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A Brief History of Comic Book Movies, DOI 10.1007/978-3-319-47184-6 80 BIBLIOGRAPHY BIBLIOGRAPHY Akitunde, Anthonia. 2011 X-Men: First Class. Fast Company, May 18. Web. Alaniz, José. 2015. Death, Disability, and the Superhero: The Silver Age and Beyond. Jackson: University Press of Mississippi. Print. Arnold, Andrew. 2001. Anticipating a Ghost World. Time, July 20. Web. Booker, M. K. 2007. May Contain Graphic Material: Comic Books, Graphic Novels, and Film. Westport, CT: Praeger Publishers. Print. ———. 2001. Batman Unmasked: Analyzing a Cultural Icon. New York: Bloomsbury Academic. Print. Brenner, Robin E. 2007. Understanding Manga and Animé. Westport, CT: Libraries Unlimited. Print. Brock, Ben. 2014, February 4. Bryan Singer Says Superman Returns was Made for “More of a Female Audience,” Sequel Would’ve Featured Darkseid. The Playlist. Web. Brooker, Will. 2012. Hunting the Dark Knight: Twenty-First Century Batman. London: I.B. Tauris. Print. Brown, Steven T. 2010. Tokyo Cyberpunk: Posthumanism in Japanese Visual Culture. New York: Palgrave Macmillan. Print. ———. 2006. Cinema Animé: Critical Engagements with Japanese Animation. New York: Palgrave Macmillan. Print. Bukatman, Scott. 2016. Hellboy’s World: Comics and Monsters on the Margins. Berkeley: University of California Press. Print. ———. 2011. Why I Hate Superhero Movies. Cinema Journal 50(3): 118–122. Print. Burke, Liam. 2015. The Comic Book Film Adaptation: Exploring Modern Hollywood’s Leading Genre. University Press of Mississippi. Print. ———. 2008. Superhero Movies. Harpenden, England: Pocket Essentials. Print. © The Author(s) 2017 79 W.W. Dixon, R. Graham, A Brief History of Comic Book Movies, DOI 10.1007/978-3-319-47184-6 80 BIBLIOGRAPHY Caldecott, Stratford. 2013. Comic Book Salvation. Chesterton Review 39(1/2): 283–288. Print. Chang, Justin. 2014, August 20. Film Review: Frank Miller’s Sin City: A Dame to Kill For. Variety. Web. Chatrian, Carlo, and Grazia Paganelli. 2010. Manga Impact!: The World of Japanese Animation. London: Phaidon. Print. Child, Ben. 2013, June 24. Jim Carrey Condemns Violence in His Own Movie Kick-Ass 2. The Guardian. Web. Christopher, Nolan. 2010. “Not Comfortable” With Bringing the Joker back in Batman 3. Hitfix, June 4. Web. Clements, Jonathan, and Helen McCarthy. 2006. The Animé Encyclopedia: A Guide to Japanese Animation Since 1917. Berkeley, CA: Stone Bridge Press. Print. Darius, Julian. 2011. Improving the Foundations: Batman Begins from Comics to Screen. Seattle: CreateSpace. Print. Davis, Northrop. 2015. Manga and Animé Go to Hollywood. New York: Bloomsbury Academic. Print. Dawn, Randee. 2005. Comic Book Nation. Moviemaker 12 (59): 46–49. De Semlyen, Phil. 2014. It’saDirty Dozen with Supervillains. Empire Online, October 20. Web. Denison, Rayna, and Rachel Mizsei-Ward. 2015. Superheroes on World Screens. Jackson: University Press of Mississippi. Print. DeTora, Lisa M. 2009. Heroes of Film, Comics and American Culture: Essay on Real and Fictional Defenders of Home. Jefferson, NC: McFarland & Company, Inc., Publishers. Print. Dewey, John. 1958. Art as Experience. New York: Putnam. Print. DiPaolo, Mark. 2011. War, Politics and Superheroes: Ethics and Propaganda in Comics and Film. Jefferson, NC: McFarland & Company, Inc., Publishers. Print. Drazen, Patrick. 