AP Board Class 6 Social Science Chapter 18
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The Twelve Alwars
The Twelve Alwars Paige Alvar Bhoothathalvar Peyalvar Thirumalisai Alvar Nammalvar Madhurakavi Alvar Kulashekhara Azhwar Periyalvar Andal Thondaradippodi Alvar Thiruppaan Alvar Thirumangai Alvar In the Sri Vaishnavite tradition in their history of their lineage, they list some outstanding devotees. There were twelve Alvars who appeared in South India. Not all at the same time, but over a period of several centuries. They established the basis of the Krsna bhakti cult in the Kaliyuga. The appearance of such great devotees in the Kaliyuga is predicted in the SrimadBhagavatam. Srimad- Bhagavatam was spoken at the beginning of the Kaliyuga, and when Krsna left this planet then he took with Him dharma. The Vedic dharma at that point disappeared, or became invalid, and spiritual knowledge was also obscured. But it says in the same verse that Lord Krsna left the Srimad Bhagavatam for the people in Kaliyuga to get light out of. Now still, the book Bhagavata was there but they also needed the person Bhagavata, or one who lives the SrimadBhagavatam. In other words, they needed the spiritual master. So in the initial stage of Kaliyuga, the first few centuries, these twelve Alvars appeared in South India, and actually established the basis of what would later on become the four Vaisnava sampradayas. The four sampradayas all had their origin in South India, and the founders of these sampradayas each in their own way drew, to a greater or lesser extent, from this tradition of the Alvars, especially in the Laksmi sampradaya, but it is also there in our sampradaya too, and in the others. -
HYMNS of the ALVARS HYMNS of the ALVARS in PRAISE of in PRAISE of LORD SRINIVASA LORD SRINIVASA - R.Ramanujachari
HYMNS OF THE ALVARS HYMNS OF THE ALVARS IN PRAISE OF IN PRAISE OF LORD SRINIVASA LORD SRINIVASA - R.Ramanujachari Edited with translation R.Ramanujachari Published by Executive Officer Tirumala Tirupati Devasthanams Tirumala Tirupati Devasthanams, Tirupati. Tirupati 2012 FOREWORD HYMNS OF THE ALVARS IN PRAISE OF LORD The Riks in Vedas are called Hymns. They are holy stotras, SRINIVASA discriptions and prayers done by great Rishis. In devotional lit- erature, in general, the entreaties intended to Divine entities are treated as hymns. Hence hymn is a sacred lyric that can be chanted and sung in adoration, ardour and honour. Edited with translation and notes by In this context, the blissful expressions and experiences of Alvars in poetic form are entitled as Hymns. The Alvars are great ardent R. RAMANUJACHARI devotees and scholars and are responsible for spread of the Vaishnava cult. As a matter of fact the origin of chanting of Vaishnava Divya prabandham in temples was owned by the Alvars. The Alvars are T.T.D. Religious Publications Series No: twelve in number. The poems writen by them are called ‘pasuras’ in Tamil language in praise of Vishnu, Vaishnava temples and associated ©All Rights Reserved sacred Tirthas. There are 4000 pasuras produced by the Alvars and they constitute Vaishnava literature, otherwise called ‘Nalayira Divya Prabandham’ and popularly respected as ‘Dravida Vedam’. The Alvars belonged to different castes and most of them visited First Edition: 2012 famous Vaishnava temples in South India including Venkatachalam. The selected hymns in this book are all in praise of Lord Srinivasa Copies: shining in Vengadam known as Seshadri, the holy spot where one is to render service to the Lord. -
The Journal the Music Academy
THE JOURNAL OF THE MUSIC ACADEMY* DEVOTED TO THE ADVANCEMENT OF THE SCIENCE AND ART OF MUSIC Vol. LXI 1990 vet rrar fassT fa m r s n ''I dwell not In Vaikuntha, nor in the hearts of Yogins nor in the Sun; (but) where my bhaktas sing, there be I, Narada!" Edited ^by: T. S. PARTHASARATHY The Music Academy Madras 306, T. T. K. Road, Madras-600014 Annual Subscription — Inland Rs. 30 : Foreign $ 3-00 OURSELVES This Journal is published as an Annual. All correspondence relating to the Journal should be addressed and all books etc,, intended for it should be sent to The Editor Journal of the Music Academy, 306, T. T. K. Road, Madras-600 014. Articles on music and dance are accepted for publication on the understanding that they are contributed solely to the Journal of the Music Academy. Manuscripts should be legibly written or, preferably, type written (double-spaced and on one side of the paper only) and should be signed by the writter (giving his or her address in full.) The Editor of the Journal is not responsible for the views expressed by contributors in their articles. CONTENTS PAGE The 63rd Madras Music Conference—Official Report ... 