Mr. Selfridge, the Final Season
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REFLECTION REFLECTION the Freedom Riders of the Civil Rights Movement
REFLECTION REFLECTION The Freedom Riders of the Civil Rights Movement “I’m taking a trip on the Greyhound bus line, I’m riding the front seat to New Orleans this time. Hallelujah I’m a travelin’, hallelujah ain’t it fine, Hallelujah I’m a travelin’ down freedom’s main line.” This reflection is based on the PBS documentary, “Freedom Riders,” which is a production of The American Experience. To watch the film, go to: http://to.pbs.org/1VbeNVm. SUMMARY OF THE FILM From May to November 1961, over 400 Americans, both black and white, witnessed the power of nonviolent activism for civil rights. The Freedom Riders were opposing the racist Jim Crow laws of the South by riding bus lines from Washington, D.C., down through the Deep South. These Freedom Rides were organized by the Congress of Racial Equality (CORE). Despite the violence, threats, and extraor- dinary racism they faced, people of conscience, both black and white, Northern and Southern, rich and poor, old and young, carried out the Freedom Rides as a testimony to the basic truth all Americans hold: that the government must protect the constitutional rights of its people. Finally, on September 22, 1961, segregation on the bus lines ended. This was arguably the movement that changed the force and effectiveness of the Civil Rights Movement as a whole and set the stage for other organized movements like the Selma to Montgomery March and the March on Washington for Jobs and Freedom. This documentary is based on the book Freedom Riders: 1961 and the Struggle for Racial Equality by Raymond Arsenault (http://bit.ly/1Vbn4sy). -
Surprise, Security, and the American Experience Jan Van Tol
Naval War College Review Volume 58 Article 11 Number 4 Autumn 2005 Surprise, Security, and the American Experience Jan van Tol John Lewis Gaddis Follow this and additional works at: https://digital-commons.usnwc.edu/nwc-review Recommended Citation van Tol, Jan and Gaddis, John Lewis (2005) "Surprise, Security, and the American Experience," Naval War College Review: Vol. 58 : No. 4 , Article 11. Available at: https://digital-commons.usnwc.edu/nwc-review/vol58/iss4/11 This Book Review is brought to you for free and open access by the Journals at U.S. Naval War College Digital Commons. It has been accepted for inclusion in Naval War College Review by an authorized editor of U.S. Naval War College Digital Commons. For more information, please contact [email protected]. Color profile: Disabled Composite Default screen van Tol and Gaddis: Surprise, Security, and the American Experience BOOK REVIEWS HOW COMFORTABLE WILL OUR DESCENDENTS BE WITH THE CHOICES WE’VE MADE TODAY? Gaddis, John Lewis. Surprise, Security, and the American Experience. Cambridge, Mass.: Harvard Univ. Press, 2004. 150pp. $18.95 John Lewis Gaddis is the Robert A. U.S. history, American assumptions Lovell Professor of History at Yale Uni- about national security were shattered versity and one of the preeminent his- by surprise attack, and each time U.S. torians of American, particularly Cold grand strategy profoundly changed as a War, security policy. Surprise, Security, result. and the American Experience is based on After the British attack on Washington, a series of lectures given by the author D.C., in 1814, John Quincy Adams as in 2002 addressing the implications for secretary of state articulated three prin- American security after the 11 Septem- ciples to secure the American homeland ber attacks. -
AFS 2390 Introduction to African-American Literature: Literature and AFS - AFRICAN AMERICAN Writing Cr
AFS 2390 Introduction to African-American Literature: Literature and AFS - AFRICAN AMERICAN Writing Cr. 3 Satisfies General Education Requirement: Diversity Equity Incl Inquiry, STUDIES Intermediate Comp Pre-2018, Intermediate Comp Post-2018 Introduction to major themes and some major writers of African- AFS 1010 Introduction to African American Studies Cr. 3 American literature, emphasizing modern works. Reading and writing Satisfies General Education Requirement: Diversity Equity Incl Inquiry, about representative poetry, fiction, essays, and plays. Offered Every Social Inquiry Term. An interdisciplinary approach to exploring several broad