The Guardian, April 21, 1969
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Free Indirect Affect in Cassavetes' Opening Night and Faces Homay King Bryn Mawr College, [email protected]
Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College History of Art Faculty Research and Scholarship History of Art 2004 Free Indirect Affect in Cassavetes' Opening Night and Faces Homay King Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: http://repository.brynmawr.edu/hart_pubs Part of the Film and Media Studies Commons Custom Citation King, Homay. "Free Indirect Affect in Cassavetes' Opening Night and Faces." Camera Obscura 19, no. 2/56 (2004): 105-139, doi: 10.1215/02705346-19-2_56-105. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. http://repository.brynmawr.edu/hart_pubs/40 For more information, please contact [email protected]. 1 Homay King, “Free Indirect Affect in Cassavetes’ Opening Night and Faces,” Camera Obscura 56, v. 19, n. 2 (Summer 2004): 104-135. Free Indirect Affect in Cassavetes’ Opening Night and Faces Homay King How to make the affect echo? — Roland Barthes, Roland Barthes by Roland Barthes1 1. In the Middle of Things: Opening Night John Cassavetes’ Opening Night (1977) begins not with the curtain going up, but backstage. In the first image we see, Myrtle Gordon (Gena Rowlands) has just exited stage left into the wings during a performance of the play The Second Woman. In this play, Myrtle acts the starring role of Virginia, a woman in her early sixties who is trapped in a stagnant second marriage to a photographer. Both Myrtle and Virginia are grappling with age and attempting to come to terms with the choices they have made throughout their lives. -
John Cassavetes: at the Limits Of
JOHN CASSAVETES: AT THE LIMITS OF PERFORMANCE A thesis submitted in fulfilment of the requirements for the Degree of Master of Arts in Cinema Studies in the University of Canterbury by Luke Towart University of Canterbury 2014 Table of Contents Acknowledgements…………………………………………………………………………....1 Abstract………………………………………………………………………………………..2 Introduction……………………………………………………………………………………3 Chapter One: Performative Opposition: A Woman Under the Influence…………………….20 Chapter Two: A New Kind of Acting: Shadows……………………………………………..52 Chapter Three: Documentaries of Performance: Faces……………………………………...90 Conclusion…………………………………………………………………………………..122 Bibliography………………………………………………………………………………...134 Filmography………………………………………………………………………………...141 1 Acknowledgements Thank you to Alan Wright, my primary supervisor, and Mary Wiles, my secondary supervisor, for their guidance whilst writing this thesis. 2 Abstract This thesis examines the central role of performance in three of the films of John Cassavetes. I identify Cassavetes’ unique approach to performance and analyze its development in A Woman Under the Influence (1974), Shadows (1959) and Faces (1968). In order to contextualize and define Cassavetes’ methodology, I compare and contrast each of these films in relation to two other relevant film movements. Cassavetes’ approach was dedicated to creating alternative forms of performative expression in film, yet his films are not solely independent from filmic history and can be read as being a reaction against established filmic structures. His films revolve around autonomous performances that often defy and deconstruct traditional concepts of genre, narrative structure and character. Cassavetes’ films are deeply concerned with their characters’ isolation and inability to communicate with one another, yet refrain from traditional or even abstract constructions of meaning in favour of a focus on spontaneous, unstructured performance of character. Cassavetes was devoted to exploring the details of personal relationships, identity and social interaction. -
Series 28: 7) John Cassavetes, KILLING of a CHINESE BOOKIE (1976, 135 Minutes)