1 Meetings of the Advisory Committee , 28 The Sadas 46 Prahlada Bhakti Vijayam of Sri Tyagaraja ... 65 7. S. Parthasarathy Bharata Natyam 116 Anne—Marie Gaston The Pancha Ratna Kritis of Sri Tyagaraja 146 7. S. Parthasarathy Balasaraswati’s Abhinaya Style 160 Kay Poursine Ancient Music : 165 Brinda Varadarajan Sri Tyagaraja Swamigal in Samskrita Kritis 189 V. Sivaswamy The Values of Tyagaraja 206 W illiam J . -
Political Rift During the Period of Alwars - a Study
© 2019 JETIR June 2019, Volume 6, Issue 6 www.jetir.org (ISSN-2349-5162) POLITICAL RIFT DURING THE PERIOD OF ALWARS - A STUDY Dhanalakshmi Kamaraj Pillai Ph.D Research Scholar in History, DDE, Dravidian University, Kuppam, Andhapradesh. As the period of the Alvars was politically prominent in both Tondaimandalam and Pandiamandalam, it is apt and appropriate to observe the impact of contemporary political syntactical as revealed in Nalayira Divya Prabandam. The period and politics constantly differed from time to time and the Alvars were inclined to express their political view points purely on the basis of political influence. The expressions available in the hymns of the Alvars enabled the readers of that devotional work to understand the harmonious blending of politics and religion. So, the influences of such nature are traced with special reference to the hymns of every Alvar. Further, the qualities of the venerable and revered deities are mostly earthly attributes it is obvious that politics played a prominent role in the society than other aspects. This paper aimed to unearth the role and activities of the rules for promoting religion has been portrayed. The historical methodology adopted in this paper was both descriptive and analytical. The primary and secondary sources were consulted its credibility has been analysed for writing the paper. Under such circumstances, the political impacts and influences are traced in the succeeding pages. The perfection, which the Pallava and Pandya monarchies achieved during the period of the Vaishnava Alvars, in the concept of kingship, no wonder captivated the attention of each and every Alvar. The rulers of that period were of religious temperament and were tolerant towards their subjects. -
PILGRIM CENTRES of INDIA (This Is the Edited Reprint of the Vivekananda Kendra Patrika with the Same Theme Published in February 1974)
VIVEKANANDA KENDRA PATRIKA A DISTINCTIVE CULTURAL MAGAZINE OF INDIA (A Half-Yearly Publication) Vol.38 No.2, 76th Issue Founder-Editor : MANANEEYA EKNATHJI RANADE Editor : P.PARAMESWARAN PILGRIM CENTRES OF INDIA (This is the edited reprint of the Vivekananda Kendra Patrika with the same theme published in February 1974) EDITORIAL OFFICE : Vivekananda Kendra Prakashan Trust, 5, Singarachari Street, Triplicane, Chennai - 600 005. The Vivekananda Kendra Patrika is a half- Phone : (044) 28440042 E-mail : [email protected] yearly cultural magazine of Vivekananda Web : www.vkendra.org Kendra Prakashan Trust. It is an official organ SUBSCRIPTION RATES : of Vivekananda Kendra, an all-India service mission with “service to humanity” as its sole Single Copy : Rs.125/- motto. This publication is based on the same Annual : Rs.250/- non-profit spirit, and proceeds from its sales For 3 Years : Rs.600/- are wholly used towards the Kendra’s Life (10 Years) : Rs.2000/- charitable objectives. (Plus Rs.50/- for Outstation Cheques) FOREIGN SUBSCRIPTION: Annual : $60 US DOLLAR Life (10 Years) : $600 US DOLLAR VIVEKANANDA KENDRA PATRIKA PILGRIM CENTRES OF INDIA PILGRIM CENTRES OF INDIA CONTENTS 1. Acknowledgements 1 2. Editorial 3 3. The Temple on the Rock at the Land’s End 6 4. Shore Temple at the Land’s Tip 8 5. Suchindram 11 6. Rameswaram 13 7. The Hill of the Holy Beacon 16 8. Chidambaram Compiled by B.Radhakrishna Rao 19 9. Brihadishwara Temple at Tanjore B.Radhakrishna Rao 21 10. The Sri Aurobindo Ashram at Pondicherry Prof. Manoj Das 24 11. Kaveri 30 12. Madurai-The Temple that Houses the Mother 32 13. -
