Girl Rising Campus Overview

Total Page:16

File Type:pdf, Size:1020Kb

Girl Rising Campus Overview BRING GIRL RISING TO YOUR CAMPUS CAMPUS SCREENING OVERVIEW Hosting a screening of Girl Rising is one way that grassroots activists, campus organizations, and committed individuals around the world can raise awareness about why educating girls matters to all of us. Girl Rising premieres in theaters on March 6, 2013 and is available for campus screenings from that day forward. Campus screenings of 10x10’s feature film Girl Rising are on-campus screenings for students, faculty, and students’ parents only. The campus screening option has been set up specially so that students nationally and internationally can access the film in an academic context for a discounted price. This document briefly outlines how you can set up an on-campus screening. Students that are interested in organizing a screening in a public theater can do so through our partner, Gathr, which is accessible at www.10x10act.org. We are very happy you are interested in bringing Girl Rising to your community! HOW TO Please follow these steps: ● Choose a date and time anytime after our premiere on March 6, 2013. ● Book an on-campus venue. ● Register your screening with us. ● After you’ve registered, we’ll email you a link to complete your payment and secure the DVD for $295 plus shipping.* (This licensing fee covers our small distribution cost and the rest goes directly to the 10x10 Fund for Girls Education which benefits our NGO partners.) ● Publicize your event to the student body! For more details visit our campus webpage (www.10x10act.org/take-action/10x10-on-campus/), and feel free to email us at [email protected]. *This is not a purchase of the DVD - in accordance with our licensing agreement we will mail you the DVD for use at your campus screening only along with an envelope to return the DVD after your screening has taken place. 10x10 AND GIRL RISING OVERVIEW EDUCATE GIRLS, CHANGE THE WORLD Around the world, millions of girls face barriers to education that boys do not. And, yet, when you educate a girl, you can break cycles of poverty in just one generation. Removing barriers to girls’ education – such as early and forced marriage, domestic slavery, sex trafficking, gender violence and discrimination, lack of access to health care, and school fees – means not only a better life for girls, but a safer, healthier, and more prosperous world for all. THE 10X10 CAMPAIGN 10x10 is a global campaign to educate and empower girls – working to create a ripple effect that will transform communities for generations. 10x10 was founded by award-winning journalists at The Documentary Group and Vulcan Productions, along with strategic partner, Intel Corporation. 10x10 is built on a foundation of partnerships with NGOs, corporations, policy makers, and grassroots organizations — all working to change minds, lives, and policy. 10x10’s coalition of impact partners include a high-impact network of champions and leaders in girls’ education: A New Day Cambodia, CARE, Partners in Health, Plan, International USA, Room to Read, UNICEF, United Nations Foundation / Girl Up, and World Vision. These organizations provide life-changing services to girls every day, and are among the best practitioners of their kind. GIRL RISING At the center of this campaign is an innovative feature film, Girl Rising, which journeys around the globe to witness the strength of the human spirit and the power of education to change the world. From Academy Award-nominated director Richard E. Robbins, Girl Rising spotlights the stories of unforgettable girls born into unforgiving circumstances. It captures their dreams, their voices, and their remarkable lives. Each girl’s story is transformed for the screen by an acclaimed writer from her native country: Marie Arana from Peru, Edwidge Danticat from Haiti, Mona Eltahawy from Egypt, Aminatta Forna from Sierra Leone, Zarghuna Kargar from Afghanistan, Maaza Mengiste from Ethiopia, Sooni Taraporevala from India, Manjushree Thapa from Nepal, and Loung Ung from Cambodia. Cate Blanchett, Priyanka Chopra, Selena Gomez, Anne Hathaway, Selma Hayek, Alicia Keys, Chloe Moretz, Liam Neeson, Meryl Streep, and Kerry Washington all contribute voice performances to the film, which features original music from Academy Award winner Rachel Portman, in collaboration with Hans Zimmer. By sharing their personal journeys, the girls of Girl Rising become our teachers. As one of them says, “I feel as though I have power...I can do anything. And I have important things to do.” Research shows that investing in girls can transform families, communities and nations. The girls of Girl Rising show us how. .
