The Weaknesses of Song China and the Legacy of Mongol Conquest
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UC Santa Barbara UC Santa Barbara Electronic Theses and Dissertations
UC Santa Barbara UC Santa Barbara Electronic Theses and Dissertations Title Fashioning the Reclusive Persona: Zeng Jing's Informal Portraits of the Jiangnan Literati Permalink https://escholarship.org/uc/item/2mx8m4wt Author Choi, Seokwon Publication Date 2016 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Santa Barbara Fashioning the Reclusive Persona: Zeng Jing’s Informal Portraits of the Jiangnan Literati A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Art History by Seokwon Choi Committee in charge: Professor Peter C. Sturman, Chair Professor Miriam Wattles Professor Hui-shu Lee December 2016 The dissertation of Seokwon Choi is approved. _____________________________________________ Miriam Wattles _____________________________________________ Hui-shu Lee _____________________________________________ Peter C. Sturman, Committee Chair September 2016 Fashioning the Reclusive Persona: Zeng Jing’s Informal Portraits of the Jiangnan Literati Copyright © 2016 by Seokwon Choi iii ACKNOWLEDGEMENTS My sincerest gratitude goes to my advisor, Professor Peter C. Sturman, whose guidance, patience, and confidence in me have made my doctoral journey not only possible but also enjoyable. It is thanks to him that I was able to transcend the difficulties of academic work and find pleasure in reading, writing, painting, and calligraphy. As a role model, Professor Sturman taught me how to be an artful recluse like the Jiangnan literati. I am also greatly appreciative for the encouragement and counsel of Professor Hui-shu Lee. Without her valuable suggestions from its earliest stage, this project would never have taken shape. I would like to express appreciation to Professor Miriam Wattles for insightful comments and thought-provoking discussions that helped me to consider the issues of portraiture in a broader East Asian context. -
Zeng Jing's Informal Portraits of the Jiangnan Litera
UNIVERSITY OF CALIFORNIA Santa Barbara Fashioning the Reclusive Persona: Zeng Jing’s Informal Portraits of the Jiangnan Literati A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Art History by Seokwon Choi Committee in charge: Professor Peter C. Sturman, Chair Professor Miriam Wattles Professor Hui-shu Lee December 2016 The dissertation of Seokwon Choi is approved. _____________________________________________ Miriam Wattles _____________________________________________ Hui-shu Lee _____________________________________________ Peter C. Sturman, Committee Chair September 2016 Fashioning the Reclusive Persona: Zeng Jing’s Informal Portraits of the Jiangnan Literati Copyright © 2016 by Seokwon Choi iii ACKNOWLEDGEMENTS My sincerest gratitude goes to my advisor, Professor Peter C. Sturman, whose guidance, patience, and confidence in me have made my doctoral journey not only possible but also enjoyable. It is thanks to him that I was able to transcend the difficulties of academic work and find pleasure in reading, writing, painting, and calligraphy. As a role model, Professor Sturman taught me how to be an artful recluse like the Jiangnan literati. I am also greatly appreciative for the encouragement and counsel of Professor Hui-shu Lee. Without her valuable suggestions from its earliest stage, this project would never have taken shape. I would like to express appreciation to Professor Miriam Wattles for insightful comments and thought-provoking discussions that helped me to consider the issues of portraiture in a broader East Asian context. I owe a special debt of gratitude to Susan Tai, Elizabeth Atkins Curator of Asian Art at the Santa Barbara Museum of Art. She was my Santa Barbara mother, and she helped made my eight-year sojourn in the American Riviera one that I will cherish forever. -
Politics and Conservatism in Northern Song China: the Career and Thought of Sima Guang (A.D
《中國文化研究所學報》 Journal of Chinese Studies No. 45 - 2005 388 Book Reviews Politics and Conservatism in Northern Song China: The Career and Thought of Sima Guang (A.D. 1019–1086). By Xiao-bin Ji. Hong Kong: The Chinese University Press, 2005. Pp. xi + 253. $42.00. This book does two things that have not, I think, been done before in a Western language study of Song history. It is, first, a marvelous study of the dynamics of the relationship between the inner court and the outer court during a period when the inner court was often beset by such internal problems as choosing a successor and tensions between an empress dowager and the emperor and the outer court was increasingly divided by factions based on ideology. It is, second, a detailed case study of how three emperors (Renzong, Yingzong, and Shenzong) and one official (Sima Guang) were able to play politically important roles in the polity. I cannot improve on Ji’s statement of the lesson of this study for historians: “The emperors (and sometimes the regents) never took their power for granted, but were instead always trying to strengthen and maintain this power. The ruler’s work of asserting and maintaining control was a never-ending process.” (p. 183) Some emperors were better at this than others, as Liu Jingzhen has shown in her study of the first three emperors.1 The Northern Song is an interesting period for examining the jockeying for power between the inner and outer court because the outer court was in the hands of literati officials who, during Sima Guang’s lifetime, were increasingly guided by ideology. -
