Negative Images of Arabs in American Popular Culture
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Discourses Exploring the Space Between Tradition and Modernity in Indonesia
In the 8th International Indonesia Forum Conference DISCOURSES EXPLORING THE SPACE BETWEEN TRADITION AND MODERNITY IN INDONESIA i Sanksi Pelanggaran Pasal 72 Undang-undang Nomor 19 Tahun 2002 Perubahan atas Undang-undang Nomor 7 Tahun 1987 Perubahan atas Undang-undang Nomor 6 Tahun 1982 Tentang Hak Cipta 1. Barang siapa dengan sengaja dan tanpa hak melakukan perbuatan sebagaimana dimaksud dalam Pasal 2 ayat (1) atau Pasal 49 ayat (1) dan ayat (2) dipidana dengan pidana penjara masing-masing paling singkat 1 (satu) bulan dan/atau denda paling sedikit Rp. 1.000.000,00 (satu juta rupiah), atau pidana penjara paling lama 7 (tujuh) tahun dan/atau denda paling banyak Rp. 5.000.000.000,00 (lima miliar rupiah). 2. Barang siapa dengan sengaja menyiarkan, memamerkan, mengedarkan atau menjual kepada umum suatu ciptaan atau barang hasil pelanggaran Hak Cipta atau Hak Terkait sebagaimana dimaksud dalam ayat (1), dipidana dengan pidana penjara paling lama 5 (lima) tahun dan/atau denda paling banyak Rp. 500.000.000,00 (lima ratus juta rupiah). ii In the 8th International Indonesia Forum Conference DISCOURSES EXPLORING THE SPACE BETWEEN TRADITION AND MODERNITY IN INDONESIA Editorial Board: Hermanu Joebagio, Frank Dhont Pramudita Press iii In the 8th International Indonesia Forum Conference Sebelas Maret University, Solo, Indonesia 29 – 30 July 2015 Organized by: Sebelas Maret University and International Indonesia Forum DISCOURSES EXPLORING THE SPACE BETWEEN TRADITION AND MODERNITY IN INDONESIA Editorial Board: Hermanu Joebagio, Frank Dhont Paper Contributor: -
An Interpretation of Some Unpublished in Situ and Recorded Rum Seljuk 13Th C. External and Internal Figural Relief Work on the Belkıs (Aspendos) Palace, Antalya
GEPHYRA 8 2011 143–184 Terrance Michael Patrick DUGGAN An interpretation of some unpublished in situ and recorded Rum Seljuk 13th c. external and internal figural relief work on the Belkıs (Aspendos) Palace, Antalya Abstract: This article is divided into four parts. Firstly, it notes the precedent provided by the conversion of the Roman theatre at Bosra in Syria into an Ayyubid Palace, for the conversion of the Roman theater into the Rum Seljuk palace at Belkis–Aspendos and the known extensive use made of Syrian trained architects for important architectural projects by Rum Seljuk Sul- tans in the first half of the 13th c. Secondly, the two bands of Seljuk low relief depictions of fe- lines and a deer on a series of re–carved Roman limestone blocks on the exterior wall by the door leading to the southern köşk–pavilion erected above the parados and upon the lintel over this door, discovered by the author in 2007, extending over a length of nearly 10 m are de- scribed and the deliberate pecking of the surface of these low relief depictions it is suggested, was to provide bonding for applied painted stucco carved relief–work that completed this relief work on the exterior palace facade. The third section describes the painted Seljuk tympanum relief sculpture made of stucco plaster that concealed the Roman relief carving of Dionysus in the pediment of the sceanae frons in the 13th c. A sculptural relief depiction of a nude female figure which was fortunately recorded by Charles Texier early in the 19th c. -
Cast of 'Kismet' Sparkles REUPHOLSTER NOW
Page 12 — Pittsburgh Catholic, Friday. July 31. 1987 _ _ Entertainm ent Civic Light Opera (Because of space problems, the TV-radio log and the movies on Home Boa Office will be listed once a month, in the first edition of each month, instead of every week as previously done. It is suggested that it be clipped and saved by those who C a s t o f ‘Kismet’ s p a r k le s refer to it weekly. Movies at area theaters will be listed every week.) The Civic Light Opera Assocla- tion of the Civic Light Opera This is an unforgettable moment. tor and the Orchestra. Then, Movie ratings tlon of Greater Pitt season, leaves nothing to the fates Lehew has a magnificent, clear before the final curtain