DOCSLIB.ORG

Some Centennial Events Year 1: September 1, 2017 – August 31, 2018

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Some Centennial Events Year 1: September 1, 2017 – August 31, 2018 Some Centennial Events Year 1: September 1, 2017 – August 31, 2018 Somedraft as Centennial of 3/17/2017 Events - confidential Year 1 (September 1, 2017 - August 31, 2018) Austria 4/07/2018 Tonkunstler Orchestra w/ Singverein and Vienna Boys Choir at Musikverein Graz Symphony No. 3: Kaddish 3/10/2018 Opernhaus Graz Carolyn Sampson, soprano; Ruth Brauer-Kvam, speaker Candide, concert version Yutaka Sado, conductor Marcus Merkel, conductor 4/08/2018 Tonkunstler Orchestra w/ Singverein and Vienna Boys Choir at 3/16/2018 Opernhaus Graz Musikverein Candide, concert version Symphony No. 3: Kaddish Marcus Merkel, conductor Carolyn Sampson, soprano; Ruth Brauer-Kvam, speaker Yutaka Sado, conductor 4/08/2018 Opernhaus Graz Candide, concert version 4/15/2018 Vienna Jeunesse Orchestra at Konzerthaus Vienna Marcus Merkel, conductor Candide Suite St. Polten Marc Piollet, conductor 4/19/2018 Musikverein 4/09/2018 Tonkunstler Orchestra w/ Singverein and Vienna Boys Choir at Festspielhaus Photo Exhibition - Bernstein and the Vienna Musikverein; through Symphony No. 3: Kaddish 6/30/2018 Carolyn Sampson, soprano; Ruth Brauer-Kvam, speaker 4/19/2018 Musikverein at Musikverein, Glass Hall Yutaka Sado, conductor Panel Discussion: "The Bernstein Phenomenon" Speakers: Dr. Thomas Angyan, Thomas Hampson, Christa Ludwig, Vienna Zubin Mehta, and Peter Schmidl 5/05/2018 Vienna Philharmonic Orchestra at Musikverein 11/05/2017 Tonkunstler Orchestra at Musikverein Symphony No. 1: Jeremiah Symphonic Dances from West Side Story Elisabeth Kulman, mezzo Wayne Marshall, conductor Zubin Mehta, conductor 11/07/2017 Tonkunstler Orchestra at Musikverein 5/06/2018 Symphonic Dances from West Side Story Tonkunstler Orchestra at Musikverein Wayne Marshall, conductor Candide Overture; Serenade Sayaka Shoji, violin 11/10/2017 Tonkunstler Orchestra at Musikverein Yutaka Sado, conductor On the Waterfront, Symphonic Suite Yutaka Sado, conductor 5/06/2018 Vienna Philharmonic Orchestra at Musikverein Symphony No. 1: Jeremiah 1/12/2018 Young German Philharmonic at Musikverein Elisabeth Kulman, mezzo Symphonic Dances from West Side Story Zubin Mehta, conductor Ingo Metzmacher, conductor 6/01/2018 Philadelphia Orchestra at Musikverein 2/20/2018 Altenberg Trio at Musikverein, Brahms-Saal Symphony No. 2: Age of Anxiety Piano Trio Jean-Yves Thibaudet, piano 3/15/2018 Houston Symphony at Konzerthaus Vienna Yannick Nézet-Séguin, conductor Symphonic Dances from West Side Story; Serenade 6/06/2018 Musikverein at Musikverein, Glass Hall Hilary Hahn, violin Bernstein Symposium: Young People's Concerts Andrés Orozco-Estrada, conductor Will include Symposium for specialist publication, a panel 3/22/2018 Neue Oper Wien at Theater an der Wein discussion, a visit from Cornelius Meister, and possible Young A Quiet Place, chamber version People's Concert screenings Walter Kobéra, conductor 6/07/2018 ORF Vienna Radio Symphony Orchestra at Musikverein Philipp M. Krenn, director Chichester Psalms; West Side Story Suite 3/24/2018 Neue Oper Wien at Theater an der Wein Cornelius Meister, conductor A Quiet Place, chamber version Walter Kobéra, conductor Canada Philipp M. Krenn, director Edmonton 3/24/2018 Tonkunstler Orchestra at Musikverein 1/21/2018 Edmonton Symphony Orchestra Fancy Free On the Town, Three Dance Episodes Hugh Wolff, conductor William Eddins, conductor 3/25/2018 Neue Oper Wien at Theater an der Wein 3/02/2018 Edmonton Symphony Orchestra A Quiet Place, chamber version Make Our Garden Grow Walter Kobéra, conductor Jack Everly, conductor Philipp M. Krenn, director 3/03/2018 Edmonton Symphony Orchestra 3/25/2018 Tonkunstler Orchestra at Musikverein Make