Create Your Jewelry Wish List

Total Page:16

File Type:pdf, Size:1020Kb

Create Your Jewelry Wish List 2020 HOLIDAY WISH BOOK Create your jewelry wish list. #MYJEWELRYWISHLIST www.jewelers.org MY JEWELRY WISH LIST GIFT GUIDE It’s your time to shine. Start your jewelry wish list today! As 2020 winds down, our attention turns to the holidays and all that the season brings, like showing our appreciation and devotion to those we care about through the spirit of giving. To avoid a frantic last-minute shopping spree, we have an easy way to ensure that everyone’s wishes come true, and that they receive (and give) a gift infused with meaning: jewelry! The American Gem Society and Jewelers of America encourage you to build your jewelry wish list. Use our Holiday Gift Guide for inspiration or head to your local jeweler to find the pieces of your dreams today. May all your jewelry wishes come true this holiday season! *All prices listed are MSRP, which are approximate and subject to change. FOLLOW AND TAG US ON SOCIAL MEDIA #MYJEWELRYWISHLIST www.jewelers.org Facebook: @JewelersofAmerica Instagram: @JewelersofAmerica Twitter: @jajewelryinfo www.americangemsociety.org Facebook: @AmericanGemSociety1934 Instagram: @AmericanGemSociety Twitter: @AmerGemSociety ABOUT AMERICAN GEM SOCIETY The American Gem Society, founded in 1934 by Robert M. Shipley, is a nonprofit trade association dedi- cated to promoting a high standard of ethics, continuous education, and consumer protection within the jewelry industry. The American Gem Society awards credentials for its members, who are held to the highest ethical and professional standards in the industry and must pass annual recertification examina- tions to maintain their titles. Less than one in twenty jewelers in the country have chosen to meet the exacting standards necessary for membership. ABOUT JEWELERS OF AMERICA Jewelers of America is a national non-profit organization, founded in 1906 by retail jewelers. Jewelers of America has over 7,000 members across the country who commit annually to a code of professional practices. Jewelers of America members adhere to the highest levels of professionalism, including ethical, social and environmental standards so you can shop with confidence. Visit www.jewelers.org for more information and to find a Jewelers of America retail member near you. 2 2020 HOLIDAY WISH BOOK DIAMOND ESSENTIALS BREVANI DAVID CONNOLLY/JABEL DILAMANI @brevani_official @jabeljewelry @dilamanijewelry 14K yellow gold Dashing Diamond 14K yellow gold and diamond Diamond flush set wide cigar band paper clip link earrings with diamonds Windrose Compass Pendant ($1,240) with 14K yellow gold brushed finish ($1,250) ($4,200) E.L. DESIGNS FACETS OF FIRE FOREVERMARK @e.l.designs_edlevinstudio @facetsoffire @forevermark Diamond sparkler earrings set in 14K 18K white gold Icicle Drop earrings Classic diamond pendant (starting yellow gold ($2,685) featuring Facets of Fire™ Diamonds at $1,275) ($9,190) GEM PLATINUM GUMUCHIAN HARRY KOTLAR @jeffreydanielsuniquedesigns @gumuchian @harrykotlar Double row bracelet of natural fancy Moon Phase convertible earrings Scallop Silhouette bracelet in 18K yellow diamonds in 18K yellow gold in 18K yellow gold with diamonds rose gold with diamonds ($43,945) ($116,000) ($12,000) 2020 HOLIDAY WISH BOOK 3 DIAMOND ESSENTIALS HEARTS ON FIRE IZI CREATIONS JUST JULES @heartsonfireco @izicreations @justjulesllc Cluster diamond Fulfillment Pendant Entwined oval diamond necklace in 14K yellow gold hoops with round in 18K white gold ($1,490) 14K yellow and white gold ($1,850) diamonds ($1,700) KR DIAMONDS LE VIAN® LISA NIK 18K white gold and diamond @levian_jewelry @lisanikfarjam adjustable bracelet ($4,400) Ring with Vanilla Diamonds® & Oval hinged bangle with diamonds Blackberry Diamonds® set in 14K set in 18K gold ($7,560) Strawberry Gold® (Price Upon