Year 5 Home Learning Resources Week Beginning: Monday 6Th July

Total Page:16

File Type:pdf, Size:1020Kb

Year 5 Home Learning Resources Week Beginning: Monday 6Th July Year 5 Home Learning Resources Week beginning: Monday 6th July 2020 English BBC Bitesize have daily lessons: https://www.bbc.co.uk/bitesize/dailylessons Reading: Reading Shorter Activities Are Here: The document is named 6.7.: Games from Around the World. This is from the topic ‘Places and Culture’:- https://HEWUXEB.exampro.net The document is named 6.7.: Grace Darling. This text is from the topic ‘People’:- https://REOOYUO.exampro.net The document is named 6.7.: Miss Emily and the text genre is classified as a story:- https://OIKOIOF.exampro.net Reading Longer Activity here: https://SIWIMEU.exampro.net The Test is dated W.C.: 6.7.2020 and named Grannie. SPaG: Use the link to answer spelling, grammar and punctuation questions. Question 3 is a 20 question spelling test so you will need someone to read the word for you to spell. If you make any mistakes in your spelling why not add them to your personal spelling list. If you get them all correct you would gain a whopping 25 marks if it was a real test! Good luck. The title is W.C.: 6.7 Spelling, Grammar and Punctuation. https://TAGOSUT.exampro.net Year 5 Home Learning Resources Week beginning: Monday 6th July 2020 English Extended Writing Task: This week I want you to write from the perspective of Matilda. You will write a diary entry about your first day at a new school. Matilda Wormwood is an exquisite and intelligent little girl. Unfortunately, Matilda is misunderstood by her family because she is very different from their ways of life. As time passes, Matilda finally starts school that has a kindly teacher, loyal friends and a sadistic principal. As she gets fed up with the constant cruelty, Matilda begins to realize that she has a gift of telekinetic powers! I know many of you will have a copy of the book - Matilda by Roald Dahl but please do not worry if you do not have a copy. I have provided links and materials which should be all you need. The movie is currently steaming on Netflix if you have access to that. The following link takes you to a clip from the movie Matilda. It shows her first day at school the focus of your diary entry: https://www.youtube.com/watch?v=ntirWguFrfM https://www.youtube.com/watch?v=FyXuO-MRvwk The following character descriptions help to paint a picture of the two contrasting staff members you (Matilda) meet on your first day at school. Character Descriptions Roald Dahl - Matilda The teacher was called Miss Honey, and she could not have been more than twenty-three or twenty-four. She had a lovely pale oval Madonna face with blue eyes and her hair was light- brown. Her body was so slim and fragile one got the feeling that if she fell over she would smash into a thousand pieces, like a porcelain figure. Miss Jennifer Honey was a mild and quiet person who never raised her voice and was seldom seen to smile, but there is no doubt she possessed that rare gift for being adored by every small child under her care. ‘Her body was so slim and fragile one got the feeling that if she fell over she would smash into a thousand pieces, like a porcelain figure.’ Chapter 7, pg. 50 (simile) Miss Trunchbull, the Headmistress, was something else altogether. She was a gigantic holy terror, a fierce tyrannical monster who frightened the life out of the pupils and teachers alike. When she marched along a corridor you could actually hear her snorting as she went, and if a group of children happened to be in her path, she ploughed right on through them like a tank, with small people bouncing off her to the left and right. She had an obstinate chin, a cruel mouth and small arrogant eyes. She always had on a brown cotton smock which was pinched in at the waist with a wide leather belt. The belt was fastened in front with an enormous silver buckle. ‘Miss Trunchbull never walked, she always marched like a storm-trooper with long strides and arms swinging.’ Chapter 7, pg. 51 (simile) L.O. Writing a diary entry First Day New School Pretend that you are Matilda Earlier today you started your first day at a new school. Describe what you thought and how you felt meeting Miss Honey and Miss Trunchbull! Task: Write a detailed and interesting diary entry about what happened. You should include information about: How you felt when you met Miss Honey How you felt when you met Miss Trunchbull You should remember to use a personal time and include the following: Rhetorical question (Why is she so cruel?) Self-reflection (finally I’ve met someone who understands me) Traumatic or exciting highlights of the day Short sentence for effect (She’s wonderful / She’s sadistic!) WAGOLL Wednesday 8th July 2020 Dear Diary, Today was a mixed bag of emotions! I finally found myself in a place of learning, of books, children and friendship. School! Firstly, I was dropped off outside the ominous iron gates of the grand, old school. The other children were already congregated in groups and the sound of their chatter and laughter washed over me like the