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Moses Hayim Luzzatto's Quest for Providence
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 10-2014 'Like Iron to a Magnet': Moses Hayim Luzzatto's Quest for Providence David Sclar Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/380 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] “Like Iron to a Magnet”: Moses Hayim Luzzatto’s Quest for Providence By David Sclar A Dissertation Submitted to the Graduate Faculty in History in Partial Fulfillment of the Requirement for the Degree of Doctor of Philosophy The City University of New York 2014 © 2014 David Sclar All Rights Reserved This Manuscript has been read and accepted by the Graduate Faculty in History in satisfaction of the Dissertation requirement for the degree of Doctor of Philosophy Prof. Jane S. Gerber _______________ ____________________________________ Date Chair of the Examining Committee Prof. Helena Rosenblatt _______________ ____________________________________ Date Executive Officer Prof. Francesca Bregoli _______________________________________ Prof. Elisheva Carlebach ________________________________________ Prof. Robert Seltzer ________________________________________ Prof. David Sorkin ________________________________________ Supervisory Committee iii Abstract “Like Iron to a Magnet”: Moses Hayim Luzzatto’s Quest for Providence by David Sclar Advisor: Prof. Jane S. Gerber This dissertation is a biographical study of Moses Hayim Luzzatto (1707–1746 or 1747). It presents the social and religious context in which Luzzatto was variously celebrated as the leader of a kabbalistic-messianic confraternity in Padua, condemned as a deviant threat by rabbis in Venice and central and eastern Europe, and accepted by the Portuguese Jewish community after relocating to Amsterdam. -
International Conference “Jewish Heritage in Slovenia”
H-Announce International Conference “Jewish Heritage in Slovenia” Announcement published by Vladimir Levin on Wednesday, September 11, 2019 Type: Conference Date: September 18, 2019 to September 19, 2019 Location: Israel Subject Fields: Holocaust, Genocide, and Memory Studies, Humanities, Jewish History / Studies, Local History, Art, Art History & Visual Studies The Center for Jewish Art at the Hebrew University of Jerusalem University of Maribor International Conference “Jewish Heritage in Slovenia” 18-19 September 2019 Room 2001, Rabin Building, Mt. Scopus Campus, The Hebrew University of Jerusalem 18 September, Wednesday 9:30 – 10:00 Registration 10:00 – 10:30 Greetings: Chair: Dr. Vladimir Levin, Center for Jewish Art, Hebrew University of Jerusalem Prof. Michael Segal, Dean of Humanities, Hebrew University of Jerusalem H.E. Andreja Purkart Martinez, Ambassador of Slovenia in Israel H.E. Eyal Sela, Ambassador of Israel in Slovenia Prof. Barbara Murovec, University of Maribor Prof. Aliza Cohen-Mushlin, Center for Jewish Art, Hebrew University of Jerusalem 10:30 – 12:00 Jewish Heritage Research in Slovenia Chair: Prof. Haim Shaked (University of Miami) – Ruth Ellen Gruber (Jewish Heritage Europe) Tracing a Trail: Notes from the 1996 Survey of Jewish Heritage in Slovenia. – Ivan Čerešnješ (Center for Jewish Art, Hebrew University of Jerusalem) Citation: Vladimir Levin. International Conference “Jewish Heritage in Slovenia”. H-Announce. 09-11-2019. https://networks.h-net.org/node/73374/announcements/4650720/international-conference-%E2%80%9Cjewish-heritage-slovenia%E2%8 0%9D Licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License. 1 H-Announce Past Research of Slovenia’s Jewish Heritage by the Center Jewish Art. -
ARTH 2XXX/W Global Jerusalem.Pdf
1. Principal Investigator Name(s) and Academic Title(s): Kathryn Moore, Assistant Professor 2. Email Address(es): [email protected] 3. New course 4. Global Jerusalem ARTH 2XXX/2XXXW, Department of Art and Art History 5. Project description: This course will highlight Jerusalem as a historic and contemporary site of convergence between diverse artistic, religious, and political cultures and will deepen students’ understanding of the history of present-day questions surrounding Jerusalem as a contested city. The course will begin with the question of the relationship of archaeology, mapping, historical documents, and the writing of Jerusalem’s history. This introduction will span the entire historical period and will use the evolution of the architecture, urban formations, and related artistic cultures of Jerusalem as a lens for understanding the emergence and historical relationships of Judaism, Christianity, and Islam. Students will investigate the related question of how archaeological heritage and artistic traditions are perceived in relation to claims of territorial belonging and / or dispossession. The course will then shift focus to the history of imagining Jerusalem. In this context, students will learn about the emergence of Jerusalem as a center for the cultures of Judaism, Christianity, and Islam. Students will also explore the various historical perspectives on what constituted colonialism and the related role of the idea of Jerusalem as a physical and conceptual center for religious communities with world-wide scopes, especially in relation to the Crusader states, global Catholicism, the British Mandate, and the State of Israel. Students will investigate contemporary perceptions of Jerusalem, looking to representations of the city in cyberspace, in contexts like virtual reconstructions, digital archaeology, and digitized books (including historical manuscripts and early printed books). -