Request) MÉMOIRE MISAHARA NADER KASH INTL @memoirejewelry @misaharajewelry @naderkash 18K white gold diamond pave heart 18K yellow gold and diamond Desert 18K rose gold micro diamond chain necklace ($1,595) Sky choker necklace ($3,500) ($9,950) 4 2020 HOLIDAY WISH BOOK DIAMOND ESSENTIALS NEI GROUP NORMAN SILVERMAN SHY CREATION @nei_jewelry_group @normansilverman @shycreationfinejewelry 14K white gold cluster halo studs One-of-a-kind open fancy shape dia- 14K white gold diamond chain link with removable drop earrings jacket mond hoop earrings in 18K white gold bracelet ($7,900) ($12,404) ($19,000) SLOANE STREET SUNA BROS. SUPREME JEWELRY @sloanestreetjewelry @sunabros @supremejewelry 18K yellow gold cuff with baguette Platinum and diamond StarFall Yellow diamond drop earrings set in diamonds and diamond edging necklace ($17,600) 18K white and yellow gold ($29,891) ($18,055) SYNA JEWELS XO JEWELS YAEL DESIGNS @synajewels @xo_exceptional @yaeldesigns 18K yellow gold swallow pendant with Disc shaped 14K yellow gold round 18K white gold and diamond champagne diamonds ($1,850) necklace with diamonds ($7,689) necklace ($1,886) 2020 HOLIDAY WISH BOOK 5 DIAMOND WEDDING ESSENTIALS A. JAFFE A. LINK ALTR @a.jaffe @alinkjewelry @altrcreateddiamonds Three-stone engagement ring (Price Diamond wedding band (Price Upon Created lab grown diamond Upon Request) Request) engagement ring ($8,799) BEVERLEY K DAVID WEISZ & SONS FACETS OF FIRE @beverleykcollection @davidweiszandsons @facetsoffire 18K white gold and diamond Diamond wedding band set in 18K gold solitaire bezel set diamond engagement ring ($2,858 – center platinum ($40,000) ring ($990) stone not included) FANA FOREVERMARK FURRER JACOT @fanajewelry @forevermark @furrerjacotus Diamond engagement ring with floral The Forevermark Engagement & Eternity band with two rows of halo and milgrain in platinum ($2,325 Commitment Collection engagement brilliant diamonds and a platinum – center stone not included) ring (starting at $2,295) satin center ($8,480) 6 2020 HOLIDAY WISH BOOK DIAMOND WEDDING ESSENTIALS JOSHUA J. FINE JEWELRY KR DIAMONDS MARTIN FLYER 20.11 carat cushion cut diamond Ideal cut diamond eternity band set in @martin.flyer engagement ring set in platinum (Price platinum ($39,500) Classic forever shared prong Upon Request) diamond anniversary band in 14K white gold ($120,000) POMPOS JEWELRY CORP RAHAMINOV DIAMONDS RIO DIAMOND @pompos_jewelry_corp @rahaminovdiamonds @riodiam baguette diamond engagement ring Three stone ring centering a 9.02 carat green, pink and white diamond set in platinum ($102,150) Movál® with trapezoid cut diamonds engagement ring in platinum and set in platinum (Price Upon Request) 18K gold ($150,000) SHEFI TAKAT VEER @shefidiamonds @takatjewels @veer.diamonds Diamond woven crossover gold band Green, pink and white diamond Classic Happy Diamond solitaire ($900) engagement ring in platinum and 18K engagement ring (starting at $3,999) gold ($153,400) 2020 HOLIDAY WISH BOOK 7 METALLIC AMANDINA CAMPBELL + CHARLOTTE COOMI @amandinajoyeria @campbellandcharlotte @coomijewels Half oval earrings with filigree in 14K yellow gold Evolve cocktail ring Spring sterling silver hanging stick sterling silver dipped in 18K yellow with blue-green tourmaline ($4,780) earrings with diamonds ($980) gold ($360) CREVOSHAY STUDIOS DELPHINE LEYMARIE FINE DELPHINE LEYMARIE FINE @crevoshay JEWELRY JEWELRY 18K yellow gold Betta pendant with @delphinejewelry @delphinejewelry moonstone and ruby ($59,198) 18K yellow gold Facette skull diamond 18K yellow gold Facette cage ring charm ($925) ($3,498) ÉVOCATEUR FURRER JACOT JORYEL VERA @evocateurstyle @furrerjacotus @joryelverajewelry 22K gold leaf purple skyline cuff ($378) 18K yellow gold Origami ring ($3,960) Sterling silver earrings with tanzanite and blue topaz ($650) 8 2020 HOLIDAY WISH BOOK METALLIC K8 JEWELRY LIKA BEHAR