rays of the sun. I now get to go to school and for five days a week, I belong. I am overwhelmed with happiness. I’ve made a wonderful new friend, Lavender. She must be around my age, but I haven’t had the chance to ask her yet. Our conversation was dominated by one topic, ‘Trunchbull’. Miss Trunchbull, the Headmistress, is a tyrannical monster. She seems to actually delight from frightening the life out of the children and teachers alike. Marching like a soldier storming toward the oncoming enemy, she manoeuvres through the corridors leaving a wave of fear as she goes. She actually snorts as she walks, like a farmyard animal. Obviously I didn’t laugh. Her sadistic nature is matched by her merciless appearance. She has a cruel mouth and small piggy eyes that make her look arrogant. She wears a leather belt with an enormous silver buckle. Other children tell me she uses it as a weapon to beat them with. Do you think that is true? I’m hoping that while she’s definitely aggressive, their suggestions that she is actually violent are exaggerated. Miss Honey, on the other hand, is a mild, softly spoken person. Her kindness shines through her timid personality and all the children, including me, adore her. She introduced me to the class and seated me with Lavender, who I feel hopeful is going to become a close friend (a best friend perhaps). The day went so fast as we did an assessment. I love tests. Miss Honey asked me to multiply some big numbers. What was I to do? Shockingly she didn’t mock me when I got all the answers correct. She thinks I have a gift. A gift! She said everyone is good at something. I’m really going to enjoy being in her class. I hope I don’t see the Trunchbull too often. We will have to see what happens… Matilda .
Recommended publications
  • Matilda Wormwood” - Female, 8-13 an Imaginative Girl Who Is Clever and Wise Far Beyond Her Years
    Matilda the Musical Character Descriptions ​ All characters use some form of British accent. “Matilda Wormwood” - Female, 8-13 An imaginative girl who is clever and wise far beyond her years. She has a thirst for learning that cannot be quenched. Likable and charismatic, not annoying or pretentious. Honest and unassuming, but with a prankster streak and a strong sense of justice. Must be a very strong singer and actress, equally. Strong dancing skills preferred but not required. Vocal range top: D5 Vocal range bottom: A3 “Miss Agatha Trunchbull” - Male or Female, 13-18 The tyrannical headmistress at Matilda's school who despises children. Male in female clothing/makeup/hair, or female. A cruel and sadistic person, but not a brute or brash - rather, sly and conniving, cunning and slinky. Above all, must be a strong actor with a good sense of physicality and characterization. Strong singer and dancer preferred. Vocal range top: G4 Vocal range bottom: A2 “Miss Jennifer Honey” - Female, 13-18 Matilda's kindhearted teacher. She is tired of living in fear under Miss Trunchbull. Sweet, honest, caring, and intelligent, Miss Honey is timid but willing to become brave and stand up to bullies in order to protect her students. Must be a lovely, strong singer and a strong enough actor to make the role truly compelling. Vocal range top: D5 Vocal range bottom: F3 “Mr. Wormwood” - Male, 13-18 Matilda's uncaring father. A slimy, greedy used-car salesman, unintentionally hilarious. Must be a VERY strong actor and comedian; improv and dance skills preferred. Must also be a relatively strong singer.
    [Show full text]
  • Matilda the Musical Character Descriptions
    MATILDA THE MUSICAL Inspired by the twisted genius of Roald Dahl, the Tony Award-winning Roald Dahl's Matilda The Musical is the captivating masterpiece from the Royal Shakespeare Company that revels in the anarchy of childhood, the power of imagination and the inspiring story of a girl who dreams of a better life. With book by Dennis Kelly and original songs by Tim Minchin, Matilda has won 47 international awards and continues to thrill sold-out audiences of all ages around the world. Matilda is a little girl with astonishing wit, intelligence and psychokinetic powers. She's unloved by her cruel parents but impresses her schoolteacher, the highly loveable Miss Honey. Over the course of her first term at school, Matilda and Miss Honey have a profound effect on each other's lives, as Miss Honey begins not only to recognize but also appreciate Matilda's extraordinary personality. Matilda's school life isn't completely smooth sailing, however – the school's mean headmistress, Miss Trunchbull, hates children and just loves thinking up new punishments for those who don't abide by her rules. But Matilda has courage and cleverness in equal amounts, and could be the school pupils' saving grace! Packed with high-energy dance numbers, catchy songs and an unforgettable star turn for a young actress, Matilda is a joyous girl power romp. Children and adults alike will be thrilled and delighted by the story of the special little girl with an extraordinary imagination. CHARACTER DESCRIPTIONS MATILDA The title character of the story. She MUST be as SMALL as possible.
