DOCSLIB.ORG

Italian Videos - (Last Update September 16, 2019) Use the Find Function to Search This List

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Italian Videos - (last update September 16, 2019) Use the Find function to search this list Death in Venice Director: Luchio Visconti With Bogarde, Mark Burns, Bjorn Andresen, Silvana Mangano. 1971, 130 minutes, English. Adapted Thomas Mann’s story of a jaded, middle-aged German composer on holiday in Venice who spots a handsome young boy on the beach. His doomed obsession with the youth renews his interest in living. LLC Library – CALL NO. IT 014 Alpine Adventure 1994,120 minutes. Discover heartbreaking beauty; heart pounding excitement, five glorious countries, every spectacular season, and not-to-be-missed celebrations – all on your Alpine Adventure. Romantic France and Italy – The Olympic legacy of Chamonix …the beautiful vineyards of the Savoie…elusive chamois and ibex…the bewitching spell of Italy’s Lake District…mouth-watering fondue and gnocchi…the spectacular beauty of the Dolomites. Splendid Switzerland – The ski runs at St. Moritz…ice climbing and dog sledding…farmers making real Swiss cheese…the bears of Bern…”All aboard!” the Glacier Express…alphorns and yodeling…handcrafted watches…the Matterhorn in all its glory. Enchanting Austria and Germany – A stunning balloon ride over the Tyrol…marionettes performing Mozart in his hometown of Salzburg…Christmas Austrian style…raising steins at Munich’s Oktoberfest…the fairy tale castles of “Mad” King Ludwig of Bavaria. LLC Library CALL NO. MLGP 031 Art of the Italian Renaissance 1992 Studio Quart, about 30 minutes. Masterpieces of the Hermitage – Museum of St. Petersburg. LLC Library CALL NO. MLGP 011 Bellissimo: Images of the Italian Cinema Director: Gianfranco Mingozzi. 1987, 110 minutes, English subtitles & English narration. A panoramic view of the Italian cinema, spanning over 40 years, with film clips and interviews with some of the most influential artists of the Italian film industry, including Mastroianni, Fellini, Loren and many others. A must for any foreign film buff. LLC Library CALL NO. IT 009 Bitter Rice Director: Guiseppe de Santis with Silvana Magnano, Vittorio Gassman, Ralf Vallone, Doris Dowling, Lia Corelli. 1949, 96 minutes, Italian with English subtitles. In the dreary rice fields of the Po Valley, a thief on the run meets a hard-working, beautiful girl. Magnano portraits the seductive rice worker who betrays her comrades in order to steal the thief’s loot. LLC Library CALL NO. IT 010 Cavalleria Rusticana with notes. Pietro Mascagni. Coro & Orchestra del Teatro alla Scala, Milano. Direttore: Georges Prêtre with Elena Obraztsova, Plácido Domingo, Fedora Barbieri, Renato Bruson, Axelle Gall. A film by Franco Zeffirelli. 1982, 71 minutes, sung in Italian. Story of peasant life in Sicily. LLC Library CALL NO. IT 006 Cinema Paradiso Director: Guiseppe Tornatore with Philippe Noiret, Jaques Perrin, Antonella Attili, Pupella Maggio, Salvatore Cascio. 1989, 121 minutes, Italian with yellow English subtitles. A charming, bittersweet tribute to the power of movies. It tells of a young boy in Sicily where he served as an apprentice to the projectionist at his small town’s only movie theater. After 30 years of movie making he goes back and makes a secret, beautiful discovery. 3 copies. Copies 2 and 3 are DVD “Cinema Paradiso the New Version”, Run Time: 174 minutes LLC Library CALL NO. IT 001 Classical World of Greece and Rome, The 1992, Studio Quart, about 30 minutes. Masterpieces of the Hermitage – Museum of St Petersburg. LLC Library CALL NO. MLGP 015 Da Vinci, Raphael and the High Italian Renaissance 1992, Studio Quart, about 30 minutes. Masterpieces of the Hermitage – Museum of St. Petersburg LLC Library CALL NO. MLGP 016 Dante’s Inferno Director: Peter Greenaway with John Gielgud, Bob Peck, Joanne Whalley, Laurie Booth, Susan Wooldridge, Susan Crowley. 1993, 8 segments, 11 minutes each, color. This ambitious program, produced by the award-winning film director Peter Greenaway and internationally-known artist Tom Phillips, brings to life the first eight cantos of Dante’s Inferno. Featuring a cast that includes Sir John Gielgud as Virgil, the cantos are not conventionally dramatized. Instead, the feeling of Dante’s poem is conveyed through juxtaposed imagery that conjures up a contemporary vision of hell, and its meaning is deciphered by eminent scholars in visual sidebars who interpret Dante’s metaphors and symbolism. LLC Library CALL NO. Look in MLAM Decorative Arts of Italy, France and England 1992, Studio Quart, about 30 minutes. Masterpieces of the Hermitage – Museum of St. Petersburg. LLC Library CALL NO. MLGP 017 Etruscans, The – with booklet. 