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bloc nyc 630 Ninth Ave, Suite 702 New York, NY10036 P: 212 924 6200 Ben Cherry F: 212 924 6280 aea, sag Height: 5’10” Eyes: Brown THEATRE/BROADWAY/NATIONAL TOUR Hair Color: Black Indecent Lemml (cover), Asch (cover), Broadway, Rebecca Taichman, Dir. Schildkraut (cover), Nakhmen (cover) Fiddler On The Roof Yussel/Nachum, Swing, Villager, Broadway, Bartlett Sher, Dir. Motel (us), Fyedka (us), Mordcha (us), Avram (us), Mendel (us) Mary Poppins Von Hussler/Constable National Tour, Anthony Lyn, Dir. Mr. Banks (us) Geoffrey Garret, Chor. THEATRE/NEW YORK & REGIONAL Lifespan of a Fact John D’Agata Pioneer Theatre Company, Wes Grantom, Dir. Angels in America 1 & 2 Louis Ironson The Repertory Theatre of St Louis, Tony Speciale, Dir. Indecent Lemml Arena Stage, Eric Rosen, Dir. Indecent Lemml Baltimore Center Stage, Eric Rosen, Dir. Indecent Lemml Kansas City Rep, Eric Rosen, Dir. Oslo Uri Savir Pioneer Theatre Company, Karen Azenberg, Dir. Indecent Lemml The Guthrie, Wendy C Goldberg, Dir. Indecent Lemml (us) Center Theatre Group, Rebecca Taichman, Dir. Goldstein Swing Off Broadway, Brad Rouse Dir. Mothers and Sons Will Ogden Cincinnati Playhouse in the Park, Timothy Douglas, Dir. Passion Sergeant Lombardi The Arden, Terry Nolen, Dir. 10 Months (World Premier) Betty/Thomas Delaware Theatre Company, Anne Marie Cammarato, Dir. Forever Plaid (Barrymore Nomination) Jinx Roger Bean, Dir. The Nerd Willum Anne Marie Cammarato, Dir. Henry V Dauphin Utah Shakespearean Festival, JR Sullivan, Dir. The Secret Garden Archibald Craven Jim Christian, Dir. The Tempest Ariel Nagle Jackson, Dir. Fiddler On The Roof Perchik Jim Christian, Dir. The Merry Wives Of Windsor Fenton Elizabeth Huddle, Dir. A Funny Thing…Forum Hero Roger Bean, Dir. Taming Of The Shrew Hortensio/Pedant Jane Page, Dir. War Of The Roses Norfolk, etc. Howard Jensen, Dir. An Ideal Husband Lord Goring Sonnet Repertory Theatre, NYC, John Gray, Dir. Much Ado About Nothing Don John Jonathan Hadley, Dir. Tartuffe Cleante Jonathan Hadley, Dir. The Andrews Brothers (World Premier) Patrick/Patty Milwaukee Repertory Theatre, Roger Bean, Dir. Life Could Be A Dream (World Premier) Denny Roger Bean, Dir. Beach Blanket Bash (World Premier) Frankie Roger Bean, Dir. Route 66 (World Premier) Ben Roger Bean, Dir. Twelfth Night Valentine Georgia Shakespeare Festival, John Briggs, Dir. Troilus And Cressida Helenus Tom Markus, Dir. TELEVISION SMASH Carl NBC, Michael Mayer, Dir. The Following The Husband FOX, Gary Love, Dir. Hunting Season Kevin Web Series, Jon Marcus, Dir. I Love You…But I lied Business Exec Lifetime, Michael Selditch, Dir. TRAINING BFA in Acting – North Carolina School of the Arts, Gerald Freedman, Dean Musical Theatre - The University of Michigan, Brent Wagner, Director Interlochen Arts Academy – Acting – David Montee, Director .