    [Show full text]
  • Matilda, the Musical Character Breakdown
    Matilda, the Musical – Character Breakdown ( 3 pages) Matilda the Musical Character Descriptions All characters use some form of British accent. Miss Trunchbull– age range 30s-70s, high baritone, Headmistress of Crunchem Hall, the tyrannical headmistress at Matilda's school who despises children. Portrayed by a Male in female clothing/makeup/hair. Trunchbull is a cruel and sadistic person, but not a brute or brash - rather, sly and conniving, cunning and slinky. Above all, must be a strong actor with a good sense of physicality and characterization. Strong singer and dancer preferred. Once a famous athlete, now described as a “gigantic Holy terror”. Miss Honey– age range 20s-40s, adored by every child in her care, secretly Miss Trunchbull’s niece. Matilda's kindhearted teacher. She is tired of living in fear under Miss Trunchbull. Sweet, honest, caring, and intelligent, Miss Honey is timid but willing to become brave and stand up to bullies in order to protect her students. Must be a strong singer and a strong enough actor to make the role truly compelling. Mr. Wormwood– age range 20s-60s, vocal range approximately top A to f#, dealer in second hand cars, a crook. Wormwood is Matilda's uncaring father. He is best described as - A slimy, greedy used-car salesman, unintentionally hilarious. Must be a VERY strong actor and comedian; improv and dance and movement skills needed for this physical characterization. Mrs. Wormwood– age range 20s-60s, strong belt voice approximately up to top F/G, mother of Michael and Matilda, obsessed with amateur ballroom dancing. Mrs. Wormwood is Matilda's self-absorbed, negligent mother and an amateur ballroom dancer.
    [Show full text]
  • Miss Trunchbull Sides
    Thank you for auditioning for MATILDA at JOHN ENGEMAN THEATER ROLE: MISS TRUNCHBULL Present in the room will be director, choreographer, producing team & casting. Initial appointment please prepare: • Audition Song #1 “THE HAMMER” If you are called back, please prepare: • This entire packet of material (Miss Trunchbull Side “Enter!...”, Audition Song #1 “THE HAMMER” and Callback Song #1 “THE SMELL OF REBELLION”) INSTRUCTIONS: Be sure to bring your picture and resume, otherwise we will not have one in the room! Thanks so much! W | S Casting MATILDA THE MUSICAL – MISS TRUNCHBULL SIDE Suddenly she knocks. Trunchbull Enter! For a second she considers running away, but then she goes in. Trunchbull looks her up and down. Well don’t just stand there like a wet tissue, get on with it. Miss Honey Well, yes, Miss Trunchbull there’s, in, in, in, in my class that is, there is, Mat, a little girl called Matilda Wormwood, and – Trunchbull Daughter of Mr Harry Wormwood who owns Wormwood Motors. Excellent man. Told me to watch out for the brat, though, says she’s a real wart. Miss Honey Oh no, Headmistress, I don’t think Matilda is that kind of child at all. Trunchbull What is the school motto, Miss Honey? Beat. Honey Bambinatum est maggitum, Miss Trunchbull. Trunchbull Bambinatum est maggitum. Children are maggots. In fact it must have been her who put that stink bomb under my desk this morning. I’ll have her for that. Thank you for suggesting it. Miss Honey But I didn’t ... Miss Trunchbull; Matilda Wormwood is a genius.