1987, 31 minutes. The mysterious Etruscans produced the first civilization on the Italian Peninsula. Beautiful tomb relics are now revealing the Etruscan story. Enhanced slide show on video. Two parts. LLC Library CALL NO. see Classics Gold of Naples, The Director: Vittorio de Sica with Sophia Loren, Vittorio de Sica, Toto, Silvana Magnano 1954, 107 minutes, Italian with English subtitles. Four vignettes comprise this famous omnibus film set in the old section of Naples: The Racketeer is about a poor soul bullied by his wife and children. Pizza on Credit portrays the young wife of a pizza baker. The Gambler deals with a husband of a rich wife who will not give him money to satisfy his gambling urge. Teresa shows a prostitute who is trapped into a marriage with a strange young gentleman. LLC Library CALL NO. IT 011 Gospel According to St. Matthew, The Director: Paolo Pasolini. 1964, 135 minutes, B&W, Italian with English subtitles. A totally original film version of the story of Jesus. Pasolini combines non-professional actors, magnificent Italian locales, and a stirring classical score for a moving and surprisingly reverent biographical drama. LLC Library CALL NO. IT 007 History of Roman Civilization, A -with booklet. Rome’s early days as a republic, the Punic and Gallic Wars, the rise and fall of the empire, and all of the city’s leaders are treated. See the Roman contribution to Western Civilization. Live action. Part 1: The Roman Republic 14 minutes. Part 2: The Roman English Empire 14 minutes. Part 3: Along the Roads of Rome 10 minutes. LLC Library CALL NO. see Classics La dolce vita Director: Federico Fellini with Marcello Mastroianni, Anouk Aimée, Anita Ekberg, Luise Rainer. 1961, 174 minutes, English, Black & White. A third-rate newspaperman who has made a career out of scandal mongering, ventures into the decadent, so-called “sweet life” of the dissolute denizens of high society in modern Rome. These wealthy, insensitive pleasure-seekers shock the reporter with bizarre, hedonistic activities that he eventually finds himself a part of. In the process he discovers that all of his values are being destroyed, leaving him totally disillusioned. LLC Library CALL NO. IT 018 A/B La vita e bella see: Life is Beautiful Life is Beautiful Director: Roberto Benigni with Roberto Benigni, Nicoletta Braschi, Giorgio Cantanni, Guistino Durano. 1998, 110 minutes, English version. In this extraordinary tale, Guido – a charming but bumbling waiter who’s gifted with a colorful imagination and an irresistible sense of humor – has won the heart of the woman he loves and created a beautiful life for his young family, but then, that life is threatened by World War II … and Guido must rely on those very same strengths to save his beloved wife and son from an unthinkable fate! LLC Library CALL NO. IT 019 Mediterraneo Director: Gabriele Salvatores with Diego Abatantuono, Claudio Bigagli, Guiseppe Cederna, Claudio Bisio, and others. 1991, 90 minutes, Italian with yellow English subtitles. A squadron of misfit Italian soldiers in WW II is charged with securing a tiny Greek island. Once there, the men are forgotten by their superiors and embark on a 3-year vacation, ignoring the war and befriending the island’s inhabitants. LLC Library CALL NO. IT 008 New Directions in Technology Solutions for Language Learning and Teaching Heinle & Heile Publishers LLC Library CALL NO. Look in MLGE Night of the Shooting Stars, The Director: Paolo and Vittorio Taviani with Omero Antonutti, Margarita Lozano, Claudia Bigagli, Massimo Bonetti, Norma Martelli and others. 1983, 107 minutes, Italian with English subtitles. During the final days of WW II, a small town in Italy finds itself divided by two factions of people – those who seek freedom and those who distrust the Allied liberators, mostly seen through the eyes of a six year-old girl. LLC Library CALL NO. IT 012 Notes for an African Orestes Director: Pier Paolo Pasolini. 1970, 75 minutes, B&W. The Greek tale of Orestes inspired this metaphorical film, in which Pasolini – through the lens of mythology – views post-colonial African history. LLC Library CALL NO. IT 013 Oedipus Rex Director: Pier Paolo Pasolini with Franco Citti, Silvana Mangano, Alida Valli. 1967, 110 minutes, Italian with English subtitles. A dark and riveting retelling of the classic Greek tragedy “Oedipus Rex”. Unknown to himself, Oedipus kills his father and marries his mother. When the truth is discovered, he puts out his eyes and Oedipus wanders the streets , a common blind beggar, until his daughter, Antigone, found him. LLC Library CALL NO. IT 015 Pompeii with Study Questions in video cover. 1991, 44 minutes. Resurrected from the ashes of Mount Vesuvius, Pompeii is a major source of Roman mosaics, murals, statues, and architecture. This award-winning program covers the burial and rediscovery of the city. Live action. Part 1: Destroyed Part 2: Revealed LLC Library CALL NO. see Classics Rigoletto Wiener Philharmoniker. Conductor: Riccardo Chailly Luciano Pavarotti, Ingvar Wixell, Edita Gruberova, Ferruccio Furlanetto, Victoria Vergara. 1983, 116 minutes, Italian with English subtitles. Filmed on location in Northern Italy, Verdi’s tragic telling of a father’s obsessive loves takes on real- life dimensions in this version. Pavarotti is the cruel duke and gruberova is Gilda. LLC Library CALL NO.
Recommended publications
  • Berkeley Art Museum·Pacific Film Archive W in Ter 20 19

