DOCSLIB.ORG

Worldwide Movie Culture Returns at This Year's Rhode

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Worldwide Movie Culture Returns at This Year's Rhode Worldwide Movie Culture Returns At This Year’s Rhode Island International Film Festival Entering its 18th year since its founding by George T. Marshall, the founder of the Flicker Arts Collaborate, RIIFF has become a focal point of international films by everyone from up-and-coming filmmakers to highly seasoned actors and directors. Between August 5 and 10 this year, roughly 270 films will be shown including Flavio Alves’ Tom In America, Marcelo Mitnik’s En las nubes (In the Clouds), and Selcuk Zvi Cara’s Mein Leztes Konzert (My Last Concert). Since 2002, the RIIFF has been a qualifying festival for the Academy Awards in short film categories. Numerous stars and celebrities have attended RIIFF over the past decade including Seymour Cassel, Andrew McCarthy, Kim Chan and Michael Showalter. Some have had the honor of receiving the Festival Lifetime Achievement Award. In 2001 it was awarded to Breakfast At Tiffany’s director, Blake Edwards, accepted by his wife, renowned actress Julie Andrews. In 2009, the honor went to the multi-Emmy and Golden Globe nominated Academy Award winner Ernest Borgnine. This year’s recipient is Theodore Bikel, known for originating the role of Captain Van Trapp in “The Sound of Music” on Broadway and Oscar nominated for 1958’s The Defiant Ones. Bikel speaks 10 languages, and will be presenting his film, “Journey 4 Artists” a multi-lingual, musical piece that seeks to bridge cultural gaps through folk music and stories, including Bosnian, Jewish and Arabic samples. It will be paired with Cara’s Mein Leztes Konzert, a short Yiddish film about a composer, which Quirk calls, “A visual poem. I haven’t really seen a film like this before.” They screen Sunday at 2:30 at RISD’s Metcalf Auditorium. Events during this year’s festival include the Rhode Island Film Forum, a symposium of film industry leaders and the local film community, assembled to discuss a variety of topics from the technical side of cinematography to the future of film festivals. Also, a workshop on balancing your film’s budget will be presented by Tom DeNucci of Woodhaven Productions. “We’re very excited to have two nights of screenings at PPAC this year,” says Festival Artistic Director Shawn Quirk. That includes the opening night screening and gala at 7pm on Aug 5th. Scriptbiz, a long-standing screenwriters workshop, and KidsEye, a celebration of children’s film, will also be taking place during RIIFF, as will a midnight horror show on Friday night, featuring the post- apocalyptic Another World by Israeli filmmaker Ellan Reuven and Ben Gordon’s short Dracula & My Mother, starting at 11:30pm at the Bell St. Chapel. Local films will also be showcased. “We have a great mix of local and global,” says Quirk. There will be Steel Shoes, a documentary about horseback riding by Cranston filmmaker Alyssa Migliori, featured shorts by locals Eric Latek and Bill Smith, and an afternoon “Underground Fest” dedicated to up and coming local filmmakers (8:30pm Saturday at Bell St.). To view the film schedule, showcase locations, and purchase tickets, go to: riff.festivalgenius.com Top 10 Shows at the Newport Folk Fest Every July in Rhode Island, The City By The Sea becomes electric with some of the best musicians on the planet coming to play Fort Adams. The Newport Folk Festival has reemerged as one of the premier stops of the summer music festival season. Famous for being the site of Bob Dylan’s highly amplified rock ‘n’ roll performance back in 1965, the festival has also played host to blues legend Son House, Elvis Costello, Jackson Browne, My Morning Jacket and Beck. To give you a guide of what you can’t miss this time around, here are my 10 things you have to check out at this year’s Newport Folk Festival: 10.) All Newport’s Eve @ The Newport Blues Café The night before the official start of the festival on July 24, there will be a stacked bill at The Newport Blues Café on 286 Thames Street featuring everyone’s favorite new Nashville musician by way of Providence, Joe Fletcher and his band of Wrong Reasons, fellow Nashville resident J.P. Harris and his Tough Choices, Philadelphia folk phenom Langhorne Slim, fellow Philadelphians Toy Soldiers, Dead Confederate’s T. Hardy Morris, Dallas’ Andrew Combs, The Deslondes from New Orleans, Providence’s orchestral pop act Arc Iris and New England singer-songwriter Ian Fitzgerald. If you’re in the area this is surely a pre-festival party you don’t want to miss. 9.) The After Parties One part of The Newport Folk Festival that makes it