David-Mallett-Press-Bio.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

David-Mallett-Press-Bio.Pdf DAVID MALLETT BIOS 150 Words David Mallett hails from a small town in northern Maine, and in a career that spans four decades, his music has traveled to all corners of the world. His songs have been recorded by more than 150 artists, including Pete Seeger, Alison Krauss, John Denver, Emmylou Harris, and even the Muppets, and his "Garden Song" has become an American folk classic. He has performed in town halls and folk clubs across America and Europe in addition to major venues such as Barns of Wolf Trap, Newport Folk Festival, and "Prairie Home Companion". The Bangor Daily News recognized him as one of the 58 most memorable Mainers of the 20th Century. The readers of FOLKWAX (www.folkwax.com) voted him 2003 Artist of the Year and "Artist in Me" 2003 Album of the Year. He has recorded 17 albums, including “The Fable True” (2007), based on Thoreau’s last expedition in 1857, a spoken word CD with accompanying music. 100 Words David Mallett hails from a small town in northern Maine, and in a career that spans four decades, his music has traveled to all corners of the world. His songs have been recorded by more than 150 artists, including Pete Seeger, Alison Krauss, John Denver, Emmylou Harris, even the Muppets, and his "Garden Song" has become an American folk classic. He has performed throughout America and Europe. The Bangor Daily News recognized him as one of the 58 most memorable Mainers of the 20th Century and the readers of FOLKWAX (folkwax.com) honored him with both 2003 Artist of the Year and Album of the Year for "Artist in Me". 50 Words David Mallett hails from a small town in northern Maine, and in a career that spans four decades, his music has traveled to all corners of the world. His songs have been recorded by more than 150 artists, and his "Garden Song" has become an American folk classic. MINI CLIP Maine singer-songwriter David Mallett is world famous for his "Garden Song", which has become an American folk classic. QUOTES "Few people could be called the living embodiment of the state where they live. But what Garrison Keillor is to Minnesota, Mallett is to Maine." – Orlando Sentinel "David Mallett is the best folk singer alive in America today."—Cape Cod Times "Mallett is a first-rate folk singer and writer. His portraits and townscapes are camera sharp, and his knowledge of his subjects is profound." -- Billboard "David Mallett is that rare artist who loves both nature and people. With enormous clarity and humor he gives a voice to the life of contemporary Maine - as it is really lived."--Kate Barnes, Maine's Poet Laureate "Dave Mallett has the warmth of a flannel shirt, the comfort of a quilt, and the heart of a poet." -- Music Row Website: davidmallett.com Contact : Linda Bolton, NORTHERN LIGHTS MGT., 437 Live Oak Loop NE, Albuquerque, NM 87122-1406 505-856-7100, fax 505-856-2566 [email protected] http://www.northernlightsmgt.com .
Recommended publications
  • 1960S Folk Ch 5 AU 14.Pptx
    The 1960s Rebellion with a Cause Rebel without a Cause James Dean - 1955 1 Rebellion with a Cause Civil Rights Movement and Popular Music • Though rock and roll had bridged some racial divisions, it was avoided by civil rights activists as an emblem for their movement – Commercial success seemed inappropriate to associate with struggle against authority • Early worker’s union songs of solidarity “moved the movement” (Civil Rights) not rock – International Workers of the World (IWW) – Labor movement (1905)organized protests to secure equality for all workers – protest songs served as unifying force – IWW closed after World War I because of fears that it was a Communist organization • The Civil Rights movement opened the door for many black artists and black-owned record labels Woody Guthrie (1912-1967) Pete Seeger (1919-2014) • Folk music - English, Irish and Welch music brought to US by immigrants in 19th century • Simple acoustic songs about common people and ordinary events • 20th century Woody Guthrie and Pete Seeger brought political material to traditional folk music Pete Seeger • Seeger sang with the band “The Weavers” If I Had a Hammer (1949) • Sang politically motivated songs to promote social action and support labor movements • Sang for peace, civil rights, and workers’ rights • Both Seeger and Guthrie “blackballed” as communists during McCarthy Hearings (1954) – Folk music popularity diminished until revival in early 1960s partially because of presumed connections to Communism 2 • Woody Guthrie - “This Land is your Land” (1940) written in part to show distaste for Irving Berlin’s “God Bless America” (1939) which he felt was unrealistic and did not represent all people • “I sing the songs of the people that do all of the little jobs and the mean and dirty hard work in the world and of their wants and their hopes and their plans for a decent life” - Woody Guthrie God Bless America Irving Berlin (1939) God Bless America, Land that I love.