    Berkeley Art Museum·Pacific Film Archive W in Ter 20 19

    WINTER 2019–20 WINTER BERKELEY ART MUSEUM · PACIFIC FILM ARCHIVE UNIVERSITY OF CALIFORNIA PROGRAM GUIDE ROSIE LEE TOMPKINS RON NAGLE EDIE FAKE TAISO YOSHITOSHI GEOGRAPHIES OF CALIFORNIA AGNÈS VARDA FEDERICO FELLINI DAVID LYNCH ABBAS KIAROSTAMI J. HOBERMAN ROMANIAN CINEMA DOCUMENTARY VOICES OUT OF THE VAULT 1 / 2 / 3 / 4 / 5 / 6 CALENDAR DEC 11/WED 22/SUN 10/FRI 7:00 Full: Strange Connections P. 4 1:00 Christ Stopped at Eboli P. 21 6:30 Blue Velvet LYNCH P. 26 1/SUN 7:00 The King of Comedy 7:00 Full: Howl & Beat P. 4 Introduction & book signing by 25/WED 2:00 Guided Tour: Strange P. 5 J. Hoberman AFTERIMAGE P. 17 BAMPFA Closed 11/SAT 4:30 Five Dedicated to Ozu Lands of Promise and Peril: 11:30, 1:00 Great Cosmic Eyes Introduction by Donna Geographies of California opens P. 11 26/THU GALLERY + STUDIO P. 7 Honarpisheh KIAROSTAMI P. 16 12:00 Fanny and Alexander P. 21 1:30 The Tiger of Eschnapur P. 25 7:00 Amazing Grace P. 14 12/THU 7:00 Varda by Agnès VARDA P. 22 3:00 Guts ROUNDTABLE READING P. 7 7:00 River’s Edge 2/MON Introduction by J. Hoberman 3:45 The Indian Tomb P. 25 27/FRI 6:30 Art, Health, and Equity in the City AFTERIMAGE P. 17 6:00 Cléo from 5 to 7 VARDA P. 23 2:00 Tokyo Twilight P. 15 of Richmond ARTS + DESIGN P. 5 8:00 Eraserhead LYNCH P. 26 13/FRI 5:00 Amazing Grace P.
  • Press-Book Esterno Sera

