C LIT 242 X01- Science Fiction
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ENGL 279 Course Title: Science Fiction and Dystopic Literature Units
Course name: ENGL 279 Course title: Science Fiction and Dystopic Literature Units: 3 Course Description: This course is designed to increase students’ knowledge of the literary genre known as Science Fiction. Emphasis will be on the study of literature--novels and short fiction--that depicts our future world, visionary scientific endeavor, and conflicts between humans, aliens, and sentient technology. Students will study the history, exciting contemporary trends, and the relevant contemporary issues in Science Fiction, including dystopia vs. utopia, artificial intelligence, current theory concerning technology, cloning and physical science, human psychology in a futuristic environment, and the rise of Cyberpunk and new Alternate Reality literature within the genre. Prerequisites: Completion of ENGL 101 Course Objectives: l. Analyze the role of literature as a means of reflecting and shaping thought and behavior. 2. Recognize and employ literary terminology and the language of literary criticism. 3. Identify, interpret, and compare and contrast specific leitmotifs and character types of the Science Fiction genre. 4. Practice critical reading and writing skills. 5. Conduct research and synthesize material from outside the given text in developing a written or oral project. 6. Recognize the attributes that make literary works universal and timeless, as well as unique to certain genres. 7. Demonstrate the ability to discuss literature using relevant support from the text. 8. Evaluate a literary work objectively, being able to understand and analyze critical responses to the works read. Course Content: I. In discussing the roots of many essential elements of Science Fiction, the instructor will guide students in: A. Distinguishing the important archetypes of Science Fiction. -
Catalogue 147: Science Fiction
And God said: DELETE lines One to Aleph. LOAD. RUN. And the Universe ceased to exist. Then he pondered for a few aeons, sighed, and added: ERASE. It never had existed. For David Catalogue 147: Science Fiction Bromer Booksellers 607 Boylston Street, at Copley Square Boston, MA 02116 P: 617-247-2818 F: 617-247-2975 E: [email protected] Visit our website at www.bromer.com n the Introduction to Catalogue 123, which contained the bulk of a In his fifty years as a bookman, David naturally recognized the signifi- science fiction collection he had assembled, David Bromer noted cance of the early rarities, the books that laid the groundwork for the that “science fiction is a robust genre of literature, not allowing authors of the modern era. He was pleased to discover, when cata- one to ever complete a collection.” The progressive nature of sci- loguing Cyrano de Bergerac’s The Comical History of the States and enceI and the social fabric that it impacts means that the genre itself Empires of the Worlds of the Moon and the Sun, that its author de- has to be fluid, never quite getting pinned down like a specimen under scribed a personal music player–anticipating in the year 1687 the cre- glass. ation of the Walkman and iPod three centuries later. In this regard, it is entirely fitting that David has been drawn to science Ultimately, science fiction primed the human imagination to accom- fiction as a reader, and as a collector. He is a scientist by training, hav- plish what is perhaps its greatest achievement: the exploration of ing earned a PhD in Metallurgy from MIT and worked in research fields space and the mission to the moon in 1969. -
Mirrorshade Women: Feminism and Cyberpunk
Mirrorshade Women: Feminism and Cyberpunk at the Turn of the Twenty-first Century Carlen Lavigne McGill University, Montréal Department of Art History and Communication Studies February 2008 A thesis submitted to McGill University in partial fulfilment of the requirements of the degree of Doctor of Philosophy in Communication Studies © Carlen Lavigne 2008 2 Abstract This study analyzes works of cyberpunk literature written between 1981 and 2005, and positions women’s cyberpunk as part of a larger cultural discussion of feminist issues. It traces the origins of the genre, reviews critical reactions, and subsequently outlines the ways in which women’s cyberpunk altered genre conventions in order to advance