March 11, 2014 (Series 28: 7) John Cassavetes, KILLING OF A CHINESE BOOKIE (1976, 135 minutes) Directed by John Cassavetes Cinematography by Mitch Breit Ben Gazzara ... Cosmo Vittelli Timothy Carey ... Flo Al Ruban ... Marty Reitz JOHN CASSAVETES (director) (b. John Nicholas Cassavetes, December 9, 1929 in New York City, New York—d. February 3, 1989 (age 59) in Los Angeles, California) directed 16 films and TV shows, which are 1986 Big Trouble, 1984 Love Streams, 1980 Gloria, 1977 Opening Night, 1976 The Killing of a Chinese Bookie, 1974 A Woman Under the Influence, 1972 “Columbo” (TV Series), 1971 Minnie and Moskowitz, 1970 Husbands, 1968 Faces, 1966 “Bob Hope Presents the Chrysler Theatre” (TV Series), 1962-1963 “The Lloyd Bridges Show” (TV Series), 1963 A Child Is Waiting, 1961 Too Late Blues, 1959-1960 “Johnny Staccato” (TV Series), and 1959 Shadows. He also wrote 14 films and TV shows—2010 Antes del estreno (original story), MITCH BREIT (cinematography) has been cinematographer for 1999 Gloria (1980 screenplay), 1997 She's So Lovely, 1984 Love 2 films: 1976 The Killing of a Chinese Bookie and 1974 A Streams, 1980 Gloria, 1977 Opening Night, 1976 The Killing of Woman Under the Influence. a Chinese Bookie, 1974 A Woman Under the Influence, 1971 Minnie and Moskowitz, 1970 Husbands, 1968 Faces, 1966 “Bob BEN GAZZARA ... Cosmo Vittelli (b. Biagio Anthony Gazzara, Hope Presents the Chrysler Theatre” (TV Series), 1961 Too Late August 28, 1930 in New York City, New York—d. February 3, Blues, and 1959 Shadows—and edited 2—1968 Faces and 1959 2012 (age 81) in New York City, New York) appeared in 133 Shadows. -
Worldwide Movie Culture Returns at This Year's Rhode
Worldwide Movie Culture Returns At This Year’s Rhode Island International Film Festival Entering its 18th year since its founding by George T. Marshall, the founder of the Flicker Arts Collaborate, RIIFF has become a focal point of international films by everyone from up-and-coming filmmakers to highly seasoned actors and directors. Between August 5 and 10 this year, roughly 270 films will be shown including Flavio Alves’ Tom In America, Marcelo Mitnik’s En las nubes (In the Clouds), and Selcuk Zvi Cara’s Mein Leztes Konzert (My Last Concert). Since 2002, the RIIFF has been a qualifying festival for the Academy Awards in short film categories. Numerous stars and celebrities have attended RIIFF over the past decade including Seymour Cassel, Andrew McCarthy, Kim Chan and Michael Showalter. Some have had the honor of receiving the Festival Lifetime Achievement Award. In 2001 it was awarded to Breakfast At Tiffany’s director, Blake Edwards, accepted by his wife, renowned actress Julie Andrews. In 2009, the honor went to the multi-Emmy and Golden Globe nominated Academy Award winner Ernest Borgnine. This year’s recipient is Theodore Bikel, known for originating the role of Captain Van Trapp in “The Sound of Music” on Broadway and Oscar nominated for 1958’s The Defiant Ones. Bikel speaks 10 languages, and will be presenting his film, “Journey 4 Artists” a multi-lingual, musical piece that seeks to bridge cultural gaps through folk music and stories, including Bosnian, Jewish and Arabic samples. It will be paired with Cara’s Mein Leztes Konzert, a short Yiddish film about a composer, which Quirk calls, “A visual poem. -
March 1, 1969
¦ C *".Ut iXsXJICr PEPT. Jud ge Rules To Continue Court Inj unction Although It Might Be Modif ied Next Week By GERRY LYNN HAMILTON The students had entered Olc because the University determined The court order has been ef- He asserted that the students on Monday and that there was carry out his duties; days. As a result ling on disorder and damaged property. —students should be allowed Collegian City Editor Main at 3 p.m. Monday, and left that these students were trying to fective for five in Old Main were tramp persuade the demonstrators to of the decision last night it will the rights of the University, Although it was not allowed to participate in job interviews The preliminary injunction at 10 p.m. leave Old Main. continue in effect until a further to be admitted as evidence, the with any organization wishing to "You. the defendants, have conduct interviews on campus. against 250 students who held an The students filed out after "Identified John Does" court order is issued. "You have the University is writing up about inion, Lipez rights." he said. damages to the Old Main "If that 's a hard line, then Old Main sit-in Monday was or- the injunction listing eight stu- Eight other students were In his written op right to meet peaceably in mass SHOO in "Edu- dents and 250 "John Does" was served with copies of the injunc- said, "This injunction however, takeover according to officials. I have a hard line." he said. dered continued until further meetings on the campus in proper cation is our foremost obligation." read to them by Richard E. -