Story Parsha
a project of www.Chabad.org Chanukah 5763 (2002) The Lightness of Being Comment If you recorded every word you said for 24 hours, you'd probably find hundreds of refer- ences to light. Light, brightness, radiance -- these A little bit of light dispels a lot are the metaphors we use when we wish to speak about hope, wisdom, and goodness of darkness. Shutters and Blinds Rabbi Schneur Zalman of Liadi Voices What does light give? The details. The color and texture. The fullness and the goodness. It balances the shadows and fills in the outlines, so that the remaining darkness only adds contrast, complexity, beauty and interest to my world Why Couldn't the Jews and Greeks Question Just Get Along? The Jews and Greeks could have learned so much from each other! Instead, the extremists of both sides hit the battlefield without actually The Path of Light being there When He made the world, He made two ways to repair each Eight Chanukah Stories Story Judea, 139 BCE... Heaven, 25 Kislev, 3622 from thing: With harshness or with creation... Mezhibuzh, 18th Century... France, compassion. With a slap or with a 1942... Kharkov, 1995... Los Angeles, 2002... caress. With darkness or with light. And He looked at the light and Seasons of the Eight Shades of Light saw that it was good. Darkness In the beginning, darkness and light were one. and harsh words may be neces- Soul Then G-d separated between revealed good and sary. But He never called them concealed good, challenging us to cultivate the good. -
Gender in Jewish Studies
Gender in Jewish Studies Proceedings of the Sherman Conversations 2017 Volume 13 (2019) GUEST EDITOR Katja Stuerzenhofecker & Renate Smithuis ASSISTANT EDITOR Lawrence Rabone A publication of the Centre for Jewish Studies, University of Manchester, United Kingdom. Co-published by © University of Manchester, UK. All rights reserved under International and Pan-American Copyright Conventions. No part of this volume may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without prior permission in writing from the publisher, the University of Manchester, and the co-publisher, Gorgias Press LLC. All inquiries should be addressed to the Centre for Jewish Studies, University of Manchester (email: [email protected]). Co-Published by Gorgias Press LLC 954 River Road Piscataway, NJ 08854 USA Internet: www.gorgiaspress.com Email: [email protected] ISBN 978-1-4632-4056-1 ISSN 1759-1953 This volume is printed on acid-free paper that meets the American National Standard for Permanence of paper for Printed Library Materials. Printed in the United States of America Melilah: Manchester Journal of Jewish Studies is distributed electronically free of charge at www.melilahjournal.org Melilah is an interdisciplinary Open Access journal available in both electronic and book form concerned with Jewish law, history, literature, religion, culture and thought in the ancient, medieval and modern eras. Melilah: A Volume of Studies was founded by Edward Robertson and Meir Wallenstein, and published (in Hebrew) by Manchester University Press from 1944 to 1955. Five substantial volumes were produced before the series was discontinued; these are now available online. -
The Weekly Daf · World Wide Web: Our Address Is Is Available from · Fax and Mail in Israel and US-MAIL in America
Week of 2-8 Tamuz 5757 / 7-13 July 1997 Rav Weinbach's insights, explanations and comments for the 7 pages of Talmud Tamid 26-32 studied in the course of the worldwide Daf Yomi cycle Races and Lotteries The first sacred service performed daily in the Beis Hamikdash was the ceremonial removal of some of the ashes from the altar by a single kohen. The first Mishnah in Mesechta Tamid, which deals with the regular system of service, informs us that any kohen who was interested in performing this service would purify himself by immersion in a mikveh before the arrival of the kohen in charge of delegating duties. When he arrived he would announce that anyone who had already immersed himself in anticipation of the privilege to perform this first service should come forward and participate in a lottery to choose the privileged one from amongst all who were candidates. Conflicting signals seem to emerge from this Mishnah. The initial indication is that no lottery was used to determine who would perform the service, because if a lottery would decide the matter why should an interested kohen bother with immersion before he even knew whether he would be chosen. The concluding words of the Mishnah, however, indicate that a lottery was definitely required. Two resolutions are proposed. The Sage Rava explains that even though each kohen who immersed himself realized he might lose out in the lottery, he did so in order to be immediately ready to perform the service if he indeed was privileged to be chosen. -