    [Show full text]
  • Party Pack 2019 Contents
    SEPTEMBER13 PARTY PACK 2019 CONTENTS Celebrate 3. Greetings! Roald Dahl 4. Invitations Day in Style! 5. Party Hats 6. Dahlicious Dress-up 7. Puffin Schools Matilda’s 8. Write with Matilda Marvellous 10. Floating Feat Activities 11. Matilda’s Wonderful Word Quiz 12. Scare Miss Trunchbull 13. Competition: Matilda’s New Classmate 15. Book Cover Collage 16. Matilda the Musical 17. Matilda’s Brilliant Bookmarks Titchy Toddlers 18. Roly-Poly Bird Craft Activity What’s 20. Watch Out for the Coming Up . Witches! 21. How to Spot a Witch Essentials 22. Classroom Crafts with YPO and Pritt 23. Certificate PLANNING YOUR DAY Miss Honey has some ideas for teachers on how to structure your celebrations in the classroom: Breakfast Club: 1 • Eat some toast together! (Just like Miss Honey and Matilda!) • Make your own Roald Dahl Day party hats, page 5. Morning: • Decorate your classroom door to look like a 2 magical library – Matilda’s favourite place to be! • Time to dress up! Use the Dahlicious dress-up page for ideas! Break time: GREETINGS, • ‘What’s the time, Miss Trunchbull?’ 3 A Matilda spin on the classic, ‘What’s BRAINBOXES! the time, Mister Wolf? Mid-morning: This year we’re celebrating Matilda! • Story time! Read your favourite Roald Dahl story. Inside this pack you’ll find ideas fit for 4 • Use the Write with Matilda activity from our very own magical genius, along with this pack to get your class’s brains fizzing a sneak peek at the wicked witches who with ideas! have some devious plans for 2020. Lunch: No matter where you’re celebrating, • Play hide-and-seek in the playground – with you’re going to have a marvellous day.
    [Show full text]
  • Developing Literacy in a Rehearsal Setting: Matilda the Musical
    University of Northern Colorado Scholarship & Creative Works @ Digital UNC Master's Theses Student Research 12-4-2019 Developing Literacy in a Rehearsal Setting: Matilda the Musical Andrew Tribe [email protected] Follow this and additional works at: https://digscholarship.unco.edu/theses Recommended Citation Tribe, Andrew, "Developing Literacy in a Rehearsal Setting: Matilda the Musical" (2019). Master's Theses. 123. https://digscholarship.unco.edu/theses/123 This Text is brought to you for free and open access by the Student Research at Scholarship & Creative Works @ Digital UNC. It has been accepted for inclusion in Master's Theses by an authorized administrator of Scholarship & Creative Works @ Digital UNC. For more information, please contact [email protected]. © 2019 ANDREW TRIBE ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School DEVELOPING LITERACY IN A REHEARSAL SETTING: MATILDA THE MUSICAL A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts Andrew Tribe College of Performing and Visual Arts School of Theatre Arts and Dance Theatre Education December, 2019 This Thesis by: Andrew Tribe Entitled: Developing Literacy in a Rehearsal Setting: Matilda the Musical has been approved as meeting the requirement for the Degree of Master of Arts in College of Performing and Visual Arts in School of Theatre and Dance, Program of Theatre Educator Intensive Accepted by the Thesis Committee: _________________________________________________________ Mary J. Schuttler, Ph. D., Chair, Advisor _________________________________________________________ Gillian McNally, Associate Professor, M.F.A., Committee Member Accepted by the Graduate School: ________________________________________________________ Cindy Wesley, Ph.D. Interim Associate Provost and Dean The Graduate School and International Admissions ABSTRACT Tribe, Andrew.
    [Show full text]
  • Penguin's Classroom Classics
    Penguin’s Classroom Classics Making Curriculum Connections! An Educator’s Guide to Bonus: A Page-to-Stage guide for Matilda The Musical included inside! BY ROALD DAHL INSPIRE • ENGAGE • TEEDUCA The activities in this guide align with Common Core State Standards and fit into the curriculum for grades 3–5 PenguinClassroom.com Dear Educator: Classroom Lesson Plans for Matilda Matilda is a delightfully zany coming-of-age story from beloved author Roald Dahl. With humor, magic, comeuppances—and Week 1: Chapters 1–6 chocolate cake!—it is a tale that students will positively devour. It’s no surprise that in addition to helping kids get a thrill out of reading, Roald Dahl ultimately gives the bookworms of the novel (Matilda and Miss Honey) their day in the sun! This guide breaks down the book into four to six chapters per week and includes pre- and post-reading activities. Matilda can be easily used to differentiate instruction: you can support your below-level readers with comprehension and vocabulary activities while challenging advanced learners with activities using figurative language and inference skills. Please select the activities that best suit the needs of your particular students. Some activities may be done in one lesson, while others require several days to accomplish. Each of the suggested activities is aligned with the Common Core Standards for Language Arts. Examining school life, bullying, fear, family, personal growth, and the supernatural, Matilda is an ideal way to introduce your students to the magic of reading! When you are done studying the text, put on your own theatrical production of Matilda.
