Angus Mackay Diaries Volume XVIII (2002 - 2004)

Total Page:16

File Type:pdf, Size:1020Kb

Angus Mackay Diaries Volume XVIII (2002 - 2004) Angus Mackay Diaries Volume XVIII (2002 - 2004) ANGUS MACKAY DIARY NO. 177 Friday February 1 2002 - May 10 2002. Friday February 1 2002 Saturday February 2 2002 To Chiswick this a.m. to shop for K and give him a choice. Got back at twelve, but no sign. Arrived at something after one, animated newsy talk, and an omelette with the blewits and chanterellesI got at the lovely greengrocers - £29.50 a kilo. About two four inch blews and four or five chant. about £3, not bad for such deliciousness. Now it’s Saturday night, and K’s gone, after two wonderful days.I have done nothing except stand up and sit down, and prepare four meals, and I’m exhausted. I fear K might have felt I was lazy or feeble. Well, he started out – ‘Can’t stop here talking, or the light will go’, on the buddleia, ‘which job do you want done first?’ He sawed it right down, and I do see that it’s partly destabilised some bricks. A great relief. I hope that silly fussy man won’t find something else to shout to me about. I was becoming quite reluctant to go into the garden. Horrible to cut anything down, but on balance welcomed it. Comically, the wind was the strongest I’ve heard since I’ve been here. Quite expected a letter of complaint from the next door just as we were cutting down the dangerous bush. They have a ‘patio’ (sic) garden and are clearly nervous of a jungle takeover, or indeed anything they can’t control. He cleared all the debris onto the baseball platform. Tho’ he is so careful, goodness knows what he’s trodden on, because he knows nothing of plants. Collected up rubbish on the other side, fallen off other neighbour’s side, balanced on their wall by their nosy child. What else could he do, those turfs, so yes he could dig the choisya bed to screen off the platform and did so. I only asked him to turf it, but he dug as well. Perhaps not deep enough, but still incredible. So dusk fell, and indoors. The halogen lights over the hob and the sink were replaced and he taught me how to replace them. He tidied up the wiring. He hung the rest of the pictures – about twenty. I did none of these things and didn’t watch all of them, so why am I so tired now? Well, the visit to Chiswick, and walking to the local shops for bread before he came. Then he asked me to go again, to get some cigarettes, and later on to get the replacement bulbs, two more walks to the shops. Now I don’t mean to say I wish he’d gone, wasting his time. But I am a bit depressed that I am tired and will be stiff tomorrow. Oh yes, I did clean a few pictures. I fear he must think me a poor creature and self-indulgent. But he loved his dinner, halibut steaks, and we had a good talk before and dafter. I asked about Arlete and drink. It must be me! As says he’s only noticed it that time with S and here. Today, after a bad night, I heard him about at nine. (I am foolish in that I have to stop myself thinking he’ll need waking, - hasn’t for years.) He had a poor night too and I’m not surprised, on this poor old sofa. He put a brilliant bulb in the utility room at last, so I can, see, and put up the pink glass shade in the bathroom, on a longer wire. On the ‘phone about his meeting, a bit on off, and finally on. He went out, I thought for something to do with it, but he came back with two trellises. ‘I thought you might want another.’ One for the double clematis above the jap. anemones, and in the south corner for jasminum polyanthum. He cleared up the rubbish and mugs, freebies, and other things that fell off next door’s wall, where they prop them up for some reason. He repositioned the kitchen bookcase, to give me the full use of the marble slab. Settled on my bed, with some relief to my legs, and heard his visitors arrive, quite quietly. I went to have lunch at my usual time, and was just getting it ready, when a man came in and made me jump. I’d assumed, out of corner of my eye, that it must be K, who had somehow got taller. He said mysteriously. ‘You must be the devil.’ We shook hands, and I went back to my lunch. A little while later K brought Maria R. through to meet me and go to the loo. She said very pleasantly, ‘Thank you for letting us have our meeting in your flat.’ ‘I hope Kevin has been looking after you properly.’ ‘Well, he tells me off a lot.’ ‘Ah, you don’t do that if you don’t care about someone.’ She leant over to look at my book-rest, admired it, and said, ‘So I suppose you don’t watch television.’ All on the strength of one detective story. ‘I’ve never seen so many books.’ K took her in here, and I heard her voice ‘Oh, it’s a library.’ She’s a real little cockney-fizzing with vitality. They should feature that. On Live and Kicking she might have been one of dozens. Later she went, and K brought Andy Cook, the tall man, into lunch. A pleasant witty intelligent chap, public school, I think, and suppressing it, as they do nowadays. I had coffee with them and managed one or two funny bits. K got their lunch, - Ilove seeing him treat the kitchen as his own for his friend. They may be partners in some sort of way. They’ve both decided not to go to the same agent, a sort of bond. A.C. is looking for a flat, and K gave him a rundown of getting this place. Roy rang twice to arrange a date. Darling K, so good. Sunday February 3 2001 Just sat. Stupid journalists ‘actors corpsing and then giggling.’ Really. Monday February 4 2002 Still stiff. Just sat again. Tuesday February 5 2002 Could not put off my lunch with S, Woodcock, again. And anyway I enjoyed it as usual. Brought the new life of Isadoro Duncan. What an ass she was, you can tell just from the photographs and a line here and there. But she must have had some sort of gift for a time. People who sneer at her dancing, for example, when she sometimes didn’t move from one spot, wouldn’t sneer if they’d seen V. Redgrave do just that with astonishing effect in Martin Sherman’s play. After lunch was making my way stiffly – it’s really all that getting up and sitting down – across St. Martin’s Lane, when there was a little cry and a touch on my shoulder – Joyce, John N’s Joyce. Smaller, a bit shrunk, a lot of lines, but otherwise, to me at least, exactly the same. We walked to the Piccadilly Waterstone’s, she talking affectionately, and reminding me how responsive she is to every half-shade and allusion in the talk. Gave her my number. No hideous Jeremy. I hope. Really exhausted in W’stones. Tube to H’smith taxi. Had to drag myself. Wednesday February 6 2002 Still tired obviously, the wine glasses at last. Quiet pleasant, tho’ not as good as the ones K bought, only he can’t remember where. Decided to shop at the big Tesco in S. Bush road at 6.30. Had go roundabout to get there, because in the road was a huge traffic-jam, solid from the roundabout obviously all the way back to H’smith, and the traffic-lights all turned off. Taxi from another firm, not so good and went much too fast. Can’t blame Browne’s, the rush-hour and I only ordered it at half-past five. Thursday Feb 7 200 More mail order arrivals raining in. This morning the peebottle arrived, very much à point, as I was able to pack up the old potty, thick with a yellow crust that resisted even a Brillo pad and a garden-knife. I’d Demesto’ed it, and I think it wasn’t pouring germs into the room, or smelling. The very potty on which Iras sat. But it looked disgusting. I was dreading K perhaps catching sight of it. Happily he never did, and the dustmen came this morning, so off it went. A bottle supposed to be unspillable, for my old age. In the p.m. the two cases of French wine arrived from the Telegraph wine service. Two of them at least, are non-vintage chardonnay. Also in the posta type-script from S of his introduction to a new edition of one of Michael Chekov’s books on acting. I’m afraid he’ll get criticism for saying acting no longer has the effect it once did… Card with all his plans on it, three weeks of Dickens at Albery, interrupted by five days filming at £160,000. Then Broadway 90% certain, if a show called ‘Urinetown’ transfers (yes, ‘you’re in town.’ Ugh.) Says his mother ‘is being advised on a regular basis by mother Teresa of Calcutta. Most useful.’ His letter began ‘Are Keith and Agar related?’ (He lives in Agar Grove.) I wrote back and said ‘Yes, but Agar was in fact a Stone age ancestor, and could be seen in A Million Yrs BC, saying ‘Agar hungry’ to Raquel Welsh.
Recommended publications
  • Reflections on Ageing: the Role of Relationships in Later Life
    Reflections on ageing The role of relationships in later life Edited by Chris Sherwood and Jessica Faulkner Foreword Ruth Sutherland, Relate Chief Executive About Relate’s campaign on relationships in later life n the autumn of 2013, Relate, the UK’s leading relationship support In 2013, Relate launched a campaign to raise organisation, celebrated its 75th anniversary. As the charity grows older and awareness of the importance of relationships Iwe reflect on 75 years of experience, the anniversary led us to thinking about in later life. This has included: our own ageing society, and how relationships fare as we grow older. This prompted us to launch a campaign to raise awareness of the importance of • polling 1,000 over 50s to find out about relationships in later life. Our aims were to encourage debate in society, within concerns and priorities as we get older the voluntary sector and in government, so that we would all become more • a partnership with Gransnet, including aware of the issues we face as we grow older, and the role that relationships can web chats with Relate counsellors play in that process. • publishing Who will love me when I’m 64? Our society is rapidly ageing. By 2025, half of the UK adult population will be – Relate and NPC’s report into the role of over 50. This represents a seismic shift in the demographics of our society and relationships in later life. will impact on every sphere of our lives. As we mentioned in our report Who will love me when I’m 64?, this doesn’t necessarily have to be the doom-laden This collection of essays marks the next phase future so often painted by the media.