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OSLO Big Winner at the 2017 Lucille Lortel Awards, Full List! by BWW News Desk May
Click Here for More Articles on 2017 AWARDS SEASON OSLO Big Winner at the 2017 Lucille Lortel Awards, Full List! by BWW News Desk May. 7, 2017 Tweet Share The Lortel Awards were presented May 7, 2017 at NYU Skirball Center beginning at 7:00 PM EST. This year's event was hosted by actor and comedian, Taran Killam, and once again served as a benefit for The Actors Fund. Leading the nominations this year with 7 each are the new musical, Hadestown - a folk opera produced by New York Theatre Workshop - and Sweeney Todd: The Demon Barber of Fleet Street, currently at the Barrow Street Theatre, which has been converted into a pie shop for the intimate staging. In the category of plays, both Paula Vogel's Indecent and J.T. Rogers' Oslo, current Broadway transfers, earned a total of 4 nominations, including for Outstanding Play. Playwrights Horizons' A Life also earned 4 total nominations, including for star David Hyde Pierce and director Anne Kauffman, earning her 4th career Lortel Award nomination; as did MCC Theater's YEN, including one for recent Academy Award nominee Lucas Hedges for Outstanding Lead Actor. Lighting Designer Ben Stanton earned a nomination for the fifth consecutive year - and his seventh career nomination, including a win in 2011 - for his work on YEN. Check below for live updates from the ceremony. Winners will be marked: **Winner** Outstanding Play Indecent Produced by Vineyard Theatre in association with La Jolla Playhouse and Yale Repertory Theatre Written by Paula Vogel, Created by Paula Vogel & Rebecca Taichman Oslo **Winner** Produced by Lincoln Center Theater Written by J.T.
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2018 EQUUS Film Festival FRIDAY NOVEMBER 30, 2018 SCHEDULE
2018 EQUUS Film Festival FRIDAY NOVEMBER 30, 2018 SCHEDULE 12:00 pm THE LOST SEA EXPEDITION (2018) USA 90:00 min / Directed by: Bernie Harberts Trailer: https://www.youtube.com/watch?v=e5vWlAttTaY Equestrian Documentary – Full Length (over 30 minutes) The "Lost Sea Expedition" is the 4-part series about Bernie Harberts' 14 month wagon voyage from Canada to Mexico. Filmed with only the gear he carried in his one mule wagon, the series provides an in depth look at life on the road with a mule, the people of the Great Plains and the ancient sea that covered the middle of America. Filmmaker Bernie Harberts films with old gear, flushes with gravity water and heats with wood in western North Carolina. He has sailed alone around the world, traveled both ways across America by mule and naps 23 minutes every day. 1:35 pm WE ARE MEDIEVAL TIMES CHICAGO A DOCUMENTARY (2018) USA 59:37 min / Directed by: Colleen Ochab Trailer: https://www.youtube.com/watch?v=6_O0mXnr86E Equestrian Documentary – Full Length (over 30 minutes) Have you ever wondered what it is like to work at Medieval Times Dinner & Tournament in Schaumburg, Illinois? Check out this in-depth and behind the scenes look at the Chicago castle atmosphere and hear the stories of 18 amazing team members that make a show possible! Since this documentary was made, the Chicago castle has now released its BRAND NEW SHOW titled SOVEREIGN featuring a sole female ruler as Queen of the realm. Come out to see the same amazing environment (and people) as featured in this documentary with a new, fresh storyline and new costumes! 2:40 WISE HORSEMANSHIP AT FREEDOM FARM (2018) USA 16:00 min / Directed by: Mary Gallagher Trailer: https://vimeo.com/292017981/b73a1bf6db Equestrian Documentary – Short (under 30 minutes) Wise Horsemanship at Freedom Farm introduces the vision and guiding principles behind the equestrian magic of Freedom Farm, Port Angeles, Washington.
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Guest Artists
Guest Artists George Hamilton, Broadway and Film Actor, Broadway Actresses Charlotte D’Amboise & Jasmine Guy speaks at a Chicago Day on Broadway speak at a Chicago Day on Broadway Fashion Designer, Tommy Hilfiger, speaks at a Career Day on Broadway SAMPLE BROADWAY GUEST ARTISTS CHRISTOPHER JACKSON - HAMILTON Christopher Jackson- Hamilton – original Off Broadway and Broadway Company, Tony Award nomination; In the Heights - original Co. B'way: Orig. Co. and Simba in Disney's The Lion King. Regional: Comfortable Shoes, Beggar's Holiday. TV credits: "White Collar," "Nurse Jackie," "Gossip Girl," "Fringe," "Oz." Co-music director for the hit PBS Show "The Electric Company" ('08-'09.) Has written songs for will.i.am, Sean Kingston, LL Cool J, Mario and many others. Currently writing and composing for "Sesame Street." Solo album - In The Name of LOVE. SHELBY FINNIE – THE PROM Broadway debut! “Jesus Christ Superstar Live in Concert” (NBC), Radio City Christmas Spectacular (Rockette), The Prom (Alliance Theatre), Sarasota Ballet. Endless thanks to Casey, Casey, John, Meg, Mary-Mitchell, Bethany, LDC and Mom! NICKY VENDITTI – WICKED Dance Captain, Swing, Chistery U/S. After years of practice as a child melting like the Wicked Witch, Nicky is thrilled to be making his Broadway debut in Wicked. Off-Broadway: Trip of Love (Asst. Choreographer). Tours: Wicked, A Chorus Line (Paul), Contact, Swing! Love to my beautiful family and friends. BRITTANY NICHOLAS – MEAN GIRLS Brittany Nicholas is thrilled to be part of Mean Girls. Broadway: Billy Elliot (Swing). International: Billy Elliot Toronto (Swing/ Dance Captain). Tours: Billy Elliot First National (Original Cast), Matilda (Swing/Children’s Dance Captain).