specifically feminist points of view. Novels are examined within their historical contexts; their content is compared to broader trends and controversies within contemporary feminism, and their themes are revealed to be visible reflections of feminist discourse at the end of the twentieth century. The study will ultimately make a case for the treatment of feminist cyberpunk as a unique vehicle for the examination of contemporary women’s issues, and for the analysis of feminist science fiction as a complex source of political ideas. Cette étude fait l’analyse d’ouvrages de littérature cyberpunk écrits entre 1981 et 2005, et situe la littérature féminine cyberpunk dans le contexte d’une discussion culturelle plus vaste des questions féministes. Elle établit les origines du genre, analyse les réactions culturelles et, par la suite, donne un aperçu des différentes manières dont la littérature féminine cyberpunk a transformé les usages du genre afin de promouvoir en particulier le point de vue féministe. -
The Hugo Awards for Best Novel Jon D
The Hugo Awards for Best Novel Jon D. Swartz Game Design 2013 Officers George Phillies PRESIDENT David Speakman Kaymar Award Ruth Davidson DIRECTORATE Denny Davis Sarah E Harder Ruth Davidson N3F Bookworms Holly Wilson Heath Row Jon D. Swartz N’APA George Phillies Jean Lamb TREASURER William Center HISTORIAN Jon D Swartz SECRETARY Ruth Davidson (acting) Neffy Awards David Speakman ACTIVITY BUREAUS Artists Bureau Round Robins Sarah Harder Patricia King Birthday Cards Short Story Contest R-Laurraine Tutihasi Jefferson Swycaffer Con Coordinator Welcommittee Heath Row Heath Row David Speakman Initial distribution free to members of BayCon 31 and the National Fantasy Fan Federation. Text © 2012 by Jon D. Swartz; cover art © 2012 by Sarah Lynn Griffith; publication designed and edited by David Speakman. A somewhat different version of this appeared in the fanzine, Ultraverse, also by Jon D. Swartz. This non-commercial Fandbook is published through volunteer effort of the National Fantasy Fan Federation’s Editoral Cabal’s Special Publication committee. The National Fantasy Fan Federation First Edition: July 2013 Page 2 Fandbook No. 6: The Hugo Awards for Best Novel by Jon D. Swartz The Hugo Awards originally were called the Science Fiction Achievement Awards and first were given out at Philcon II, the World Science Fiction Con- vention of 1953, held in Philadelphia, Pennsylvania. The second oldest--and most prestigious--awards in the field, they quickly were nicknamed the Hugos (officially since 1958), in honor of Hugo Gernsback (1884 -1967), founder of Amazing Stories, the first professional magazine devoted entirely to science fiction. No awards were given in 1954 at the World Science Fiction Con in San Francisco, but they were restored in 1955 at the Clevention (in Cleveland) and included six categories: novel, novelette, short story, magazine, artist, and fan magazine. -
WAYS to USE SCIENCE FICTION in the SCIENCE CLASSROOM by Connie Willis, David Katz, and Courtney Willis ©1999 by Connie Willis, David Katz and Courtney Willis
WAYS TO USE SCIENCE FICTION IN THE SCIENCE CLASSROOM by Connie Willis, David Katz, and Courtney Willis ©1999 by Connie Willis, David Katz and Courtney Willis. All rights reserved. Reproduced with permission of the authors. Reproduction for classroom use must contain the original copyright. Originally presented as part of a symposium on Science and Science Fiction, National Science Teachers Association national meeting, Boston, MA, March 25-28, 1999. 1. SF can be used to teach science concepts Many stories explain and incorporate science concepts. --Arthur C. Clarke's "Silence, Please" discusses wave interference --Larry Niven's RINGWORLD shows us a Dyson sphere --the setting in Connie Willis's "The Sidon in the Mirror" is based on Harlow Shapley's theory of red giants --H. Beam Piper's "Omnilingual"'s plot revolves around the periodic table --George Gamow's MR. TOMPKINS IN PAPERBACK dreams of relativity and quantum effects --Anthologies such as THE UNIVERSE, THE PLANETS, AND THE MICROVERSE (edited by Byron Preiss) put essays by eminent scients and stories by noted sf authors side-by-side --Hal Clement, a retired high school chemistry teacher, has written a number of stories, including the classic MISSION OF GRAVITY, about all those things you learned in high school science classes. Bad science in science fiction (especially in the movies) can teach science concepts, too. --Why is it impossible for the spaceship in CAPRICORN ONE to make it back from mars in a mere three months? --Why does the strength to mass ratio make King Kong and Godzilla impossible? --What about all those loud explosions in outer space? And those spaceships that bank and turn just like fighter planes? 2. -