Genesis of Andal Temple Srivilliputtur
© 2020 JETIR February 2020, Volume 7, Issue 2 www.jetir.org (ISSN-2349-5162) GENESIS OF ANDAL TEMPLE SRIVILLIPUTTUR S.PETCHIMUTHU, Ph.D Research Scholar,(Full Time) Department of History, V.O.C.College, Thoothukudi, Affiliated to: Manonmaniam Sundaranar University, Tirunelveli, TamilNadu. Abstract Andal Temple at Srivilliputtur in Viruthunager District in Tamil Nadu is one amoung the one hundered eight Divyadesas of Lord Vishnu. Andal temple is situated in the southwest site of Vadapathrasayana Perumal Temple. A granite wall surrounds the temple enclosing all its shrines, the garden where Andal is believed to have been born and two of its three bodies of water. Vatapatrasayanaperumal is believed to have appeared to Andal, Periyalur and sages markandeyar and Bhirugu Vatapatrasayanaperumal temple was built during the period of early Pandyas. The ground plans of the structure together with their measurements are given and some are Illustrated in general ground plan of the temple. Like other big temples of South India this temple was built and various times. The temple inscription furnished evidences for determining the age of structures. KeyWords: Andal Temple, Sriviliputtur, Inscription , Vadapathrasayana Perumal. Introduction Vatapatrasayanaperumal temple is a vast and impressive complex of structures enclosed by high and massive compound walls all around occupying a rectangular plot of land. The RajaGopura with eleven storeys and the maintenance face the eastern direction. It is height in one hundred and ninety six feet with eleven Kalasas. This is the second highest Vaishnava temple to war in TamilNadu one after Srirangam. This gopura is belived to be constructed by the Periyalvar with the help of Srivallabhapandya (815 – 862) of Madurai. -
Organic Farms VANAGAM Headquarters: Nammalvar
Organic Farms VANAGAM Headquarters: Nammalvar Ecological Foundation, 60/3, L B Road, Thiruvanmiyur, Chennai 600 041. Field office: Nammalvar Ecological Foundation, Suruman Patti Village, Kadavur Post, Tharagampatti via, Karur Dt. E-mail and telephone numbers are as follows:- [email protected] and [email protected] Phone Numbers are 094425-31699 and 094426-24589. VANAGAM (Heaven on Earth) is a new NGO registered in the name of the Nammalvar Ecological Foundation for Farm Research and Global Food Security. The new organization will primarily focus on developing ecologically friendly and sustainable agriculture methods. It expects to carry on the Nammalwar tradition of training the farmers all over the country in ecologically and sustainable agriculture methods of farming The organisation will also focus on traditional medical systems and to create an affordable health centre based on alternative therapies. As a centre, VANAGAM will do research to bring back our traditional culture and seeds and exchange these with other farmers in India. ‘We are in search of permanent solution for not using fertilizers and pesticides in agriculture’, says Nammalwar. The centre will work with indigenous breeds of cattle, integrated pest management solutions and examine how human activities can be made to decrease their contributions to green house gases. I visited the centre in June and was delighted to see the work already being done. VANAGAM has brought a new youthfulness to Dr Nammalwar. We can only benefit. SIVAPRAKASAM Aranarai, Perambalur, Thiruvalluar District, Tamil Nadu. Sivaprakasam cultivates on six acres of irrigated and six acres of rain-fed land with assistance from his family and hired help. -
History of Tamil Literatures for the Dissemination of Alvar Pasurams
