing BOSTON SYMPHONY ORCHESTRA Symphony Hall, 301 Massachusetts Avenue Boston, MA 02115-4511 (617)266-1492 bso.org andris nelsons, ray and maria stata music director bernard haitink, lacroix family fund conductor emeritus seiji ozawa, music director laureate 135th season, 2015–2016 trustees of the boston symphony orchestra, inc. William F. Achtmeyer, Chair • Paul Buttenwieser, President • George D. Behrakis, Vice-Chair • Cynthia Curme, Vice-Chair • Carmine A. Martignetti, Vice-Chair • Theresa M. Stone, Treasurer David Altshuler • Ronald G. Casty • Susan Bredhoff Cohen • Richard F. Connolly, Jr. • Alan J. Dworsky • Philip J. Edmundson, ex-officio • William R. Elfers • Thomas E. Faust, Jr. • Michael Gordon • Brent L. Henry • Susan Hockfield • Barbara W. Hostetter • Stephen B. Kay • Edmund Kelly • Martin Levine, ex-officio • Joyce Linde • John M. Loder • Nancy K. Lubin • Joshua A. Lutzker • Robert J. Mayer, M.D.
    [Show full text]
  • Leon Levy BAM Digital Archive
    TVIE MAGIC Vt5t cow.. 7-UP.E_B-Vt-CYTE.) ,11 \_VC clagc, a ns, ay '!; t ,t t 1,tt t !*1 e t .1 rimr°'"rs.B Violin° II Vidiwo skin towie en. 102100.1 Ik eeile,t,.inicnt..(1nis, Your money grows like magic at the THE DIMEDIME SAVINGS OF BANK NEW YORK MEMBER FDIC MANHATTAN DOWNTOWN BROOKLYN BENSONHURST FLATBUSH CONEY ISLAND KINGS PLAZA VALLEY STREAM MASSAPEQUA Brooklyn Academy of Music - I cribs -a0)01 Program ABRA Saturday, March 6, 1976 (8:00pm)/Opera House U) SILVER U) WEAR Eugene Fodor for both of you Violinist by arrangement with Harold Shaw Stephen Swedish at the Piano Tartini Sonata in G minor (The Devil's Till) Larghetto Allegro energico Grave Allegro assai Brahms Sonata in D minor, Op.108 Allegro Adagio Un poco presto e con sentimiento Allegro agitato Intermission Szmanowski The Fountain of Arethusa, Op. 30, No. 1 Bloch Nigun (Improvisation)* from Baal Shem--1923 Kreisler Caprice Viennois Sarasate Caprice Basque Paganini Nel Cor piu non mi Sento* Introduction Theme Variations *Available on RCA Records AR LI-1172 Gleaming sterling silver, now the fashion rage in jewelry...as meaningful Exclusive Management: Shaw Concerts, Inc., New York, N.Y. 10023 to him as to her. See our collection of 1995 Broadway, important little pieces...from pendants on chains to big-cuff bracelets...to shine-up your days and nights together AT THE A&S NEAREST YOU The new carpeting in the Opera House was made possible by a generous gift from the Friends of BAM. The place to come..
    [Show full text]
  • Central Opera Service Bulletin • Vol
    CENTRAL OPERA SERVICE CONFERENCE/BULLETIN Volume 27, Number 1 CENTRAL OPERA SERVICE NATIONAL CONFERENCE AN INTERNATIONAL SYMPOSIUM la The MetropotttM Opera GaiM'* Fiftieth AwUveray New York - NoTfber Iud2, 015 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Center • Metropolitan Opera • New York, NY. 10023 • (212) 799-3467 I i ; i Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Center • Metropolitan Opera • New York, N.Y. 10023 • (212)799-346? CENTRAL OPERA SERVICE Volume 27, Number 1 Spring/Summer 1986 CENTRAL OPERA SERVICE NATIONAL CONFERENCE AN INTERNATIONAL SYMPOSIUM In Collaboration With "Opera News" Celebrating The Metropolitan Opera Guild's Fiftieth Anniversary New York - November 1 and 2,1985 This is the special COS Conference issue. The next number will be again a regular news issue with the customary variety of subjects and a performance listing. CENTRAL OPERA SERVICE COMMITTEE Founder MRS. AUGUST BEL MONT (1879-1979) Honorary National Chairman ROBERT L.B. TOBIN National Chairman MRS. MARGO H. B1NDHARDT National Vice Chairman MRS. MARY H. DARRELL Central Opera Service Bulletin • Vol. 27, No. 1 • Spring/Summer 1986 Editor: MARIA F. RICH Assistant Editor: CHERYL KEMPLER Editorial Assistants: LISA VOLPE-REISSIG FRITZI BICKHARDT NORMA LITTON The COS Bulletin is published quarterly for its members by Central Opera Service. Please send any news items suitable for mention in the COS Bulletin as well as performance information to The Editor, Central Opera Service Bulletin, Metropolitan Opera, Lincoln Center, New York, NY 10023. Copies this issue: $12.00 Regular news issues: $3.00 ISSN 0008-9508 TABLE OF CONTENTS Friday, November 1, 1985 WELCOME 1 Margo H.