2003. Anime Explosion!: The What? Why? & Wow! Of Japanese Animation. Berkeley, CA: Stone Bridge Press. Print. Dyce, Andrew. 2013. Henry Cavill Says Man of Steel Is “Zack Snyder’s Baby,” Not Nolan’s. Screenrant May 8. Web. Ebert, Roger. 2006, June 26. Review: Superman Returns. RogerEbert.com. Web. ———. 2004, April 2. Review: Hellboy. RogerEbert.com. Web. ———. 2004, December 7. Review: Blade: Trinity. RogerEbert.com. Web. ———. 2002. Review: Spider-Man. RogerEbert.com, May 3. Web. ———. 2001, August 3. Review: Ghost World. RogerEbert.com. Web. Eisenberg, Eric. 2010, June 2. Christopher Nolan Talks a Little Superman. Cinemablend. Web. Foundas, Scott. Winter 2012/Spring 2013. Cinematic Faith. Film Comment 66(2): 7–12. Print. BIBLIOGRAPHY 81 Gardner, Jared. 2012. Projections: Comics and the History of Twenty-First-Century Storytelling. Stanford, CA: Stanford UP. Print. Garrett, Greg. 2008. Holy Superheroes!: Exploring the Sacred in Comics, Graphic Novels, and Film. Louisville, KY: Westminster John Knox Press. Print. Gaudreault, André, and Philippe Marion. 2005. A Medium is Always Born Twice ...1. Early Popular Visual Culture 3 (1): 3–15. Print. Gauthier, Philippe. 2010. On “Institutionalization”: From Cinema to Comics. International Journal of Comic Art 12(2/3): 367–375. Print. Gilmore, James, and Matthias Stork. 2014. Superhero Synergies: Comic Book Characters Go Digital. Lanham, MD: Rowman & Littlefield. Print. Goldman, Michael. 2011. Ring of Power. American Cinematographer 92 (7): 36–45. Print. Goldmark, Daniel, and Charlie Keil. 2011. Funny Pictures: Animation and Comedy in Studio-Era Hollywood. Berkeley: University of California Press. Print. Gopalan, Nisha. 2008, July 21. Q&A: Watchmen Creator Alan Moore. Entertainment Weekly. Web. Gordon, Ian, Mark Jancovich, and Matthew P. McAllister. 2007. Film and Comic Books. Jackson: University Press of Mississippi. Print. Gray, Richard J, and Betty Kaklamanidou. 2011. The 21st Century Superhero: Essays on Gender, Genre and Globalization in Film. Jefferson, N.C: McFarland. Print. Grenville, Bruce, Tim Johnson, and Will Wright. 2008. Krazy!: The Delirious World of Animé + Comics + Video Games + Art. Berkeley: University of California Press. Print. Halle Berry Accepts “Razzie” for Catwoman. Writer of Pop, February 26, 2005. Web. Heer, Jeet. 2015. Stop Making Superhero Movies for Grown-Ups. New Republic 246(9/10): 15–17. Print. Hofstede, David. 1991. Hollywood and the Comics: Film Adaptations of Comic Books & Strips. US: Zanne-3. Print. Horn, Maurice. 2007. Comics and Cinema: The Beginnings (1896–1913). International Journal of Comic Art 9 (2): 58–67. Print. Hughes, Mark. 2014, April 7. Exclusive Interview with Zack Snyder, Director Of Batman Vs. Superman. Forbes. Web. Jeffries, Dru H. 2014. Comics at 300 Frames per Second: Zack Snyder’s 300 And The Figural Translation Of Comics To Film. Quarterly Review of Film & Video 31(3): 266–281. Print. Johnson, Derek. 2012. Cinematic Destiny: Marvel Studios and the Trade Stories of Industrial Convergence. Cinema Journal 52(1): 1–24. Print. Kaveney, Roz. 2008. Superheroes!: Capes and Crusaders in Comics and Films. London: I.B. Tauris. Print. 