    Press-Book Esterno Sera

    PPRREESSSS--BBOOOOKK SCHEDA ARTISTICA ___________________________________________________________________ INTERPRETI PERSONAGGI Valentina Vacca Alba Emilio Vacca Fabrizio Salvatore Cantalupo Umberto Ricky Tognazzi Zio Antonio Alessandra Borgia Angela Davide Lanni Marco Ciro Carnevale Francesco Mena De Filippo Rosaria Piergiuseppe Francione Michael Gianluca D’Agostino Daniele Fabio Massa Toni Ilaria Delli Paoli Flora Antimo Navarra Luca crediti non contrattuali SCHEDA TECNICA ___________________________________________________________________ Regia Barbara Rossi Prudente Soggetto e sceneggiatura Barbara Rossi Prudente Direttore della fotografia Rocco Marra Montaggio Duccio Ventriglia Scenografia Antonio Buonocore Costumi Iolanda Prisco Musiche Francesco Cerasi Edizioni musicali Warner Chappel Sound designer Stefano Costantini Montaggio del suono Stefano Grosso Marzia Cordò Suono in presa diretta Brando Mosca Produttore esecutivo Francesco Tripodi Produzione 19.11 Produzioni Con il sostegno della Campania Film Commission Nazionalità Italia Anno di produzione 2011 Durata film 101’ Formato super 16 – colore Sonoro Stereo Ufficio Stampa Lionella Bianca Fiorillo Storyfinders Via Allegri da Correggio 11 - 00196 Roma ITALY +39.06.88972779 - 06.88972792 +39.340.7364203 [email protected] Esterno Sera ha vinto il Premio per la migliore sceneggiatura al Premio Franco Solinas La sceneggiatura è edita da Arduino Sacco Editore crediti non contrattuali SINOSSI ___________________________________________________________________ Alba, tormentata e sfuggente, riceve dopo dieci anni la visita di Fabrizio, suo cugino, che vive a Milano e che, dopo tanto tempo, decide di rivederla. Un treno notturno lo ha immerso nel caldo afoso del sud per portarlo da lei. Cosa è successo? perché i loro incontri, un tempo frequenti, si sono interrotti all’improvviso? Perché Alba lo ha aspettato per anni e lui non è più tornato? Dopo una prima diffidenza, l’affetto rinasce, evolve in un amore delicato e pericoloso che impedisce a Fabrizio di svelare il motivo reale della sua visita.
  • Memory, History, and Entrapment in the Temporal Gateway Film

    Memory, History, and Entrapment in the Temporal Gateway Film

    Lives in Limbo: Memory, History, and Entrapment in the Temporal Gateway Film Sarah Casey Benyahia A thesis submitted for the Degree of Doctor of Philosophy (PhD) Department of Literature, Film, and Theatre Studies University of Essex October 2018 Abstract This thesis examines the ways in which contemporary cinema from a range of different countries, incorporating a variety of styles and genres, explores the relationship to the past of people living in the present who are affected by traumatic national histories. These films, which I’ve grouped under the term ‘temporal gateway’, focus on the ways in which characters’ experiences of temporality are fragmented, and cause and effect relationships are loosened as a result of their situations. Rather than a recreation of historical events, these films are concerned with questions of how to remember the past without being defined and trapped by it: often exploring past events at a remove through techniques of flashback and mise-en-abyme. This thesis argues that a fuller understanding of how relationships to the past are represented in what have traditionally been seen as different ‘national’ cinemas is enabled by the hybridity and indeterminacy of the temporal gateway films, which don’t fit neatly into existing categories discussed and defined in memory studies. This thesis employs an interdisciplinary approach in order to draw out the features of the temporal gateway film, demonstrating how the central protagonist, the character whose life is in limbo, personifies the experience of living through the past in the present. This experience relates to the specifics of a post-trauma society but also to a wider encounter with disrupted temporality as a feature of contemporary life.
  • William A. Seiter ATTORI

    William A. Seiter ATTORI

    A.A. Criminale cercasi Dear Brat USA 1951 REGIA: William A. Seiter ATTORI: Mona Freeman; Billy DeWolfe; Edward Arnold; Lyle Bettger A cavallo della tigre It. 1961 REGIA: Luigi Comencini ATTORI: Nino Manfredi; Mario Adorf; Gian Maria Volont*; Valeria Moriconi; Raymond Bussires L'agente speciale Mackintosh The Mackintosh Man USA 1973 REGIA: John Huston ATTORI: Paul Newman; Dominique Sanda; James Mason; Harry Andrews; Ian Bannen Le ali della libert^ The Shawshank Redemption USA 1994 REGIA: Frank Darabont ATTORI: Tim Robbins; Morgan Freeman; James Whitmore; Clancy Brown; Bob Gunton Un alibi troppo perfetto Two Way Stretch GB 1960 REGIA: Robert Day ATTORI: Peter Sellers; Wilfrid Hyde-White; Lionel Jeffries All'ultimo secondo Outlaw Blues USA 1977 REGIA: Richard T. Heffron ATTORI: Peter Fonda; Susan Saint James; John Crawford A me la libert^ A nous la libert* Fr. 1931 REGIA: Ren* Clair ATTORI: Raymond Cordy; Henri Marchand; Paul Olivier; Rolla France; Andr* Michaud American History X USA 1999 REGIA: Tony Kaye ATTORI: Edward Norton; Edward Furlong; Stacy Keach; Avery Brooks; Elliott Gould Gli ammutinati di Sing Sing Within These Walls USA 1945 REGIA: Bruce H. Humberstone ATTORI: Thomas Mitchell; Mary Anderson; Edward Ryan Amore Szerelem Ung. 1970 REGIA: K‡roly Makk ATTORI: Lili Darvas; Mari T*r*csik; Iv‡n Darvas; Erzsi Orsolya Angelo bianco It. 1955 REGIA: Raffaello Matarazzo ATTORI: Amedeo Nazzari; Yvonne Sanson; Enrica Dyrell; Alberto Farnese; Philippe Hersent L'angelo della morte Brother John USA 1971 REGIA: James Goldstone ATTORI: Sidney Poitier; Will Geer; Bradford Dillman; Beverly Todd L'angolo rosso Red Corner USA 1998 REGIA: Jon Avnet ATTORI: Richard Gere; Bai Ling; Bradley Whitford; Peter Donat; Tzi Ma; Richard Venture Anni di piombo Die bleierne Zeit RFT 1981 REGIA: Margarethe von Trotta ATTORI: Jutta Lampe; Barbara Sukowa; RŸdiger Vogler Anni facili It.
  • 1,000 Films to See Before You Die Published in the Guardian, June 2007