How Science Fiction Grapples with the Growing Power of Artificial Intelligence
DePaul University Via Sapientiae College of Liberal Arts & Social Sciences Theses and Dissertations College of Liberal Arts and Social Sciences 3-2016 Artificial perspectives: how science fiction grapples with the growing power of artificial intelligence Marcus Emanuel DePaul University, [email protected] Follow this and additional works at: https://via.library.depaul.edu/etd Recommended Citation Emanuel, Marcus, "Artificial perspectives: how science fiction grapples with the growing power of artificial intelligence" (2016). College of Liberal Arts & Social Sciences Theses and Dissertations. 207. https://via.library.depaul.edu/etd/207 This Thesis is brought to you for free and open access by the College of Liberal Arts and Social Sciences at Via Sapientiae. It has been accepted for inclusion in College of Liberal Arts & Social Sciences Theses and Dissertations by an authorized administrator of Via Sapientiae. For more information, please contact [email protected]. Artificial Perspectives: How Science Fiction Grapples with the Growing Power of Artificial Intelligence A Thesis Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts March, 2016 By Marcus Emanuel Department of English College of Liberal Arts and Social Sciences DePaul University Chicago, Illinois 1 Introduction In Stanley Kubrick’s 1968 film 2001: A Space Odyssey, based on the stories of Arthur C. Clarke, astronaut David Bowman, aboard the spacecraft Discovery One, struggles to shut down HAL, an artificial intelligence responsible for operating the ship. The HAL computer system has been killing astronauts one by one in an attempt to preserve its functioning and programmed mission. Bowman, in an orange spacesuit, floats into what we assume is HAL’s mainframe, armed with a variation on a ratchet key, in an attempt to power down the computer and its deadly intelligence. -
Award Winners
Award Winners Agatha Awards 1992 Boot Legger’s Daughter 2005 Dread in the Beast Best Contemporary Novel by Margaret Maron by Charlee Jacob (Formerly Best Novel) 1991 I.O.U. by Nancy Pickard 2005 Creepers by David Morrell 1990 Bum Steer by Nancy Pickard 2004 In the Night Room by Peter 2019 The Long Call by Ann 1989 Naked Once More Straub Cleeves by Elizabeth Peters 2003 Lost Boy Lost Girl by Peter 2018 Mardi Gras Murder by Ellen 1988 Something Wicked Straub Byron by Carolyn G. Hart 2002 The Night Class by Tom 2017 Glass Houses by Louise Piccirilli Penny Best Historical Mystery 2001 American Gods by Neil 2016 A Great Reckoning by Louise Gaiman Penny 2019 Charity’s Burden by Edith 2000 The Traveling Vampire Show 2015 Long Upon the Land Maxwell by Richard Laymon by Margaret Maron 2018 The Widows of Malabar Hill 1999 Mr. X by Peter Straub 2014 Truth be Told by Hank by Sujata Massey 1998 Bag of Bones by Stephen Philippi Ryan 2017 In Farleigh Field by Rhys King 2013 The Wrong Girl by Hank Bowen 1997 Children of the Dusk Philippi Ryan 2016 The Reek of Red Herrings by Janet Berliner 2012 The Beautiful Mystery by by Catriona McPherson 1996 The Green Mile by Stephen Louise Penny 2015 Dreaming Spies by Laurie R. King 2011 Three-Day Town by Margaret King 1995 Zombie by Joyce Carol Oates Maron 2014 Queen of Hearts by Rhys 1994 Dead in the Water by Nancy 2010 Bury Your Dead by Louise Bowen Holder Penny 2013 A Question of Honor 1993 The Throat by Peter Straub 2009 The Brutal Telling by Louise by Charles Todd 1992 Blood of the Lamb by Penny 2012 Dandy Gilver and an Thomas F. -
Fiction List