NEI GROUP @k8jewelry @likabeharcollection @nei_jewelry_group 18K gold studs with diamonds ($895) 24K Gold Reflections bracelet ($6,600) 14K yellow gold globe stiff drop earrings ($208) NORMA WELLINGTON DESIGN PLATINUM BORN PLATINUM BORN @nwjewelrydesigns @platinumbornjewelry @platinumbornjewelry 18K gold Vogue link choker necklace Limitless Hoops in platinum ($630- The Magnetic bracelet/necklace in ($3,300) $1,360) platinum ($3,400) SLOANE STREET SYNA JEWELS VILMA SER @sloanestreetjewelry @synajewels 14K recycled yellow gold Castle Diamond link bracelet in 18K yellow 18K yellow gold love letter pendant studs with chain ($1,100) gold ($17,560) with champagne diamond ($2,850) 2020 HOLIDAY WISH BOOK 9 ON TREND: BOLD COLOR A. KLEIMAN & CO. AG GEMS AMY GLASWAND Yellowish green pear shape ring with @aggemsjewelry @amyglaswand pink diamond side stones with blue 6.21 carat alexandrite ring with Glitter earrings with blue topaz, and pink diamond melee ($450,000) diamonds set in platinum and 18K green topaz and enamel in 18K gold yellow gold ($200,000) ($3,760) ARTISTRY ASHLEY MORGAN DESIGNS BREVANI @artistryltd @ashleymorgandesigns @brevani_official Sapphire rainbow pendant in 14K Cluster earrings with topaz, 14K yellow gold rainbow ring with white gold ($1,085) tourmaline, emerald, and diamonds multicolored sapphires ($1,350) set in 18K white gold ($15,000) CREVOSHAY STUDIOS DEBRA NAVARRO DILAMANI @crevoshay @debranavarro.jewelry @dilamanijewelry Phoenix Rising fire opal earrings in Tsavo Sunphase tourmaline lapel pin Rainbow sapphire and diamond 18K yellow gold ($95,740) in 18K yellow gold ($3,850) band in 14K yellow gold ($2,100) 10 2020 HOLIDAY WISH BOOK ON TREND: BOLD COLOR ERICA COURTNEY, INC. ÉVOCATEUR FANA @ericacourtneyofficial @evocateurstyle @fanajewelry 5.25 carat fire opal Olivia ring in 18K Erté Nile Cuff in 22K gold leaf ($428) Windows to the Heart sapphire and yellow gold ($27,000) diamond double row ring
Recommended publications
  • Tourmaline Announces Formation of Topaz Energy, Unlocking Value in Tourmaline's Significant Asset Base
    NOT FOR DISTRIBUTION IN THE UNITED STATES OR DISSEMINATION OVER UNITED STATES NEWSWIRE SERVICES. NEWS RELEASE OCTOBER 10, 2019 TOURMALINE ANNOUNCES FORMATION OF TOPAZ ENERGY, UNLOCKING VALUE IN TOURMALINE'S SIGNIFICANT ASSET BASE Calgary, Alberta - Tourmaline Oil Corp. (TSX:TOU) ("Tourmaline") is pleased to announce the formation of Topaz Energy Corp. (“Topaz”), a new private royalty and infrastructure energy company. Tourmaline will sell to Topaz: a royalty interest on Tourmaline lands, a non-operated interest in two of Tourmaline‘s existing 19 natural gas processing plants, and a contracted interest in a portion of Tourmaline‘s current third-party revenue for total cash and share consideration of $775 million. Topaz will be a low-risk, high-distribution, hybrid royalty and infrastructure energy company with long-term growth plans. Topaz will be capitalized initially with a $150 to $200 million third-party equity private placement, with Tourmaline retaining a 75% to 81% equity ownership interest. Tourmaline intends to reduce a portion of its ownership as Topaz participates in future acquisition activities and an anticipated Topaz public liquidity event in 2020. The initial acquisition from Tourmaline is expected to generate approximately $90 million in revenue(1) in 2020, of which it is anticipated approximately 75% will be paid out in quarterly dividends ($0.80 per share annually, 8% yield). The assets to be acquired from Tourmaline will consist of three components: 1. A gross overriding royalty (“GORR”) on natural gas, oil, and condensate production on 100% of Tourmaline’s existing lands (approximately 2.2 million net acres). 2. A non-operated 45% working interest in two natural gas processing plants underpinned by long-term take- or-pay commitments from Tourmaline.