    1,000 Films to See Before You Die Published in the Guardian, June 2007

    1,000 Films to See Before You Die Published in The Guardian, June 2007 http://film.guardian.co.uk/1000films/0,,2108487,00.html Ace in the Hole (Billy Wilder, 1951) Prescient satire on news manipulation, with Kirk Douglas as a washed-up hack making the most of a story that falls into his lap. One of Wilder's nastiest, most cynical efforts, who can say he wasn't actually soft-pedalling? He certainly thought it was the best film he'd ever made. Ace Ventura: Pet Detective (Tom Shadyac, 1994) A goofy detective turns town upside-down in search of a missing dolphin - any old plot would have done for oven-ready megastar Jim Carrey. A ski-jump hairdo, a zillion impersonations, making his bum "talk" - Ace Ventura showcases Jim Carrey's near-rapturous gifts for physical comedy long before he became encumbered by notions of serious acting. An Actor's Revenge (Kon Ichikawa, 1963) Prolific Japanese director Ichikawa scored a bulls-eye with this beautifully stylized potboiler that took its cues from traditional Kabuki theatre. It's all ballasted by a terrific double performance from Kazuo Hasegawa both as the female-impersonator who has sworn vengeance for the death of his parents, and the raucous thief who helps him. The Addiction (Abel Ferrara, 1995) Ferrara's comic-horror vision of modern urban vampires is an underrated masterpiece, full- throatedly bizarre and offensive. The vampire takes blood from the innocent mortal and creates another vampire, condemned to an eternity of addiction and despair. Ferrara's mob movie The Funeral, released at the same time, had a similar vision of violence and humiliation.
  • Malinconico Ludwig Studiava Da Attore

    Malinconico Ludwig Studiava Da Attore

    MALINCONICO LUDWIG STUDIAVA DA ATTORE La prima tentazione è quella di definire Ludwig 1881, il film dei fratelli Donatello e Fosco Dubini presentato in concorso a Locarno, un omaggio a vent'anni di distanza al "classico" di Luchino Visconti. Se la si guarda meglio, però, questa piccola produzione svizzero-tedesca dai meriti superiori al budget (è uno tra i titoli migliori visti finora al festival) dispone di un'autonomia molto precisa dal suo - presunto - modello alto. In primo luogo nel modo con cui gli sceneggiatori hanno concepito il mitico re di Baviera; poi nel tono sommesso e intimo, là dove la versione viscontiana era fastosa e magniloquente; e ancora in una continua vena d'ironia, rappresentata da una coppia di valletti alla Rosencrantz e Guildenstern che commentano tutta l'azione. Ludwig 1881 racconta un episodio autentico della vita del re, testimoniato da un carteggio fra Ludwig e il suo amante, nonché attore alla corte di Monaco, Josef Kainz. Nell'estate dell'81 i due uomini viaggiano in incognito sul lago dei Quattro Cantoni, celati sotto pseudonimi presi a prestito da Victor Hugo. Il re vuole che l'attore gli reciti scene del Guglielmo Tell di Schiller sullo sfondo degli scenari naturali svizzeri e - per renderne più convincente l'immedesimazione, lo spinge a camminate fra le nevi perenni o a levatacce per vedere l'alba sul Rigi. Ma la quota di "Sturm und Drang" del giovanotto si rivelerà molto al di sotto delle regali aspettative. Eppure il film dei Dubini un elemento in comune con quello di Visconti lo ha, ed è la presenza di Helmut Berger: Ludwig per eccellenza (benché altri attori abbiano interpretato il ruolo del re di Baviera, nella versione di Sjberberg e altrove) tornato a vestire il personaggio con tratti rinnovati e maggiore sicurezza interpretativa.
  • Amici Vol6issue1