    [Show full text]
  • Matilda the Musical Home
    Resource Guide | for Educators and Audiences We include information about our production along with creative activities to make connections both before and after the show. For educators, all activities are aligned to the Common Core Standards and North Carolina Essential Standards. Look for the symbol below throughout the guide. NCES-TheaArts.(K-5).TA.A.1: Analyze literary texts and performances. NCES-TheaArts.(K-5). TA.A.1.1: Recall the basic parts of a story, such as characters, setting, and events. Mainstage production Article excerpts: Tim Minchin ages 6 and older This article originally appeared in The Sydney Morning Herald on May 22, 2015. Tim Minchin explains how he came to write the music and lyrics for the show. Click on the title to read the full article: Tim Minchin: I’m bringing Matilda the Musical home. Skipping forward: towards the end of 2008, I got an email from my UK manager asking me if I’d like to meet with the Royal Shakespeare Company about “a potential project”. Things had changed significantly for me in the intervening eight years ... I had become known – much to my surprise – as a comedian, and as far as I was concerned, things couldn’t have been going better. So I had become accustomed to “so-and-so wants to meet about a potential project” emails. But I was not so blasé as to shrug off an approach from the RSC. They are, after all, the bloody RSC. They have the word “Royal” in their title. And “Shakespeare”, for Pete’s sake. * * * So it was with Willy on the mind that, at the appointed time on the chosen day, I wandered through Soho to the Royal Shakespeare Company’s London offices on Earlham Street, to meet a guy called Matthew Warchus .
    [Show full text]
  • ADULTS CASTING BRIEF As at 16 Sept 2014
    AUDITION INFORMATION & CASTING BRIEF Matilda The Musical was commissioned by the Royal Shakespeare Company (“RSC”) and is based on the beloved novel by best-selling author Roald Dahl (Charlie and the Chocolate Factory, Fantastic Mr. Fox). It is the story of an extraordinary girl who dreams of a better life. Armed with a vivid imagination and a sharp mind, Matilda dares to take a stand and change her destiny. Matilda The Musical creative team - Matthew Warchus (Director), Peter Darling (Choreographer), Rob Howell (Set & Costume Design), Chris Nightingale (Orchestrations & Additional Music), Hugh Vanstone (Lighting Design), Simon Baker (Sound Design), Ellen Kane (Associate Choreographer Worldwide), Nik Ashton (Associate Director Australian Production), Fabian Aloise (Associate Choreographer Australian Production), Tom Hodgson (Australian Associate Choreographer), Stephen Amos (Australian Associate Music Supervisor/MD). Matilda The Musical will be produced in Australia by the Royal Shakespeare Company, Louise Withers, Michael Coppel & Michael Watt with Andre Ptaszynski and Denise Wood as Executive Producers. PRODUCTION DATES Rehearsals commence in Sydney on or about 25 May 2015 (Dance Captains to commence end April 2015) Performances at the Lyric Theatre, Sydney commence end July 2015 Contracts will be Run of Play Sydney & Melbourne AUDITIONS DATES Preliminary round: Sydney Nov 6th & Melbourne Nov 12th, 2014 (subject to change) * Please note that the ‘preliminary round’ is an initial stage of the casting process. Sydney First round: Sydney
    [Show full text]
  • Summit Theatre Group Matilda the Musical​ Character
    SUMMIT THEATRE GROUP MATILDA THE MUSICAL CHARACTER LIST ​ Children/Teen/Young Adult Roles We will consider all children, teens, and young adults who can pass for the student characters. There will be a variety of ages used for all students - the student ensemble includes an older group and a younger group. Matilda Wormwood: An imaginative girl who is clever and wise far beyond her years. She has a thirst for ​ learning that cannot be quenched. Female, age 10-21. (Songs: Miracle, Naughty, Acrobat Story I, School ​ Song, The Hammer, Naughty Reprise, Chokey Chant, Acrobat Story II, Bruce, When I Grow Up, Acrobat Story III, Acrobat Story IV, The Smell of Rebellion, Quiet, My House, Revolting Children, Finale) Michael Wormwood: Matilda's older brother. He is not very bright and favored by their parents. Male, age ​ ​ 10-21. Bruce: Matilda's classmate. He is subject to extreme punishment by Miss Trunchbull. Male, age 10 to 21. ​ ​ (Songs: See ensemble student songs below) Lavender: Matilda's classmate and friend. Female, age 10-21. (Songs: See ensemble student songs below) ​ ​ Ensemble Students: Amanda, Nigel, Eric, Alice, Hortensia, Tommy, and others. Any gender, ages 6-21. ​ ​ (Included in songs: Miracle, School Song, The Hammer, Chokey Chant, Bruce, When I Grow Up, The Smell of Rebellion, Revolting Children, Finale) Adult Roles Please note adults will be used in creative ways throughout the musical - the directors plan to use the adult ensemble as much as possible. Most of the adult roles will support vocally on and off stage, most likely for more songs that listed for the characters.