issues, topics, Prerequisites: ENG 1020 with a minimum grade of C, ENG 1020 with a theories, concepts and perspectives which describe and explain the minimum grade of P, ENG 1050 with a minimum grade of C, College Level experiences of persons of African descent in America, the Continent, and Exam Program with a test score minimum of BC-BD, (AA) Exempt from the diaspora. Offered Every Term. Gen Ed MACRAO with a test score minimum of 100, Michigan Transfer AFS 2010 African American Culture: Historical and Aesthetic Roots Cr. 4 Agreement with a test score minimum of 100, or (BA) Competencies Satisfies General Education Requirement: Cultural Inquiry, Civ and Waiver with a test score minimum of 100 Societies (CLAS only), Diversity Equity Incl Inquiry Equivalent: ENG 2390 Examination of the historical, traditional and aesthetic bases of a variety AFS 2600 Race and Racism in America Cr. 3 of cultural forms -- language, literature, music -- of the Black experience. Satisfies General Education Requirement: Diversity Equity Incl Inquiry Offered Every Term. Examination of the nature and practice of racism in American society AFS 2210 Black Social and Political Thought Cr. -
The Rules of #Metoo
University of Chicago Legal Forum Volume 2019 Article 3 2019 The Rules of #MeToo Jessica A. Clarke Follow this and additional works at: https://chicagounbound.uchicago.edu/uclf Part of the Law Commons Recommended Citation Clarke, Jessica A. (2019) "The Rules of #MeToo," University of Chicago Legal Forum: Vol. 2019 , Article 3. Available at: https://chicagounbound.uchicago.edu/uclf/vol2019/iss1/3 This Article is brought to you for free and open access by Chicago Unbound. It has been accepted for inclusion in University of Chicago Legal Forum by an authorized editor of Chicago Unbound. For more information, please contact [email protected]. The Rules of #MeToo Jessica A. Clarke† ABSTRACT Two revelations are central to the meaning of the #MeToo movement. First, sexual harassment and assault are ubiquitous. And second, traditional legal procedures have failed to redress these problems. In the absence of effective formal legal pro- cedures, a set of ad hoc processes have emerged for managing claims of sexual har- assment and assault against persons in high-level positions in business, media, and government. This Article sketches out the features of this informal process, in which journalists expose misconduct and employers, voters, audiences, consumers, or professional organizations are called upon to remove the accused from a position of power. Although this process exists largely in the shadow of the law, it has at- tracted criticisms in a legal register. President Trump tapped into a vein of popular backlash against the #MeToo movement in arguing that it is “a very scary time for young men in America” because “somebody could accuse you of something and you’re automatically guilty.” Yet this is not an apt characterization of #MeToo’s paradigm cases. -
'The Mystery Cruise' Cast Bios Gail O'grady
‘THE MYSTERY CRUISE’ CAST BIOS GAIL O’GRADY (Alvirah Meehan) – Multiple Emmy® nominee Gail O'Grady has starred in every genre of entertainment, including feature films, television movies, miniseries and series television. Her most recent television credits include the CW series “Hellcats” as well as "Desperate Housewives" as a married woman having an affair with the teenaged son of Felicity Huffman's character. On "Boston Legal," her multi-episode arc as the sexy and beautiful Judge Gloria Weldon, James Spader's love interest and sometime nemesis, garnered much praise. Starring series roles include the Kevin Williamson/CW drama series "Hidden Palms," which starred O'Grady as Karen Miller, a woman tormented by guilt over her first husband's suicide and her son's subsequent turn to alcohol. Prior to that, she starred as Helen Pryor in the critically acclaimed NBC series "American Dreams." But O'Grady will always be remembered as the warm-hearted secretary Donna Abandando on the series "NYPD Blue," for which she received three Emmy Award nominations for Best Supporting Actress in a Dramatic Series. O'Grady has made guest appearances on some of television's most acclaimed series, including "Cheers," "Designing Women," "Ally McBeal" and "China Beach." She has also appeared in numerous television movies and miniseries including Hallmark Channel's "All I Want for Christmas" and “After the Fall” and Lifetime's "While Children Sleep" and "Sex and the Single Mom," which was so highly rated that it spawned a sequel in which she also starred. Other television credits include “Major Crimes,” “Castle,” “Hawaii Five-0,” “Necessary Roughness,” “Drop Dead Diva,” “Ghost Whisperer,” “Law & Order: SVU,” “CSI: Miami,” "The Mentalist," "Vegas," "CSI," "Two and a Half Men," "Monk," "Two of Hearts," "Nothing Lasts Forever" and "Billionaire Boys Club." In the feature film arena, O'Grady has worked with some of the industry's most respected directors, including John Landis, John Hughes and Carl Reiner and has starred with several acting legends. -
Religious Diversity in America an Historical Narrative
Teaching Tool 2018 Religious Diversity in America An Historical Narrative Written by Karen Barkey and Grace Goudiss with scholarship and recommendations from scholars of the Haas Institute Religious Diversity research cluster at UC Berkeley HAASINSTITUTE.BERKELEY.EDU This teaching tool is published by the Haas Institute for a Fair and Inclusive Society at UC Berkeley This policy brief is published by About the Authors Citation the Haas Institute for a Fair and Karen Barkey is Professor of Barkey, Karen and Grace Inclusive Society. This brief rep- Sociology and Haas Distinguished Goudiss. “ Religious Diversity resents research from scholars Chair of Religious Diversity at in America: An Historical of the Haas Institute Religious Berkeley, University of California. Narrative" Haas Institute for Diversities research cluster, Karen Barkey has been engaged a Fair and Inclusive Society, which includes the following UC in the comparative and historical University of California, Berkeley, Berkeley faculty: study of empires, with special CA. September 2018. http:// focus on state transformation over haasinstitute.berkeley.edu/ Karen Munir Jiwa time. She is the author of Empire religiousdiversityteachingtool Barkey, Haas Center for of Difference, a comparative study Distinguished Islamic Studies Published: September 2018 Chair Graduate of the flexibility and longevity of Sociology Theological imperial systems; and editor of Union, Berkeley Choreography of Sacred Spaces: Cover Image: A group of people are march- Jerome ing and chanting in a demonstration. Many State, Religion and Conflict Baggett Rossitza of the people are holding signs that read Resolution (with Elazar Barkan), "Power" with "building a city of opportunity Jesuit School of Schroeder that works for all" below. -
Between L.S. Lowry and Coronation Street: Salford Cultural Identities
Between L.S. Lowry and Coronation Street: Salford Cultural Identities Susanne Schmid Abstract: Salford, “the classic slum”, according to Robert Roberts’s study, has had a distinct cultural identity of its own, which is centred on the communal ideal of work- ing-class solidarity, best exemplified in the geographical space of “our street”. In the wake of de-industrialisation, Roberts’s study, lyrics by Ewan MacColl, L.S. Lowry’s paintings, and the soap opera Coronation Street all nostalgically celebrate imagined northern working-class communities, imbued with solidarity and human warmth. Thereby they contribute to constructing both English and northern identities. Key names and concepts: Friedrich Engels - Robert Roberts - Ewan MacColl - L.S. Lowry - Charles Dickens - Richard Hoggart - George Orwell; Slums - Escaper Fiction - Working-class Culture - Nostalgia - De-industrialisation - Rambling - Coronation Street. 1. Salford as an Imagined Northern Community For a long time, Salford, situated right next to the heart of Manchester, has been known as a place that underwent rapid and painful industri- alisation in the nineteenth century and an equally difficult and agonis- ing process of de-industrialisation in the twentieth. If Manchester, the former flag-ship of the cotton industry, has been renowned for its beautiful industrial architecture, its museums, and its economic suc- cess, Salford has been hailed as “the classic slum”, as in the title of Robert Roberts’s seminal study about Salford slum life in the first quarter of the twentieth century (Roberts 1990, first published in 1971). The equation of “Salford” and “slum”, however, dates back further than that. Friedrich Engels’s The Condition of the Working Class in England, written in 1844/45, casts a gloomy light on a city made up of dwellings hardly fit for humans: 348 Susanne Schmid If we cross the Irwell to Salford, we find on a peninsula formed by the river, a town of eighty thousand inhabitants […]. -