    [Show full text]
  • Die Grossen Sänger
    Jürgen Kesting DIE GROSSEN SÄNGER Bandi claassen IX Inhalt Vorwort xxv EINLEITUNG Eine Stimme zur rechten Zeit Vorspiel auf dem Theater 3 Vollendung und Ende des Belcanto: Enrico Caruso 5 Dialog mit der Ewigkeit 18 Auf der Suche nach der verlorenen Zeit 27 Sänger und Schallplatte 29 Von der wiedergefundenen Zeit 37 Von Treue und Untreue 41 Von den Perspektiven der Zeit 48 I. KAPITEL Schöner Ton ist der Stoff aller Musik Goldene Zeitalter 55 Belcanto 59 Ein seismischer Schock: Das hohe C 67 Die Stimmen im Höhenrausch 71 Die übernatürlich schöne Stimme 75 II. KAPITEL Der ferne Klang oder: Die alte Schule Die alte Schule 89 Nachtigall: Adelina Patti 89 • Primadonna assoluta: Marcella Sembrich 97 • Grandeur: Lilli Lehmann 102 • Marianne Brandt 110 • »Ich habe gelernt, nie zu schreien«: Ernestine Schumann-Heink in • Die einzigartige Stimme der Welt: Francesco Tamagno 116 Zeitenwende 120 • Tenor-Virtuose: Fernando de Lucia 121 • La Gloria d'Italia: Mattia Battistini 128 - Der vollkommene Sänger: Pol Plancon 134 • Die Schule INHALT • BAND I der Mathilde Marchesi 138 • Perlen von der Märchenfee: Nellie Melba 141 und andere III. KAPITEL Das schöne Ideal: Sänger aus Frankreich Le Beau Ideal 159 Französische Bassisten: Marcel Journet 166 - Jean-Emile Vanni Marcoux 169 • Französische Sopranistinnen: Emma Calve J72 • Felia Litvinne 176 • Lyrische Tragödin: Mary Garden IJ8 • und andere 181 • Französische Mezzos und Altistinnen: Blanche Deschamps-Jehin • Marie Delna • Jeanne Gerville-Reache • Alice Raveau 184 • Französische Tenöre 186 • Dramatische Tenöre: Leon Escalais 188 • Emile Scaremberg 19 r • Georges Imbart de la Tour 192 • Albert Alvarez 193 • Paul Franz 193 • Lyrische Tenöre: Edmond Clement 197 • Albert Vaguet 199 • David Devries 200 • Rene Lapalletrie • Louis Cazette • Eugene de Creus • Leon Beyle 203 • Charles Friant 20; • Miguel Villabella 207 • Andre d'Arkor 208 • Französische Baritone: Die Klassizisten: Jean-Baptiste Faure • Lucien Fugere • Gabriel Valentin Soulacroix 209 • Maurice Renaud 213 • Dinh Gilly 215 • Arthur Endreze 217 IV.
    [Show full text]
  • Jascha Heifetz, David Oistrakh, Joseph Szigeti: Their Contributions to the Violin Repertoire of the Twentieth Century Jae Won (Noella) Jung
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2007 Jascha Heifetz, David Oistrakh, Joseph Szigeti: Their Contributions to the Violin Repertoire of the Twentieth Century Jae Won (Noella) Jung Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC JASCHA HEIFETZ, DAVID OISTRAKH, JOSEPH SZIGETI: THEIR CONTRIBUTIONS TO THE VIOLIN REPERTOIRE OF THE TWENTIETH CENTURY By Jae Won (Noella) Jung A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Spring Semester, 2007 Copyright © 2007 Jae Won (Noella) Jung All Rights Reserved The members of the Committee approve the treatise of Jae Won (Noella) Jung on March 2, 2007. ____________________________________ Karen Clarke Professor Directing Treatise ____________________________________ Jane Piper Clendinning Outside Committee Member ____________________________________ Alexander Jiménez Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOWLEDGMENTS First of all, I would like to express my sincere appreciation to my advisor, Professor Karen Clarke, for her guidance and support during my graduate study at FSU and I am deeply grateful for her advice and suggestions on this treatise. I would also like to thank the rest of my doctoral committee, Professor Jane Piper Clendinning and Professor Alexander Jiménez for their insightful comments. This treatise would not have been possible without the encouragement and support from my family. I thank my parents for their unconditional love and constant belief, my sister for her friendship, and my nephew Jin Sung for his precious smile.