The Treasures of the Bezalel Narkiss Jewish Art Collection
H-Announce The Treasures of the Bezalel Narkiss Jewish Art collection Announcement published by Sara Ben-Isaac on Monday, May 3, 2021 Type: Lecture Date: May 6, 2021 Location: United Kingdom The Center for Jewish Art at the Hebrew University of Jerusalem was founded by Professor Bezalel Narkiss in 1979. Today, the Center's archives and collections constitute the largest and most comprehensive body of information on Jewish art in existence, with approximately 180,000 pictures, sketches and documents. Over 200,000 items have been digitized and are now freely accessible to the public. Dr Vladimir Levin has published over 120 articles and essays and has headed numerous research expeditions to document synagogues and other monuments of Jewish material culture in eastern and central Europe. He has also led several research projects in the field of Jewish Art, the most important of which is the creation of the Bezalel Narkiss Index of Jewish Art - the world’s largest digital depository of Jewish heritage. This lecture is given in memory of Thea Zucker z”l, who was a devoted supporter of the Belgian Friends through her work as a Hebrew University Governor and Honorary Fellow, and which is supported by her grandson, Marc Iarchy (London) Registration is essential. Your Zoom link will be sent a day before the lecture - please make sure it’s not in your junk mail https://www.eventbrite.co.uk/e/147019532379 Contact Info: Sara Ben-Isaac Contact Email: [email protected] URL: https://www.eventbrite.co.uk/e/147019532379 Citation: Sara Ben-Isaac. The Treasures of the Bezalel Narkiss Jewish Art collection. -
The Role of Religion in American Jewish Satire
Syracuse University SURFACE Dissertations - ALL SURFACE 1-1-2015 All Joking Aside: The Role of Religion in American Jewish Satire Jennifer Ann Caplan Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Arts and Humanities Commons Recommended Citation Caplan, Jennifer Ann, "All Joking Aside: The Role of Religion in American Jewish Satire" (2015). Dissertations - ALL. 322. https://surface.syr.edu/etd/322 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. ABSTRACT Jewish humor is a well-known, if ill-defined genre. The prevalence and success of Jewish comedians has been a point of pride for American Jews throughout the twentieth and twenty-first centuries. What I undertake in this dissertation is to isolate one particular form of humor—namely satire—and use it as a way to analyze the changing relationship of American Jews to traditional religious forms. I look at the trends over three generations, the third generation (who came of age in the 40s and 50s), the Baby Boom generation (who came of age in the 60s and 70s) and the contemporary generation (who came of age in the 80s and 90s). When the satire produced by each generation is analyzed with the depiction of Judaism and Jewish practices in mind a certain pattern emerges. By then reading that pattern through Bill Brown’s Thing Theory it becomes possible to talk about the motivations for and effects of the change over time in a new way. -
A New View of Women and Torah Study in the Talmudic Period
JSIJ 9 (2010) 249-292 A NEW VIEW OF WOMEN AND TORAH STUDY IN THE TALMUDIC PERIOD JUDITH HAUPTMAN* Introduction1 Scholars have long maintained that women did not study Torah in the rabbinic period. D. Goodblatt claims that it was uncommon for a woman to be learned in rabbinic traditions.2 D. Boyarin writes that women’s voices were suppressed in the Houses of Study.3 T. Ilan and D. Goodblatt both hold that women learned domestic rules and biblical verses, but not other subjects.4 S.J.D. Cohen says that women * Jewish Theological Seminary, NY 1 I wish to thank Aharon Shemesh, Arnon Atzmon, and Shmuel Sandberg for their helpful comments and suggestions. 2 D. Goodblatt, in “The Beruriah Traditions,” (JJS 1975, 86) writes: “the existence of a woman learned in rabbinic traditions was a possibility, however uncommon.” 3 D. Boyarin, in Carnal Israel (Berkeley: University of California Press 1993, 169), writes: “My major contention is that there was a significant difference between the Babylonian and Palestinian Talmuds with regard to the empowering (or disempowering) of women to study Torah. Both in the Palestinian and in the Babylonian text the dominant discourse suppressed women’s voices in the House of Study. These texts, however, provide evidence that in Palestine a dissident voice was tolerated, while in Babylonia this issue seems to have been so threatening that even a minority voice had to be entirely expunged.” He adds that it is possible that the suppression of women’s voices in Babylonia could either mean that women did not have access to Torah study or, just the opposite, that they frequently studied Torah. -