Our Garden Grow Fancy Free Jack Everly, conductor Hugh Wolff, conductor 3/10/2018 Edmonton Symphony Orchestra 3/27/2018 Neue Oper Wien at Theater an der Wein Fancy Free, Three Dance Variations; Serenade A Quiet Place, chamber version Andrew Wan, violin Walter Kobéra, conductor William Eddins, conductor Philipp M. Krenn, director Toronto 3/29/2018 Neue Oper Wien at Theater an der Wein 4/06/2018 Bernstein @ 100 at Royal Conservatory, Koerner Hall A Quiet Place, chamber version Anniversaries Walter Kobéra, conductor Jamie Bernstein; Sebastian Knauer; Wallis Giunta Philipp M. Krenn, director 4/26/2018 Toronto Symphony Orchestra 3/30/2018 Neue Oper Wien at Theater an der Wein Candide, concert version A Quiet Place, chamber version Bramwell Tovey, conductor Walter Kobéra, conductor Philipp M. Krenn, director 4/27/2018 Amici Chamber Ensemble at Royal Conservatory Arias & Barcarolles; Candide Suite; West Side Story, selections 4/02/2018 Neue Oper Wien at Theater an der Wein Mezzo, Baritone, and Pianists TBD A Quiet Place, chamber version Conductor TBD Walter Kobéra, conductor Philipp M. Krenn, director 4/28/2018 Toronto Symphony Orchestra Candide, concert version Bramwell Tovey, conductor *Information listed is subject to change. 1 Somedraft as Centennial of 3/17/2017 Events - confidential Year 1 (September 1, 2017 - August 31, 2018) 6/13/2018 Toronto Symphony Orchestra 12/06/2017 Brenner Tours at Culture Square Fancy Free, Three Dances from West Side Story Peter Oundjian, conductor Donald Chan, conductor 6/14/2018 Toronto Symphony Orchestra Czech Republic Fancy Free, Three Dances from Peter Oundjian, conductor Prague 11/01/2017 Czech Philharmonic at Rudolfinum China Serenade Hong Kong Vadim Gluzman, violin 6/01/2018 Chinese University of Hong Kong Chorus Jiří Bělohlávek, conductor Psalm 149; Simchu na; Yigdal; Choruses from Candide & Mass; 11/02/2017 Czech Philharmonic at Rudolfinum Trouble in Tahiti Serenade 6/08/2018 Hong Kong Philharmonic Vadim Gluzman, violin Serenade Jiří Bělohlávek, conductor James Ehnes, violin 11/03/2017 Czech Philharmonic at Rudolfinum Jaap van Zweden, conductor Serenade 6/09/2018 Hong Kong Philharmonic Vadim Gluzman, violin Serenade Jiří Bělohlávek, conductor James Ehnes, violin 1/17/2018 Prague Symphony Orchestra and the Prague Philharmonic Choir Jaap van Zweden, conductor Chichester Psalms 6/22/2018 Hong Kong Philharmonic Elli Jaffe, conductor Candide Overture 1/18/2018 Prague Symphony Orchestra and the Prague Philharmonic Choir Jaap van Zweden, conductor Chichester Psalms 6/23/2018 Hong Kong Philharmonic Elli Jaffe, conductor Candide Overture Denmark Jaap van Zweden, conductor Copenhagen 6/29/2018 Hong Kong Philharmonic at Cultural Center West Side Story, Film with Live Orchestra 1/25/2018 Copenhagen Philharmonic Jayce Ogren, conductor On the Waterfront, Symphonic Suite; Symph No. 2: Age of Anxiety Olga Kern, piano 6/30/2018 Hong Kong Philharmonic at Cultural Center West Side Story, Film with Live Orchestra Stefan Ashbury, conductor Jayce Ogren, conductor 1/26/2018 Copenhagen Philharmonic On the Waterfront, Symphonic Suite; Symph No. 2: Age of Anxiety 7/06/2018 Hong Kong Philharmonic at Cultural Center Bernstein: On Stage & Screen Olga Kern, piano Four Singers TBD Stefan Ashbury, conductor John Wilson, conductor England 7/07/2018 Hong Kong Philharmonic at Cultural Center London Bernstein: On Stage & Screen Four Singers TBD 10/07/2017 London Symphony Orchestra at St Luke's Church John Wilson, conductor Chichester Psalms; this is an LSO choral singing day. Simon Halsey, conductor Shanghai 11/04/2017 London Symphony Orchestra at Barbican 11/23/2017 Brenner Tours at Culture Square Family Concert: Celebrating Bernstein West Side Story Marin Alsop, conductor Donald Chan, conductor 11/05/2017 London Symphony Orchestra at Barbican 11/24/2017 Brenner Tours at Culture