    [Show full text]
  • Intergrown Emerald Specimen from Chivor Tity Was Confirmed by Raman Spectroscopy
    Editor Nathan Renfro Contributing Editors Elise A. Skalwold and John I. Koivula Intergrown Emerald Specimen from Chivor tity was confirmed by Raman spectroscopy. The inclusion exhibited a well-formed hexagonal prismatic shape with Colombia’s Chivor emerald mines are located in the east- pyramid-like termination (figure 2). Although intergrowth ern zone of the Eastern Cordillera range of the Andes emerald crystals have been described and documented in Mountains. Chivor translates to “green and rich land” in the literature several times (G. Grundmann and G. Giu- Chibcha, the language of the indigenous people who were liani, “Emeralds of the world,” in G. Giuliani et al., Eds., already mining emerald more than 500 years ago, before Emeralds of the World, extraLapis English, No. 2, 2002, pp. the arrival of the Spanish conquistadors (D. Fortaleché et al., “The Colombian emerald industry: Winds of change,” Fall 2017 G&G, pp. 332–358). Chivor emeralds exhibit a bright green color with a tint of blue; they have relatively Figure 1. An emerald crystal inclusion measuring high clarity and fewer inclusions than emeralds found in ~2.67 × 2.71 × 5.43 mm is found inside this large Colombia’s western belt. emerald specimen (18.35 × 10.69 × 9.79 mm) from Colombia’s Chivor mine. Photo by John Jairo Zamora. The authors recently examined a rough emerald crystal specimen (figure 1), measuring 18.35 × 10.69 × 9.79 mm, reportedly from Chivor. This crystal weighed 3.22 g (16.10 ct) and had a prismatic hexagonal crystal shape. Standard gemological examination confirmed the gemstone to be emerald, and ultraviolet/visible/near-infrared (UV-Vis-NIR) spectroscopy showed a classic Colombian emerald absorp- tion spectrum.
    [Show full text]
  • Lapidary Journal Jewelry Artist March 2012
    INDEX TO VOLUME 65 Lapidary Journal Jewelry Artist April 2011-March 2012 INDEX BY FEATURE/ Signature Techniques Part 1 Resin Earrings and Pendant, PROJECT/DEPARTMENT of 2, 20, 09/10-11 30, 08-11 Signature Techniques Part 2 Sagenite Intarsia Pendant, 50, With title, page number, of 2, 18, 11-11 04-11 month, and year published Special Event Sales, 22, 08-11 Silver Clay and Wire Ring, 58, When to Saw Your Rough, 74, 03-12 FEATURE ARTICLES Smokin’*, 43, 09/10-11 01/02-12 Argentium® Tips, 50, 03-12 Spinwheel, 20, 08-11 Arizona Opal, 22, 01/02-12 PROJECTS/DEMOS/FACET Stacking Ring Trio, 74, Basic Files, 36, 11-11 05/06-11 DESIGNS Brachiopod Agate, 26, 04-11 Sterling Safety Pin, 22, 12-11 Alabaster Bowls, 54, 07-11 Create Your Best Workspace, Swirl Step Cut Revisited, 72, Amethyst Crystal Cross, 34, 28, 11-11 01/02-12 Cut Together, 66, 01/02-12 12-11 Tabbed Fossil Coral Pendant, Deciphering Chinese Writing Copper and Silver Clay 50, 01/02-12 Linked Bracelet, 48, 07-11 12, 07-11 Stone, 78, 01/02-12 Torch Fired Enamel Medallion Site of Your Own, A, 12, 03-12 Easier Torchwork, 43, 11-11 Copper Wire Cuff with Silver Necklace, 33, 09/10-11 Elizabeth Taylor’s Legendary Wire “Inlay,” 28, 07-11 Trillion Diamonds Barion, 44, SMOKIN’ STONES Jewels, 58, 12-11 Coquina Pendant, 44, 05/06-11 Alabaster, 52, 07-11 Ethiopian Opal, 28, 01/02-12 01/02-12 Turquoise and Pierced Silver Ametrine, 44, 09/10-11 Find the Right Findings, 46, Corrugated Copper Pendant, Bead Bracelet – Plus!, 44, Coquina, 42, 01/02-12 09/10-11 24, 05/06-11 04-11 Fossilized Ivory, 24, 04-11
    [Show full text]
  • Jackson's Auction
    Jackson's Auction Collector's Choice: Antiques & Collectibles Wednesday - September 19, 2012 Collector's Choice: Antiques & Collectibles 675: REED & BARTON STERLING SILVER FLATWARE, 148 PIECES USD 4,000 - 6,000 A LARGE 148 PIECE SET OF REED AND BARTON FRANCIS 1ST STERLING SILVER FLATWARE, MID 20TH CENTURY. Comprising 24 table knives, 24 table forks, 24 salad forks, 35 teaspoons, 13 cream soup spoons, 5 tablespoons, 12 individual butter knives and 11 various serving pieces. Contained in two fitted chests, not matching. Total weight approximately 194 troy oz. 676: DUTCH SILVER EPERGNE, 1853 USD 1,000 - 1,500 A VERY FINE DUTCH SILVER AND CUT CRYSTAL CENTERPIECE EPERGNE, 1853. Stamp hallmarks including "Z&B" probably for Pieter Zollner and William Beijoer (1849-1871) comprising a silver entwining stem with extending foliage supporting two scallop cut crystal trays below a tulip blossom finial raised on a scalloped floral repousse and chased bell form base. Additionally stamped "Pde Meyer te'Hage." Silver weight approximately 34.76 troy oz. Height 22.5 inches (57cm). 