Recommended publications
  • Spring 2017 Event Flyer
    FRANK ISLAM ATHENAEUM SYMPOSIA—SPRING 2017 DATE/TIME/PLACE SPEAKER TITLE Talk--Tuesday, February 7 Justyne Fischer, Award Winning Artist and Educator Justyne Fischer will discuss her Art Exhibit--Open Season: Social 2:00-3:00 p.m. Memorials HT216, Germantown__ Art Exhibit Exhibit Sponsored by the Art Department. Life-Size Portraits: Freddie Gray, Laquan McDonald. Walter Scott, February 6- March 31 Eric Garner, Tamir Rice, Jordan Davis, Trayvon Martin, William Globe Hall Foyer Wingate, and Sandra Bland. Wednesday, February 8 Amy Nutt, Author Amy Nutt will discuss her book Becoming Nicole (2015) 12 noon Pulitzer Prize-winning author Amy Ellis Nutt covers health and science In Becoming Nicole, Amy Nutt traces the transformation of Wyatt, one of identical twin boys, into Nicole and the transformation of their for The Washington Post. In 2017, the Supreme Court will address Globe Hall, Germantown legal issues of transgender individuals. family. Nutt will differentiate between gender identity and anatomy. Tuesday, February 21 NuttDwight discusses Watkins, her Author Dwight Watkins will discuss The Beast Side: Living and Dying 11:00 a.m. D. Watkins, a former Baltimore drug dealer, is the author of A Crack While Black in America (2015) Cultural Arts Theatre 1 Rock Memoir, 2016 and The Beast Side: Living and Dying While Black Takoma Park____________ in America, 2015. With a chapter on Freddie Grey, D. Watkins asserts that putting down 7:00 p.m. all guns is one answer to the epidemic problem that involves Globe Hall, Germantown Co-Sponsors IJRC, Humanities Division, Black Student Union education, jobs, prisons, and health.
    [Show full text]
  • The Strangers
    Common world Lucy Hannah One of the many joys of reading is that of being transported to another world, far from our own. When, in 2011, the judges of the Commonwealth Writers’ Prize gathered in Sydney, many hours were spent deciding the overall winner, but a significant amount of time was also spent with the five regional judges swapping insights and shedding light on the contexts of work coming out of their respective regions – Africa, Asia, the Caribbean, Canada and Europe, and the Pacific. The overall winner of the prize was a powerful novel set in post-civil war Sierra Leone, The Memory of Love, by Aminatta Forna. As an observer to this conversation, I was struck by how much I had missed in my own reading of the books, particularly those set in the Caribbean and the wider Pacific region. It also highlighted for me the impor- tance of access to the stories themselves, both locally and globally. Later, as a judge for the EBRD (European Bank for Reconstruction and Development) Literature Prize in 2018, I walked around London’s bookshops out of curi- osity to see how many of our shortlisted fictional works in translation to English were on offer in major bookstores – very few, and usually sitting on an out-of-the-way shelf, beyond the eyeline of shoppers. As readers, we are well aware that literature offers us a chance to remember that, as Jean Rhys observes in her Caribbean and European modernist classic, Wide Sargasso Sea, ‘there’s always the other side… always.’ Of course, there is also the problem of stories which get stuck in the margins, when they have the potential to alter how we see the world, in the spirit of what the Indian author, Kiran Desai, said of The Memory of 1 Love: ‘it delivers us to a common centre, no matter where we happen to have been born.’ For writers lucky enough to live in a place with a healthy publishing infrastructure, their imagined worlds have a chance to reach and engage readers far beyond their country’s borders.