    [Show full text]
  • Matilda the Musical
    A PLAY GUIDE FROM THE DESK OF ASHLIE CORCORAN, ARTISTIC DIRECTOR MATILDA THE MUSICAL Book by Dennis Kelly Music and lyrics by Tim Minchin From the novel by Roald Dahl MAY 16–JULY 14, 2019 STANLEY INDUSTRIAL ALLIANCE STAGE artsclub.com the Citadel Theatre in Edmonton. Our creative team Notes is comprised of Winnipeggers, Edmontonians, and Vancouverites. A third of the adult cast comes from each city, while the youth in this production are all from from Vancouver (as the youth were from Edmonton at the Citadel performances and from Winnipeg in the RMTC performances)! It is wonderful to be able to provide Ashlie work in other cities for local Vancouver actors and to see them showcase their talents across Canada. Corcoran Co-productions, if approached judiciously, can harness the financial requirements of large-scale pieces. However, the partnerships that attract the Arts Club are ones that go beyond financial benefit. We are I am so thrilled to be sharing our production of Matilda interested in creative partnerships where artistic work the Musical—the award-winning show—with all of you. and investment have a larger reach, where community Based on the beloved novel by Roald Dahl, this musical engagement is greater, and where opportunities for tells the story of an extraordinary girl who, armed artists are increased (such as lengthened contracts). with a vivid imagination and a sharp mind, dares to These kinds of creative partnerships expose our staff take a stand and change her own destiny. Matilda is members to new collaborative styles, and share different a precocious little girl with the gift of telekinesis who artistic approaches with our audiences.
    [Show full text]
  • "If It's Not Right, You Have to Put It Right": the Play and Work of Children in Matilda the Musical Kristin Perkins
    AWE (A Woman’s Experience) Volume 5 Article 3 2018 "If It's Not Right, You Have To Put It Right": The Play and Work of Children in Matilda the Musical Kristin Perkins Follow this and additional works at: https://scholarsarchive.byu.edu/awe Part of the Performance Studies Commons, and the Women's Studies Commons Recommended Citation Perkins, Kristin (2018) ""If It's Not Right, You Have To Put It Right": The lP ay and Work of Children in Matilda the Musical," AWE (A Woman’s Experience): Vol. 5 , Article 3. Available at: https://scholarsarchive.byu.edu/awe/vol5/iss1/3 This Article is brought to you for free and open access by the All Journals at BYU ScholarsArchive. It has been accepted for inclusion in AWE (A Woman’s Experience) by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. SUSA YOUNG GATES AWARD ESSAY 2018 “If It’s Not Right, You Have to Put It Right”: The Play and Work of Children SUSA in Matilda the Musical KRISTIN PERKINS Kristin Perkins graduated from BYU’s Teatre and Dance department Perkins considers in 2017. She is currently a graduate student in the Performance as issues of subversive Public Practice program at Te University of Texas at Austin. She has theatrical criticism had poetry, short fction, and creative nonfction published in literary and exploitative child journals including Degenerates: Voices for Peace, Peculiar and Inscape. In her labor as they combine spare time, Kristin watches theatre, reads books, and attempts cooking. in Matilda the ABSTRACT YOUNG Musical, examining In the New York Times review of Matilda the Musical, published the performance as a holistic, if ambivalent, in 2013 after the show transferred to Broadway, infuential reviewer production.
    [Show full text]