Newbev201902 FRONT
General Admission: $10.00 February 2019 Seniors / Children: $6.00 NEW Matinees: $6.00 BEVERLY cinema 7165 BEVERLY BLVD. THENEWBEV.COM ONE BLOCK WEST OF LA BREA, LOS ANGELES FOLLOW US ON FACEBOOK AND TWITTER! February 1 & 2 Two written by Peter Benchley The New Beverly Cinema pays tribute to legendary superstar Burt Reynolds in February, showcasing the charisma and charm that made him a true American icon. The series kicks off on his birthday with a rare film print of his screen debut, Angel Baby, and runs through some of his most entertaining movies of the ‘70s and beyond throughout the month. 4-track Mag Print DIRECTED BY STEVEN SPIELBERG February 3 & 4 February 5 February 6 & 7 February 8 & 9 IB Tech Print IB Tech Print MIDNIGHT SHOW! MIDNIGHT SHOW! MIDNIGHT SHOW! MIDNIGHT SHOW! THE BLACK GODFATHER (SATURDAY ONLY) February 10 & 11 Directed by Paul Wendkos February 12 February 13 & 14Burt Reynolds Tribute February 15 & 16 Burt Reynolds Tribute Burt Reynolds Tribute JOHN BOORMAN’S BURT REYNOLDS Sam Fuller’s SHARK! Sony Archive Print SONY ARCHIVE PRINT PAUL THOMAS ANDERSON’S BATTLE OF THE GEORGE HAMILTON CORAL SEA BURT REYNOLDS February 17 & 18 French Foreign Legion February 19 February 20 & 21 Burt Reynolds Tribute February 22 & 23 Burt Reynolds Tribute MARTY FELDMAN Jamaa Fanaka Double LEON ISAAC KENNEDY February 24 & 25 Directed by Paul Wendkos February 26 February 27 & 28 Jack Lemmon Double Feature Burt Reynolds Tribute See some stunning 35mm prints courtesy of the Sony Archive! Sony Archive Print JACK Sony Archive Print LEMMON The -
Oliver-Programme.Pdf
7 – 17 December at 7.30pm (no Sunday performance) Matinees 10 & 17 December at 2.30pm OLIVER!by Lionel Bart Free when mailed to £1 Loft Members notes from the DIRECTOR A Dickens of a musical Oliver! is a stage musical with both music and lyrics by Lionel Bart, and was the first musical adaptation of a famous Charles Dickens work to become a stage hit. It premiered in the West End in 1960, enjoying a long run, and a subsequent successful run on Broadway, followed by numerous tours sparkling musical score that includes a host and revivals both here and the US. It was of well-known songs including Food, Glorious made into the famous musical film of the Food, Where is Love, Consider Yourself, Pick a same name in 1968, which featured an all- Pocket or Two and As Long As He Needs Me. star cast including Ron Moody, Oliver Reed, As a director, I relish challenges Shani Wallis and Jack Wild with Mark Lester which continue to stretch the skills and in the title role, and which went on to win imagination. This has included musicals such no less than six Academy Awards from as the Sondheim classic, Sweeney Todd, 11 nominations! Godspell and previous Christmas treats Oliver! has also been performed literally like Scrooge and RENT. Oliver! requires a thousands of times in British schools, highly skilled and committed team to bring particularly in the 1970s, when it was by the show to our stage – a stage where far the most popular school musical. Indeed you would not normally expect to see a the director himself appeared in an all-male show of this size – and putting the whole production in 1970 as a member of Fagin’s thing together has been a huge theatrical gang, following on from his performance challenge for the team. -
Carol Raskin