Award-Winning Filmmaker Chris Schmidt Joins Pbs's
AWARD-WINNING FILMMAKER CHRIS SCHMIDT JOINS PBS’S SCIENCE SERIES NOVA AS SENIOR PRODUCER BOSTON, MA (April 27, 2012) —NOVA announced today that documen- tary filmmaker Chris Schmidt will join the science series as a senior pro- ducer on April 30, 2012. Schmidt joins Senior Executive Producer Paula S. Produced for PBS by the Apsell during a time of expansion for the venerable science series, which is WGBH Science Unit produced for PBS by WGBH Boston. Currently in its 39th season, NOVA remains the most-watched primetime science series on American television. “We’re extremely excited to have Chris join the NOVA team,” said Apsell, Senior Executive Producer of NOVA and NOVA scienceNOW and Director of the WGBH Science Unit who oversees on-air productions and initiatives beyond the broadcasts. “Chris brings to NOVA a proven track record of producing compelling and memorable television.” Schmidt is an Emmy Award-nominated filmmaker, who for the last 10 years has worn multiple hats for Powderhouse Productions: executive producer, writer, director and editor, to name a few. He has traveled the world to pro- duce and direct movies and television programs for the Discovery Channel, the History Channel, National Geographic and PBS. In 2011, Schmidt ex- ecutive produced the popular four-hour NOVA mini-series “Making Stuff” as well as the recent two-hour special NOVA “Hunting the Elements.” In Funding for NOVA is provided 1990, he wrote and directed Banya, the first American independent feature by David H. Koch Fund for Science, ever shot in the USSR. His independent documentary, The Puppeteer, has the Howard Hughes Medical won numerous awards. -
Kay Mellor's Brand New Itv Drama 'Girlfriends'
KAY MELLOR’S BRAND NEW ITV DRAMA ‘GIRLFRIENDS’ WILL AIR IN THE NEW YEAR Rollem Productions brand new ITV drama Girlfriends - from the pen of BAFTA award- winning screenwriter Kay Mellor – will air in early 2018. The series stars Phyllis Logan (The Good Karma Hospital, Downton Abbey), Miranda Richardson (Mapp & Lucia, And Then There Were None, Churchill, iBoy) and Zoë Wanamaker (Mr Selfridge, Agatha Christie’s Poirot, My Family, Gormenghast, Harry Potter and the Philosopher's Stone) in the three lead roles and showcases a stellar supporting cast including: Daisy Head (Guilt, The Syndicate 3), Chris Fountain (Coronation Street, Hollyoaks), Philip Cumbus (The Resistable Rise of Arturo Ui, Comus), Matthew Lewis (Harry Potter, Ripper Street), Val Lilley (Cuffs, Mr Sloane, Shameless), Anthony Head (A Street Cat Named Bob, You, Me & Them), Adrian Rawlins (Hard Sun, Maigret in Montmartre), Wendy Craig (The Worst Witch, Unforgotten), Dave Hill (Porridge, Vera), Steve Evets (This Is Us, Looking For Eric, Rev), Paula Wilcox (Upstart Crow, Mount Pleasant, Boomers), Chloe Hart (Kinky Boots, Hairspray), Elena Saurel (Midsomer Murders, Silent Witness), Thailia Zucchi (The Windsors, New Tricks), Emmett J Scanlan (The Fall, In The Flesh), Rochenda Sandall (Love, Lies & Records, Broken) and Matthew Marsh (Love, Lies & Records, Riviera). For life-long friends Linda, Sue and Gail, the years have flown by, yet their lives seem more complicated than ever. When Linda’s husband Micky vanishes from a cruise ship on their wedding anniversary Linda suddenly finds herself on her own for the first time in nearly 30 years. Widowed and out of her depth she turns to her old friends Gail and Sue for support, who each have their own problems to face… Glamorous and successful Sue is shocked when she finds herself facing age discrimination in her job as the editor of a popular bridal magazine. -
GAVIN FINNEY, BSC Director of Photography