Square Halil; Symphony No. 3: Kaddish West Side Story Adam Walker, flute; Laura Claycomb, soprano; Speaker TBD Donald Chan, conductor Marin Alsop, conductor 11/25/2017 Brenner Tours at Culture Square 11/08/2017 London Symphony Orchestra at Barbican West Side Story Symphony No. 1: Jeremiah Donald Chan, conductor Jamie Barton, mezzo 11/26/2017 Brenner Tours at Culture Square Marin Alsop, conductor West Side Story 12/16/2017 London Symphony Orchestra at the Barbican Donald Chan, conductor Wonderful Town, concert version; Symphony No. 2: Age of Anxiety 11/28/2017 Brenner Tours at Culture Square Krystian Zimerman, piano West Side Story Simon Rattle, conductor Donald Chan, conductor 12/21/2017 London Symphony Orchestra at the Barbican 11/29/2017 Brenner Tours at Culture Square Wonderful Town, concert version West Side Story Simon Rattle, conductor Donald Chan, conductor 12/21/2017 London Symphony Orchestra at the Barbican 11/30/2017 Brenner Tours at Culture Square Wonderful Town, concert version; Symphony No. 2: Age of Anxiety West Side Story Krystian Zimerman, piano Donald Chan, conductor Simon Rattle, conductor 12/01/2017 Brenner Tours at Culture Square 1/27/2018 BBC Singers at St Giles' Cripplegate West Side Story Total Immersion: BBC Singers Perform Leonard Bernstein; Donald Chan, conductor Hashkiveinu; Simchu Na; The Lark; Chichester Psalms 12/02/2017 Brenner Tours at Culture Square Ragnar Bohlin, conductor West Side Story 1/27/2018 BBC Symphony Orchestra at Barbican Donald Chan, conductor Candide Overture; Serenade; Songfest 12/03/2017 Brenner Tours at Culture Square Vadim Gluzman, violin; Sophia Burgos, soprano; J'Nai Bridges, West Side Story mezzo; Fleur Barron; alto, Nicky Spence, tenor; Nmon Ford, Donald Chan, conductor baritone David Charles Abell, conductor 12/05/2017 Brenner Tours at Culture Square West Side Story 1/27/2018 BBC Symphony Orchestra & Chorus at Barbican Centre, Fountain Donald Chan, conductor Room Total Immersion Leonard Bernstein: The Man and the Music (talk) *Information listed is subject to change. 2 Somedraft as Centennial of 3/17/2017
Load more

Recommended publications
  • Academy of Theatre and Dance Theatre
    Academy of Theatre and Dance Theatre TechniekTechnical enTheatre Theater - 2828 ScenografieScenography 24 AssociateArts - Associate Degree Degree Academy of Theatre and Dance ProductieProduction PodiumkunstenPodiumkiunsten and Stage Management 2222 TheaterdocentTheatre in Education Verkort 1818 Abbreviated 2 Dance Academy of Theatre and Dance National Ballet Academy Urban Contemporary (JMD) 42 46 Modern Theatre 44 5 O’Clock Class 52 Dance School for New Dance 48 Development (SNDO) Dance in Education 50 DAS Choreography 60 1 Creative team Techniek en Theater 26 Regie Opleiding 20 Uitvoerenden Amsterdamse Toneelschool &Kleinkunstacademie 12 Makers Mime Opleiding 14 Docenten Theaterdocent 16 Masters DAS Theatre 58 Theater Techniek en Theater - 28 Scenografie 24 Associate Degree Academy of Theatre and Dance Productie Podiumkunsten 22 Theaterdocent Verkort 18 1 Nine reasons to study at the Academy of Theatre and Dance Academy of Theatre and Dance The Academy of Theatre and Dance (formerly de Theaterschool) is the Netherlands’ premier training school for all theatre and dance disciplines at bachelor and master’s degree level. As a student, you are the star of our show: we’ve built our courses to service your artistic talent, your ambitions and your dreams. Here are nine reasons why you should study with us. 2 Academy of Theatre and Dance 1 We’re one of a kind! Our academy is the only one of its kind in the Netherlands: we are the only theatre and dance academy in the country with all disciplines and relevant resources under one roof. Students from fifteen specialisms can meet and inspire one another here, break new ground and challenge conventional thinking.