    Amici Vol6issue1

    A UR LT U C A M I C I S Z VOLUME 12 ISSUE 1 T I O A R IA I Y A PUBLICATION OF THE ITALIAN CULTURAL SOCIETY TAL IET IAN CULTURAL SOC ICS PRESIDENT’S PERSPECTIVE Cari amici, T he fall season of the Italian Cultural Society is beginning as the summer season comes to an end. I hope all of you had a pleasurable summer and are looking forward to our 2010/11 season of cultural programs and events. For the members who are in the Naples area in October, there is a Columbus Day luncheon planned for the 11th of Castel Sant’Angelo — Ancient Rome October at Molino’s Ristorante in Bonita Springs. allowed no tombs within its walls, so Emperor Hadrian chose a This season we continue to focus our programs on the region of Lazio with commanding position across the river lectures on ancient times to Middle Ages to contemporary Italy. The for the site of his mausoleum built in “Welcome Back Brunch” will be held on Sunday, November 14, 2010 at The 139 A.D. Renamed after the Plantation Restaurant at The Dunes and will feature a presentation by Archangel Michael appeared to Pope members Ron Diorio and Ken Pedini. Their topic is “The Etruscans and Early Gregory the Great, Castel Sant’Angelo Roman Kingdom: History or the Real Story”. This venue offers a comfortable connects to the Vatican by a corridor. setting for our new members to meet our society membership, and for all to get reacquainted after our summer season.
  • Johnny Stecchino with Roberto Benigni and Nicoletta Braschi Selected Bibliography

    Johnny Stecchino with Roberto Benigni and Nicoletta Braschi Selected Bibliography

    Johnny Stecchino with Roberto Benigni and Nicoletta Braschi Selected Bibliography The Higher Learning staff curate digital resource packages to complement and offer further context to the topics and themes discussed during the various Higher Learning events held at TIFF Bell Lightbox. These filmographies, bibliographies, and additional resources include works directly related to guest speakers’ work and careers, and provide additional inspirations and topics to consider; these materials are meant to serve as a jumping-off point for further research. Please refer to the event video to see how topics and themes relate to the Higher Learning event. Roberto Benigni Bullaro, Grace R. Beyond "Life Is Beautiful": Comedy and Tragedy in the Cinema of Roberto Benigni. Leicester: Troubador, 2005. Celli, Carlo. “Comedy and the Holocaust in Roberto Benigni’s Life Is Beautiful/La vita è bella.” in The Changing Face of Evil in Film and Television. Martin F. Norden (ed). Amsterdam: Rodopi, 2007. 145-158. ---. The Divine Comic: The Cinema of Roberto Benigni. Lanham, MD: Scarecrow Press, 2001. Consolo, Salvatore. “The Watchful Mirror: Pinocchio’s Adventures Recreated by Roberto Benigni.” in Pinocchio, Puppets, and Modernity: The Mechanical Body. Katie Pizzi (ed). New York: Routledge, 2012. Gordon, Robert S. C. “Real Tanks and Toy Tanks: Playing Games with History in Roberto Benigni's La vita è bella/Life Is Beautiful.” Studies in European Cinema 2.1 (2005): 31-44. Kertzer, Adrienne. Like a Fable, Not a Pretty Picture: Holocaust Representation in Roberto Benigni and Anita Lobel. Ann Arbor: University of Michigan, 2000. Kroll, Pamela L. “Games of Disappearance and Return: War and the Child in Roberto Benigni's Life Is Beautiful.” Literature Film Quarterly 30.1 (2002): 29-45.
  • Italy Lorenzo Codelli