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Why We Play: an Anthropological Study (Enlarged Edition)
ROBERTE HAMAYON WHY WE PLAY An Anthropological Study translated by damien simon foreword by michael puett ON KINGS DAVID GRAEBER & MARSHALL SAHLINS WHY WE PLAY Hau BOOKS Executive Editor Giovanni da Col Managing Editor Sean M. Dowdy Editorial Board Anne-Christine Taylor Carlos Fausto Danilyn Rutherford Ilana Gershon Jason Troop Joel Robbins Jonathan Parry Michael Lempert Stephan Palmié www.haubooks.com WHY WE PLAY AN ANTHROPOLOGICAL STUDY Roberte Hamayon Enlarged Edition Translated by Damien Simon Foreword by Michael Puett Hau Books Chicago English Translation © 2016 Hau Books and Roberte Hamayon Original French Edition, Jouer: Une Étude Anthropologique, © 2012 Éditions La Découverte Cover Image: Detail of M. C. Escher’s (1898–1972), “Te Encounter,” © May 1944, 13 7/16 x 18 5/16 in. (34.1 x 46.5 cm) sheet: 16 x 21 7/8 in. (40.6 x 55.6 cm), Lithograph. Cover and layout design: Sheehan Moore Typesetting: Prepress Plus (www.prepressplus.in) ISBN: 978-0-9861325-6-8 LCCN: 2016902726 Hau Books Chicago Distribution Center 11030 S. Langley Chicago, IL 60628 www.haubooks.com Hau Books is marketed and distributed by Te University of Chicago Press. www.press.uchicago.edu Printed in the United States of America on acid-free paper. Table of Contents Acknowledgments xiii Foreword: “In praise of play” by Michael Puett xv Introduction: “Playing”: A bundle of paradoxes 1 Chronicle of evidence 2 Outline of my approach 6 PART I: FROM GAMES TO PLAY 1. Can play be an object of research? 13 Contemporary anthropology’s curious lack of interest 15 Upstream and downstream 18 Transversal notions 18 First axis: Sport as a regulated activity 18 Second axis: Ritual as an interactional structure 20 Toward cognitive studies 23 From child psychology as a cognitive structure 24 .
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Arab-Israeli Peace Agreements Eli E
Arab-Israeli Peace Agreements Eli E. Hertz Between 1993 and 2001, the Palestine Liberation Organization (PLO) and the Palestinian Authority (PA) signed six agreements with Israel and conducted countless meetings and summits to bring about a lasting peace between them. Each Israeli concession was met with Palestinian non-compliance and escalating violence. Six times, Palestinians failed to honor their commitments and increased their anti-Israeli aggressions. Finally, they broke every promise they made and began an all- out guerrilla war against Israel and its citizens. The failure of the Palestinian leadership to be earnest and trustworthy stands in stark contrast to the statesmanship exhibited by Israel’s peace partners in the region: the late Egyptian President Anwar Sadat and the late Jordanian King Hussein, both of whom honored their agreements. Although Israel succeeded in reaching historic peace agreements with Egypt and Jordan, when the time came to negotiate with the Palestinians in the territories, the Israelis discovered the Palestinian Arabs were unable or unwilling to choose peace or honor their given word. Despite numerous agreements, the pattern has always been the same: The Palestinians violate the conditions and commitments of virtually every agreement they sign. The Camp David Accords The 1979 Camp David Accords brought peace between Israel and Egypt. Because of Egypt’s key leadership role in the Arab world and the clauses in the peace treaty relating to Palestinian autonomy, the Camp David Accords were a breakthrough which offered a framework for a comprehensive settlement. The Palestinians, however, failed to respond positively to this window of opportunity. On March 26, 1979, Israel and Egypt took the first step toward a peace agreement between the Arab world and Israel when they signed the historic Camp David Accords on the White House lawn.