    [Show full text]
  • Op Er a at the S Ymp H on Y!
    UMD Repertoire Orchestra SYMPHONY! THE OPERA AT Presents Music Maryland of of School University Wednesday, October 16, 2019 . 8:00PM DEKELBOUM CONCERT HALL at The Clarice PROGRAM University of Maryland School of Music Presents PROGRAM OPERA AT THE SYMPHONY! UMD REPERTOIRE ORCHESTRA Jesse Leong Music Director Yu Wang Assistant Conductor Overture to The Magic Flute ................................Wolfgang Amadeus Mozart (1756-1791) Yu Wang, conductor Three Dances from The Bartered Bride ............................ Bedřich Smetana (1824-1884) Arr. Hugo Riesenfeld I. Polka II. Furiant III. Dance of the Comedians Suites from Carmen ................................................................. Georges Bizet (1838-1875) Arr. Ernest Guiraud I. Prélude Ia. Aragonaise II. Intermezzo III. Seguedille IV. Les dragons d’Alcala V. Les Toréadors VI. Marche des contrebandiers VII. Habanera VIII. Nocturne IX. Chanson du Toréador X. La garde montante XI. Dance Bohème xx UMD Repertoire Orchestra (UMRO) would like to acknowledge the following graduate assistants, faculty, staff and friends for their contributions to this performance: David Neely, Tiffany Lu, Madeleine Jansen, Chi Lee, Emily Doveala, Jason Gekker, Abby Wuehler, Sabrina Boggs, Michael Chong and Sinan Wang. 3 ABOUT THE ASSISTANT CONDUCTOR Possessing a repertoire of over forty-five operas and musicals ranging from Mozart YU WANG is a young Canadian conductor who made her jump into music and Puccini to Rodgers & Hammerstein and Stephen Sondheim, conductor and literally. While a student in business school, Wang booked a last-minute pianist JESSE LEONG is a musician of uncommon breadth and versatility. His flight and moved West determined to pursue her passion in music. conducting has been called “taut and assured” by Opera Today.
    [Show full text]
  • Leonard Bernstein
    Leonard Bernstein Arias and Barcarolles (Bright Sheng version) 1988 31 min for mezzo and baritone, strings and percussion Orchestrated with the assistance of Bright Sheng perc(2):xyl/glsp/vib/small cym/small SD/large SD/chimes/small BD/ tamb/tgl/crotales/small tam-t/police whistle/small wdbl/large wdbl/ small susp.cym/TD-strings Availability: This work is available from Boosey & Hawkes for the world Arias and Barcarolles (Bruce Coughlin version) Leonard Bernstein photo © Susech Batah, Berlin (DG) Leonard Bernstein, arranged by Bruce Coughlin 1988, arr. 1993 31 min VOICE(S) AND ORCHESTRA arranged for mezzo-soprano, baritone and chamber orchestra 1(=picc).1(=corA).1(=Ebcl,asax).1-2.1.0.0-perc(2):timp/SD/low tom-t/ 1600 Pennsylvania Avenue trap set(hi-hat cym/ride cym/BD)/cyms/susp.cym/low gong/crot/ slapstick/rainstick/auto brake dr/police whistle/tamb/tgl/wdbl/ Selections for concert performance glsp/xyl/vib-strings(8.8.6.6.3 or 1.1.1.1.1) 1976 Availability: This work is available from Boosey & Hawkes for the world for solo voice and orchestra Bernstein's Blues Availability: This work is available from Boosey & Hawkes for the world Leonard Bernstein, arranged by Sid Ramin 2003 14 min 1600 Pennsylvania Avenue a suite of four songs arranged for voice and orchestra: Ain't Got No Tears Take Care of this House Left, Lonely Me, Screwed On Wrong, Big Stuff 1976 4 min 2.2.2.2.asax.tsax.barisax-2.2.2.1-timp-perc(trap set)-gtr-pft-strings for voice and orchestra Availability: This work is available from Boosey & Hawkes for the world 1.1.2.bcl.1-2.2.2.1-perc(2):timp/xyl/bells-harp-guitar-pft-strings
    [Show full text]
  • Dutch National Opera Le Nozze Di Figaro
    Gary Cooper The Irresistible A New Documentary by Julia and Clara Kuperberg Maria Cooper Janis, Cooper's daughter, INTERNATIONAL Poorhouse opens up to talk about the acting career of her father Newsletter No48 April - September 2019 AMERICAN TAP A uniquely American story that illustrates the vibrant and powerful nature of a cultural melting pot “At a time when America is ivy films struggling with its cultural identity 2 - when anti-immigrant and nativist sentiment boils over into outright racism and xenophobia - we are compelled to look inward to unpack what it means to be American.” Mark Wilkinson Mark Wilkinson Fights of Nations AMERICAN TAP Performers include Jason Samuel Smith and This documentary by William Henry Lane aka Master Juba, Aida Mark Wilkinson traces Overton Walker, Bill Bojangles Robinson, John W Bubbles, Baby Laurence, Chuck Green, tap dancing from The Copasetics, Gregory Hines, Savion Glover, Ginger Rogers, Anne Miller, Vera its origins, through Ellen and Eleanor Powell. Tap dance experts its evolution, to the and historians round off this entertaining and As we dig into the heritage of American instructive documentary. current form. It is a tap dancing, we discover that elements of our history which have the potential to tear us directed by Mark Wilkinson uniquely American apart - the stigma of slavery and the friction produced by Annunziata Gianzero story that illustrates caused by immigration - are the same forces for Ivy Films Inc. which bind us together and fuel our dynamic the vibrant and society. This shared experience is the cultural running time 58' and 88' Shot in HD fire that forged the art form of tap dancing.