Cheng Yi As a “Ritualist”*
Cheng Yi as a “Ritualist”* Christian Meyer (Leipzig) A Introduction Cheng Yi 程頤 (1033–1107), the predecessor of Zhu Xi 朱熹 (1130–1200), is known by posterity as the Neo-Confucianist par excellence before Zhu Xi’s synthesis, and thus as one of the most important “philosophers” of China.1 This accolade makes sense in the general view of the history of ideas, but at the same time we know that this is a view produced by later generations. On the one hand, this agenda was pushed by Zhu Xi himself,2 who constructed a genealogy of the “Dao(xue)” 道(學) (Daotong 道統), whose culmination Zhu Xi himself became for following gen- erations. On the other hand, the idea of Neo-Confucianists as “philosophers” is a modern phe- nomenon and applies a concept of clearly western categories to a culturally foreign matter. But how did the perspective through Zhu Xi change the perception of the Cheng Yi of the 11th century? Is it possible to reconstruct some of the authentic Cheng Yi behind Zhu Xi’s and our own modern views? For this purpose it may be helpful to go back to the historical context and ask who was the Cheng Yi of the 11th century? 3 Cheng was definitely not a philosopher by modern Western standards. But, if he is a phi- losopher “before (modern) Philosophy,” what are the characteristics of his thinking? What were the starting point, context, and more concrete questions that instigated his thinking? In the past, several clear answers have been given, mostly in the tradition of the history of ideas (or philosophy): a) Firstly, it has been correctly observed that Cheng Yi, as shown by his various statements against Buddhism and Daoism, answered those challenges on a level of cosmology and ethics based on a renewed reading of the Confucian Classics. -
Investigating the Relationships Between Scholars and Politicians in Ancient China: Taking the Yuanyou Era As an Example Abstract
Investigating the Relationships between Scholars and Politicians in Ancient China: Taking the Yuanyou Era as an Example Investigating the Relationships between Scholars and Politicians in Ancient China: Taking the Yuanyou Era as an Example Shang Wenyi* and Huang Winbin* Abstract The Song Dynasty was a decisive period of transformation in ancient China, during which relationships between scholars and politicians are thought to have become closer and closer, and this change is considered part of the “Tang–Song transition.” In the Song Dynasty, the Yuanyou 元祐 era (1086–94) was a critical and complex period with regard to its political environment. The major purpose of this paper is to investigate the relationships between scholars and politicians during this period. The connections between figures collected from the CBDB (China Biographical Database) include both literary relations and political relations. Two scholars have a literary relation when both of them write to a common third figure, and a political relation between two politicians is demonstrated through such connections as political support associations, recommendation sponsorship, and oppositional political affiliations. In the present study, two matrices are respectively constructed according to literary and political relations among figures and a Poisson-Gamma factorization model is adopted to obtain the key factors of the matrices. According to calculated results and literary history, the scholars can be clearly classified into three groups. We identified two groups of the politicians with this method, while we found other politicians to have steered a course between them. Furthermore, the figures engaged in common literary pursuits are more likely to share common political goals. -
Women Rulers in Imperial China
NAN N Ü Keith McMahonNan Nü 15-2/ Nan (2013) Nü 15 179-218(2013) 179-218 www.brill.com/nanu179 ISSN 1387-6805 (print version) ISSN 1568-5268 (online version) NANU Women Rulers in Imperial China Keith McMahon (University of Kansas) [email protected] Abstract “Women Rulers in Imperial China”is about the history and characteristics of rule by women in China from the Han dynasty to the Qing, especially focusing on the Tang dynasty ruler Wu Zetian (625-705) and the Song dynasty Empress Liu. The usual reason that allowed a woman to rule was the illness, incapacity, or death of her emperor-husband and the extreme youth of his son the successor. In such situations, the precedent was for a woman to govern temporarily as regent and, when the heir apparent became old enough, hand power to him. But many women ruled without being recognized as regent, and many did not hand power to the son once he was old enough, or even if they did, still continued to exert power. In the most extreme case, Wu Zetian declared herself emperor of her own dynasty. She was the climax of the long history of women rulers. Women after her avoided being compared to her but retained many of her methods of legitimization, such as the patronage of art and religion, the use of cosmic titles and vocabulary, and occasional gestures of impersonating a male emperor. When women ruled, it was an in-between time when notions and language about something that was not supposed to be nevertheless took shape and tested the limits of what could be made acceptable. -