© 2018 JETIR September 2018, Volume 5, Issue 9 www.jetir.org (ISSN-2349-5162) History of Tamil Literatures for the Dissemination of Alvar Pasurams R. Maheswari Assistant Professor, Department of History, D. G. Govt. Arts College for Women Mayiladuthurai, Tamilnadu -625258. Abstract Although Alvar Pasurams are original songs that have been chanted before the idols of the Lord Vishnu throughout Tamilnadu, there are at present many commentaries and allied writings relating to the Pasurams for promoting the songs in Nalayira Divya Prabandam. The historical datelines of the origin of such Vaishnava books have not been put in order so far. So, this paper attempts to trace the history of Tamil literatures that had appeared for the dissemination of Alvar Pasurams in South India. Key Words: Tamil literatures, Alvar Pasurams, Vaisnava books, history. Introduction The Holy text of Vaishnavas, which is an anthology of 4000 Pasurams written by the twelve Alvars between the 675 AD and 835 AD, is popularly known as the Nalayira Divya Prabandham. During the period of Alvars, in fact, the Pasurams were sung with devotion by the disciples of the Alvars who were habituated in and around the native place of respective Alvars and to some extent the Pasurams might have reached the hands of some Vaishnava scholars.1 These pasurams were collected and made into a single manuscript in palm-leaf script by Nathamuni of Kattumannar koil, another name of Vira Narayanapuram.2 As a scion of good Brahmin family, Nathamuni (823-918AD)3was well known for his excellence in Sanskrit and Tamil literatures; he was in the Srirangam shrine and listened to Ramayana when Kambar had inaugurated opening ceremony for his Ramayana manuscript in the year 885 AD.4 Since there was a quarrel with the King Kulothunga Chola, Kambar had awaited to inaugurate his Ramayana in the royal court, but he couldn’t have such opportunity; the Nalayira Divya Prabandham might have inaugurated before the Ramayana and it could have motivated Kambar to inaugurate his poetry before the lord of Srirangam when the quarrels arose. -
300 Designs. This Part Presents Wu's Main Analysis of What He Terms The
300 BOOK REVIEWS designs. This part presents Wu's main analysis of what he terms the "pictorial pro- gram" of the shrine. In it, he considers the iconographical, ideological, and ritual aspects of the shrine illustrations. It is here that he attempts to draw some general con- clusions concerning thought and society, although his exposition is anchored in a mass of details concerning the shrine itself and relevant materials from other sources, both textual and artifactual. Wu sees the shrine as essentially a representation of the universe in which the deceased's soul would abide once it was detached from his body. This grand conception prompts Wu to declare unequivocally that the shrine "is a masterpiece..., an epic representation of human thought, comparable to the Sistine Chapel and the Chartres Cathedral in Western art." (p. 70) As stated, this is merely an assertion that remains to be demonstrated. The shrine, when standing, would have measured only five feet (sides) by seven feet (back-the front was left open), and many of the scenes are so miniature and schematic that they would have been hard to dif- ferentiate clearly even before the damage that has been done to them by the ages. I am also dubious of the claim made on p. 165 (following K.C. Chang) that a certain Master Wind Pot of most doubtful authenticity should be ranked with Lucretius (96 ?- 55 B.C.E.) as "one of the first archaeologists in the world" to propose a classification of civilization based on material culture. Furthermore, I would suggest that Wu look into what Herodotus, Thucydides, Tacitus, and Hegel have to say about the dual nature of history (facts and interpretation) before intimating that Geoffrey Barraclough was the first theoretician in the West to comprehend (in 1955) what Sima Qian, China's first great historian, had arrived at in the first century B.C.E. -
Essays on Gupta Culture
Essays on Gupta Culture Edited by Bardwell L. Smith Au* 1 8 FROM CLASSICISM TO BHAKTI A. K. RAMANUJAN AND NORMAN CUTLER INTRODUCTION IN this paper we attempt some notes toward a chapter of Indian poetry—the transformation of classical Tamil genres into the genres of bhakti. Early bhakti movements, whether devoted to Siva or Visnu, used whatever they found at hand, and changed whatever they used—Vedic and Upanisadic notions; mythologies; Buddhism; Jainism; conventions of Tamil and Sanskrit poetry; early Tamil conceptions of love, service, women, and kings; folk religion and folksong; the play of contrasts between Sanskrit and the mother-tongue.1 The Gupta period (fourth-sixth centuries A.D.) was not only the great classical period of Sanskrit literature, but, it