    [Show full text]
  • Eugene Fodor Violinist
    THE UNIVERSITY MUSICAL SOCIETY OF THE UNIVERSITY OF MICHIGAN Eugene Fodor Violinist JUDITH OLSON, Pianist TUESDAY EVENING, OCTOBER 17 , 1978, AT 8:30 RACKHAM AUDITORIUM, ANN ARBOR, MICHIGAN PROGRAM • Sonata in G minor ("The Devil's Trill" ) . TARTINI La rghetto Allegro energico Grave All egro assai Sonata No.2 in D major, Op. 94a PROKOFIEV Modera to Presto Andante Allegro con brio INTERMISSION Tzigane RAVEL Serenade melancolique, Op 26 TCHAIKOVSKY Tambourin chinois KREISLER Three Caprices: Nos. 14, 9, and 24 PAGANINI Capriccio Valse WmNIAWSKI La Clochette (The Bell) PAGANINI RCA Records. Centennial Season - Fourtee nth Concert Debu t and Encore Series PROGRAM NOTES Sonata in G minor ("The Devil 's Trill" ) GIUSEPPE TAHTINI (1692- 1770) "T drea med one night that I made a pact with the devil. In return for my soul, the de\'il promised to be at my side whenever I needed him, an ti cipating my every wish. On a whim, I handed him my violin , to see what kind of musician he might be. To my astonishment, th e mu ic he made was exq ui site-a sonata of such unea rthly skill and beauty th at I stood transfix ed as he played. M y pul se stopped, breath fa il ed me-and I awoke. Snatchi ng up a fIddl e, I tri ed to recapture th e sounds I'd hea rd. Feverishly, before I should forge t, I noted down the music oi a sonata. But th ough it's the best I ever composed, how poor, how iar inierior it is to the music the de\'il played in my tantali zing dream !" - T ARTIKI Sonata No.
    [Show full text]
  • Israel (1)” of the Sheila Weidenfeld Files at the Gerald R
    The original documents are located in Box 30, folder “State Dinners - 9/12/74 - Israel (1)” of the Sheila Weidenfeld Files at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Gerald Ford donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. Digitized from Box 30 of the Sheila Weidenfeld Files at the Gerald R. Ford Presidential Library • In honor of His Excellency The Prime Minister of Israel and Mrs. Rabin THE WHITE HOUSE September 12, 1974 • When EUGENE FODOR shared the prize in the 1974 PROGRAM Tchaikovsky International Competition in Moscow, he became the first non-citizen of the Soviet Union ever to place in the violin division of the prestigious event. ZIGUENERWEISEN . (Gypsy Airs) A native of Colorado, Fodor is from a musical family. His Pablo de Sarasate great-grandfather founded the Fodor Conservatory of Music in Hungary. Both parents are violinists and his older brother is a violinist with the Denver Symphony Orchestra. Since his NIGUN. (Improvisation) debut with the Denver Symphony Orchestra, Fodor has Ernest Bloch studied in the Juilliard School and under Jascha Heifetz at the University of Southern California.
    [Show full text]
  • Alban Berg Wozzeck Mp3, Flac, Wma
    Alban Berg Wozzeck mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Wozzeck Country: Germany Released: 1965 Style: Modern, Twelve-tone, Opera MP3 version RAR size: 1872 mb FLAC version RAR size: 1914 mb WMA version RAR size: 1214 mb Rating: 4.8 Votes: 163 Other Formats: ADX ASF TTA APE AU MP1 RA Tracklist Oper In 3 Akten (15 Szenen) A Erster Akt, 1. Bis 3. Szene B1 Erster Akt, 4. Und 5. Szene B2 Zweiter Akt, 1. Und 2. Szene (1. Teil) C Akt, 2. Szene (2. Teil) Bis 5. Szene D Dritter Akt, 1. Bis 5. Szene Companies, etc. Printed By – Gebrüder Jänecke Credits Choir – Chor Der Deutschen Oper Berlin, Schöneberger Sängerknaben Composed By – Alban Berg Conductor – Karl Böhm Engineer – Günter Hermanns Libretto By – Georg Büchner Orchestra – Orchester Der Deutschen Oper Berlin Photography By – Max Jacoby Producer – Otto Gerdes Recorded By – Wolfgang Lohse Recording Supervisor – Gustav Rudolf Sellner Vocals [1. Handwerksbursch] – Kurt Böhme Vocals [2. Handwerksbursch] – Robert Koffmane Vocals [Andres] – Fritz Wunderlich Vocals [Der Narr] – Martin Vantin Vocals [Doktor] – Karl Christian Kohn* Vocals [Hauptmann] – Gerhard Stolze Vocals [Margret] – Alice Oelke Vocals [Marie] – Evelyn Lear Vocals [Soldat] – Walter Muggelberg Vocals [Tambourmajor] – Helmut Melchert Vocals [Wozzeck] – Dietrich Fischer-Dieskau Notes including 40-page Booklet in German, French and English. Printed in Germany by Gebrüder Jänecke Big "Tulip"-Label, "Alle Hersteller" Yellow sticker on front: "Sample Not For Sale" (P) 1965 Barcode and Other Identifiers Other
    [Show full text]