so special are the shows buzzing around town after each day. On Friday, June 25 at Jimmy’s Saloon on 37 Memorial Boulevard Roz & The Rice Cakes, Torn Shorts, Pier Jump and Silverteeth will be bringing the fun while the following night at the Saloon Boston rock ‘n’ roll act Oldjack will be throwing their 2nd annual Newport Nights with fellow Bostonians Tigerman WOAH, The Rationales & Nate Leavitt with Providence blues-rockers The Silks joining in on the fray. At The Tavern On Broadway right in the heart of downtown Newport on Saturday, The Mighty Good Boys will be making you dance like you have ants in your pants for a night of jug band bluegrass you can’t miss. If that isn’t enough, Deer Tick will be playing all three nights at The Blues Café as part of their annual Folk Fest after parties. Each night is filled with amazing acts sharing the stage with Deer Tick and be prepared to expect the unexpected. 8.) Reignwolf (Friday 2:55 @ Quad Stage) You can talk about great up-and-coming acts, and then you have to talk about Seattle blues act Reignwolf. Lead by wildman Jordan Cook on guitar and vocals, Reignwolf promises to leave quite the impression by leaving it all on the stage. These guys are just coming off from doing a tour with Black Sabbath and Eddie Vedder and Chris Cornell are singing their praises. They don’t have an album out yet, but you can check out a few tracks from Reignwolf on their website at reignwolf.com. 7.) J. Roddy Walston & The Business (Saturday 1:15 @ Harbor Stage) A rip roaring rock ‘n’ roll band out of Baltimore, J. Roddy Walston & The Business are definitely going to be the prime attraction to light up your Saturday afternoon by the sea. This quartet came out with one of the best albums of 2013 with Essential Tremors and I highly suggest picking up a copy at the merch table after you see them play. 6.) The Devil Makes Three (Friday 2:05 @ Fort Stage) It can be weird at times to see a band perform as a trio without having any drums, but The Devil Makes Three are so good they don’t need any. This folk act from Santa Cruz, Calif., has some local roots from performing with Joe Fletcher on numerous occasions and staging a benefit show for the late David Lamb of Brown Bird at Fete in Providence last year. I had the pleasure of seeing The Devil Makes Three play The Folk Fest back in 2011 and I’ve been a fan ever since. 5.) Jimmy Cliff (Friday 5:30 @ Quad Stage) The Newport Folk Fest always has its fair share of legends that perform and on Friday you’ll be able to experience one up close and personal with reggae icon Jimmy Cliff. Jimmy is the only living musician who holds the Jamaican Order Of Merit along with being famous for hits like “The Harder They Come” and “Many Rivers To Cross” as well as his covers of Cat Stevens’ “Wild World” and Johnny Nash’s “I Can See Clearly Now.” If you like to groove and you like to move, then Jimmy should be exactly what you’re looking for. 4.) Trampled By Turtles (Sunday 4:10 @ Quad Stage) Straight from Duluth, Minn., bluegrass act Trampled By Turtles have a great cult following in the folk community and seeing them play the Quad Stage on Sunday will be a fantastic way to highlight your Folk Fest finale. A week ago they put out their seventh studio album, Wild Animals, so they’ll likely perform a few live renditions off of it. Ideal for the folk enthusiast, Trampled By Turtles very well could be one of the top live bands to see throughout the entire festival. 3.) Conor Oberst (Sunday 3:20 @ Fort Stage) No stranger to playing Newport Folk, Bright Eyes’ Conor Oberst is sure to amaze with his heartfelt songs and intense demeanor on stage. The kid from Omaha, Neb., is a trailblazer in his own right and it seems that the more he plays the more his illustrious reputation grows. Like many of the acts performing this year, Conor has a new solo album out with Upside Down Mountain. His versatility is astounding; expect Conor to bust out a few new songs to mix in with a bunch of classics. 2.) Jeff Tweedy (Sunday 4:45 @ Fort Stage) Right after Conor Oberst plays on Sunday, stick around for something special when Wilco’s Jeff Tweedy heads up to the Fort Stage. He’s currently working on a project with his son Spencer called Tweedy and they should be putting out their debut album Sukierae this September. Who knows? Maybe Spencer will join his dad on stage. Regardless, seeing Jeff Tweedy perform is something that no music fan should miss. 1.) Jack White (Saturday 6:15 @ Fort Stage) This one is kind of an obvious choice to be #1, but can you blame me? The rock ‘n’ roll enigma from Detroit who is now based in Nashville has his second solo album out, Lazzaretto, which is pretty damn good.