    [Show full text]
  • A Singer Who Let That Big Light of Hers Shine by Dwight Garner Odetta Performing on Stage in London in 1963
    A Singer Who Let That Big Light of Hers Shine By Dwight Garner Odetta performing on stage in London in 1963. Ronald Dumont/Hulton Archive, via Getty Images In the biography of nearly every white rock performer of a certain vintage, there’s a pivotal moment — more pivotal than signing the ill-advised first contract that leads to decades of litigation, and more pivotal than the first social disease. The moment is when the subject watched Elvis Presley’s appearance on “The Ed Sullivan Show” on Sept. 9, 1956. For Black audiences and many future musicians, the crucial moment came three years later. On Dec. 10, 1959, CBS, in partnership with Revlon, broadcast a prime-time special called “Tonight With Belafonte,” produced and hosted by Harry Belafonte, the debonair and rawboned Jamaican- American singer. These weren’t easy years for Black families to gather around the television. As Margo Jefferson wrote in her memoir “Negroland,” they turned on the set “waiting to be entertained and hoping not to be denigrated.” Belafonte was given artistic control over his program. He told executives he wanted a largely unknown folk singer named Odetta to perform prominently. One executive asked, “Excuse me, Harry, but what is an Odetta?” Revlon was bemused to learn she did not wear makeup. The hourlong show was commercial-free except for a Revlon spot at the beginning and end. At the start, Belafonte sang two songs. In what is, amazingly, the first in-depth biography of this performer, “Odetta: A Life in Music and Protest,” the music writer Ian Zack picks up the story.
    [Show full text]
  • Pete Seeger, Songwriter and Champion of Folk Music, Dies at 94
    Pete Seeger, Songwriter and Champion of Folk Music, Dies at 94 By Jon Pareles, The New York Times, 1/28 Pete Seeger, the singer, folk-song collector and songwriter who spearheaded an American folk revival and spent a long career championing folk music as both a vital heritage and a catalyst for social change, died Monday. He was 94 and lived in Beacon, N.Y. His death was confirmed by his grandson, Kitama Cahill Jackson, who said he died of natural causes at NewYork-Presbyterian Hospital. Mr. Seeger’s career carried him from singing at labor rallies to the Top 10 to college auditoriums to folk festivals, and from a conviction for contempt of Congress (after defying the House Un-American Activities Committee in the 1950s) to performing on the steps of the Lincoln Memorial at an inaugural concert for Barack Obama. 1 / 13 Pete Seeger, Songwriter and Champion of Folk Music, Dies at 94 For Mr. Seeger, folk music and a sense of community were inseparable, and where he saw a community, he saw the possibility of political action. In his hearty tenor, Mr. Seeger, a beanpole of a man who most often played 12-string guitar or five-string banjo, sang topical songs and children’s songs, humorous tunes and earnest anthems, always encouraging listeners to join in. His agenda paralleled the concerns of the American left: He sang for the labor movement in the 1940s and 1950s, for civil rights marches and anti-Vietnam War rallies in the 1960s, and for environmental and antiwar causes in the 1970s and beyond.