(2/25/21) GAVIN FINNEY, BSC Director of Photography www.gavinfinney.com FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “SUSPICION” Chris Long Apple TV+ Howard Burch (Series) Keshet Prods. Chris Long Rob Williams “BARKSKINS” Darren Grant Fox 21 Television Eli Bush (Series) David Slade National Geographic Scott Rudin “FOUR WEDDINGS AND A Tristram Shapeero MGM Television Jonathan Prince FUNERAL” Universal Television Matt Warburton (Series) Mindy Kaling “GOOD OMENS” Douglas Mackinnon Amazon Studios Neil Gaiman (Mini-Series) BBC Studios Paul Frift Nomination: BSC Award for Best Cinematography in a TV Drama “UNFORGOTTEN” Andy Wilson Mainstreet Pictures Tim Bradley (TV Series) Chris Lang “THE MINIATURIST” Guillem Morales Masterpiece Theatre Rebecca Eaton (TV Series) BBC Elizabeth Kilgarriff The Forge Entertainment Brett Wilson “THE STATE” Peter Kosminsky Lionsgate Steve Clark-Hall (Mini-Series) Mandeville Films Liza Marshall Nomination: RTS Craft & Design Award for Best Photography in a Drama Nomination: BSC Award for Best Photography in a TV Drama “THE SECRET AGENT” Charles McDougall BBC Television Pricilla Parish Simon (Mini-Series) Heath “BLACK WORK” Michael Samuels Mammoth Screen Matt Charman (Mini-Series) Lipsync Productions Damien Timmer “WOLF HALL” Peter Kosminsky Company Pictures Mark Pybus (Mini-Series) Playground Ent. Rebecca Eaton Winner: Televisual Bulldog Award for Best Cinematography Hindsight Media Sonia Friedman Winner: BSC Award for Best Photography in a TV Drama Nomination: BAFTA Television Craft Award for Photography & Lighting -
PBS Newshour Coverage Of
Prehistoric Road Trip | 13 American Masters/Terrence McNally | 18 WCRB’s Updated Mobile App | 27 wgbh.org ON AIR, ONLINE, ON THE GO MEMBER GUIDE | JUNE 2020 Summer is a critical time to keep kids engaged in learning, and we’re here to help. This past spring, students everywhere used our distance learning tools to keep growing and exploring the world around them. In partnership with PBS, our special blocks of commercial-free public media programs provided critical at-home learning for 6th through 12th graders across the country. As always, PBS LearningMedia gave teachers and students alike access to thousands of free, standards-based lesson plans and activities so they didn’t have to skip a beat. Your support made this momentum possible, and we won’t stop here. Our efforts will continue through the summer, giving kids the resources they need to keep moving forward. Whether it’s learning about the summer solstice or Freedom Summer, we’re here for kids and it’s all because of you. wgbh.org/distancelearning PBSLearningMedia.org Where to Tune in From the President TV Voices of Diversity f we’ve learned anything over the past few months, I it’s how our own worlds can be compressed into a Digital broadcast FiOS RCN Cox Charter TV YouTube Comcast few small rooms. Public media programs have always brought the world to WGBH 2 2.3 2 2 2 2 2 * us, and this month we’re pleased to continue that mission, sharing cultures WGBH 2 HD 2.1 802 502 602 1002 782 n/a from across the globe and close to home. -
Coronation Street Jailbirds
THIS WEEK Coronation Street’s Maria Connor is released from prison this week J – and ex-lover Aidan should beware, says actress Samia Longchambon CORONATION STREET AILBIRDS Maria Connor is by no means the first he view from Maria Connor’s window is by him? After all, it was only a couple of weeks almost tear-jerkingly romantic. It’s ago that her cellmate was remarking, a little Weatherfield woman to end up behind bars… Christmas Eve 2016 and, as if on cue, CORONATION ominously, “Men, eh? Can’t live with ’em, can’t plump white snowflakes have begun to STREET, smash ’em in the head with an iron bar…” DEIRDRE RACHID 1998 T Wrongly convicted of fraud after flutter gently to the ground. Could she have MONDAY, ITV “She does love Aidan,” says Samia. “It wished to gaze out on a more festive scene? hasn’t just been a sexual thing. He’s been her being set up by her fiancé, conman Well, yes, she could. For one thing, she knight in shining armour, her hero.” Jon Lindsay. The injustice sparked a could have wished for the window not to have And yes, he was certainly a tower of strength real-life Free The Weatherfield One campaign. Prime Minister Tony Blair thick iron bars across it. when an innocent Maria found herself falsely even raised it in Parliament. Yes, this was the night a frightened, despairing Maria accused of murder, back in November. But when it began a 12-month prison sentence for an illegal came to the day of her sentencing for this crazy HAYLEY CROPPER marriage, joining a long and illustrious line of marriage scam, for which she pleaded guilty, (NÉE PATTERSON) 2001 Coronation Street women who, over the years, have Aidan tarnished his image by failing to show.