A Model of Institutional Complementarities in Ancient China
Munich Personal RePEc Archive A Model of Institutional Complementarities in Ancient China Zhou, Haiwen November 2013 Online at https://mpra.ub.uni-muenchen.de/74697/ MPRA Paper No. 74697, posted 15 Nov 2016 10:18 UTC A Model of Institutional Complementarities in Ancient China Haiwen Zhou Abstract In ancient China, the county system and feudalism were possible government organizational forms. Government officials might be selected through recommendations and examinations. The centralization of authority in the hands of emperors was achieved through a group of institutions such as the county system, the Imperial Examination System, and the division of authority among government officials. This paper provides a systematic interpretation of the interrelationship among this group of institutions and studies institutional complementarities in a model. It is shown that an increase in the degree of increasing returns in the military sector will increase the ruler’s incentive to adopt the county system. Institutional complementarities between the adoption of the Imperial Examination System and the division of authority among officials under the county system are established. A decrease in the level of coordination costs of elite increases the ruler’s incentive to choose a higher degree of the division of authority. Keywords: Institution, China, centralization of authority, Imperial Examination System, division of authority JEL Classification Numbers: D02, N45, H11 1. Introduction In ancient China, the central government had institutions such that the coordination costs of regional governments and the people were very high, giving the court the ability to have them unable to resist orders effectively. This centralization of authority was achieved through various institutions, and the main ones include the county system, the Imperial Examination System, and the division of authority among government officials.1 The county system is different from feudalism under which the country is organized into kingdoms. -
Song Dynasty Culture: Political Crisis and the Great Turn
General Survey Course Materials (R. Eno) Song Dynasty Culture: Political Crisis and the Great Turn The Song Dynasty, like the Zhou and the Han, is a dynasty whose history is split in two. The dates of the dynasty are 960-1279, but in 1127, an invasion of North China by a nomad people called the Jurchens forced the Song court to flee to the South, and from that year to the dynasty’s end, China was divided in two, with the Jurchens presiding over North China from their capital near modern Beijing, and the Chinese Song court based in the city of Hangzhou, near the Yangzi River delta. The two eras of the Song are distinguished in the historical records by being assigned the names “Northern Song” and “Southern Song.” The early Song state The Five Dynasties and the founding of the Song. During the decades following the fal of the Tang, control of China was deeply fragmented. In North China, five successive ruling houses, which were little more than warlord military powers, controlled most of the Yellow River valley region, while in the South, a different array of ten states existed Shang c. 1700 – 1045 BCE during the period (which is therefore Zhou 1045 – 256 BCE sometimes called the period of “five Qin 221 – 208 BCE dynasties and ten kingdoms”). North China Han 206 BCE – 220 CE faced the particular pressure of military “Six Dynasties” 220 – 589 incursions by non-Chinese peoples of the Sui 589 – 617 Tang 618 – 907 northern steppe; among these, a Mongol “Five Dynasties” 907 – 960 tribe known as the Khitans were the greatest Song 960 – 1279 ◄ threat. -
Changes in Political Space Between the Northern Song
UrbanScope Vol.6 (2015) 1-25 Changes in Political Space Between the Northern Song and the Southern Song: Centering on Wei Liaoweng’s “Sealed Memorial in Response to the Edict” Shigeki HIRATA* Keywords: Song China, imperial audience, political space, political decision-making, Wei Liaoweng Explanatory Note With respect to scholarship on Song China (960–1279), there have existed two theories concerning the nature of its po- litical system. On the one hand, the Song has been considered to be a period of autocratic government, when the highly devel- oped centralized bureaucracy enabled a system in which the emperor had the final decision-making power. On the other hand, due to the phenomenon of constant political dominance by powerful grand councilors in the late Northern Song, there has also been a view that the Song was a time when the power of grand councilors was strengthened. These two ways of understanding differ in that the former focuses on political changes at the macro level, while the latter tends to capture those political changes from a relatively microscopic perspective. This article attempts to use an approach that integrates the aforementioned two arguments by examining changes in political space between the Northern (960–1127) and Southern Song (1127–1279). More concretely, through an analysis of Wei Liaoweng’s “Sealed Memorial in Response to the Edict,” it investigates changes in the relations between the emperor and his officials, as well as changes in the nature of policy making, which are closely related to the emperor’s power.1 The conclusions drawn from the analysis are as follows. -