    [Show full text]
  • Worldwide Movie Culture Returns at This Year's Rhode
    Worldwide Movie Culture Returns At This Year’s Rhode Island International Film Festival Entering its 18th year since its founding by George T. Marshall, the founder of the Flicker Arts Collaborate, RIIFF has become a focal point of international films by everyone from up-and-coming filmmakers to highly seasoned actors and directors. Between August 5 and 10 this year, roughly 270 films will be shown including Flavio Alves’ Tom In America, Marcelo Mitnik’s En las nubes (In the Clouds), and Selcuk Zvi Cara’s Mein Leztes Konzert (My Last Concert). Since 2002, the RIIFF has been a qualifying festival for the Academy Awards in short film categories. Numerous stars and celebrities have attended RIIFF over the past decade including Seymour Cassel, Andrew McCarthy, Kim Chan and Michael Showalter. Some have had the honor of receiving the Festival Lifetime Achievement Award. In 2001 it was awarded to Breakfast At Tiffany’s director, Blake Edwards, accepted by his wife, renowned actress Julie Andrews. In 2009, the honor went to the multi-Emmy and Golden Globe nominated Academy Award winner Ernest Borgnine. This year’s recipient is Theodore Bikel, known for originating the role of Captain Van Trapp in “The Sound of Music” on Broadway and Oscar nominated for 1958’s The Defiant Ones. Bikel speaks 10 languages, and will be presenting his film, “Journey 4 Artists” a multi-lingual, musical piece that seeks to bridge cultural gaps through folk music and stories, including Bosnian, Jewish and Arabic samples. It will be paired with Cara’s Mein Leztes Konzert, a short Yiddish film about a composer, which Quirk calls, “A visual poem.
    [Show full text]
  • Sit Back, Relax and Groove to This Playlist Curated by Jenni Muldaur and David Brendel
    Sit back, relax and groove to this playlist curated by Jenni Muldaur and David Brendel Joni Mitchell - "Big Yellow Taxi” - Live at Isle of Wight, 1969. Gilberto Gil - “Eu Vim Da Bahia” Ike & Tina Turner - Live in Ghana, 1971 - from the film “Soul To Soul.” Caetano Veloso - "Cuccurcucu Paloma” Van Morrison & Bob Dylan - “Crazy Love” Anita O’Day - “Tea For Two” - from "Jazz On A Summer’s Day.” Big Maybelle - “All Night Long” - from "Jazz On A Summer’s Day.” Sam Amidon - “As I Roved Out” Bob Dylan - “Mr. Tambourine Man” - from the film “Festival." Louis Armstrong - “Up A Lazy River” - from "Jazz On A Summer’s Day.” Anita O’Day - “Sweet Georgia Brown” - from "Jazz On A Summer’s Day.” Cello - Live from Newport - from "Jazz On A Summer’s Day.” Mississippi Fred McDowell - "Highway 61” - from the film “Festival. Joni Mitchell - “Coyote” Simon & Garfunkel - “America” Toquinho & Gilberto Gil - "Tarde em Itapoã” U2 - “I Will Follow” The Voices of East Harlem - “For What’s Worth” - from the film “Soul To Soul.” “Jazz On A Summer’s Day” Bruce Springsteen & Guest - “Growin’ Up” Gene Kelly, Debbie Reynolds, Donald O'Connor - “Singin’ In The Rain” Wilco & Billy Bragg - “California Stars” Notes On The Music from David Brendel •. Joni Mitchell - "Big Yellow Taxi” - Live at Isle of Wight, 1969. “They paved paradise and put up a parking lot.” What else is there to say? •. Gilberto Gil - “Eu Vim Da Bahia” - Gil is a mythic figure in Brazilian Popular Music. Musically and culturally he has the presence of a Stevie Wonder or a Bob Marley.
