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Miss Trunchbull Sides Thank you for auditioning for MATILDA at JOHN ENGEMAN THEATER ROLE: MISS TRUNCHBULL Present in the room will be director, choreographer, producing team & casting. Initial appointment please prepare: • Audition Song #1 “THE HAMMER” If you are called back, please prepare: • This entire packet of material (Miss Trunchbull Side “Enter!...”, Audition Song #1 “THE HAMMER” and Callback Song #1 “THE SMELL OF REBELLION”) INSTRUCTIONS: Be sure to bring your picture and resume, otherwise we will not have one in the room! Thanks so much! W | S Casting MATILDA THE MUSICAL – MISS TRUNCHBULL SIDE Suddenly she knocks. Trunchbull Enter! For a second she considers running away, but then she goes in. Trunchbull looks her up and down. Well don’t just stand there like a wet tissue, get on with it. Miss Honey Well, yes, Miss Trunchbull there’s, in, in, in, in my class that is, there is, Mat, a little girl called Matilda Wormwood, and – Trunchbull Daughter of Mr Harry Wormwood who owns Wormwood Motors. Excellent man. Told me to watch out for the brat, though, says she’s a real wart. Miss Honey Oh no, Headmistress, I don’t think Matilda is that kind of child at all. Trunchbull What is the school motto, Miss Honey? Beat. Honey Bambinatum est maggitum, Miss Trunchbull. Trunchbull Bambinatum est maggitum. Children are maggots. In fact it must have been her who put that stink bomb under my desk this morning. I’ll have her for that. Thank you for suggesting it. Miss Honey But I didn’t ... Miss Trunchbull; Matilda Wormwood is a genius. Trunchbull (beat) Nonsense! Haven’t I just told you that she is a gangster? Miss Honey She knows her times tables. Trunchbull So she’s learnt a few tricks... Miss Honey But she can read! 1 Trunchbull So can I. Miss Honey I have to tell you, Headmistress, that in my opinion this little girl should be placed in the top form with the eleven year olds. Trunchbull What? But she is a squib, a shrimp, an un-hatched tadpole. We cannot just ‘place her in with the eleven year olds’ – what kind of society would that be? What about rules, Honey, rules? Miss Honey I believe that Matilda Wormwood is an exception to the rules. Trunchbull An exception? To the rules? In my school? 2 6. The Hammer Music & Lyrics Tim Minchin Trunchbull: An exception? [GO] Quirky, not too fast Trunchbull: To the rules? In my school? 5 ? 4 œ œ œ œ œ bœ œ œ œ œ œ œ œ œ œ bœ œ œ œ œ œ œ ? 5 4 œ œ bœ œ œ œ œ œ œ bœ œ œ œ œ œ œ œ bœ œ œ œ œ œ œ œ bœ œ œ œ œ { “‘ 5 Trunchbull ° Œ Œ Œ œ œ Ó & œ œ œ œ œ œ œ œ œ œ ¢ œ œ œ œ œ œ œ 3 Look at these tro- phies, See how my tro-phies gleam in the sun- light? See how they shine? 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LIKE HELL! ˙ œ >> 4 œ œbœ ˙™ œ œbœ ˙ œ œ #˙™ ˙ #œ œ #˙ œ œœ 4 & ˙™#œ œ œ œ#œ #œ œ œ œ ˙™ 4 ? 4 { ˙™ ˙™ ˙™ ˙™ ˙™ ˙™ ˙™ 26 B ¿ ° 4 Œ œ bœ 5 ‰ ¿ ¿ Œ 4 ¢&4 œ œ œ œ œ œ œ œ œ œ 4 œ J 4 As I stepped up to the cir - cle, did I change my plan? Hmm? What? - . 4 œ 5 ?œ œ bœ œ 4 &4 œ Œ œœ œœ œœ œœ œ bbœœ 4 œ ‰ J 4 >œ œ œ œ œ œ ? 4 Ó 5 ‰ j 4 4 œ œ œ 4 œ œ bœ œ 4 œ œ bœ œ œ œ œ bœ œ { œ œ bœ. œ. œ - . 29 ° 4 Œ œ bœ 5 Œ ¿ ¿ ¿ Œ 4 ¢&4 œ œ œ œ œ œ œ œ 4 œ 4 As I chalked up my palms, did I wave my hands? I did not! - bœ. ? 4 œ Œ œ bœ 5 ‰ ?œ œ œ 4 4 &œœ œ œœ œ œœ œ œœ œ œ b œœ 4 œ J 4 ? 4 Ó 5 ‰ j 4 4 œ œ œ 4 œ œ bœ œ 4 œ œ bœ œ œ œ œ bœ œ { œ œ bœ. œ. œ - . 32 j ° 4 Œ bœ bœ œ bœ œ bœ bœ ‰ œ ¢&4 bœ bœ œ œ bœ bœ bœ œ œ As I start - ed my spin did I look at the view? Did I drift off and ? 4bœ bœ œ bœ j 4 &bbœœbœ œœ œ œœ œ bbœœbœ œœ œ œ œb œœ bbœœ ‰ bœ œœ œ œœ œ 4 ? 4 Œ Œ Ó Œ Œ bœ œ bœ bœ bœ œ { bœ œ bœ. bœ bœ œ . Matilda - Royal Shakespeare Company - 11/07/2015 19:49 6. 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Œ Œ Œ Œ œ #œ œ œ w #œ œ œ #œ œ œ w { #œ . œ #œ œ #œ . œ . 45 ° œ œ #œ œ œ œ œ œ nœ œ œ œ œ œ œ œ œ œ œ œ ¢& dot did I stray from the plot! Not a de - tail of my throw was ad - just - ed or for - ˙ ˙ & œ ‰ œ œ œ œ œ ˙ #˙ ˙ œ œ J ˙ ˙ œ œ ˙ ˙ ˙ ? #˙ ˙ œ œ #w ˙ ˙ { ˙ œ œ #w ˙ ˙ Matilda - Royal Shakespeare Company - 11/07/2015 19:49 6. The Hammer - p4 C In 2 48 j ° œ œ ‰ œ œ œ œ œ œ™ œ œ œ ‰ œ œ™ œ œ Œ œ œ œ™ œ œ œ ˙™ ¢& J œ J J got- ten. Not e-ven when the ham-mer left my hands and sailed high up, up a-bove the stands ˙ ˙ ˙ ˙ “” ˙ ˙ ˙ ˙ ˙ ˙ ˙ w & ˙ ˙ ˙ ˙ ˙ ˙ w w˙ ˙ w ˙ mp A‹ spread chords as desired A‹/G A‹/F© ? ˙ w #w { w ˙ w ad lib. D Simply 53 3 3 U ° Œ œ œ œ™ ‰ Œ œ œ Œ œ ¢& œ œ œ œ œ œ œ œ ¿ œ œ œ œ œ™ J did I let my-self go? No, no, no, no, no, no, no, no... If you want to throw the <“>w ˙ . - w ™ œ ˙™ U œ œ. œ. œ. œ & w ˙ œ ˙™ Œ Œ G Aº/D G7 lightly C ˙™ b#œœ n˙™ ? ˙™ œ ˙™ Œ & œ œ œ œ w ˙™ œ œ œ œ œ ˙™ { u 57 ° . j ˙ j ‰ ™ œ Œ Ó Œ ‰ œ ¢& œ œ œ ˙ œ œ œ œ œ œ™ J ham - mer for yourcount - ry You have to stay in-side the j .
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