also truly prepared the ground for the emergence of bhakti. For instance, the Gupta kings called themselves devotees of god (bhagavatas). They took the names of the gods; put the figures of LaksmI, Visnu's consort, and Varaha, his incarnation as a Boar.; on their coins; made mythology a state concern, enlisting particularly Visnu and his heroic incarnations for their politics. The Guptas sponsored Visnu and believed almost that Visnu sponsored the Gupta empire. Krsna as a god with his own legends and cults emerged in the later Gupta period. Not only were the first Hindu temples built and the first Hindu icons sculpted during this •period, but the official forms of Hindu mythology were set down in great syncretic texts called the puranas. By the fifth century A.D.,. Visnu, Siva, their families, minions, and enemies seem to have become as real as the human dynasties. -
Early History of Vaishnavism in South India
3 MADRAS UNIVERSITY SPECIAL LECTURES ON INDIAN HISTORY & ARCHAEOLOGY FOURTH SERIES. " ^\ EARLY HISTORY OF^ VAISHNAVISM IN SOUTH INDIA. PRINTED AT TATA HINTING WORKS, THE ( 5, THAMtSi: CHETTY ST., MADRAS. EARLY HISTORY OF VAISHNAVISM IN SOUTH INDIA BY S. KKISHNASWAMI AIYANGAR, M. A., Professor of Ittgian History ^ Archaeology & Fellow the of Madras University ; Member of the Asiatic Royal Society of Great Britain & Ireland ; Fellow the of Royal Historical Society ; Professor & Sometime Fellow the of Mysore Uifiversity ; Reader, Calcutta University. THE OXFORD UNIVERSITY PRESS. NEW LONDON. YORK, TORONTO, MELBOURNE,. BOMBAY AND MADRAS. 1920 BL Inscribed to His Excellency the Right Honourable Sir Freeman Freeman Thoma?* /tor0/*J/nLLIN(2DON of Raton, G.C.S.7., G.C.I.E., G.B.E. Chancellor, University of Madras as a token of the authors great esteem for His Excellency s kindly interest and enlightened sympathy PREFACE following lectures, presented to the THEpublic as the fourth course of Madras University Special Lectures in the Department of Indian History and Archaeology, formed the subject on which I intended to send a paper to the International Congress of Orient alists, which was to have been held at Oxfotd but for the outbreak of the War. It was suggested as worth doing as the result of a dis cussion on the subject which I had with Sir George Grierson, who at the time was interest ing himself in the subjects He wanted more of Vaishnava literature should be made known to the European public and suggested the translation of Yatindramatadipika, a manual of Vaishnavism, and the Arthapanchaka of Filial Lokacharya. -
Temples in India
TEMPLES IN INDIA By SRI SWAMI SIVANANDA 6(59(ñý/29(ñý*,9(ñ 385,)<ñý0(',7$7(ñ 5($/,=( Sri Swami Sivananda So Says Founder of Sri Swami Sivananda The Divine Life Society A DIVINE LIFE SOCIETY PUBLICATION First Edition: 1957 World Wide Web (WWW) Edition: 1999 WWW site: http://www.rsl.ukans.edu/~pkanagar/divine/ This WWW reprint is for free distribution © The Divine Life Trust Society Published By THE DIVINE LIFE SOCIETY P.O. SHIVANANDANAGAR—249 192 Distt. Tehri-Garhwal, Uttar Pradesh, Himalayas, India. PUBLISHERS’ NOTE In these days life has become very complex. The different spheres of human activity have been multiplied. Practically speaking, there is hardly any time, nor the mood, even to think of God. An ideal temple serves the purpose well to make one entertain the divine thoughts, at least during the time he is in the temple. The sanctity of the place soothes and revitalizes his worn-out nerves with a unique spiritual aura. His entire being is sanctified by the divine vibrations, springing forth spontaneously. He enjoys the divine ecstasy. Only with this view our ancients have built temples all over this country. Pilgrimage is indeed a religious, nay, a spiritual act, enjoined upon all sincere devotees of the Lord. It gives us a great scope for periodical drastic flushing of the worldliness and impure tendencies that are being accumulated in our day-to-day life through constantly living in the material atmosphere, filled with worldliness, greed, passion, malice and delusion. Our nature becomes regenerated, re-vitalized and ultimately spiritualized. In this little volume, Sri Swami Sivanandaji, in his usual supra-poetic style, gives short descriptions of the prominent temples in India.