Load more

Recommended publications
  • 1960S Folk Ch 5 AU 14.Pptx
    The 1960s Rebellion with a Cause Rebel without a Cause James Dean - 1955 1 Rebellion with a Cause Civil Rights Movement and Popular Music • Though rock and roll had bridged some racial divisions, it was avoided by civil rights activists as an emblem for their movement – Commercial success seemed inappropriate to associate with struggle against authority • Early worker’s union songs of solidarity “moved the movement” (Civil Rights) not rock – International Workers of the World (IWW) – Labor movement (1905)organized protests to secure equality for all workers – protest songs served as unifying force – IWW closed after World War I because of fears that it was a Communist organization • The Civil Rights movement opened the door for many black artists and black-owned record labels Woody Guthrie (1912-1967) Pete Seeger (1919-2014) • Folk music - English, Irish and Welch music brought to US by immigrants in 19th century • Simple acoustic songs about common people and ordinary events • 20th century Woody Guthrie and Pete Seeger brought political material to traditional folk music Pete Seeger • Seeger sang with the band “The Weavers” If I Had a Hammer (1949) • Sang politically motivated songs to promote social action and support labor movements • Sang for peace, civil rights, and workers’ rights • Both Seeger and Guthrie “blackballed” as communists during McCarthy Hearings (1954) – Folk music popularity diminished until revival in early 1960s partially because of presumed connections to Communism 2 • Woody Guthrie - “This Land is your Land” (1940) written in part to show distaste for Irving Berlin’s “God Bless America” (1939) which he felt was unrealistic and did not represent all people • “I sing the songs of the people that do all of the little jobs and the mean and dirty hard work in the world and of their wants and their hopes and their plans for a decent life” - Woody Guthrie God Bless America Irving Berlin (1939) God Bless America, Land that I love.
    [Show full text]
  • Free Indirect Affect in Cassavetes' Opening Night and Faces Homay King Bryn Mawr College, [email protected]
    Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College History of Art Faculty Research and Scholarship History of Art 2004 Free Indirect Affect in Cassavetes' Opening Night and Faces Homay King Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: http://repository.brynmawr.edu/hart_pubs Part of the Film and Media Studies Commons Custom Citation King, Homay. "Free Indirect Affect in Cassavetes' Opening Night and Faces." Camera Obscura 19, no. 2/56 (2004): 105-139, doi: 10.1215/02705346-19-2_56-105. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. http://repository.brynmawr.edu/hart_pubs/40 For more information, please contact [email protected]. 1 Homay King, “Free Indirect Affect in Cassavetes’ Opening Night and Faces,” Camera Obscura 56, v. 19, n. 2 (Summer 2004): 104-135. Free Indirect Affect in Cassavetes’ Opening Night and Faces Homay King How to make the affect echo? — Roland Barthes, Roland Barthes by Roland Barthes1 1. In the Middle of Things: Opening Night John Cassavetes’ Opening Night (1977) begins not with the curtain going up, but backstage. In the first image we see, Myrtle Gordon (Gena Rowlands) has just exited stage left into the wings during a performance of the play The Second Woman. In this play, Myrtle acts the starring role of Virginia, a woman in her early sixties who is trapped in a stagnant second marriage to a photographer. Both Myrtle and Virginia are grappling with age and attempting to come to terms with the choices they have made throughout their lives.