    [Show full text]
  • [email protected] N
    FOR IMMEDIATE RELEASE UPDATED May 28, 2015 February 17, 2015 Contact: Katherine E. Johnson (212) 875-5718; [email protected] NEW YORK PHILHARMONIC TO RETURN TO BRAVO! VAIL FOR 13th-ANNUAL SUMMER RESIDENCY, JULY 24–31, 2015 Music Director Alan Gilbert To Lead Three Programs Bramwell Tovey and Joshua Weilerstein Also To Conduct Soloists To Include Violinist Midori, Cellist Alisa Weilerstein, Pianists Jon Kimura Parker and Anne-Marie McDermott, Acting Concertmaster Sheryl Staples, Principal Viola Cynthia Phelps, Soprano Julia Bullock, and Tenor Ben Bliss New York Philharmonic Musicians To Perform Chamber Concert The New York Philharmonic will return to Bravo! Vail in Colorado for the Orchestra’s 13th- annual summer residency there, featuring six concerts July 24–31, 2015, as well as a chamber music concert performed by Philharmonic musicians. Music Director Alan Gilbert will conduct three programs, July 29–31, including an all-American program and works by Mendelssohn, Mahler, Mozart, and Shostakovich. The other Philharmonic concerts, conducted by Bramwell Tovey (July 24 and 26) and former New York Philharmonic Assistant Conductor Joshua Weilerstein (July 25), will feature works by Grieg, Elgar, Tchaikovsky, Rachmaninoff, and Richard Strauss, among others. The soloists appearing during the Orchestra’s residency are pianists Jon Kimura Parker and Anne-Marie McDermott, cellist Alisa Weilerstein, violinist Midori, soprano Julia Bullock and tenor Ben Bliss, and Acting Concertmaster Sheryl Staples and Principal Viola Cynthia Phelps. The New York Philharmonic has performed at Bravo! Vail each summer since 2003. Alan Gilbert will lead the concert on Wednesday, July 29, featuring Mendelssohn’s Violin Concerto, with Midori as soloist, and Mahler’s Symphony No.