677: WALLACE ROSE POINT STERLING SILVER FLATWARE, 63 PIECES USD 1,200 - 1,800 A VERY FINE SET OF WALLACE ROSE POINT STERLING SILVER FLATWARE, MID 20TH CENTURY. 63 pieces comprising 10 each place knives, place forks and salad forks, 20 teaspoons, 10 individual butters, a gravy ladle, sugar shell and pastry server. All contained in a fitted mahogany chest with drawer. Weight approximately 60 troy oz. 678: A FINE CONTINENTAL SILVER BACCHANALIAN FOOTED BOWL USD 200 - 400 A FINE CONTINENTAL SILVER BACCHANALIAN FOOTED BOWL, 20TH CENTURY. With embossed and chased facial mask within hammered scalloped lobes and grape vine rim in deep relief.
    [Show full text]
  • Misuse Ofthe Words "Ruby," "Sapphire," "Emerald," "Topaz," "Stone," "Birthstone," "Gem," "Gemstone," Etc
    AG~ Accrrditrd Grmologists Association 33 15 Juitnila St.. San Diego. C/\ 92105 May 31,2016 Secretary Donald S. Clark Federal Trade Commission Office of the Secretary 600 Pennsylvania Avenue, NW, Suite CC-5610 (Annex-O) Washington, DC 20580 RE: Jewelry Guides, 16 CFR, Part 23, Project No. G7110001 Dear Secretary Clark: This following recommendations are being submitted by the Accredited Gemologists Association (AGA) in response to the request for additional public comments regarding the proposed revisions to the Guides for Jewelry, Precious Metals and Pewter. First, we applaud the commission's work on preparing this much-needed revision to address the many changes in the gem and jewelry field since the last updates were made. We also appreciate your giving us another opportunity to review your draft for the revisions and provide additional comments to this draft before they are finalized. Specifically, these comments will focus on Note 23.25: Misuse ofthe words "ruby, " "sapphire/' "emerald," "topaz," "stone," "birthstone," "gem," "gemstone," etc.; and Note 23.12: "Definition and misuse ofthe word "cultured diamond." Note 23:25: Misuse ofthe words "ruby," "sapphire," "emerald," "topaz," "stone," "birthstone," "gem," "gemstone," etc: As the FTC has already acknowledged in its proposed revisions, the practice of mixing lead­ glass with non-gem grade corundum to create products that look like transparent and semi­ transparent "rubies," "blue sapphires" and "fancy color sapphires" and selling them as treated gems, at highly inflated prices,
    [Show full text]
  • As Versatile As They Are Eye-Catching, Preciosa Cupchains Can and Have
    Cupchains As versatile as they are eye-catching, Preciosa Cupchains can and have been used for everything from tailored accents like crystal fringe to full- on, floor-length fashion statements, and are a fashion jeweler’s dream. Made with our signature Preciosa Chatons MAXIMA, this assortment offers hundreds of size, color and plating combinations and comes in an additional multi-row version. CUPCHAINS 173 Round Stones Colors Coatings Numerical Order 00030 . Crystal 20410 . Tanzanite 80310 . Citrine Crystal Topaz Crystal AB 00030 20031 AB ........ Crystal AB 21110 . Amethyst Opal 90070 . Light Siam 00030 10070 20031 AB 00030 21931 Snr ........ Crystal Sunrise 23980 . Jet 90075 . Red Velvet Jet Light Colorado Topaz Crystal Argent Flare 00030 23531 Hon . Crystal Honey 23980 27231 Hem . Jet Hematite 90090 . Siam 23980 10330 24231 AgF 00030 24231 AgF . Crystal Argent Flare 30010 . Smoked Sapphire 90100 . Burgundy 00030 24431 GdH....... Crystal Golden Honey 30020 . Light Sapphire 90110 . Ruby White Opal Smoked Topaz Crystal Velvet* 00030 25931 PeG . Crystal Peacock Green 30050 . Sapphire 90300 . Light Peach 01000 10220 27931 Vel 00030 26036 Ntf . Crystal Nightfall 30280 . Dark Indigo 90310 . Sun 00030 26231 Aur . Crystal Aurum 30340 . Montana 90350 . Padparadscha Black Diamond Light Gold Quartz Crystal Honey 00030 26536 VL . Crystal Vitrail Light 31110 . Light Sapphire Opal 40010 00520 23531 Hon 00030 26636 Apri....... Crystal Apricot 33400 . Deep Sea Smoked Sapphire Gold Quartz Crystal Golden Honey 00030 27031 Lab . Crystal Labrador 40010 . Black Diamond 30010 00530 24431 GdH 00030 27131 CaG ....... Crystal Capri Gold 50000 . Chrysolite 00030 27731 MtC ....... Crystal Monte Carlo 50010 . Erinite Aquamarine Light Peach Crystal Sunrise* 00030 27931 Vel.......