82 BIBLIOGRAPHY King, Geoff, and Tanya Krzywinska. 2000. Science Fiction Cinema: From Outerspace to Cyberspace. London: Wallflower. Print. Kinnard, Roy. 1991. The Comics Come Alive: A Guide to Comic-Strip Characters in Live-ActionProductions. Metuchen, NJ: Scarecrow Press. Print. Koyama-Richard, Brigitte. 2010. Japanese Animation: From Painted Scrolls to Pokémon. Paris: Flammarion. Print. Lacassin, Francis. 1972. Comic Strip and Film Language. Film Quarterly 26(1): 11–23. Print. LaMarre, Thomas. 2009. The Animé Machine: A Media Theory of Animation. Minneapolis, MN: University of Minnesota Press. Print. Lee, Michael. 2014, October 6. Supreme Court Declines to Hear Dispute over Superman’s Rights. Morrison/Lee. Web. Lipiner, Michael. 2014. Super-Perception: Minorities Depicted in Comic Book Filmic Adaptations. International Journal of Comic Art 16(2): 646–654. Print. Lovece, Frank. 2008, December 24. Review: The Spirit. Newsday. Web. Lyall, Sarah. 2007, November 4. In Stetson or Wig, He’s Hard to Pin Down. The New York Times. Web. MacWilliams, Mark W. 2008. Japanese Visual Culture: Explorations in the World of Manga and Animé. London: Routledge. Print. McAllister, Matt. 2006. Blockbuster Meets Superhero Comic, Or Art House Meets Graphic Novel?: The Contradictory Relationship Between Film And Comic Art. Journal of Popular Film & Television 34(3): 108–114. Print. McCarthy, Todd. 2016, March 22. Batman vs Superman: Dawn of Justice: Film Review. Hollywood Reporter. Web. McCarthy, Helen, and Osamu Tezuka. 2009. The Art of Osamu Tezuka: God of Manga. New York: Abrams Comic Arts. Print. McLean, Thomas J. 2011. Mutant Cinema: The X-Men Trilogy from Comics to Screen, 2nd revised edition. Seattle: Create Space. Print. Mills, Anthony. 2013. American Theology, Superhero Comics, and Cinema: The Marvel of Stan Lee and the Revolution of a Genre. London: Routledge. Print. Mitchell, Elvis. 2003, June 22. Ang Lee on Comic Books And Hulk as Hidden Dragon. The New York Times. Web. Muir, John K. 2008. The Encyclopedia of Superheroes on Film and Television. Jefferson, NC: McFarland & Co. Print. Mumpower, David. 2014. Friday Numbers Analysis. Box Office Prophets August 2. Web. Murphy, Mark. 2007. Superheroes for Perverts. Film International 5(2): 30–42. Print. Nama, Adilufu. 2011. Super Black: American Pop Culture and Black Superheroes. Austin: University of Texas Press. Print. Napier, Susan J. 2007. From Impressionism to Animé: Japan as Fantasy and Fan Cult in the Mind of the West. New York: Palgrave Macmillan. Print. BIBLIOGRAPHY 83 Patten, Fred. 2004. Watching Animé, Reading Manga: 25 Years of Essays and Reviews. Berkeley, CA: Stone Bridge Press. Print. Poitras, Gilles. 1999. The Animé Companion: What’s Japanese in Japanese Animation? Berkeley, CA: Stone Bridge Press. Print. Postrel, Virginia. 2006. Superhero Worship. The Atlantic 298(3): 140–142. October. Print. Power, Natsu O. 2009. God of Comics: Osamu Tezuka and the Creation of Post- World War II Manga. Jackson, Miss.: University Press of Mississippi. Print. Schodt, Frederik L. 2007. The Astro Boy Essays: Osamu Tezuka, Mighty Atom, and the Manga/animé Revolution. Berkeley, CA: Stone Bridge Press. Print. Schoell, William.
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