    [Show full text]
  • The Caravan Playlist Friday, November 15, 2013 Hour 1 Artist Track CD/Source Label Myshkin's Ruby Warbler Ruby Warbler Ro
    The Caravan Playlist Friday, November 15, 2013 Hour 1 Artist Track CD/Source Label Myshkin's Ruby Warbler Ruby Warbler Rosebud Bullets Double Salt Records - c 2002 Andrew Bird Souverian Noble Beast Fat Possum - c 2009 Michael Hedges When I Was 4 A Quiet Revolution Windham Hill - c 2005 Joanna Newsome On A Good Day Have One On Me Drag City - c 2010 One Mile An Hour Magpie Song One Mile An Hour Snowbird Records c 2012 Lizz Wright A Taste of Honey Dreaming Wide Awake Verve - c 2005 Odetta House Of The Rising Son Best of Odetta M.C. Records - c 2008 Myshkin Ruins Blue Gold Binky Records - c 1998 Odetta O Jerusalem Best of Odetta M.C. Records - c 2008 Maggie Koerner Dear Pril Neutral Ground 4 Mile Drive -c 2013 William Ackerman Visiting A Quiet Revolution Windham Hill - c 2005 Be Good Tanyas Scattered Leaves Collection Nettwerk Records - c 2012 Patty Griffin I Don't Ever Give Up Children Running Through ATO Records - c 2007 Amazing Grace Unknown Auto Harp Anonymous Private Recording - c 2002 Hour 2 Artist Track Concert Source Charles Bradley Mighty Mighty Newport Folk Festival 2012 NPR Music - c 2012 Charles Bradley Heartaches and Pain Newport Folk Festival 2012 NPR Music - c 2012 Charles Bradley No Time For Dreaming Newport Folk Festival 2012 NPR Music - c 2012 Charles Bradley Lovin' You Newport Folk Festival 2012 NPR Music - c 2012 Charles Bradley The World Newport Folk Festival 2012 NPR Music - c 2012 Charles Bradley How Long Newport Folk Festival 2012 NPR Music - c 2012 Charles Bradley Slip Away Newport Folk Festival 2012 NPR Music - c
    [Show full text]
  • MF 111 Folksongs in February Collection
    MF 111 Folksongs in February Collection Northeast Archives of Folklore and Oral History Number of accessions: 1 Dates when interviews were conducted: 1977 Finding aides: 8 page index Access restrictions: none Description: NA2596 David Mallett, David Ingraham, Charlie Nevells, Larry Kaplan, Edward D. “Sandy” Ives, Kendall Morse, Margaret MacArthur, Norman Kennedy, Louis and Sally Killen, Yodeling Slim Clark, Charlotte Cormier, Sparky Rucker, Sandy and Caroline Paton, Hazel Dickens, Tim Woodbridge, Joe Hickerson, Debby McClatchy, Gordon Bok, Sean Corcoran, Bill Shute and Lisa Null, by Maine Folklife Center, February, 1977, Orono, Maine. Tape: 8 reels (ca. 15 hrs.) Accession consists of 8 tape reels containing recordings of a folk music concert program called “Folksongs in February” held at the University of Maine in February, 1977. Accession includes 8 black & white contact sheets of 35 mm photos of the performances. Individual frames are unnumbered at the time of accessioning. Text: 36 pp. Recordings: T 2015-2022 / CD 0406-0419 (CD 0406 is MIA). Photographs: P00880, P00881, P01114 – P01399 Also see: NA2132 Susan Tibbets, hosts concert with 20 singer and songwriters, featuring Kendall Morse, Edward D. “Sandy” Ives, Lisa Null, and Slim Clark, deposited by Maine Public Broadcasting Network, fall 1989, Hauck Auditorium, UMaine, Orono, Maine. 11 pp. Cat. only. On February 11 and 12, 1977, a concert and a series of workshops called "Songs for February" held at the Hauck Auditorium UMaine. From the recordings made of the concert and series of workshops, the Maine Public Broadcasting Network produced an 8-part radio series as part of their “Roots and Branches” series.” Accession consists of a catalog of the radio program.