    [Show full text]
  • Gilding Through the Ages
    Gilding Through the Ages AN OUTLINE HISTORY OF THE PROCESS IN THE OLD WORLD Andrew Oddy Research Laboratory, The British Museum, London, U.K. In 1845, Sir Edward Thomason wrote in his not public concern but technological advance which memoirs (1) a description of a visit he had made in brought an end to the use of amalgam for gilding. to certain artisans in Paris and he commented: 1814 Gilding with Gold Foil `I was surprised, however, at their secret of superior Although fire-gilding had been in widespread use in gilding of the time-pieces. I was admitted into one gilding establishment, and I found the medium was Europe and Asia for at least 1 500 years when it was similar to ours, mercury; nevertheless the French did displaced by electroplating, the origins of gilding — gild the large ornaments and figures of the chimney- that is, the application of a layer of gold to the surface piece clocks with one-half the gold we could at of a less rare metal — go back at least 5 000 years, to Birmingham, and produced a more even and finer the beginning of the third millennium B.C. The colour'. British Museum has some silver nails from the site of Much to his disgust, Thomason could not persuade Tell Brak in Northern Syria (5) which have had their the French workmen to tell him the secret of their heads gilded by wrapping gold foil over the silver. superior technique, but it seems most likely that it This is, in fact, the earliest form of gilding and it lay either in the preparation of the metal surface depends not on a physical or chemical bond between for gilding or perhaps in the final cleaning and the gold foil and the substrate, but merely on the burnishing of the gilded surface.
    [Show full text]
  • 1 Design # 2 Genuine Blue Topaz, Garnet & Amethyst Yellow Gold
    1 Design # 2 Genuine Blue Topaz, Garnet & Amethyst Yellow Gold Pendant $595 Each BOGO $780 Design # 3 White Gold Huggie Earrings $100 2 Design # 5 6mm Genuine Amethyst White Gold Bezel Earrings $350 Pair BOGO $425 Design # 6 8mm Genuine Amethyst White Gold Bezel Pendant $350 Each BOGO $425 3 Design # 7 .30 Carat White Gold Bezel Diamond Earrings $850 pair BOGO $1250 Design # 8 6mm Blue Cubic Zirconium Heart Pendant White Gold Chain $350 Each, BOGO $425 4 Design # 9 8mm Genuine Blue Topaz White Gold Leverback Earrings $350 Pair, BOGO $425 Design #10 8mm Genuine Blue Topaz Pendant and Chain White Gold $335 Each, BOGO $400 5 Design # 11 Ladies and Mens CHERISH RINGS Sterling Silver VALENTINES PRICE Mens $350 Ladies $325 Design # 12 Ladies and Mens CHERISH RINGS Yellow Gold & Diamonds VALENTINES PRICE Mens $650, Ladies $525 6 Design # 14 Ladies and Mens CHERISH RINGS Yellow Gold Diamond, Ruby, Sapphire VALENTINES PRICE Mens $650 Ladies $525 Design # 15 Cubic Zirconium Heart White Gold Earrings $310 Pair, BOGO $350 7 Design # 16 .10 Carat Diamond Bezel Pendant, White Gold Bright Polish $450 Each, BOGO $595 Design # 17 .10 Carat Diamond Bezel Pendant Yellow Gold Brush Finish $450 Each, BOGO $595 8 Design # 18 .10 Carat Diamond Bezel Pendant White Gold, Brush Finish $450 Each, BOGO $595 Design # 19 .15 Carat Diamond Bezel Pendant Yellow Gold, Bright Finish $575 Each, BOGO $795 9 Design # 20 .15 Carat Diamond Bezel Pendant Yellow Gold, Brush Finish $575 Each, BOGO $795 Design # 21 6mm Genuine Garnet Bezel Earrings White Gold $350 Pair, BOGO $425
    [Show full text]
  • 16 CFR Ch. I (1–1–11 Edition) § 23.21