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OSLO Casting Announcement
MICHAEL ARONOV, ADAM DANNHEISSER, JENNIFER EHLE, DANIEL JENKINS, DARIUSH KASHANI, JEFFERSON MAYS, DANIEL ORESKES, HENNY RUSSELL, JOSEPH SIRAVO, T. RYDER SMITH TO BE FEATURED IN THE LINCOLN CENTER THEATER PRODUCTION OF “OSLO” a new play by J.T. ROGERS directed by BARTLETT SHER PREVIEWS BEGIN THURSDAY, JUNE 16 OPENING NIGHT IS MONDAY, JULY 11 AT THE MITZI E. NEWHOUSE THEATER Lincoln Center Theater (under the direction of André Bishop) has announced that Michael Aronov, Adam Dannheisser, Jennifer Ehle, Daniel Jenkins, Dariush Kashani, Jefferson Mays, Daniel Oreskes, Henny Russell, Joseph Siravo, and T. Ryder Smith will be featured in the cast of its upcoming production of OSLO, a new play by J.T. Rogers, directed by Bartlett Sher. Commissioned by Lincoln Center Theater, OSLO begins performances Thursday, June 16 and will open Monday, July 11 at the Mitzi E. Newhouse Theater (150 West 65 Street). Additional casting will be announced at a later date. It’s 1993. The world watches the impossible: Israeli Prime Minister Yitzhak Rabin and Palestinian Liberation Organization Chairman Yasser Arafat, standing together in the White House Rose Garden, signing the first ever peace agreement between Israel and the PLO. How were the negotiations kept secret? Why were they held in a castle in the middle of Norway? And who are these mysterious negotiators? A darkly comic epic, OSLO tells the true, but until now, untold story of how one young couple, Norwegian diplomat Mona Juul (to be played by Jennifer Ehle) and her husband social scientist Terje Rød-Larsen (to be played by Jefferson Mays), planned and orchestrated top-secret, high-level meetings between the State of Israel and the Palestine Liberation Organization, which culminated in the signing of the historic 1993 Oslo Accords.
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TITUS ANDRONICUS ILLINOIS THEATRE Robert G
TITUS ANDRONICUS ILLINOIS THEATRE Robert G. Anderson, director Thursday-Saturday, October 24-26, 2019, at 7:30pm Tuesday-Saturday, October 29-November 2, 2019, at 7:30pm Sunday, November 3, 2019, at 3pm Studio Theatre WELCOME TO THE true. The material is ever renewed and always 2019-2020 ILLINOIS embedded in a history of work on the stage. THEATRE SEASON! It is a true pleasure to The season also reflects our commitment to a share our work with diverse, inclusive, accessible theatre. Whether you. Students, faculty, on stage or behind the scenes, we strive to and guests have come make work that reflects and makes space for together to produce our whole community. From the planning and a year of exploration, design to the work you experience on stage, of reflection, and of we believe theatre has the capacity to engage illumination. We are the world as it is in all its complex challenges and proud to be in our second half-century as a to envision and enact the world as it might be. theatre department and offering drama at the We are so pleased you have chosen to share highest level. Illinois is a leading program with this with us. We hope you enjoy it and look more than 200 students and nearly 40 faculty forward to seeing you again. members. Housed in Krannert Center, we are fortunate to have the resources of a Gabriel Solis world-class environment for dramatic art. Professor and Head, Department of Theatre Theatre is a call to your senses and your spirit.