    Italy Lorenzo Codelli

    ).4%2.!4)/.!,ĺ&),-ĺ'5)$%ĺĺITALY | 207 )TALYĺ,ORENZOĺ#ODELLI IDĺ.ANNIĺ-ORETTIlSĺANTI "ERLUSCONIĺ THEĺüLMĺINDUSTRYĺ"ERNARDOĺ"ERTOLUCCI ĺONEĺ SATIRE ĺ4HEĺ#AIMANĺ)LĺCAIMANO ĺ OFĺTHEĺGROUPlSĺLEADERS ĺWROTEĺAĺPASSIONATEĺ $RELEASEDĺJUSTĺBEFOREĺTHEĺELECTIONSĺINĺ OPENĺLETTERĺTOĺ,Aĺ2EPUBBLICAĺLAMENTINGĺHOWĺ -AYĺ ĺCONVINCEĺANYĺOFĺTHOSEĺ ĺVOTERSĺ )TALIANĺNATIONALĺHERITAGEĺITSELFĺISĺINĺDANGERĺ pĺAĺNARROWĺMARGINĺpĺWHOĺDETERMINEDĺTHEĺFALLĺ #ULTUREĺ-INISTERĺ&RANCESCOĺ2UTELLIĺREACTEDĺ OFĺ3ILVIOĺ"ERLUSCONIlSĺRIGHT WINGĺGOVERNMENTĺ BYĺPROMISINGĺINCREASEDĺüNANCIALĺRESOURCES ĺ ANDĺTHEĺVICTORYĺOFĺ2OMANOĺ0RODIlSĺCENTRE LEFTĺ TAXĺSHELTERSĺANDĺOTHERĺREMEDIESĺ4OOĺLATEĺANDĺ COALITIONĺ4HEĺ#AIMANlSĺSUCCESSĺWASĺSOĺüERCEĺ NOTĺENOUGH ĺRESPONDEDĺANGRYĺüLMMAKERS ĺTOĺ THATĺEVENĺ"ERLUSCONI OWNEDĺCINEMAĺCHAINSĺ REVIVEĺPRODUCTIONĺANDĺDISTRIBUTIONĺONĺASĺLARGEĺAĺ WANTEDĺTOĺSCREENĺIT ĺBUTĺ-ORETTIĺREPLIED ĺk.O ĺ SCALEĺASĺISĺNEEDEDĺ THANKSlĺ(ISĺüLMĺHUMOROUSLYĺDESCRIBESĺBOTHĺ THEĺIMPOSSIBILITYĺOFĺPORTRAYINGĺSUCHĺANĺALMIGHTYĺ )TALYlSĺANNUALĺOUTPUTĺOFĺAPPROXIMATELYĺEIGHTYĺ MANIPULATOR ĺANDĺHOWĺAĺWHOLEĺCOUNTRYĺHASĺ üLMSĺREMAINSĺSCANDALOUSLYĺDIVIDEDĺINTOĺTWOĺ DETERIORATEDĺUNDERĺHISĺLEADERSHIPĺ&EDERICOĺ ECHELONSĺATĺONEĺEND ĺAĺDOZENĺGUARANTEEDĺ &ELLINIĺWOULDĺHAVEĺBEENĺVERYĺPROUDĺOFĺ-ORETTI ĺ BLOCKBUSTERS ĺWIDELYĺRELEASEDĺFORĺ#HRISTMAS ĺ HAVINGĺLANDEDĺTHEĺüRSTĺBLOWĺINĺĺWITHĺ %ASTER ĺORĺTHEĺEARLYĺ.OVEMBERĺHOLIDAYSĺATĺTHEĺ 'INGERĺANDĺ&RED OTHER ĺALLĺTHEĺREMAININGĺüLMS ĺPARSIMONIOUSLYĺ SCREENEDĺFORĺELITEĺAUDIENCES ĺORĺTHROUGHĺ FESTIVALS ĺLATE NIGHTĺ46ĺANDĺ$6$ĺRELEASES )TĺISĺMAINLYĺTHEĺFESTIVALS
  • Helmut Berger

    Helmut Berger

    Helmut Berger www.official-helmut-berger.com Helmut Werner Management GmbH Helmut Werner Phone: +43 676 3814 054 Email: [email protected] Website: www.helmutwernermanagement.at Information Acting age 55 - 80 years Nationality Austrian Year of birth 1944 (77 years) Languages German: native-language Height (cm) 180 English: fluent Weight (in kg) 78 Spanish: medium Eye color blue green French: fluent Hair color Blond Italian: fluent Hair length Short Dialects Austrian Stature slim Profession Speaker, Actor Place of residence Salzburg Housing options Rom, Paris, Wien, Berlin, Köln, München, London, Madrid, Barcelona Film 2016 Timeless Director: Alexander Tuschinski 2014 Saint Laurent Director: Bertrand Bonelli 2013 Paganini - Der Teufelsgeiger Director: Bernhard Rose 2011 Mörderschwestern Director: Peter Kern 2009 Blutsfreundschaft / Imitation Director: Peter Kern 2008 Iron Cross Director: Joshua Newton 2005 Damals warst du still Director: Rainer Matsutani 2004 Honey Baby Director: Mika Kaurismäki 2002 Zapping Alien Director: Vitus Zeplichal 1999 Unter den Palmen Director: Miriam Kruishoop Vita Helmut Berger by www.castupload.com — As of: 2021-07- 21 Page 1 of 4 1997 Die 120 Tage von Bottrop - Der letzte neue deutsche Film Director: Christoph Schlingensief 1996 Teo Director: Cinzia TH Torlinie 1996 L'Ombre du pharaon Director: Ben Barka 1996 Last Cut Director: Marcello Avallone 1995 Die Affäre Dreyfus Director: Yves Bisset 1993 Boomtown Director: Christoph Schere 1993 Ludwig 1881 Director: Donatello & Fosco Dubini 1993 Van Loc: Un
  • Vittorio De Sica, 1946, 1948, 1951, 1952, 1960, 1970)