The Political Economy of Chinese State Intervention During the New Policies Period (1068-1085)
Ideas in Practice: the Political Economy of Chinese State Intervention During the New Policies Period (1068-1085) The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Luo, Yinan. 2015. Ideas in Practice: the Political Economy of Chinese State Intervention During the New Policies Period (1068-1085). Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:14226107 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Ideas in Practice: The Political Economy of Chinese State Intervention during the New Policies Period (1068-1085) A dissertation presented by Yinan Luo to The Department of East Asian Languages and Civilizations in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of East Asian Languages and Civilizations Harvard University Cambridge, Massachusetts January 2015 © 2015—Yinan Luo All rights reserved Advisor: Professor Peter K. Bol Author: Yinan Luo Ideas in Practice: the Political Economy of Chinese State Intervention during the New Policies Period (1068-1085) Abstract I take the New Policies period (1068-1085) to be a critical juncture in Chinese history during which, for the first time, the Chinese state initiated systematic intervention into the market. This period witnessed the failure of plans to shape the collective action of bureaucrats and coordinate market actors through a host of organizing mechanisms. -
To Share One's Joy with the People: an Early Confucian Request and Its
To share one’s joy with the people: An early Confucian request and its metamorphoses in Song times The Confucian request I will talk about is taken from the Mengzi. The Mengzi (or Mencius, as the Jesuits used the Latinized form) is a philoso- phical text rooted in the teachings of Master Kong (or: Confucius). In it, the teachings of Meng Ke, who is said to have lived in the fourth century B.C., were recorded, probably by his later disciples. The text of the Mengzi was not part of the Confucian canon until the 12th century, when the Neo-Confucian philosopher Zhu Xi included it among the “Four Books”. However, already from the second half of the 11th cen- tury on, knowledge about the Mengzi had become part of the imperial palace examinations, and candidates were encouraged to discuss actual political issues based on ideas formulated in the Mengzi. In my talk I will raise three examples of allusions to the Mengzi text. As we shall see, one and the same request was used quite differently, dependent on the occasion, the context and the intentions of those who made these allu- sions. All three examples point, as I think, towards major aspects of trans- formations that occurred in Song times and I will, at the end of this paper, try and summarize these changes under the term of what I call “metamor- phoses” here. * * * The request I am referring to occurs in altogether three passages of the Mengzi text. In two of them the philosopher addresses King Hui of Liang, and the third passage is related to a meeting between Meng Ke and King Xuan of Qi. -
A History of Reading in Late Imperial China, 1000-1800
A HISTORY OF READING IN LATE IMPERIAL CHINA, 1000-1800 DISSERTATION Presented in Partial Fulfillment of the Requirements for The Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Li Yu, M.A. * * * * * The Ohio State University 2003 Dissertation Committee: Approved by Professor Galal Walker, advisor Professor Mark Bender Professor Cynthia J. Brokaw ______________________________ Professor Patricia A. Sieber Advisor East Asian Languages and Literatures ABSTRACT This dissertation is a historical ethnographic study on the act of reading in late imperial China. Focusing on the practice and representation of reading, I present a mosaic of how reading was conceptualized, perceived, conducted, and transmitted from the tenth to the eighteenth centuries. My central argument is that reading, or dushu, was an indispensable component in the tapestry of cultural life and occupied a unique position in the landscape of social history in late imperial China. Reading is not merely a psychological act of individuals, but also a set of complicated social practices determined and conditioned by social conventions. The dissertation consists of six chapters. Chapter 1 discusses motivation, scope, methodology, and sources of the study. I introduce a dozen different Chinese terms related to the act of reading. Chapter 2 examines theories and practices of how children were taught to read. Focusing on four main pedagogical procedures, namely memorization, vocalization, punctuation, and explication, I argue that the loud chanting of texts and the constant anxiety of reciting were two of the most prominent themes that ran through both the descriptive and prescriptive discourses on the history of reading in late imperial ii China.