    § 23.21 16 CFR Ch. I (1–1–11 Edition) and clearly that the product is a cul- ‘‘emerald,’’ ‘‘topaz,’’ or the name of any tured or imitation pearl. other precious or semi-precious stone to describe any product that is not in § 23.21 Misrepresentation as to cul- fact a natural stone of the type de- tured pearls. scribed. It is unfair or deceptive to misrepre- (b) It is unfair or deceptive to use the sent the manner in which cultured word ‘‘ruby,’’ ‘‘sapphire,’’ ‘‘emerald,’’ pearls are produced, the size of the nu- ‘‘topaz,’’ or the name of any other pre- cleus artificially inserted in the mol- cious or semi-precious stone, or the lusk and included in cultured pearls, word ‘‘stone,’’ ‘‘birthstone,’’ ‘‘gemstone,’’ the length of time that such products or similar term to describe a labora- remained in the mollusk, the thickness tory-grown, laboratory-created, [manu- of the nacre coating, the value and facturer name]-created, synthetic, imi- quality of cultured pearls as compared tation, or simulated stone, unless such with the value and quality of pearls word or name is immediately preceded and imitation pearls, or any other ma- with equal conspicuousness by the terial matter relating to the forma- word ‘‘laboratory-grown,’’ ‘‘laboratory- tion, structure, properties, characteris- created,’’ ‘‘[manufacturer name]-cre- tics, and qualities of cultured pearls. ated,’’ ‘‘synthetic,’’ or by the word ‘‘imi- tation’’ or ‘‘simulated,’’ so as to disclose § 23.22 Disclosure of treatments to gemstones. clearly the nature of the product and the fact it is not a natural gemstone. It is unfair or deceptive to fail to dis- close that a gemstone has been treated NOTE TO PARAGRAPH (h): The use of the if: word ‘‘faux’’ to describe a laboratory-created (a) The treatment is not permanent.
    [Show full text]
  • Early Diamond Jewelry See Inside Cover
    ti'1 ;i' .{"n b"' HH :U 3 c-r 6E au) -:L _lH brD [! - eF o 3 Itr-| i:j,::]': O .a E cl!+ r-Ri =r l\+ - x':a @ o \<[SFs-X : R 9€ 9.!-o I* & = t t-Y ry ,;;4 fr o a ts(\ 3 tug -::- ^ ,9 QJH 7.oa : l-] X 'rr l]i @ ex b :<; i-o ld o o-! :. i (n z )@N -.; :!t Fml \"-DF i :\ =orD =\ ^:a -nft< oSr-n ppr= HDV '- s\C r 6- "?tJz* Jlt : ni . s' o c'l.!..4< F' ryl - i o5 F ; {: Ll-l> Fr \ ='/E<- a5. {E j*yt p.y. .o n O S_ sr = = i o - ;iar x'i@ xo ia\=i, -G; t- z i i *O ^ > :.r - : ' - , i--! i---:= -i -z-- l:-\i i- t-3 j'-a : =: S ---i--.-- a- F == :\- O z O - -- - a s =. e ?.a !':ii1 : = - / - . :: i *a !- z : C CI =2 7 \- ^ t =r- l! t! lv- Iv -5 ":. -_r ! c\ co =- \] N TJ ?ti:iE€ i; 5j:; LLI ;;tttE3 E;Ei!iiii'E ri l.T-1 j F-{ i aEE g;iij 1=,iE 3iE;i; ; a;E{ i ii is: :i E-r ''l FJ; l- r s r+ss U f{ r E ci! :?: i; E : nl L *ii;i;i;ili j Eiii!igiaiiiiii il -3€ ;l jii = c-l Le s it5 ;gt,*:ii;$ii; Fi F \JU a .lS IU H\ sit! gi;iig: g lJr )< :,i S i rsr ii: is Ei :n*J f,'i;i;t: a- -r UJ { FJi .i' E-u+Efi€ E sa !E ei E i E F-r tr< ;E;: iE; 3?$s?s t-J ;: z r'l .-u*s re,,r gs E;ig;lii:ii;:ii*5t.! ti:; +-J \ \H trl - L9 \ gEi F-r 'Eq E;*it[; ;i;E iE Hr IE €i;i ! i*;: I tr-r s ct) i EE:i:r! t E;fe; s E;ttsE H;i;{i; sE+ FJ-l S aS H5; e '-\ q/ E th i st*E;iuF€;EEEFi;iE;'a:€:; g F! n1 Ii;:i 3;t g;:s :;sErr; i;:ti i;;i: :E F rt;;;igic; iitiTEi :E ;: r ;ac i; I;; FiE$es;i* Hsi s=+ qE H;{;5FH $;!iiEg tJ L-J S- Nll ^llo.\ ll e*[r+;sir{+giiiE gEa,E s;ee=ltlfFE E5sfr;r ; +rfi [FE 1:8;$ il r;*;rc*€ i'[;*+EI tl ;i ili$;l$s rgiT;i;licE;{ i;E;fi il5! f,r 1l ;lFaE€iHiiifx;a$;as
    [Show full text]
  • Does Substrate Colour Affect the Visual Appearance of Gilded Medieval Sculptures? Part I: Colorimetry and Interferometric Microscopy of Gilded Models