Carol Raskin Artistic Images Make-Up and Hair Artists, Inc. Miami – Office: (305) 216-4985 Miami - Cell: (305) 216-4985 Los Angeles - Office: (310) 597-1801 FILMS DATE FILM DIRECTOR PRODUCTION ROLE 2019 Fear of Rain Castille Landon Pinstripe Productions Department Head Hair (Kathrine Heigl, Madison Iseman, Israel Broussard, Harry Connick Jr.) 2018 Critical Thinking John Leguizamo Critical Thinking LLC Department Head Hair (John Leguizamo, Michael Williams, Corwin Tuggles, Zora Casebere, Ramses Jimenez, William Hochman) The Last Thing He Wanted Dee Rees Elena McMahon Productions Additional Hair (Miami) (Anne Hathaway, Ben Affleck, Willem Dafoe, Toby Jones, Rosie Perez) Waves Trey Edward Shults Ultralight Beam LLC Key Hair (Sterling K. Brown, Kevin Harrison, Jr., Alexa Demie, Renee Goldsberry) The One and Only Ivan Thea Sharrock Big Time Mall Productions/Headliner Additional Hair (Bryan Cranston, Ariana Greenblatt, Ramon Rodriguez) (U. S. unit) 2017 The Florida Project Sean Baker The Florida Project, Inc. Department Head Hair (Willem Dafoe, Bria Vinaite, Mela Murder, Brooklynn Prince) Untitled Detroit City Yann Demange Detroit City Productions, LLC Additional Hair (Miami) (Richie Merritt Jr., Matthew McConaughey, Taylour Paige, Eddie Marsan, Alan Bomar Jones) 2016 Baywatch Seth Gordon Paramount Worldwide Additional Hair (Florida) (Dwayne Johnson, Zac Efron, Alexandra Daddario, David Hasselhoff) Production, Inc. 2015 The Infiltrator Brad Furman Good Films Production Department Head Hair (Bryan Cranston, John Leguizamo, Benjamin Bratt, Olympia -
Analyze This
Analyze This Dir: Harold Ramis, USA, 1999 A review by George Larke, University of Sunderland It's parody time again for the gangster genre. Just in case we were tempted into taking the films too seriously, we are reminded that the cinematic gangster and his surroundings are essentially cliché forms. Analyze This, directed by Harold Ramis and starring Robert De Niro and Billy Crystal, takes the post-classical fashion of masculine angst popular in the gangster film from The Godfather (1972) to Donnie Brasco (1995) and mercilessly laughs at it. Ramis, who previously directed another comedy success, Groundhog Day (1993), wrote the script along with Peter Tolan and Kenneth Lonergan. At first glance, the film invites comparison to another gangster parody, Mad Dog and Glory (1993) wherein De Niro played against type, as the "nobody" schmuck, while Bill Murray played the mobster. That film did not work very well. De Niro cannot play the schmuck opposite a comedy gangster it stretches imagination and parody too far. For Analyze This, switching the roles and replacing Murray with Billy Crystal has produced a more fitting character balance. Mob boss, Paul Vitti (De Niro), is suffering from a severe case of "work-related stress". The biggest meeting of New York crime bosses since the Appalachian gathering of 1957 is imminent. He's just witnessed the assassination of one of his best friends and certain associates are suggesting he was involved in ordering it. The panic attacks are getting worse and it's affecting his work in a set-piece interrogation and assassination scene he cannot pull the trigger, much to his henchman's and, more pointedly, the victim's disgust. -
THE ROYAL TENENBAUMS” Ari Tenenbaum
Touchstone Pictures’ ADDITIONAL CAST “THE ROYAL TENENBAUMS” Ari Tenenbaum. GRANT ROSENMEYER Uzi Tenenbaum . JONAH MEYERSON CAST Young Chas Tenenbaum. ARAM ASLANIAN-PERSICO Young Margot Tenenbaum. IRENE GOROVAIA GENE HACKMAN Young Richie Tenenbaum . AMEDEO TURTURRO as Dudley Heinsbergen. STEPHEN LEA SHEPPARD Royal Tenenbaum Young Eli Cash. JAMES FITZGERALD Peter Bradley . LARRY PINE ANJELICA HUSTON Detective . DON MCKINNON as Hotel Manager. FRANK WOOD Etheline Tenenbaum Walter Sherman. AL THOMPSON Rachael Tenenbaum . JENNIFER WACHTELL BEN STILLER Hotel Clerk . DONAL WARD as Farmer Father/Tex Hayward. ANDREW WILSON Chas Tenenbaum Doctor . DIPAK PALLANA GWYNETH PALTROW Sanjay Gandhi. SANJAY MATHEW as Chas’ Secretary. MARY WIGMORE Margot Tenenbaum Sing-Sang . SONAM WANGMO Neville Smythe-Dorleac . PAWEL WDOWCZAK LUKE WILSON Yasuo Oshima . PETER LEUNG as Franklin Benedict . WILLIAM STURGIS Richie Tenenbaum Reporter in Blue Cardigan . LIAM CRAIG Eli’s Aunt . SHEELAGH TELLERDAY OWEN WILSON Cote d’Ivoire Attendant . MAX FAUGNO as Cote d’Ivoire Radio Operator . GUIDO VENITUCCI Eli Cash Frederick (Bellboy) . EBON MOSS-BACHRACH Elderly “Baumer” Fan #1 . BRIAN SMIAR BILL MURRAY Elderly “Baumer” Fan #2 . JAN V.E. AUSTELL as Raleigh St. Clair Cemetery Maintenance Man . RONY CLANTON Anwar . SALIM MALIK DANNY GLOVER Judge . TOM LACY as Royal’s Lawyer . KEITH CHARLES Henry Sherman Gypsy Cab Driver . GREG GOOSEN Nurse . SADIAH ARRIKA EKULONA SEYMOUR CASSEL Sanchez . VIC MATA as Irish Longshoreman . MICHAEL CONTI Dusty Parisian Girl . TATIANA ABBEY New Guinea Tribesman . KALANI QUEYPO KUMAR PALLANA Punk Rocker . MEL CANNON as Eli’s Egyptian Friends . LEO MANUELIAN Pagoda AMIR RAISSI ROGER SHAMAS Narrator Father Petersen. PHILIP DENNING ALEC BALDWIN Police Officer . GARY EVANS Mr. Levinson . REX ROBBINS Elaine Levinson . -