    [Show full text]
  • Fall2011.Pdf
    Grove Press Atlantic Monthly Press Black Cat The Mysterious Press Granta Fall 201 1 NOW AVAILABLE Complete and updated coverage by The New York Times about WikiLeaks and their controversial release of diplomatic cables and war logs OPEN SECRETS WikiLeaks, War, and American Diplomacy The New York Times Introduction by Bill Keller • Essential, unparalleled coverage A New York Times Best Seller from the expert writers at The New York Times on the hundreds he controversial antisecrecy organization WikiLeaks, led by Julian of thousands of confidential Assange, made headlines around the world when it released hundreds of documents revealed by WikiLeaks thousands of classified U.S. government documents in 2010. Allowed • Open Secrets also contains a T fascinating selection of original advance access, The New York Times sorted, searched, and analyzed these secret cables and war logs archives, placed them in context, and played a crucial role in breaking the WikiLeaks story. • online promotion at Open Secrets, originally published as an e-book, is the essential collection www.nytimes.com/opensecrets of the Times’s expert reporting and analysis, as well as the definitive chronicle of the documents’ release and the controversy that ensued. An introduction by Times executive editor, Bill Keller, details the paper’s cloak-and-dagger “We may look back at the war logs as relationship with a difficult source. Extended profiles of Assange and Bradley a herald of the end of America’s Manning, the Army private suspected of being his source, offer keen insight engagement in Afghanistan, just as into the main players. Collected news stories offer a broad and deep view into the Pentagon Papers are now a Iraq, Afghanistan, Pakistan, and the messy challenges facing American power milestone in our slo-mo exit from in Europe, Russia, Asia, the Middle East, and Africa.
    [Show full text]
  • The Independent
    Aminatta Forna: 'We don't commit suicide - we kill' Aminatta Forna's writing is haunted by the spirits of her Sierra Leonean warrior ancestors. Julie Wheelwright meets her Published: 30 June 2006 Aminatta Forna's study in her elegant south-London home is filled with photographs of her family's village in Sierra Leone. The award-winning author of The Devil that Danced on the Water, a memoir about her childhood, is showing me a hand-made gallery of aunts, uncles, cousins and the village school she has helped them build. She runs a hand over the images. "Those are all the Fornas over there," she says, pointing to row upon row of relatives, patiently standing in the glare of an African sun. Forna's memoir about Sierra Leone was written, she says, "because I wanted to find out who killed my father". Mohamed Sorie Forna was a scholarship boy from a provincial village who trained as a doctor in Scotland and later became a finance minister in Siaka Steven's government. He was taken from their home under armed guard one night in Freetown when Aminatta was aged 10. She never saw him again. He was charged with treason for setting up an opposition party, and a year later he was hanged. "The memoir was quite a man's book," says Forna. Next week, she publishes her first novel, Ancestor Stones (Bloomsbury, £14.99), which features the lives of four village women in Sierra Leone. The germ of the novel came from a passing reference in her memoir to Beyas, Forna's great-grandmother.
    [Show full text]
  • Girl Rising Teacher’S Guide
    GIRL RISING TEACHER’S GUIDE GIRLRISING.COM | 1 INTRODUCTION 01 DISCUSSION GUIDES 04 Build a lesson plan around the full film, any combination of chapters or the issues that a!ect girls getting an education. Find pre- and post- screening questions and additional resources. 01 Full film 02 Chapters 03 Issues CALL TO ACTION 42 Transforming the future starts with small TABLE OF acts today. Find inspiration and information about how students can help change the world. CONTENTS COUNTRY GUIDES 47 Statistics and background information for each of the Girl Rising countries. VIDEO ASSETS 75 Index of supplementary videos found on the DVD, including behind-the-scenes extras. ADDITIONAL RESOURCES 76 ENDNOTES 82 GIRLRISING.COM | 2 Educating girls can break cycles of poverty in just one generation. That’s the fact that inspired us to make this film. That’s the message we want to spread through the stories we tell. And that’s the change we hope to e!ect with a grassroots movement that promotes that message. We believe that students, coming INTRODUCTION: of age in an increasingly interdependent world, will be at the vanguard. W H A T I S Around the world, millions of girls face barriers to education that boys do not. GIRL RISING? Removing barriers, such as early and forced marriage, gender-based violence and discrimination, domestic slavery and sex tra"cking means not only a better life for girls, but a safer, healthier, and more prosperous world for all. Girl Rising is a film. Girl Rising is a movement. THE FILM Girl Rising journeys around the globe to witness the strength of the human spirit and Girl Rising is the future.