    [Show full text]
  • Dédé Et Tété En Amérique
    Alice n’est plus ici Un premier film hollywoodien de Scorsese et un Oscar pour l’actrice Ellen Burstyn. 1 Sur CineCinema Culte. PAGE 24 Profession régisseur Quatrième portrait de notre série TV&Radio d’été consacrée aux métiers Du lundi 4 août de la fiction. PAGES 2 ET 3 au dimanche 10 août 2008 Dédé et Tété en Amérique L’audiovisuel public en questions (4) Entretien avec Catherine Tasca, sénatrice (PS) des Yvelines, ex-ministre de la culture et de la communication. PAGE 3 Belleville tour Khalid Maadour, Francis Renaud et Marilou Berry dans une fable sociale drôle et légère. Sur France 2. PAGE 12 Le musicien André Manoukian et le chanteur- Nathalie Guyon/ France 5 ; Warner ; Calt Production ; compositeur Tété PHOTOPQR/La Voix du Nord ; Jean Pimentel/France 2. dans un road-movie musical en quatre étapes sur France 5. PAGE 16 - CAHIER DU « MONDE » DATÉ DIMANCHE 3 - LUNDI 4 AOÛT 2008, Nº 19757. NE PEUT ÊTRE VENDU SÉPARÉMENT - 2 Le Monde Dimanche 3 - Lundi 4 août 2008 SÉRIES D’ÉTÉ Les métiers de la fiction (4) Service compris Régisseur. Des places de parking à l’hébergement de l’équipe ou à l’installation d’une cantine en passant par le transport du matériel, des techniciens ou des comédiens, il est en charge de la logistique d’un tournage et sert d’interface entre le plateau et le monde extérieur ORSQUE nous l’avons être transférée… vers l’auberge rencontré, à Mende, de jeunesse. en Lozère, fin juin, Chargés de la logistique et de Fabien Morault, ré- l’intendance pour toute la com- gisseur de cinéma, munauté impliquée dans l’élabo- était « en sinistre » : ration d’un film, les régisseurs le tournage de sont responsables du lieu de L« Hero corp », une série produite tournage, de la sécurisation des par la société Calt (« Kaame- personnes et de la zone de tra- lott », « Caméra café », « Off- vail.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 118, 1998-1999
    BOSTON SYMPHONY ORCHESTRA 1 I O Z AWA ' T W E N T Y- F I F 1 H ANNIVERSARY SEASO N 1 1 8th Season • 1 998-99 Bring your Steinway: < With floor plans from acre gated community atop 2,100 to 5,000 square feet, prestigious Fisher Hill you can bring your Concert Jointly marketed by Sotheby's Grand to Longyear. International Realty and You'll be enjoying full-service, Hammond Residential Real Estate. single-floor condominium living at Priced from $1,100,000. its absolutefinest, all harmoniously Call Hammond Real Estate at located on an extraordinary eight- (617) 731-4644, ext. 410. LONGYEAR at Jisner Jiill BROOKLINE Seiji Ozawa, Music Director 25TH ANNIVERSARY SEASON Bernard Haitink, Principal Guest Conductor One Hundred and Eighteenth Season, 1998-99 Trustees of the Boston Symphony Orchestra, Inc. R. Willis Leith, Jr., Chairman Nicholas T. Zervas, President Peter A. Brooke, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Harvey Chet Krentzman, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson Deborah B. Davis Edna S. Kalman Vincent M. O'Reilly Gabriella Beranek Nina L. Doggett George Krupp Peter C. Read James E Cleary Nancy J. Fitzpatrick Mrs. August R. Meyer Hannah H. Schneider John F. Cogan, Jr. Charles K. Gifford, Richard P. Morse Thomas G. Sternberg Julian Cohen ex-ojficio Mrs. Robert B. Stephen R. Weiner William F. Connell Avram J. Goldberg Newman Margaret Williams- William M. Crozier, Jr. Thelma E. Goldberg Robert P. O'Block, DeCelles, ex-qfficio Nader F Darehshori Julian T. Houston ex-ojficio Life Trustees Vernon R.
    [Show full text]
  • Chuaqui C.V. 2019
    MIGUEL CHUAQUI, Ph.D. Professor Director, University of Utah School of Music 1375 East Presidents Circle Salt Lake City, UT 84112 801-585-6975 [email protected] www.miguelchuaqui.com EDUCATION AND TRAINING 2007: Summer workshops in advanced Max/MSP programming, IRCAM, Paris. 1994 - 96: Post-doctoral studies in interactive electro-acoustic music, Center for New Music and Audio Technologies (CNMAT), University of California, Berkeley. 1994: Ph.D. in Music, University of California, Berkeley, Andrew Imbrie, graduate advisor. 1989: M.A. in Music, University of California, Berkeley. 1987: B.A. in Mathematics and Music, With Distinction, University of California, Berkeley. 1983: Studies in piano performance and Mathematics, Universidad Católica de Chile, Santiago, Chile. 1982: Certificate in Spanish/English translation, Cambridge University, England. 1976 - 1983: Studies in piano performance, music theory and musicianship, Escuela Moderna de Música, Santiago, Chile. WORK HISTORY 2009 – present: Professor, School of Music, University of Utah, Salt Lake City, Utah; Chair, Composition Area, 2008-2014. 2003 - 2009: Associate Professor, School of Music, University of Utah, Salt Lake City, Utah. 1996 - 2003: Assistant Professor, School of Music, University of Utah, Salt Lake City, Utah. 1994 – 1996: Organist and Assistant Conductor, St. Bonaventure Catholic Church, Clayton, California. 1992 - 1996: Instructor, Music Department, Laney College, Oakland, California. Music Theory and Musicianship. 1992 – 1993: Lecturer, Music Department, San Francisco State University, San Francisco, California. (One-year music theory sabbatical replacement position). 1989 – 1992: Graduate Student Instructor, University of California, Berkeley, California. updated 2/19 Miguel Chuaqui 2 UNIVERSITY, PROFESSIONAL, AND PUBLIC SERVICE ADMINISTRATIVE APPOINTMENTS 2015-present: Director, University of Utah School of Music.