Science Fiction Book List The following are books that show a variety of ideas about life in the future. You may choose one of these books or you may choose one not on this list as long as you clear it with me first. The Companions by Sheri S.Tepper. 2003. 549 pages. Fans will hail Hugo nominee Tepper's compelling story of an ordinary woman flung into extraordinary circumstances, but interesting ideas left undeveloped, awkward transitions from first to third person and unfair withholding of information may annoy others. Earth, incredibly overcrowded, has passed a new law prohibiting nonhuman life on the planet. Jewel Delis, dog keeper and member of an underground animal-rights group, wrangles her way to the planet Moss with several dogs, ostensibly to help her unpleasant half brother Paul, a linguist, figure out the peculiar language of the planet's varied inhabitants. Jewel finds Moss every bit as odd as advertised, with strange and dangerous plants, fantastic dances performed by creatures that may or may not be intelligent, and a group of humans descended from the crew of a spaceship that crash-landed years earlier. The Dispossessed by Ursula K. Le Guin. 1974. Won both the Hugo Award and the Nebula Award in 1975. The story takes place on the fictional planet Urras and its moon Anarres (since Anarres is massive enough to hold an atmosphere, this is often described as a double planet system). In order to forestall an anarcho-syndical workers' rebellion, the major Urrasti states gave Anarres and a guarantee of non-interference to the revolutionaries, approximately two hundred years before the events of The Dispossessed. -
ENG 335 Science Fiction Dr. Deborah C. Mitchell Spring 2017 TC 312, Ext
ENG 335 Science Fiction Dr. Deborah C. Mitchell Spring 2017 TC 312, Ext. 7030 MWF 9:20-10:20 a.m. Office Hours: M 11:30 – 12:30, F 10:30 – Noon, Mueller Theater and by appointment Science Fiction is the future ahead of schedule. --Syd Mead, visual futurist Warp speed. Wormholes. Time travel. Transporters. Androids. Aliens. Space cowboys and Saurian brandy. This is the stuff of science fiction, of future worlds and alternate universes. Syd Mead’s definition focuses our study since science fiction stories should lie within the realm of scientific possibility. (Think about Captain Kirk’s communicator and then look down at your cell phone.) In this course, we’ll boldly explore what critics call the “literature of ideas,” the genre that bridges the arts and sciences, and we’ll discuss how writers have used science fiction as a vehicle for social criticism and a commentary on the human condition. We’ll be reading some of the finest science fiction ever written and watching some great film adaptations. You will also be reading a variety of critical articles written by the leading scholars of their time. By the end of the course, you should be able to do the following: • Trace the evolution of the science fiction tradition • Identify the leading writers and scholars in the canon • Grasp the conventions and characteristics of the science fiction genre • Conduct research in science fiction appropriate for a 300-level English course • Read a text through several critical methodologies • Construct and support a sound, reasonable argument • Demonstrate control of your reading and thinking about texts • Engage in your own creative work in the genre • Formulate some of your own conclusions about the importance of the science fiction genre and its significance to contemporary culture Learning Outcomes for English majors In addition to the outcomes for the course, English majors will demonstrate the following: 1. -
Sinema Ve Romanda Transhümanizm: “Blade Runner” Filmi Ve “Neuromancer” Roman Örneği Transhumanism in Cinema and Novel
RumeliDE Dil ve Edebiyat Araştırmaları Dergisi 2018.11 (Nisan) / 89 Sinema ve Romanda Transhümanizm: “Blade Runner” Filmi ve “Neuromancer” Roman Örneği / A. Dağ (89-98. s.) Sinema ve Romanda Transhümanizm: “Blade Runner” Filmi ve “Neuromancer” Roman Örneği Ahmet DAĞ1 Öz İnsanlık, antik atalarından/ilkel aletler günümüze kadar/teknolojik hep teknik ve teknoloji ile yakın bir ilişki içinde olmuştur. İnsanlık, “teknik/techne” sürecinden “makine/mechane” daha sonra ise “teknoloji/technology” sürecine geçmiştir. Aleti inşa etme teknikken, güç edinmek için bir enerji türünü başka bir enerji türüne çeviren ve insanın yerini alan aygıtlar makine/leşme, düşünce ve bilimsellik ile makinenin entegre edilmesi ise teknolojidir. 20. yy.’da teknoloji, güç edinme ve mükemmellik anlayışına sahip insanlığın önemli bir unsuru ve varoluşunun parçası olmuştur. 