    [Show full text]
  • Press Quotes
    PRESS QUOTES ASSOCIATED PRESS: Wise words pour forth from Chris Smither – observations and aphorisms, similes and internal rhymes, run-on sentences and concise quips, all in a conversational flow. The careful construction of Smither’s lyrics is a thing of beauty and the bedrock of his bluesy folk music. Smither is an excellent acoustic guitarist and first-rate foot-stomper. NATIONAL PUBLIC RADIO: [Smither] taps his foot to keep the rhythm, much like the late blues legend John Lee Hooker. His finger-picked guitar lines are sleek, unhurried and insistent. And then there's the voice – equal parts gravel and molasses. (I edited a little out) ROLLING STONE: Bathed in the flickering glow of passing headlights and neon bar signs, Smither's roots are as blue as they come. There is plenty of misty Louisiana and Lightnin' Hopkins in Smither's weathered singing and unhurried picking. So fine. MOJO (5 STARS): Hundred Dollar Valentine is a thing of profound beauty; deep, sad, wise songs, allied to perfectly crafted arrangements, from a a man who’s live long enough in darkness to address the big, heavy questions with a lightness of touch. OXFORD AMERICAN It was that rhythmic push-and-pull, that New Orleans sensibility that made Smither stand out NEW YORK TIMES: With a weary, well-traveled voice and a serenely intricate finger-picking style, Mr. Smither turns the blues into songs that accept hard-won lessons and try to make peace with fate. MAVERICK: Cast your mind back to the first time you heard Hank Williams, Big Bill Broonzy or JJ Cale and remember how good it felt.
    [Show full text]
  • The Guardian, April 21, 1969
    Wright State University CORE Scholar The Guardian Student Newspaper Student Activities 4-21-1969 The Guardian, April 21, 1969 Wright State University Student Body Follow this and additional works at: https://corescholar.libraries.wright.edu/guardian Part of the Mass Communication Commons Repository Citation Wright State University Student Body (1969). The Guardian, April 21, 1969. : Wright State University. This Newspaper is brought to you for free and open access by the Student Activities at CORE Scholar. It has been accepted for inclusion in The Guardian Student Newspaper by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. WRiGHT STATE -Th e $£***** ) Guardian Volume V April 21, 1969 Freedom Shrine Sanity or lunacy '! rededicated Class hours change On the tenth day of April Announced for Fall nineteen hundred and sixty-nine A major change in the The report indicated that, the Dayton Exchange Club pre- m scheduling of class pi.jods for based on present classroom utili- sented the Rededication of the next Fall was announced at the zation, the projection for next Freedom Shrine to Wright State April 9 meeting of the Academic year indicates a nine room deficit University. The program was con- Council. Classes will be SO min- in the number of classrooms ducted by Robert Whited the utes long on Monday, Wednesday needed a' wak hours. In 1971-72, President of the Exchange Club. and Friday, and 75 minutes long with a .xted en roll men' of Tom Frawley the immediate on Tuesday and Thursday. In a 12,175, ,:ght State would be past president made the introduc- report to the Council of Deans, short 25 classrooms, tion of Clarence J.
    [Show full text]
  • Peter Novelli Peternovelli.Com
    Peter Novelli peternovelli.com Guitarist / singer / songwriter Peter Novelli is based in New Orleans. The Peter Novelli Band plays Louisiana roots and blues, a blend of blues-rock-R&B-funk with some zydeco-cajun influences. Novelli’s CD Louisiana Roots & Blues (June 12 release) with his core rhythm section Darryl White (drums, formerly w/ Tab Benoit and Chris Thomas King), Chris Chew (bass, North Mississippi Allstars), Joe Krown (B3 and piano, formerly w/ late Gatemouth Brown), and special guests Chubby Carrier (Grammy-winning zydeco accordionist), Chris Thomas King (lap slide guitar, Grammy “Oh Brother, Where Art Thou”), Shamarr Allen (trumpet) and Elaine and Lisa Foster on vocals. Novelli’s debut CD, produced by bassist David Hyde, hit the charts within a month of release and gathered widespread critical acclaim. His originals, with a few selected covers, made a journey through Louisiana-American blues-roots music. Guests include Dr. John, Paul Barrere, Augie Meyers, the late Gatemouth Brown’s rhythm section, and top Lousiana musicians. The CD includes an historical Tribute To Slim Harpo, with members of Harpo’s band including James Johnson, and interviews with Johnson, the late Raful Neal and “Big” Johnny Thomassie. Novelli started violin at age 6, picked up guitar at 14 after hearing a BB King record. The intensity, passion and raw emotional content of some of the blues masters (black and white, American and British) stuck in his ear and that is what drives him to this day. He likes to combine this feel with harmonic ideas of jazz, the relentless groove of zydeco, and just about any cool and unusual style of music or rhythm that works.