and the The classification for the moral sburgh/Charles Gray. Executive as it continues a season of ex American Flyers, A-III voice that embraces each and curtain calls, many start the rush suitability of films are deter Manager and General Manager cellence. From the very moment Breathless, O every note and nuance. Comic to the exits which is an affront to mined by the United States - presents "Kismet." David Dreher as Imam Alls the The Bride, A-III relief comes from the crazy perfor the performers. It is a sad practice Catholic Conference's Depart Cease Fire, A-III hall with the beautiful "Sands of Hajj...................... Walter Charles mance of Ed Dixon as the Wazir over which CLO has no control, ment of Communt-cattons. The Clan o f the Cave Bear, O Time” until star Walter Charles whose antics are a laugh a Lalume Kim Criswell but it does mar an otherwise Club Paradise, A-III as Hajj closes the show with the minute. -
Learn More 2016 Kismet
Frostwatch 2016 Kismet Cases produced: 125 Suggested retail: $26 Composition: White Bordeaux blend: 76% Sauvignon Blanc, 24% Semillon Harvest dates: Frostwatch Sauvignon Blanc-9/23/16, Frostwatch Semillon-10/10/16 Brix at Harvest: Sauvignon Blanc-24.5 brix, Semillon-23.0 brix Blend TA: 5.7 Blend Ph: 3.28 Alc: 14.8% Vineyard Sources: Both of the components for the blend come from Frostwatch Vineyard in the Bennett Valley Appellation, which is distinguished by its very long growing seasons, modest yields relative to other areas and full-flavored wines with good natural acidity. The mystery clones that comprise this consistently well- reviewed blend make unique and delicious wines in every vintage. Kismet means “fate or destiny” and that perfectly describes the fortuitous circumstances that led to our growing and vinification of this unique wine! Winemaking: The grapes were harvested separately and whole cluster pressed and then fermented utilizing indigenous yeast. The Sauvignon Blanc is usually one of our first harvests and the Semillon is always our last harvest. The Sauvignon Blanc was fermented in stainless steel and the Semillon was barrel fermented in neutral French oak. The wine was lightly fined for clarity and was bottled unfiltered on May 4th, 2017. Tasting Notes: Frostwatch Kismet is a proprietary blend of Sauvignon Blanc and Semillon. This White Bordeaux cuvee was originally based on 47 vines (plants later identified as unknown clones of Sauvignon Blanc and Semillon), which were accidentally planted in our original Chardonnay block in 1997. After several years of segregating the fruit from those vines, and loving the resulting wine, we took cuttings from the plants and planted several acres of these unique clones. -
Ian Campbell 4 Dominioni, Matteo, 2008, Lo Sfascio Dell'impero
Shiferaw Bekele Citation: Bekele Shiferaw, 2010, Testimony. Interview conducted by Roman Herzog April 19th 2010, http://www.campifascisti.it/file/media/TSB%201%20Testimony%20Shiferew%20Bekele.pdf Name: Shiferaw Surname: Bekele Nationality: Ethiopian Gender: m Profession: Expert: Historian Camps of imprisonment: Shano Nocra Dhanaane/Danane* Ambo Mayor topics and particularities of the interview (Summary): The fascist war and occupation in Ethiopia; the first total war; re-dating Second World War; Africanist Historians and their position in the World; the ideology of Italian Fascism; racism and racial laws; the project of Italian Empire; Germany learning from Italy; the Ethiopian War as field of experimentation of modern wars; Policy and impunity; the failure of the League of Nations; atrocities; the resistance after the proclamation of the Empire; the concentration camps; the economic role of the camps; killing camps; the deportation to Italy; the research basis; relation between the German and the Italian camps; the role of the Blackshirts; the Ethiopian Jews; n international justice; Ethiopia scarified for post war stability; Italo-Ethiopian relations after 1945; the Del Boca group; compensation; intelligenzia and collective memory; Ethiopian collaboration; Ethiopian Memory. Date, place and duration of the interview: April 19th 2010, Addis Abeba, 112’50” Language used: English Recording quality: (48 kHz., Stereo) Name of the researcher and copyright holder: Roman Herzog Fundamental elements of the meeting: Interview in a room in the Ibaks Hotel. Researcher I would like to begin a little bit about the war itself, what is particular about Italian Coloni- alism, about the Fascist war and occupation in Ethiopia? Shiferaw Bekele The fascist occupation and the fascist war have quite e few peculiar features in the history of colonialism in Africa. -