    [Show full text]
  • Memorial Concert to Help Raise Funds for Blue Heron House
    Volume XXI Issue II Spring 2018 A Quarterly Publication for the Ossipee Watershed Published by the Green Mountain Conservation Group Memorial Concert to help raise funds for Blue Heron House A fundraising concert featuring church basement for folks to mingle, David Mallett will be held on purchase David Mallett’s music, and Saturday May 12th at 7pm at The learn about GMCG. Little White Church in Eaton, New In addition to being a fundraiser for Hampshire to raise funds for the The Blue Heron House this special restoration of Green Mountain concert is also a memorial to the late Conservation Group’s new office, Esther Folts who was an avid Blue Heron House. This new supporter and volunteer with the conservation center is located directly organization. on the Ossipee River in Effingham “If the moon still moves the deep blue sea and will be GMCG’s new home. and rules the hearts of men Proceeds from the May 12th concert If the world keeps turning quietly, here will specifically fund shingles and we go again outside trim for the building. Upon If the winter grass turns April-green completion this new community when the rain begins to fall If there's water flowing from the stream space—the Charles and Patricia Watts there's hope for one and all” Conservation Center—will include a public meeting hall, educational Lyrics from “Hope for One and All” by classroom, the Stan and Gladys David Mallett www.davidmallett.com Brown Natural Resource Library, When: May 12th, 2018 office space for GMCG staff and the Larry and Jackie Leavitt Water Photo courtesy of David Mallett Quality Center.
    [Show full text]
  • Off the Beaten Track
    Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center, our multimedia, folk-related archive). All recordings received are included in Publication Noted (which follows Off the Beaten Track). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention Off The Beaten Track. Sincere thanks to this issues panel of musical experts: Roger Dietz, Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Andy Nagy, Angela Page, Mike Regenstreif, Peter Spencer, Michael Tearson, Rich Warren, Matt Watroba, Elijah Wald, and Rob Weir. liant interpretation but only someone with not your typical backwoods folk musician, Jodys skill and knowledge could pull it off. as he studied at both Oberlin and the Cin- The CD continues in this fashion, go- cinnati College Conservatory of Music. He ing in and out of dream with versions of was smitten with the hammered dulcimer songs like Rhinordine, Lord Leitrim, in the early 70s and his virtuosity has in- and perhaps the most well known of all spired many players since his early days ballads, Barbary Ellen. performing with Grey Larsen. Those won- To use this recording as background derful June Appal recordings are treasured JODY STECHER music would be a mistake. I suggest you by many of us who were hearing the ham- Oh The Wind And Rain sit down in a quiet place, put on the head- mered dulcimer for the first time.
    [Show full text]
  • The Caravan Playlist 252 Friday, June 15, 2018 Hour 1 Artist Track CD
    The Caravan Playlist 252 Friday, June 15, 2018 Hour 1 Artist Track CD/Source Label Myshkin's Ruby Warbler Ruby Warbler Rosebud Bullets Double Salt Records - c 2002 Andrew Bird Souverian Noble Beast Fat Possum - c 2009 Michael Hedges When I Was 4 A Quiet Revolution Windham Hill - c 2005 Joanna Newsome On A Good Day Have One On Me Drag City - c 2010 One Mile An Hour Magpie Song One Mile An Hour Snowbird Records c 2012 Lizz Wright A Taste of Honey Dreaming Wide Awake Verve - c 2005 Odetta House Of The Rising Son Best of Odetta M.C. Records - c 2008 Myshkin Ruins Blue Gold Binky Records - c 1998 Odetta O Jerusalem Best of Odetta M.C. Records - c 2008 Maggie Koerner Dear Pril Neutral Ground 4 Mile Drive -c 2013 William Ackerman Visiting A Quiet Revolution Windham Hill - c 2005 Be Good Tanyas Scattered Leaves Collection Nettwerk Records - c 2012 Patty Griffin I Don't Ever Give Up Children Running Through ATO Records - c 2007 Amazing Grace Unknown Auto Harp Anonymous Private Recording - c 2002 Hour 2 Artist Track Concert Source Emmylou Harris Live Six White Cadillacs Newport Folk Festival 2011 NPR Music - c 2011 Emmylou Harris Live Orphan Girl Newport Folk Festival 2011 NPR Music - c 2011 Emmylou Harris Live Red Dirt Girl Newport Folk Festival 2011 NPR Music - c 2011 Emmylou Harris Live Kern River Newport Folk Festival 2011 NPR Music - c 2011 Emmylou Harris Live Hello Stranger Newport Folk Festival 2011 NPR Music - c 2011 Emmylou Harris Live Michelangelo Newport Folk Festival 2011 NPR Music - c 2011 Emmylou Harris Live Pancho and Lefty Newport