    [Show full text]
  • Eastern African Women Writers' 'National Epics': a New Force In
    Eastern African women writers’ ‘national epics’: A new force in creative fiction? Annie Gagiano Eastern African women writers’ ‘national epics’: A new force in creative fiction? In this article, I bring five recent, substantial novels by Eastern African women writers together for the first time in a study regarding the texts as modern ‘national epics’, analysing some of their shared characteristics in foregrounding local participation in the making of East African ethno- national histories. I trace the novelists’ implicit, open-eyed moral evaluation of their leaders and peoples, neither sentimentalising nor deriding the often terrible struggles of their peoples against both inside and outside powers that seek to keep them in subjugation. The texts eschew traditional heroic portrayal of single, male leaders in national epics and allow us to grasp diverse, communal contributions to the growth of nationhood, while giving larger, often central roles to women. The texts earn the epithet ‘epic’ by authoritatively demonstrating that their embodied, localised histories matter, testifying to the wide human spectrum of the peoples they portray; as novelistic acts they are impressive and moving bids for recognition. As post-colonial endeavours, the texts effectively decentre colonial interventions. While the chosen novels are shown to be relatable, their individual power of portrayal and aesthetic achievements are scrupulously differentiated.Keywords: ‘national epics’, Eastern African women writers, localised histories, authority. In considering noteworthy developments in East African creative writing, one particularly striking phenomenon is the recent publication of novels by women authors depicting these writers’ societies and cultures of origin on a broad spectrum that might be termed ethno-national in scope, with a focus on key moments and periods in the history of these peoples.
    [Show full text]
  • Download Winter 2011
    2011Winter_Cover_finalrev_Winter05Cover 7/6/10 5:05 PM Page 1 Grove Press Grove Press Celebrates Its 60th Anniversary Celebrating 60 Years of Groundbreaking Publishing 1951–2011 n 1951 Barney Rosset took over a small reprint publisher, Grove Atlantic Monthly Press IPress. Over the next three-and-a-half decades, he and his colleagues Richard Seaver, Gilbert Sorrentino, Fred Jordan, Kent Carroll, Nat Sobel, Herman Graf, and many others created what was one of the Black Cat and Granta most important publishing enterprises of the late-twentieth century. Grove published many of the Beats, including William S. Burroughs, Jack Kerouac, and Allen Ginsberg. Grove became the preeminent pub- lisher of drama in America, publishing the work of Samuel Beckett (Nobel Prize for Literature 1969), Bertold Brecht, Eugene Ionesco, Harold Pinter (Nobel Prize for Literature 2005), Tom Stoppard, and many more. The press introduced American readers to the work of international authors including Jorge Luis Borges, Mikhail Bulgakov, Jean Genet, Pablo Neruda, Kenzaboro Oe (Nobel Prize for Literature 1994), Octavio Paz (Nobel Prize for Literature 1990), Elfriede Jelinek (Nobel Prize for Literature 2004), and Juan Rulfo. In the late 1950s thly Pr and early 1960s, Barney Rossett challenged the U.S. obscenity laws by on es A publishing D. H. Lawrence’s Lady Chatterley’s Lover and then Henry A M s Miller’s Tropic of Cancer. His landmark court victories changed the t t c l l i American cultural landscape. Grove Press went on to publish literary t erotic classics like The Story of O and groundbreaking fiction like John n Rechy’s City of Night, as well as the works of the Marquis de Sade.