    [Show full text]
  • Speaker Materials
    Speaker Materials Partnering organizations: The Akdamut – an Aramaic preface to our Torah Reading Rabbi Gesa S. Ederberg ([email protected]) ַאְקָדּמוּת ִמִלּין ְוָשָׁריוּת שׁוָּת א Before reciting the Ten Commandments, ַאְוָלא ָשֵׁקְלָא ַהְרָמןְוּרשׁוָּת א I first ask permission and approval ְבָּבֵבי ְתֵּרי וְּתַלת ְדֶאְפַתְּח בּ ַ ְקשׁוָּת א To start with two or three stanzas in fear ְבָּבֵרְי דָבֵרי ְוָטֵרי ֲעֵדי ְלַקִשּׁישׁוָּת א Of God who creates and ever sustains. ְגּבָוּרן ָעְלִמין ֵלהּ ְוָלא ְסֵפק ְפִּרישׁוָּת א He has endless might, not to be described ְגִּויל ִאְלּוּ רִקיֵעי ְק ֵ ָי כּל חְוּרָשָׁת א Were the skies parchment, were all the reeds quills, ְדּיוֹ ִאלּוּ ַיֵמּי ְוָכל ֵמיְכִישׁוָּת א Were the seas and all waters made of ink, ָדְּיֵרי ַאְרָעא ָסְפֵרי ְוָרְשֵׁמַי רְשָׁוָת א Were all the world’s inhabitants made scribes. Akdamut – R. Gesa Ederberg Tikkun Shavuot Page 1 of 7 From Shabbat Shacharit: ִאלּוּ פִ יוּ מָ לֵא ִשׁיָרה ַכָּיּ ם. וּלְשׁו ֵוּ ִרָנּה כַּהֲמון גַּלָּיו. ְושְפתוֵתיוּ ֶשַׁבח ְכֶּמְרֲחֵבי ָ רִקיַע . וְעֵיֵיוּ ְמִאירות ַכֶּשֶּׁמ שׁ ְוַכָיֵּרַח . וְ יָדֵ יוּ פְ רוּשות כְּ ִ ְשֵׁרי ָשָׁמִי ם. ְוַרְגֵליוּ ַקלּות ָכַּאָיּלות. ֵאין אֲ ַ ְחוּ ַמְסִפּיִקי ם לְהודות לְ ה' אֱ להֵ יוּ וֵאלהֵ י ֲאבוֵתיוּ. וְּלָבֵר ֶאת ְשֶׁמ עַל ַאַחת ֵמֶאֶלף ַאְלֵפי אֲלָ ִפי ם ְוִרֵבּי ְרָבבות ְפָּעִמי ם Were our mouths filled with song as the sea, our tongues to sing endlessly like countless waves, our lips to offer limitless praise like the sky…. We would still be unable to fully express our gratitude to You, ADONAI our God and God of our ancestors... Akdamut – R. Gesa Ederberg Tikkun Shavuot Page 2 of 7 Creation of the World ֲהַדר ָמֵרי ְשַׁמָיּא ְו ַ שׁ ִלְּיט בַּיֶבְּשָׁתּ א The glorious Lord of heaven and earth, ֲהֵקים ָעְלָמא ְיִחָידאי ְוַכְבֵּשְׁהּ בַּכְבּשׁוָּת א Alone, formed the world, veiled in mystery.
    [Show full text]
  • Chazzonos, As Presented Here for My Thesis, Represents Three Chapters
    AN ABSTRACT OF THE THESIS OF Lyle RockIer for the degree of Master of Arts in Englishpresented on May & 1997. Title: Chazzonos. Redacted for Privacy Abstract approved: I Tracyba Chazzonos, as presented here formy thesis, represents three chapters of what will be a novel of thesame name. Chazzonos is about Hal Perimutter, a cantor, who at the outset of the novel, isresigning his position of twenty years. The novelprogresses as Hal decides where he will go after Mirthgate Temple and what will be meaningfulto him. Hal's decision is complicated by the opposing forces thatrun through him: the conservative side that is attracted to ritual, tradition, and, especially, themusic of the ancient and respectable art of the cantor; and the liberal,neo-60s, almost anarchic nature of his personal life. In these three chapters, the dilemmas of Hal's lifeare introduced. He deals with the implications ofan inheritance that has allowed him to resign; he struggles with the mystery ofa relationship that is developing between his homosexual son anda new lover; and he is challenged by his long-time girlfriend to make the ultimate commitment of marriage.Throughout the narrative, Hal is affected by his attachment to the musicof chazzonos (the cantorial art) and by memories of family and tradition,nostalgic as well as painful. The questions these three chapters introduceand thatwill develop as the entire novel progressesare those of love, tradition, obligation, and how one struggles with opposing forces in one'snature. CHAZZONOS Lyle Rockier A THESIS submitted to Oregon State University in partial fulfifiment of the requirements for the degree of Master of Arts Presented May 8, 1997 Commencement June 1997 Master of Arts thesis of Lyle Rockier presentedon May 8.