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Across the North Sea and Back Again
Across the North Sea and Back Again A Comparative Study between the Cults of St. Olav and St. Edmund Samuel Patrick Bidwell Master Thesis in Nordic Viking and Medieval Studies 60 Credits Department of Linguistics and Scandinavian Studies Faculty of Humanities University of Oslo May 2017 i Across the North Sea and Back Again: A Comparative Study between the Cults of St. Olav and St. Edmund (Pictured together, from left to right, is St. Olav, identifiable by his battle-axe and St. Edmund, King of East Anglia, with the arrow of his martyrdom. This is a fourteenth century depiction of the royal martyr saints on a rood screen in Catfield Church, Norfolk) ii © Samuel Patrick Bidwell 2017 Across the North Sea and Back Again: A Comparative Study between the Cults of St. Olav and St. Edmund Samuel Patrick Bidwell http://www.duo.uio.no/ Trykk: Reprosentralen, Universitetet i Oslo iii Abstract The medieval cult of saints community was a dense, pervasive network that spread across the vast expanse of Latin Christendom. Saints were international in nature and as such could be easily transported to other geographical regions and integrated into the local culture. This thesis comparatively analyses the cults of St. Olav and St. Edmund and their respective primary hagiographical texts. The aim of this study is to determine to what extent Archbishop Eystein Erlendsson constructed his twelfth century text, Passio et miracula Beati Olavi, with reference to the hagiographical motifs surrounding the cult of St. Edmund and its central manuscript, Passio Sancti Edmundi. The interconnectedness of the cults of these royal martyr saints will be discussed in relation to dynastic promotion and royal patronage, their portrayal as both saints and warriors, shared miracles and exile.
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At the Mission San Juan Capistrano
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[email protected] SEASON VIDEO
Press Contact: Tim Etheridge, Director of Public Relations 510 647-2917; [email protected] SEASON VIDEO https://bit.ly/3vxhdDQ FOR IMMEDIATE RELEASE BERKELEY REPERTORY THEATRE WILL REOPEN FOR LIVE PERFORMANCES ON OCTOBER 1 Mike Birbiglia and Fran Lebowitz added as limited-run engagements 2021-22 subscription season to return with world premiere of the ripple, the wave that carried me home June 16, 2021 - Berkeley Rep’s leadership announced today that after being closed for a year and a half, the Tony Award-winning theatre will reopen for live performances on Friday, October 1. The 2021-22 subscription season kicks off with a Berkeley Rep commission, Christina Anderson’s the ripple, the wave that carried me home, directed by Miranda Haymon. This world premiere was developed as part of the Theatre’s Ground Floor Summer Residency Lab and explores a family’s response to racial injustice and a daughter’s reckoning with her political inheritance. “We are beyond delighted to finally have a date on which we can all return to our theatres,” says Artistic Director Johanna Pfaelzer. “I know artists and audiences alike have been longing for this moment, when we can once again gather together to share these deeply human stories. We are counting the days ’til October 1!” Berkeley Rep welcomes back playwright Charles L. Mee and director Les Waters for Wintertime, the story of a gloriously eccentric family who arrive at their summer house in the winter woods for supposedly secret rendezvous – and soon bodies collide, doors slam, dishes fly, and everyone’s perfect plans go fantastically awry.
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Megan Mcfarland AEA/SAG Height: 5’8” Weight: 145 Lbs
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Group Sales Tickets
SHAKESPEARE THEATRE COMPANY 21st Annual Table of Contents D.C.’s favorite Feature Letter from Michael Kahn 5 The Two Faces of Capital summer by Drew Lichtenberg 6 Program Synopsis 11 theatre event About the Playwright 13 Title Page 15 Cast 17 is back! Cast Biographies 18 PRESENTED BY Direction and Design Biographies 22 Shakespeare Theatre Company Tickets will be available Board of Trustees 8 online and in line! Shakespeare Theatre Company 26 Individual Support 28 Visit ShakespeareTheatre.org/FFA for more details on how to get your tickets via lottery Corporate Support 40 or at Sidney Harman Hall on the day of the Foundation and performance. Tickets for 2011–2012 Season Government Support 41 subscribers available through the Box Office Academy for Classical Acting 41 beginning July 5, 2011, at 10 a.m. For the Shakespeare Theatre Company 42 Join the Friends of Free Staff 44 JULIUS For All for tickets! Audience Services 50 Free For All would not be possible without Creative Conversations 50 CAESAR the hundreds of individuals who generously donate to support the program each year. “ Only with the help of the Friends of Free For All is STC able to offer free performances, All hail Julius Caesar! making Shakespeare accessible to … One of the best productions of this or any season.” Washington, D.C., area residents every summer. The Washingtonian In appreciation for this support, Friends of Free For All receive exclusive benefits during This Year's Production: the festival such as reserved Free For All tickets, the option to have tickets mailed in August 18–September 4 advance, special event invitations, program recognition and more.
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