    [Show full text]
  • Interview with Maaza Mengiste
    Interview with Maaza Mengiste [00:00:09] Kendra Hello, I'm Kendra Winchester, here with Autumn Privett. And this is Reading Women, a podcast inviting you to reclaim half the bookshelf by discussing books written by or about women. And today we're talking to Maaza Mengiste about her book THE SHADOW KING, which is out now from W.W. Norton. [00:00:25] Autumn So we first saw this week at Book Expo way back earlier this year. And the cover, since we're suckers for beautiful covers, the cover is what drew us in. But oh, man, this book is big and beautiful. And it just covers so many things I never even thought about before. [00:00:47] Kendra I never heard of, let alone read, a novel about the Ethiopian-Italian conflict during World War II until this book. And I mean, it's a really fabulous way to enter the topic. [00:01:00] Autumn Like you just said, this is a part of World War II history that I think was literally glossed over in my history books. And so it's. Like, a novel is such a great way to learn about areas of history like this that you might not have known about previously. And this one is a beautiful, sweeping, mesmerizing story that I just couldn't put down, which is always a bonus. [00:01:23] Kendra It's definitely a type of novel where you read it and then you want to go read all of the nonfiction things about it, for sure.
    [Show full text]
  • Tap, Tap, Click Empathy As Craft Our Cornered Culture
    The Authors Guild, Inc. SPRING-SUMMER 2018 31 East 32nd Street, 7th Floor PRST STD US POSTAGE PAID New York, NY 10016 PHILADELPHIA, PA PERMIT #164 11 Tap, Tap, Click 20 Empathy as Craft 41 Our Cornered Culture Articles THE AUTHORS GUILD OFFICERS TURNING PAGES BULLETIN 5 President Annual Benefit Executive Director James Gleick An exciting season of new 8 Audiobooks Ascending Mary Rasenberger Vice President programming and initiatives is General Counsel Richard Russo underway at the Guild—including 11 Cheryl L. Davis Monique Truong Tap, Tap, Click our Regional Chapters and Editor Treasurer 16 Q&A: Representative Hakeem Jeffries Martha Fay Peter Petre enhanced author websites— 18 Making the Copyright System Work Assistant Editor Secretary on top of the services we already Nicole Vazquez Daniel Okrent offer our members. But as for Creators Copy Editors Members of the Council Heather Rodino Deirdre Bair we all know, this takes funding. 20 Empathy as Craft Hallie Einhorn Rich Benjamin So, in our seasonal Bulletin, 23 Art Direction Amy Bloom we are going to start accepting Connecting Our Members: Studio Elana Schlenker Alexander Chee The Guild Launches Regional Chapters Pat Cummings paid advertising to offset our costs Cover Art + Illustration Sylvia Day and devote greater resources Ariel Davis Matt de la Peña 24 An Author’s Guide to the New Tax Code All non-staff contributors Peter Gethers to your membership benefits. 32 American Writers Museum Wants You to the Bulletin retain Annette Gordon-Reed But our new ad policy copyright to the articles Tayari Jones is not merely for the benefit of that appear in these pages.