    [Show full text]
  • 1 Bob Dylan's American Journey, 1956-1966 September 29, 2006, Through January 6, 2007 Exhibition Labels Exhibit Introductory P
    Bob Dylan’s American Journey, 1956-1966 September 29, 2006, through January 6, 2007 Exhibition Labels Exhibit Introductory Panel I Think I’ll Call It America Born into changing times, Bob Dylan shaped history in song. “Life’s a voyage that’s homeward bound.” So wrote Herman Melville, author of the great tall tale Moby Dick and one of the American mythmakers whose legacy Bob Dylan furthers. Like other great artists this democracy has produced, Dylan has come to represent the very historical moment that formed him. Though he calls himself a humble song and dance man, Dylan has done more to define American creative expression than anyone else in the past half-century, forming a new poetics from his emblematic journey. A small town boy with a wandering soul, Dylan was born into a post-war landscape of possibility and dread, a culture ripe for a new mythology. Learning his craft, he traveled a road that connected the civil rights movement to the 1960s counterculture and the revival of American folk music to the creation of the iconic rock star. His songs reflected these developments and, resonating, also affected change. Bob Dylan, 1962 Photo courtesy of John Cohen Section 1: Hibbing Red Iron Town Bobby Zimmerman was a typical 1950’s kid, growing up on Elvis and television. Northern Minnesota seems an unlikely place to produce an icon of popular music—it’s leagues away from music birthplaces like Memphis and New Orleans, and seems as cold and characterless as the South seems mysterious. Yet growing up in the small town of Hibbing, Bob Dylan discovered his musical heritage through radio stations transmitting blues and country from all over, and formed his own bands to practice the newfound religion of rock ‘n’ roll.
    [Show full text]
  • What the Folk? a Few Takes on What Folk Music Means Today
    What the Folk? A few takes on what folk music means today Tuesday, September 08, 2009 By Andrew Illif Connecticut Folk Fest With Amos Lee, Caravan of Thieves, Jason Spooner Trio, Martyn Joseph, Professors of Bluegrass, Avi & Celia, Pamela Means, Lyndell Montgomery and Chris Pureka. Sept. 11–13. (203) 392-6154). ctfolk.com Folk music has endured a certain existential angst since at least Bob Dylan's infamous Newport electrocution of the form in 1965. These days, none but the most senior practitioners describe their music simply as folk — younger musicians always hedge their bets with at least one hyphenated modifier — freak-folk, say, or neo- folk. In its 17 year history, the Connecticut Folk Festival — which comes to Edgerton Park this weekend — has hosted many established folkies including Richard Thomspon, Bruce Cockburn and Steve Earle. But it has also seen a diverse array of the current generation of young, hybrid folk musicians, bringing in elements of country, blues, jazz and many other influences. In the process, the festival has diversified and hyphenated a little itself, expanding its focus to include a Green Expo highlighting environmentally-responsible projects and a bicycle tour of local farms alongside the music, which has been the festival's bread and butter. We talked with three of the performers who will be gracing the various stages this weekend. Caravan of Thieves incubated in Bridgeport's Fairfield Theater, the husband and wife duo of Carrie and Fuzz San Giovanni evolving into a quartet that borrows in equal measure from Django Reinhardt's arch and agile guitars and Tom Waits' junkyard percussion.
    [Show full text]