    [Show full text]
  • PRELUDE, FUGUE News for Friends of Leonard Bernstein RIFFS Spring/Summer 2004 the Leonard Bernstein School Improvement Model: More Findings Along the Way by Dr
    PRELUDE, FUGUE News for Friends of Leonard Bernstein RIFFS Spring/Summer 2004 The Leonard Bernstein School Improvement Model: More Findings Along the Way by Dr. Richard Benjamin THE GRAMMY® FOUNDATION eonard Bernstein is cele­ brated as an artist, a CENTER FOP LEAR ll I IJ G teacher, and a scholar. His Lbook Findings expresses the joy he found in lifelong learning, and expounds his belief that the use of the arts in all aspects of education would instill that same joy in others. The Young People's Concerts were but one example of his teaching and scholarship. One of those concerts was devoted to celebrating teachers and the teaching profession. He said: "Teaching is probably the noblest profession in the world - the most unselfish, difficult, and hon­ orable profession. But it is also the most unappreciated, underrat­ Los Angeles. Devoted to improv­ There was an entrepreneurial ed, underpaid, and under-praised ing schools through the use of dimension from the start, with profession in the world." the arts, and driven by teacher each school using a few core leadership, the Center seeks to principles and local teachers Just before his death, Bernstein build the capacity in teachers and designing and customizing their established the Leonard Bernstein students to be a combination of local applications. That spirit Center for Learning Through the artist, teacher, and scholar. remains today. School teams went Arts, then in Nashville Tennessee. The early days in Nashville, their own way, collaborating That Center, and its incarnations were, from an educator's point of internally as well as with their along the way, has led to what is view, a splendid blend of rigorous own communities, to create better now a major educational reform research and talented expertise, schools using the "best practices" model, located within the with a solid reliance on teacher from within and from elsewhere.
    [Show full text]
  • Program Book
    I e lson rti ic ire r & ndu r Schedule of Events CHAMBER CONCERTS Wednesday, January 1.O, 2007, 7100 PM Boulder Public Library Canyon Theater,9th & Canyon Friday, January L3, 7 3O PM Rocky Mountain Center for Musical Arts, 200 E. Baseline Rd., Lafayette Program: Songs on Chinese andJapanese Poems SYMPOSIUM Saturday, January L7, 2OO7 ATLAS Room 100, University of Colorado-Boulder 9:00 AM - 4:30 PM 9:00 AM: Robert Olson, MahlerFest Conductor & Artistic Director 10:00 AM: Evelyn Nikkels, Dutch Mahler Society 11:00 AMrJason Starr, Filmmaker, New York City Lunch 1:00 PM: Stephen E Heffiing, Case Western Reserve University, Keynote Speaker 2100 PM: Marilyn McCoy, Newburyport, MS 3:00 PMr Steven Bruns, University of Colorado-Boulder 4:00 PM: Chris Mohr, Denver, Colorado SYMPHONY CONCERTS Saturday, January L3' 2007 Sunday,Janaary L4,2O07 Macky Auditorium, CU Campus, Boulder Thomas Hampson, baritone Jon Garrison, tenor The Colorado MahlerFest Orchestra, Robert Olson, conductor See page 2 for details. Fundingfor MablerFest XXbas been Ttrouid'ed in ltartby grantsftom: The Boulder Arts Commission, an agency of the Boulder City Council The Scienrific and Culrural Facilities Discrict, Tier III, administered by the Boulder County Commissioners The Dietrich Foundation of Philadelphia The Boulder Library Foundation rh e va n u n dati o n "# I:I,:r# and many music lovers from the Boulder area and also from many states and countries [)AII-..]' CAMEI{\ il M ULIEN The ACADEMY Twent! Years and Still Going Strong It is almost impossible to fully comprehend
    [Show full text]