John Cassavetes
Cassavetes on Cassavetes Ray Carney is Professor of Film and American Studies and Director of the undergraduate and graduate Film Studies programs at Boston Uni- versity. He is the author or editor of more than ten books, including the critically acclaimed John Cassavetes: The Adventure of Insecurity; The Films of Mike Leigh: Embracing the World; The Films of John Cas- savetes: Pragmatism, Modernism, and the Movies; American Vision: The Films of Frank Capra; Speaking the Language of Desire: The Films of Carl Dreyer; American Dreaming; and the BFI monograph on Cas- savetes’ Shadows. He is an acknowledged expert on William James and pragmatic philosophy, having contributed major essays on pragmatist aesthetics to Morris Dickstein’s The Revival of Pragmatism: New Essays on Social Thought, Law, and Culture and Townsend Ludington’s A Modern Mosaic: Art and Modernism in the United States. He co- curated the Beat Culture and the New America show for the Whitney Museum of American Art in New York, is General Editor of the Cam- bridge Film Classics series, and is a frequent speaker at film festivals around the world. He is regarded as one of the world’s leading authori- ties on independent film and American art and culture, and has a web site with more information at www.Cassavetes.com. in the same series woody allen on woody allen edited by Stig Björkman almodóvar on almodóvar edited by Frédéric Strauss burton on burton edited by Mark Salisbury cronenberg on cronenberg edited by Chris Rodley de toth on de toth edited by Anthony Slide fellini on -
Oliver! (1968) AUDIENCE 82 Liked It Average Rating: 3.4/5 User Ratings: 55,441
Oliver! (1968) AUDIENCE 82 liked it Average Rating: 3.4/5 User Ratings: 55,441 Movie Info Inspired by Charles Dickens' novel Oliver Twist, Lionel Bart's 1961 London and Broadway musical hit glossed over some of Dickens' more graphic passages but managed to retain a strong subtext to what was essentially light entertainment. For its first half-hour or so, Carol Reed's Oscar-winning 1968 film version does a masterful job of telling its story almost exclusively through song and dance. Once nine- year-old orphan Oliver Twist (Mark Lester) falls in with such underworld types as pickpocket Fagin (Ron Moody) and murderous thief Bill Sykes (Oliver Reed), it becomes necessary to inject more and more dialogue, and the film loses some of its momentum. But not to worry; despite such brutal moments as Sikes' murder of Nancy (Shani Wallis), the film gets back on the right musical track, thanks in great part to Theatrical release poster by Howard Terpning (Wikipedia) Onna White's exuberant choreography and the faultless performances by Moody and by Jack Wild as the Artful Dodger. The supporting cast TOMATOMETER includes Harry Secombe as the self-righteous All Critics Mr. Bumble and Joseph O'Conor as Mr. Brownlow, the man who (through a series of typically Dickensian coincidences) rescues Oliver from the streets. Oliver! won six Oscars, 85 including Best Picture, Best Director, and a Average Rating: 7.7/10 Reviews special award to choreographer Onna White. ~ Counted: 26 Fresh: 22 | Rotten: 4 Hal Erickson, Rovi Top Critics G, 2 hr. 33 min. Drama, Kids & Family, Musical & Performing Arts, Classics, Comedy 60 Directed By: Carol Reed Written By: Vernon Harris Average Rating: 6/10 Critic Reviews: 5 Fresh: 3 | Rotten: 2 In Theaters: Dec 11, 1968 Wide On DVD: Aug 11, 1998 It has aged somewhat awkwardly, but the Sony Pictures Home Entertainment performances are inspired, the songs are [www.rottentomatoes.com] memorable, and the film is undeniably influential.