Xix Share Anticipated Debut Video for Viral Track “Kismet” on Masked Records / Warner Records
XIX SHARE ANTICIPATED DEBUT VIDEO FOR VIRAL TRACK “KISMET” ON MASKED RECORDS / WARNER RECORDS FEATURING TIKTOK STARS XOWIEJONES & BENKRO_TV WATCH HERE October 22, 2020 (Los Angeles, CA) – XIX are the next wave of musicians in the genre bending hyper-pop scene to make their own lane with their viral earworm “Kismet.” The song has been exploding on TikTok and has already amassed 7.8 million streams. Today, the duo comprised of Yung Skayda and Karm the Tool share the eagerly-awaited video on Masked Records / Warner Records with cameo appearances from alt-TikTok superstars Xowiejones and Benkro_TV. The video is a major statement for XIX, who are blazing a trail behind them in the Ramez Silyan- directed (Lil Peep) video as they wreak havoc on high school property in the night hours. The manic energy is unavoidably reminiscent of iconic teenage rebellion movies and soundtracks this aesthetic to a tee. The track's hook “Molly rocks in my green tea,” is becoming its own brand with more than 3 million TikTok videos created and over a dozen sounds supported by the likes of social media maven Charli D'Amelio, super producer Marshmello and renowned comedian Sacha Baron Cohen as Borat while promoting the new Borat 2 movie. The aforementioned lyric was intentionally isolated as the repeating phrase on the song by XIX with the premonition that it could spark a movement. As fate would have it, they were right. Now with millions of streams under their belt and an incredible video for “Kismet,” the future is bright for Yung Skayda and Karm, who are deeply inspired by punk rock, rap and metal and cite XXXTentacion as their biggest influence. -
Extract from KISMET. Context: the Imam Goes to See His Doctor
Extract from KISMET. Context: The Imam goes to see his doctor. In Donfield, a bearded man wearing wire-framed spectacles with round lenses, a knitted white skull cap and a serene expression, sat quietly in the waiting room of his doctor’s surgery. Imam Zulfikar Ali Mahmud was a man who had long since developed the ability to sit absolutely still, allowing his mind to dwell on matters more important than anything in his immediate surroundings. Distractions like that annoying little boy sitting opposite, staring and pointing, whispering loudly into his mother’s ear. It was no effort to ignore the child, doubtless destined to become just another typical English teenager. Selfish, undisciplined, rude and ignorant, of no value to society. Just like the ill-bred, beer-sodden animals who had mocked him on a bus only a few months ago. Not one of the dozen or so other British citizens present had intervened as the louts sneered, telling him to go back to his own country. He had remained sitting quietly in dignified silence, looking straight ahead, not responding. No point. Soon, very soon, there would be no more country to go back to. No national borders, just one country, world-wide. One state, one nation: Islam, the Caliphate. Allah had so decreed, it was Kismet. A buzzer sounded briefly to draw attention to the electronic notice-board on the wall. It scrolled a new message: MR MAHMUD TO DR SHAH’S ROOM PLEASE. Zulfikar stood up, briefly fixing his gaze upon the child and its mother, with just the trace of a thin smile on his face. -
Omar Al-Mukhtar the Libyan Battle for the Heritage of Omar Al-Mukhtar, the “Lion of the Desert” by Andrew Mcgregor