    [Show full text]
  • Nilesher Aid- Spect Ator
    Ycu ].E NilesHer aid- SpeCt ator Explore the exciting SOC-frTLOg lI IS NOI)O mS31IN new features inside 8I1 3118fldS311N ISlaA8I10969 8eoDaeod S311N..Ld30 J.>fl.J:N..Lw -NOWOfl1Y$l- 5T0-3j010OOOOO 6103 80509 A cIOEE I.O'. tRTTHE hEW NilesHerald-Spectator * Th Use the Week Inside Guide to easily navigate the paper. n top of Comnumity events * news keeps ur you informed fami! y - friend! and up-to-date. Calendar section. Check out our bold,Colorful new look with more photos on every page. A Tell us what you think! A We'd love to hear your thoughts on the all-new Nues Herald-Spectator Email your comments to [email protected] Your local source since 1951. publication niles.suntimes.com I Thursday, August 23, 2012 I A PC icompany I ACHICAGO SUNTIMES Nues Herald-Spectator Go Sideshow Theatre takes on Idomeneus[Page 44] Food Chefs mix it up with melons(page 71] Brett Balduf leads a tour of Carpenter School n Park Ridge for the new-family orientation at on Read the full story [Page 5] IPrincipalAug. 16 as part of back-to-school activities. DAN LUEDERT-Sun-Times Media Football preview Hello to the hallways High school season kicks off this weekend[Insert] Nues Herald-Spectator © 2012 Sun-Times Media I All Rights Reserved 2012 FASHION EVEN COMING 10.11.12 WWW.PIONEERLOCAL.COM THUR Family room, kitchen, master bedroom and master spa renovation - Highland Park, IL Designed and Built by .4iroom Would You Like One Room Or Five? As Chicagoland's remodeling leader for 54 years, we take great pride in creating stunning home additions that surpass your expectations.
    [Show full text]
  • David-Mallett-Press-Bio.Pdf
    DAVID MALLETT BIOS 150 Words David Mallett hails from a small town in northern Maine, and in a career that spans four decades, his music has traveled to all corners of the world. His songs have been recorded by more than 150 artists, including Pete Seeger, Alison Krauss, John Denver, Emmylou Harris, and even the Muppets, and his "Garden Song" has become an American folk classic. He has performed in town halls and folk clubs across America and Europe in addition to major venues such as Barns of Wolf Trap, Newport Folk Festival, and "Prairie Home Companion". The Bangor Daily News recognized him as one of the 58 most memorable Mainers of the 20th Century. The readers of FOLKWAX (www.folkwax.com) voted him 2003 Artist of the Year and "Artist in Me" 2003 Album of the Year. He has recorded 17 albums, including “The Fable True” (2007), based on Thoreau’s last expedition in 1857, a spoken word CD with accompanying music. 100 Words David Mallett hails from a small town in northern Maine, and in a career that spans four decades, his music has traveled to all corners of the world. His songs have been recorded by more than 150 artists, including Pete Seeger, Alison Krauss, John Denver, Emmylou Harris, even the Muppets, and his "Garden Song" has become an American folk classic. He has performed throughout America and Europe. The Bangor Daily News recognized him as one of the 58 most memorable Mainers of the 20th Century and the readers of FOLKWAX (folkwax.com) honored him with both 2003 Artist of the Year and Album of the Year for "Artist in Me".