    Does substrate colour affect the visual appearance of gilded medieval sculptures? Part I: Colorimetry and interferometric microscopy of gilded models Qing Wu ( [email protected] ) Universitat Zurich https://orcid.org/0000-0001-5337-0396 Meret Hauldenschild Hochschule der Kunste Bern Benedikt Rösner Paul Scherrer Institut Tiziana Lombardo Swiss National Museum Katharina Schmidt-Ott Swiss National Museum Benjamin Watts Paul Scherrer Institut Frithjof Nolting Paul Scherrer Institut David Ganz University of Zurich Research article Keywords: medieval, gilding, surface, colour, substrate, colorimetry, interferometric microscopy Posted Date: October 23rd, 2020 DOI: https://doi.org/10.21203/rs.3.rs-66102/v2 License: This work is licensed under a Creative Commons Attribution 4.0 International License. Read Full License Version of Record: A version of this preprint was published on November 23rd, 2020. See the published version at https://doi.org/10.1186/s40494- 020-00463-3. Page 1/17 Abstract In the history of medieval gilding, a common view has been circulated for centuries that the substrate colour can inuence the visual appearance of a gilded surface. In order to fully understand the correlation between the gilding substrate and the colour appearance of the gold leaf laid above, in this paper (Part I) analytical techniques such as colorimetry and interferometric microscopy are implemented on models made from modern gold leaves. This study demonstrates that the substrate colour is not perceptible for gold leaf of at least 100 nm thickness, however the surface burnishing can greatly alter the visual appearance of a gold surface, and the quality of the burnishing is dependent on the substrate materials.
    [Show full text]
  • Gold in Mosaic Art and Technique Gianfranco Bustacchini Academy of Fine Arts, Ravenna, Italy
    Gold in Mosaic Art and Technique Gianfranco Bustacchini Academy of Fine Arts, Ravenna, Italy One of the most remarkable and fascinating uses of gold is in the art of mosaic. This most lovely and permanent , form of decoration gives both an extraordinary splendour and yet a simplicity of dramatic quality in its representations. This article reviews both the develop- ment of the art of mosaic and the technical processes behind the achievement of the characteristic effects of richness and brilliance. Mosaic work is as ancient as any other art form, Asclepiades of Arado, or similar to those in the although its technique, in becoming ever more Pompeii villa said to have belonged to Cicero. complex and exacting, represents an artistic expres- The material most favoured by the Romans was sion which is not spontaneous but indicative of a derived from limestone, this being easier to handle highly cultured environment, so that anyone who, than volcanic rock such as granite or porphyry. To when confronted by a brilliant Byzantine mosaic, intensify the colouring, these marbles were subjected naively believed it to be the outcome of a single to varying degrees of heat, or were tinted with culture would be totally mistaken. solutions based on colour pigments. Vitreous materials In 2500 B.c. the Sumerians were already covering were seldom used and gold appeared even more walls and columns with decorative motifs composed rarely, especially in floor mosaics. of tiny clay cones the bases of which, projecting from Under the Romans, mosaic work, even if originat- the wall, were glazed or rather dyed by an encaustic ing from different schools, acquired a rather standard- process.
    [Show full text]