KMS Sefer Minhagim
KMS Sefer Minhagim Kemp Mill Synagogue Silver Spring, Maryland Version 1.60 February 2017 KMS Sefer Minhagim Version 1.60 Table of Contents 1. NOSACH ........................................................................................................................................................ 1 1.1 RITE FOR SERVICES ............................................................................................................................................ 1 1.2 RITE FOR SELICHOT ............................................................................................................................................ 1 1.3 NOSACH FOR KADDISH ....................................................................................................................................... 1 1.4 PRONUNCIATION ............................................................................................................................................... 1 1.5 LUACH ............................................................................................................................................................ 1 2. WHO MAY SERVE AS SH’LIACH TZIBUR .......................................................................................................... 2 2.1 SH’LIACH TZIBUR MUST BE APPOINTED .................................................................................................................. 2 2.2 QUALIFICATIONS TO SERVE AS SH’LIACH TZIBUR ..................................................................................................... -
Synagogue – Service on Shabbat
Synagogue – service on Shabbat Communal prayers – time to come together with God. Shabbat based on Commandment: ‘remember the Sabbath’ Friday night Saturday morning/afternoon Shema Prayers – include Shema, Amidah, reading from the Torah, sermon from Rabbi, use SIDDUR Amidah (order of service) ‘Keep Sabbath holy..’ Commandment Siddur Orthodox – Reform – Service in Hebrew Use own language + Hebrew Unaccompanied songs No reference to Messiah/resurrection Men and women apart Use instruments/recorded music Men and women together AMIDAH .. Core prayer of every Jewish service, it means STANDING 18 blessings Prayer is thePraise bridge God between man and God Prayer daily part of life – Shema Praise/thanksgiving/requestsRequests from God Thanksgiving Recited silently + read by rabbi At the end take 3 steps back /forward (Reform don’t do). Symbolise Whole volume in TALMUD aboutwithdrawing prayer: from God’s presence... BERAKHOT 39 categories of not working – include no SHABBAT: Importantcooking = What happens? ONLY PIKUACH NEFESH = save a 1. Celebrates God’s Prepare home – clean/cook life work can be doneBegins 18 mins before creation (Gen OrthodoxIn don't drive, sunset (Fri) the beginning ..)live near synagogue – Mother lights two candles – Reform do drive have 2. Time of spiritual Shekinah car parks renewal – family Blessing over a loaf Best food served, time Kiddush prayer over wine best crockery, food (‘Blessed are you our God..’ pre-prepared. 3. It is one of the Attend synagogue (Sat) Ten Orthodox follow rules literally – electric Havdalah candle lit – ends CommandmentslightsIs this on timers out of date?Shabbat, holy and world are (keep it holy) Non-orthodox it’s not mixed. -
Ritual Objects1 by Karl Schwarz Virtually Nothing Is Known of Ritual
Ritual objects1 By Karl Schwarz Virtually nothing is known of ritual objects from early times. The various items which were produced with great care seem—at least in part—to have been made by Christians, as Jews were forbidden from working as artisans to a large extent. Gold and silversmiths existed in virtually all countries. They had their own places in the large synagogue in Alexandria. In the 6th century in North Arabia, the Jewish tribe Qaynuqa worked as goldsmiths and in 1042 Archbishop Guifred sold the Narbonne church treasure to Jewish goldsmiths from the Languedoc. They must have carried out this craft in Spain and Portugal as well, as they are to be found in Hamburg among those expelled and in Mexico among the Marranos. Different mentions of the name Zoref, “goldsmith,” can be found in inscriptions in Prague cemetery. It is to be assumed that this word, which soon became a family name, resulted from the prevalence of the craft. However, no works created by these craftsmen have survived. As a result, the extent to which their work was based on artistic qualities cannot be ascertained. Just how widespread the goldsmith’s craft was among Jews in Poland can be seen in a plea handed to King Sigismund I (1505–1548): “Ad Querelam mercatorum Cracoviensium responsum Judaeorum de mercatura,” in which statistic evidence reveals that, after clothmakers and furriers, goldsmiths were in third place. In 1857, the “statistic calendar” of the Kingdom of Poland cited the number of Jewish goldsmiths in the kingdom, excluding Warsaw, as 533. Many worked predominantly on making ritual objects and advanced to become true masters of their craft.