21. yy.da ise insanlığın ayrılmaz bir parçası olacağı öngörülmektedir. Özellikle son yüz yılda bu mükemmellik ve anlayış arayışı, teknolojik yeniliği insanlık tarihinde daha önce görülmemiş bir oranda artırmıştır. Genetik, nanoteknoloji, nöroloji, moleküler biyoloji ve nörobilim vd. alanlardaki hızlı ilerlemeler transhümanizm olarak isimlendirilen bir süreci doğurmuştur. Yapay zekâ/YZ çalışmalarını da içeren transhümanist teknoloji, film ve romanlarda varlık bulmuştur. Transhümanizm, insanı ve içinde yaşadığı çevreyi dönüştüren bir süreç değil, bu süreci değerlendiren, kurgulaştıran ve model oluşturan felsefe, edebiyat ve sinema ile ilişkili olan bir süreçtir. Bu gerçeklikten hareket ederek bu çalışmada transhümanizmin ne olduğuna, transhümanizmin edebiyat ve sinemada olan iz düşümlerine değinilmiştir. Transhümanist temalara sahip bazı romanlara ve filmlere değinildikten sonra örneklem olarak seçilen R. Scott’un yönettiği “Blade Runner” filmi ve W. Gibbson’un “Neuromancer” romanının tahlilleri yapılarak, felsefî bir akım olan transhümanizm, roman ve film örnekleri üzerinden anlaşılmaya çalışılmıştır. -
Polish Journal for American Studies Yearbook of the Polish Association for American Studies
Polish Journal for American Studies Yearbook of the Polish Association for American Studies Vol. 12 (Autumn 2018) Special Issue (Re)Examining William Gibson Edited by Paweł Frelik and Anna Krawczyk-Łaskarzewska Polish Journal for American Studies Yearbook of the Polish Association for American Studies Vol. 12 (Autumn 2018) Special Issue (Re)Examining William Gibson Edited by Paweł Frelik and Anna Krawczyk-Łaskarzewska Warsaw 2018 MANAGING EDITOR Marek Paryż EDITORIAL BOARD Izabella Kimak, Mirosław Miernik, Paweł Stachura ADVISORY BOARD Andrzej Dakowski, Jerzy Durczak, Joanna Durczak, Andrew S. Gross, Andrea O’Reilly Herrera, Jerzy Kutnik, John R. Leo, Zbigniew Lewicki, Eliud Martínez, Elżbieta Oleksy, Agata Preis-Smith, Tadeusz Rachwał, Agnieszka Salska, Tadeusz Sławek, Marek Wilczyński REVIEWERS Katherine E. Bishop, Ewa Kujawska-Lis, Keren Omry, Agata Zarzycka TYPESETTING AND COVER DESIGN Miłosz Mierzyński COVER IMAGE Photo by Viktor Juric on Unsplash ISSN 1733-9154 eISSN 2544-8781 PUBLISHER Polish Association for American Studies Al. Niepodległości 22 02-653 Warsaw paas.org.pl Nakład 160 egz. Wersją pierwotną Czasopisma jest wersja drukowana. Printed by Sowa – Druk na życzenie phone: +48 22 431 81 40; www.sowadruk.pl Table of Contents Paweł Frelik Introducing William Gibson. Or Not ...................................................................... 271 Lil Hayes The Future’s Overrated: How History and Ahistoricity Collide in William Gibson’s Bridge Trilogy ............................................................. 275 Zofia Kolbuszewska -
Boundaries in Cyberpunk Fiction: William Gibson's Neuromancer Trilogy, Bruce Sterling's Schismatrix, and Neal Stephenson's Snow Crash
BOUNDARIES IN CYBERPUNK FICTION: WILLIAM GIBSON'S NEUROMANCER TRILOGY, BRUCE STERLING'S SCHISMATRIX, AND NEAL STEPHENSON'S SNOW CRASH by Michelle Toerien Thesis presented in partial fulfilment of the requirements for the degree of Master of Arts at the University of Stellenbosch Supervisor: Mr. R. Goodman March 2000 Stellenbosch University http://scholar.sun.ac.za Declaration: I, the undersigned, hereby declare that the work contained in this thesis is my own original work and that I have not previously in its entirety, or in any part, submitted it at any university for a degree. Signature: Date: Stellenbosch University http://scholar.sun.ac.za ABSTRACT Cyberpunk literature explores the effects that developments in technology will have on the lives of individuals in the future. Technology is seen as having the potential to be of benefit to society, but it is also seen as a dangerous tool that can be used to severely limit humanity's freedom. Most of the characters in the texts I examine wish to perpetuate the boundaries that contain them in a desperate search for stability. Only a few individuals manage to move beyond the boundaries created by multinational corporations that use technology, drugs or religion for their own benefit. This thesis will provide a definition of cyberpunk and explore its development from science fiction and postmodern writing. The influence of postmodern thinking on cyberpunk literature can be seen in its move from stability to fluidity, and in its insistence on the impossibility of creating fixed boundaries. Cyberpunk does not see the future of humanity as stable, and argues that it will be necessary for humanity to move beyond the boundaries that contain it.