    [Show full text]
  • Marlborough Litfest 2012
    Poetry ticketswww.marlboroughlitfest.org 0124928-30 701628 septembermarlborough literature festival 2012 Lead sponsor Simon Armitage Dickens Founder sponsor Children’s Writing Michael Frayn Judith Kerr Iain Banks Marlborough LitFest Howard Jacobson 2012 Storytelling Writing Workshops Protecting writers’ rights ALCS is an organisation run by writers for writers. We are dedicated to protecting and promoting authors’ rights and are both delighted and honoured to be the founding sponsor of Marlborough LitFest, a festival committed to literature and putting writing first. Find out more about the work we do for writers at www.alcs.co.uk Welcome to our third Marlborough Literature Festival. Fiction is sometimes overlooked at festivals so we are delighted to bring to you Welcome a programme that contains much that is new and exciting in the world of authors’ imaginations. To highlight Marlborough’s long connection with the Nobel Laureate and Booker Prize winner, William Golding, and in collaboration with his family, each year there will Marlborough be a Golding Author. We are proud and delighted that our first in this category is LitFest 2012 Howard Jacobson, 2011 winner of the Man Booker Prize and writer of consistently great fiction. Seriously funny might be a phrase coined to describe him. Howard opens the Festival followed by Michael Frayn, Iain Banks, Aminatta Forna and a delightful tea with Capuchin Classics, a small publishing house dedicated to reviving neglected classic fiction. We have also collaborated with the Society of Authors to bring you the winner of the 2012 McKitterick prize – for authors publishing their first book when they are over forty.
    [Show full text]
  • Intel® Girls and Women: Investing Today to Change Tomorrow
    News Fact Sheet Intel® Girls and Women: Investing Today to Change Tomorrow Millions of girls around the world have little or no access to education. Intel Corporation believes education is a fundamental right for everyone and has worked for decades to improve education around the world. Over the past few years, Intel has seen overwhelming data showing that when educated, girls and women become powerful catalysts for global progress and economic growth. One additional year of primary education alone can increase their future wages by 10 to 20 percent, while an extra year of secondary school adds another 15 to 25 percent (Council on Foreign Relations, 2004). Research shows that educated women reinvest much of their income into their families, proving that the impact of an educated girl or woman can be exponential and far-reaching. Intel recognizes the major role technology plays as both a bridge and an accelerator in not only improving the quality of education but also access to education. Every year, Intel and the Intel Foundation invest more than $100 million in corporate contributions around the world, including education efforts focused on girls and women. Through programs such as Intel Teach, the Intel International Science and Engineering Fair, the Intel Computer Clubhouse Network, Intel Learn and Intel Easy Steps, Intel is increasing its emphasis on girls and women. When empowered with technological tools, resources and opportunities to learn, the lives of girls are transformed and so are those of everyone they touch. Understanding the Gap Intel recognizes the power of data and the importance of understanding a problem to best drive action and obtain results.
    [Show full text]
  • IAAA Directors
    Institute of African American Affairs & Center for Black Visual Culture 50th Anniversary Celebration October 17, 2019 IAAA Directors In 1969, ROSCOE C. In 1946, Dr. Brown was employed as a social investigator BROWN JR. (1922–2016) with the NYC Department of Welfare and as a physical was named founding director education instructor at West Virginia State College until of the Institute of African 1948. Brown attended New York University, where he American Affairs (IAAA) and earned his master’s degree in 1949 and his PhD in served in that position for education in 1951, and became a professor at New York eight years before leaving to University for twenty-seven years. become the president of Bronx Community College in EARL S. DAVIS had a fifty- 1977. During his time at the year career, which began and IAAA, Dr. Brown hosted Soul ended with New York of Reason (SOR), a popular University. He received an radio series produced by MSW in 1957 from the WNYU and WNYC from Graduate School of Public 1971 to 1986. SOR aired on Administration and Social commercial radio station Service, and practiced social Roscoe Brown, Founding Director, WNBC and later on NYU's work in the field until 1972, 1969 – 1977 station WNYU and featured when he joined the Silver interviewees ranging from politicians to professional School of Social Work athletes to medical professionals to contemporary artists. (SSSW) staff as the assistant Dr. Brown focused on building a platform for dean for admissions, financial contemporary academics, thinkers, authors, and aid and student affairs. Davis community leaders who spoke directly to students, faculty, directed NYU’s IAAA from staff, and community members about issues impacting 1979 until 1994, and returned Earl S.
    [Show full text]