    [Show full text]
  • Industry Newsletter
    On The Radio December 2, 2011 December 23, 2011 Brett Dennen, The Kruger Brothers, (Rebroadcast from March 25, 2011) Red Clay Ramblers, Charlie Worsham, Nikki Lane Cake, The Old 97’s, Hayes Carll, Hot Club of Cowtown December 9, 2011 Dawes, James McMurtry, Blitzen Trapper, December 30, 2011 Jason Isbell & The 400 Unit, Matthew Sweet (Rebroadcast from April 1, 2011) Mavis Staples, Dougie MacLean, Joy Kills Sorrow, December 16, 2011 Mollie O’Brien & Rich Moore, Tim O’Brien The Nighthawks, Chanler Travis Three-O, Milk Carton Kids, Sarah Siskind, Lucy Wainwright Roche Hayes Carll James McMurtry Mountain Stage® from NPR is a production of West Virginia Public Broadcasting December 2011 On The Radio December 2, 2011 December 9, 2011 Nikki Lane Stage Notes Stage Notes Brett Dennen - In the early 2000s, Northern California native Brett Dennen Dawes – The California-based roots rocking Dawes consists of brothers Tay- was a camp counselor who played guitar, wrote songs and performed fireside. lor and Griffin Goldsmith, Wylie Weber and Tay Strathairn. Formed in the Los With a self-made album, he began playing coffee shops along the West Coast Angeles suburb of North Hills, this young group quickly became a favorite of and picked up a devoted following. Dennen has toured with John Mayer, the critics, fans and the veteran musicians who influenced its music. After connect- John Butler Trio, Rodrigo y Gabriela and Ben Folds. On 2007’s “Hope For the ing with producer Jonathan Wilson, the group began informal jam sessions Hopeless,” he was joined by Femi Kuti, Natalie Merchant, and Jason Mraz.
    [Show full text]
  • John Cassavetes: at the Limits Of
    JOHN CASSAVETES: AT THE LIMITS OF PERFORMANCE A thesis submitted in fulfilment of the requirements for the Degree of Master of Arts in Cinema Studies in the University of Canterbury by Luke Towart University of Canterbury 2014 Table of Contents Acknowledgements…………………………………………………………………………....1 Abstract………………………………………………………………………………………..2 Introduction……………………………………………………………………………………3 Chapter One: Performative Opposition: A Woman Under the Influence…………………….20 Chapter Two: A New Kind of Acting: Shadows……………………………………………..52 Chapter Three: Documentaries of Performance: Faces……………………………………...90 Conclusion…………………………………………………………………………………..122 Bibliography………………………………………………………………………………...134 Filmography………………………………………………………………………………...141 1 Acknowledgements Thank you to Alan Wright, my primary supervisor, and Mary Wiles, my secondary supervisor, for their guidance whilst writing this thesis. 2 Abstract This thesis examines the central role of performance in three of the films of John Cassavetes. I identify Cassavetes’ unique approach to performance and analyze its development in A Woman Under the Influence (1974), Shadows (1959) and Faces (1968). In order to contextualize and define Cassavetes’ methodology, I compare and contrast each of these films in relation to two other relevant film movements. Cassavetes’ approach was dedicated to creating alternative forms of performative expression in film, yet his films are not solely independent from filmic history and can be read as being a reaction against established filmic structures. His films revolve around autonomous performances that often defy and deconstruct traditional concepts of genre, narrative structure and character. Cassavetes’ films are deeply concerned with their characters’ isolation and inability to communicate with one another, yet refrain from traditional or even abstract constructions of meaning in favour of a focus on spontaneous, unstructured performance of character. Cassavetes was devoted to exploring the details of personal relationships, identity and social interaction.
    [Show full text]
  • A Singer Who Let That Big Light of Hers Shine by Dwight Garner Odetta Performing on Stage in London in 1963
    A Singer Who Let That Big Light of Hers Shine By Dwight Garner Odetta performing on stage in London in 1963. Ronald Dumont/Hulton Archive, via Getty Images In the biography of nearly every white rock performer of a certain vintage, there’s a pivotal moment — more pivotal than signing the ill-advised first contract that leads to decades of litigation, and more pivotal than the first social disease. The moment is when the subject watched Elvis Presley’s appearance on “The Ed Sullivan Show” on Sept. 9, 1956. For Black audiences and many future musicians, the crucial moment came three years later. On Dec. 10, 1959, CBS, in partnership with Revlon, broadcast a prime-time special called “Tonight With Belafonte,” produced and hosted by Harry Belafonte, the debonair and rawboned Jamaican- American singer. These weren’t easy years for Black families to gather around the television. As Margo Jefferson wrote in her memoir “Negroland,” they turned on the set “waiting to be entertained and hoping not to be denigrated.” Belafonte was given artistic control over his program. He told executives he wanted a largely unknown folk singer named Odetta to perform prominently. One executive asked, “Excuse me, Harry, but what is an Odetta?” Revlon was bemused to learn she did not wear makeup. The hourlong show was commercial-free except for a Revlon spot at the beginning and end. At the start, Belafonte sang two songs. In what is, amazingly, the first in-depth biography of this performer, “Odetta: A Life in Music and Protest,” the music writer Ian Zack picks up the story.