    Vittorio De Sica, 1946, 1948, 1951, 1952, 1960, 1970)

    1 Sciuscià, Ladri di Biciclette, Miracolo a Milano, Umberto D, La Ciociara, Il Giardino dei Finzi-Contini (Vittorio de Sica, 1946, 1948, 1951, 1952, 1960, 1970) I first saw Vittorio de Sica in the Rock Hudson / Jennifer Jones version of A Farewell to Arms . He was very moving, I thought, being shot by a firing squad. He turned up all the time playing smooth and charming middle-aged Italians. These days The Shoes of the Fishermen is on fortnightly on TCM, and there he is, a cardinal to the life. In filmed interviews he’s always smooth, charming, well-dressed – a kind of Italian Ronald Coleman, but with, you can sense, more latent gravity. He contrasts always with Cesare Zavattini, his long-time scriptwriter, who’s sandpaper-rough, grinning and monosyllabic. In other words, de Sica was a professional, keen on maintaining his image in a profession where image is all. But he made, when the professionals weren’t looking, some of the best and most influential films there are. —————————— An “early Italian neo-realist masterpiece”. Close inspection of Sciuscià reveals what we see in Rosselini’s Roma, Città Aperta , that other, even earlier “Italian neo-realist masterpiece”: excellent professional acting, polished photography, and half of the action – the juvenile prison sequences – done in a studio. One shot – where the prison van containing the two protagonists pulls away from the court where they’ve been sentenced, and we see, from their viewpoint, the little sister of one of them, running after the vehicle in tears – is very close to the shot in Roma … where Magnani runs after the Nazi van containing her husband.
  • Del 9 Al 11 De Septiembre De 2011 Sala Mayor Del Foro De Las Ciencias Y La Artes Av. Maipú

    Del 9 Al 11 De Septiembre De 2011 Sala Mayor Del Foro De Las Ciencias Y La Artes Av. Maipú

    Basso Fabio Da: Scognamiglio Giuseppe Inviato: giovedì, 25 de agosto de 2011 09:45 A: Basso Fabio; Valeri Marcello Oggetto: I: Invitación: Ciclo de cine y documentales. Alejandro Maruzzi / Maruzzi Producciones Allegati: banner 11 sep.JPG; banner 9 sep.JPG; banner 10 sep.JPG Notizia per il sito grazie Da: Consolato d'Italia in Argentina Buenos Aires Segreteria Cg [mailto:[email protected]] Inviato: giovedì 25 agosto 2011 09:12 A: Scognamiglio Giuseppe (Estero) Oggetto: Fw: Invitación: Ciclo de cine y documentales. Alejandro Maruzzi / Maruzzi Producciones ----- Original Message ----- From: Maruzzi Producciones To: [email protected] Sent: Wednesday, August 24, 2011 7:28 PM Subject: Invitación: Ciclo de cine y documentales. Alejandro Maruzzi / Maruzzi Producciones Del 9 al 11 de septiembre de 2011 Sala Mayor del Foro de las Ciencias y la Artes Av. Maipú 681 - Vicente López - Pcia. de Buenos Aires CICLO DE CINE ITALIANO Y DOCUMENTALES Semana del inmigrante Día viernes 9 de septiembre de 2011. 30/08/2011 19:00 hs. Documental de apertura: “Dall’Argentina verso l’Italia” / "De la Argentina para Italia” Historia sobre la inmigración llegada a la República Argentina y sus vivencias políticas, culturales y sociales. 20:15 hs. Documental: “Lombardia” . Breve reseña de la región Lombarda. 20:30 hs. Cinema: “Un día muy particular” / “Una giornata particolare”. Dirección: Ettore Scola. Con Marcello Mastroianni y Sofía Loren. Día sábado 10 de septiembre de 2011. 30/08/2011 14:00 hs. Cinema para chicos y grandes: “Pinocho” / “ Pinocchio”. Dirección: Roberto Benigni. Con Roberto Benigni y Nicoletta Braschi. 16:00 hs. Cinema: “El baile” / “ Le Bal”.