VOLUME IX, ISSUE 10 u MARCH 10, 2011 IN THIS ISSUE: BRIEFS..................................................................................................................................1 AL-QAEDA IN THE ARABIAN PENINSULA AND THE PROTESTS IN YEMEN By Erik Stier..............................................................................................................3 THE CASE OF THE IRANIAN WARSHIPS AND THE SUEZ CANAL By Nima Adelkhah.......................................................................................................5 Omar al-Mukhtar THE LIBYAN BATTLE FOR THE HERITAGE OF OMAR AL-MUKHTar, the “lion of THE DESERt” By Andrew McGregor...............................................................................................7 Terrorism Monitor is a publication of The Jamestown Foundation. The Terrorism Monitor is designed to be read by policy- makers and other specialists yet be accessible to the general LIBYAN LOYALISTS AND DISSIDENTS VIE FOR TUAREG FIGHTERS public. The opinions expressed within are solely those of the With the fate of Libya in the balance, both sides in the struggle to determine its authors and do not necessarily future are appealing to North Africa’s indigenous Tuareg warriors for military reflect those of The Jamestown Foundation. help. Libya’s own Tuareg population of roughly 50,000 has been simultaneously courted and deprived of its cultural and ethnic heritage by the Qaddafi government. The regime classes the non-Semitic Berber Tuareg as a branch of Unauthorized reproduction or the Arab nation -
Italy's Colonial Futures
Italy’s Colonial Futures: Colonial Inertia and Postcolonial Capital in Asmara Mia Fuller Asmara is no longer a secret. --Naigzy Gebremedhin (2007, 25) The mal d’Africa of the nineteenth century has been supplanted by the mal d’Europa of the twentieth century. --Ruth Iyob (2005b, 271) Italy hardly appears likely to acquire colonial territories in the future, though it participates in some of the West’s wars and peacekeeping efforts (the Iraq coalition and NATO’s assault on Qadhafi’s regime; Eritrea and Lebanon) – all of them, from one point of view, legacies of the colonial era. Instead, this article takes into consideration a different sort of colonial future: one inherent in an unconcluded colonial past. Italy certainly has a colonial past, albeit one that is often described as rimosso (“repressed” or “displaced”), suggesting it is less than accessible, and perhaps hard to locate. Although it is true that most Italians are poorly informed about their country’s past deeds and misdeeds in Eritrea, Somalia, Libya, the Dodecanese Islands, Ethiopia, and Albania, I claim here that rather than invisible, the traces of Italy’s colonial ventures are ubiquitous. This is true of Italy itself, if one knows where to look, but in this essay I am interested in the former colonies above all. In Asmara, the capital city of the ex-colony of Eritrea, I describe Italy’s colonial inertia, or how Italy’s once-vigorously implanted colonial signature has sustained momentum and shows every promise of continuing to do so. When Italian colonizers left in the post-World War Two era, their refashioning of built, cultural, and social environments to their own specifications did not vanish with them.1 On the contrary, Italians’ architectural and urban interventions, along with social, economic, and linguistic reminders of their occupation of Asmara, have been preserved quite faithfully. -
DVD Profiler
101 Dalmatians II: Patch's London Adventure Animation Family Comedy2003 74 minG Coll.# 1 C Barry Bostwick, Jason Alexander, The endearing tale of Disney's animated classic '101 Dalmatians' continues in the delightful, all-new movie, '101 Dalmatians II: Patch's London A Martin Short, Bobby Lockwood, Adventure'. It's a fun-filled adventure fresh with irresistible original music and loveable new characters, voiced by Jason Alexander, Martin Short and S Susan Blakeslee, Samuel West, Barry Bostwick. Maurice LaMarche, Jeff Bennett, T D.Jim Kammerud P. Carolyn Bates C. W. Garrett K. SchiffM. Geoff Foster 102 Dalmatians Family 2000 100 min G Coll.