    [Show full text]
  • Acoustic Guitar Songs by Title 11Th Street Waltz Sean Mcgowan Sean
    Acoustic Guitar Songs by Title Title Creator(s) Arranger Performer Month Year 101 South Peter Finger Peter Finger Mar 2000 11th Street Waltz Sean McGowan Sean McGowan Aug 2012 1952 Vincent Black Lightning Richard Thompson Richard Thompson Nov/Dec 1993 39 Brian May Queen May 2015 50 Ways to Leave Your Lover Paul Simon Paul Simon Jan 2019 500 Miles Traditional Mar/Apr 1992 5927 California Street Teja Gerken Jan 2013 A Blacksmith Courted Me Traditional Martin Simpson Martin Simpson May 2004 A Daughter in Denver Tom Paxton Tom Paxton Aug 2017 A Day at the Races Preston Reed Preston Reed Jul/Aug 1992 A Grandmother's Wish Keola Beamer, Auntie Alice Namakelua Keola Beamer Sep 2001 A Hard Rain's A-Gonna Fall Bob Dylan Bob Dylan Dec 2000 A Little Love, A Little Kiss Adrian Ross, Lao Silesu Eddie Lang Apr 2018 A Natural Man Jack Williams Jack Williams Mar 2017 A Night in Frontenac Beppe Gambetta Beppe Gambetta Jun 2004 A Tribute to Peador O'Donnell Donal Lunny Jerry Douglas Sep 1998 A Whiter Shade of Pale Keith Reed, Gary Brooker Martin Tallstrom Procul Harum Jun 2011 About a Girl Kurt Cobain Nirvana Nov 2009 Act Naturally Vonie Morrison, Johnny Russel The Beatles Nov 2011 Addison's Walk (excerpts) Phil Keaggy Phil Keaggy May/Jun 1992 Adelita Francisco Tarrega Sep 2018 Africa David Paich, Jeff Porcaro Andy McKee Andy McKee Nov 2009 After the Rain Chuck Prophet, Kurt Lipschutz Chuck Prophet Sep 2003 After You've Gone Henry Creamer, Turner Layton Sep 2005 Ain't It Enough Ketch Secor, Willie Watson Old Crow Medicine Show Jan 2013 Ain't Life a Brook
    [Show full text]
  • Pete Seeger, Songwriter and Champion of Folk Music, Dies at 94
    Pete Seeger, Songwriter and Champion of Folk Music, Dies at 94 By Jon Pareles, The New York Times, 1/28 Pete Seeger, the singer, folk-song collector and songwriter who spearheaded an American folk revival and spent a long career championing folk music as both a vital heritage and a catalyst for social change, died Monday. He was 94 and lived in Beacon, N.Y. His death was confirmed by his grandson, Kitama Cahill Jackson, who said he died of natural causes at NewYork-Presbyterian Hospital. Mr. Seeger’s career carried him from singing at labor rallies to the Top 10 to college auditoriums to folk festivals, and from a conviction for contempt of Congress (after defying the House Un-American Activities Committee in the 1950s) to performing on the steps of the Lincoln Memorial at an inaugural concert for Barack Obama. 1 / 13 Pete Seeger, Songwriter and Champion of Folk Music, Dies at 94 For Mr. Seeger, folk music and a sense of community were inseparable, and where he saw a community, he saw the possibility of political action. In his hearty tenor, Mr. Seeger, a beanpole of a man who most often played 12-string guitar or five-string banjo, sang topical songs and children’s songs, humorous tunes and earnest anthems, always encouraging listeners to join in. His agenda paralleled the concerns of the American left: He sang for the labor movement in the 1940s and 1950s, for civil rights marches and anti-Vietnam War rallies in the 1960s, and for environmental and antiwar causes in the 1970s and beyond.
    [Show full text]