# 2 C Eric Idle, Glenn Close, Gerard Get ready for outrageous fun in Disney's '102 Dalmatians'. It's a brand-new, hilarious adventure, starring the audacious Oddball, the spotless A Depardieu, Ioan Gruffudd, Alice Dalmatian puppy on a search for her rightful spots, and Waddlesworth, the wisecracking, delusional macaw who thinks he's a Rottweiler. Barking S Evans, Tim McInnerny, Ben mad, this unlikely duo leads a posse of puppies on a mission to outfox the wildly wicked, ever-scheming Cruella De Vil. Filled with chases, close Crompton, Carol MacReady, Ian calls, hilarious antics and thrilling escapes all the way from London through the streets of Paris - and a Parisian bakery - this adventure-packed tale T D.Kevin Lima P. Edward S. Feldman C. Adrian BiddleW. Dodie SmithM. David Newman 16 Blocks: Widescreen Edition Action Suspense/Thriller Drama 2005 102 min PG-13 Coll.# 390 C Bruce Willis, Mos Def, David From 'Lethal Weapon' director Richard Donner comes "a hard-to-beat thriller" (Gene Shalit, 'Today'/NBC-TV). -
101 Films for Filmmakers
101 (OR SO) FILMS FOR FILMMAKERS The purpose of this list is not to create an exhaustive list of every important film ever made or filmmaker who ever lived. That task would be impossible. The purpose is to create a succinct list of films and filmmakers that have had a major impact on filmmaking. A second purpose is to help contextualize films and filmmakers within the various film movements with which they are associated. The list is organized chronologically, with important film movements (e.g. Italian Neorealism, The French New Wave) inserted at the appropriate time. AFI (American Film Institute) Top 100 films are in blue (green if they were on the original 1998 list but were removed for the 10th anniversary list). Guidelines: 1. The majority of filmmakers will be represented by a single film (or two), often their first or first significant one. This does not mean that they made no other worthy films; rather the films listed tend to be monumental films that helped define a genre or period. For example, Arthur Penn made numerous notable films, but his 1967 Bonnie and Clyde ushered in the New Hollywood and changed filmmaking for the next two decades (or more). 2. Some filmmakers do have multiple films listed, but this tends to be reserved for filmmakers who are truly masters of the craft (e.g. Alfred Hitchcock, Stanley Kubrick) or filmmakers whose careers have had a long span (e.g. Luis Buñuel, 1928-1977). A few filmmakers who re-invented themselves later in their careers (e.g. David Cronenberg–his early body horror and later psychological dramas) will have multiple films listed, representing each period of their careers. -
Libro 1.Indb
Segle XX. Revista catalana d’història, 1 (2008), 13-36 ISSN: 1889-1152 Buits de memòria. Usos i abusos de la història en la Itàlia del present STEFANO PIVATO Universitat d’Urbino «Carlo Bo» ACTE PRIMER: LES PREMISSES a alguns anys, un dels màxims historiadors del segle XX, Eric Hobsbawm, escrivia que la destrucció del passat o, més ben dit, la destrucció dels me- Fcanismes socials que connecten l’experiència dels contemporanis amb la de les generacions precedents és un dels fenòmens més típics i alhora més es- tranys dels últims anys del segle XX. La majoria dels joves del fi nal del segle ha crescut en una mena de present permanent, mancat de tota relació orgànica amb el passat històric del temps en què aquests joves viuen.1 L’afi rmació de Hobsbawm es basava en una impressió subjectiva, però era con- fi rmada per les enquestes que, també a la mitjania dels anys noranta, efectuaven associacions didàctiques i instituts de recerca a partir de mostres més o menys àmplies d’estudiants de les universitats italianes. En una de les enquestes, duta a terme l’any 1997, les càtedres d’Història Contemporània de les universitats de Milà (Catòlica), Urbino, Siena i Càller assenyalaven un coneixement escàs d’allò que els teòrics de l’aprenentatge anomenarien prerequisits del coneixement his- tòric. Dates, fets memorables i personatges de més d’un segle d’història unitària eren, en bona part, desconeguts per als estudiants.2 La majoria dels estudiants identifi cava Rosa Luxemburg com a actriu de teatre o campiona de natació en els jocs olímpics de Berlín de 1936; assenyalaven Nikita Khruščov com l’autor d’Anna Karenina; en una elevada proporció ignoraven el signifi cat de termes com 1 E.