    [Show full text]
  • The Statement
    THE STATEMENT A Robert Lantos Production A Norman Jewison Film Written by Ronald Harwood Starring Michael Caine Tilda Swinton Jeremy Northam Based on the Novel by Brian Moore A Sony Pictures Classics Release 120 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS SHANNON TREUSCH MELODY KORENBROT CARMELO PIRRONE ERIN BRUCE ZIGGY KOZLOWSKI ANGELA GRESHAM 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, 550 MADISON AVENUE, SUITE 1005 SUITE 200 8TH FLOOR NEW YORK, NY 10024 LOS ANGELES, CA 90046 NEW YORK, NY 10022 PHONE: (212) 445-7100 PHONE: (323) 655-0593 PHONE: (212) 833-8833 FAX: (212) 445-0623 FAX: (323) 655-7302 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com THE STATEMENT A ROBERT LANTOS PRODUCTION A NORMAN JEWISON FILM Directed by NORMAN JEWISON Produced by ROBERT LANTOS NORMAN JEWISON Screenplay by RONALD HARWOOD Based on the novel by BRIAN MOORE Director of Photography KEVIN JEWISON Production Designer JEAN RABASSE Edited by STEPHEN RIVKIN, A.C.E. ANDREW S. EISEN Music by NORMAND CORBEIL Costume Designer CARINE SARFATI Casting by NINA GOLD Co-Producers SANDRA CUNNINGHAM YANNICK BERNARD ROBYN SLOVO Executive Producers DAVID M. THOMPSON MARK MUSSELMAN JASON PIETTE MICHAEL COWAN Associate Producer JULIA ROSENBERG a SERENDIPITY POINT FILMS ODESSA FILMS COMPANY PICTURES co-production in association with ASTRAL MEDIA in association with TELEFILM CANADA in association with CORUS ENTERTAINMENT in association with MOVISION in association with SONY PICTURES
    [Show full text]
  • The Cambridge Companion to Harold Pinter Edited by Peter Raby Frontmatter More Information
    Cambridge University Press 0521651239 - The Cambridge Companion to Harold Pinter Edited by Peter Raby Frontmatter More information The Cambridge Companion to Harold Pinter The Cambridge Companion to Harold Pinter provides an introduction to one of the world’s leading and most controversial writers, whose output in many genres and roles continues to grow. Harold Pinter has written for the theatre, radio, television and screen, in addition to being a highly successful director and actor. This volume examines the wide range of Pinter’s work (including his recent play Celebration). The first section of essays places his writing within the critical and theatrical context of his time, and its reception worldwide. The Companion moves on to explore issues of performance, with essays by practi- tioners and writers. The third section addresses wider themes, including Pinter as celebrity, the playwright and his critics, and the political dimensions of his work. The volume offers photographs from key productions, a chronology and bibliography. © Cambridge University Press www.cambridge.org Cambridge University Press 0521651239 - The Cambridge Companion to Harold Pinter Edited by Peter Raby Frontmatter More information CAMBRIDGE COMPANIONS TO LITERATURE The Cambridge Companion to Greek Tragedy The Cambridge Companion to the French edited by P. E. Easterling Novel: from 1800 to the Present The Cambridge Companion to Old English edited by Timothy Unwin Literature The Cambridge Companion to Modernism edited by Malcolm Godden and Michael edited by Michael Levenson Lapidge The Cambridge Companion to Australian The Cambridge Companion to Medieval Literature Romance edited by Elizabeth Webby edited by Roberta L. Kreuger The Cambridge Companion to American The Cambridge Companion to Medieval Women Playwrights English Theatre edited by Brenda Murphy edited by Richard Beadle The Cambridge Companion to Modern British The Cambridge Companion to English Women Playwrights Renaissance Drama edited by Elaine Aston and Janelle Reinelt edited by A.
    [Show full text]
  • The Development of the Role of the Actor-Musician in Britain by British Directors Since the 1960’S
    1 The Development of the Role of the Actor-Musician in Britain by British Directors Since the 1960’s Francesca Mary Greatorex Theatre and Performance Department Goldsmiths University of London A thesis presented in fulfilment of the requirements for the degree of Doctor of Philosophy (PhD) 2 I hereby declare that the work presented in this thesis is my own. Signed: ……………………………………………. 3 Acknowledgements This thesis could not have been written without the generosity of many individuals who were kind enough to share their knowledge and theatre experience with me. I have spoken with actors, musical directors, set designers, directors, singers, choreographers and actor-musicians and their names and testaments exist within the thesis. I should like to thank Emily Parsons the archivist for the Liverpool Everyman for all her help with my endless requests. I also want to thank Jonathan Petherbridge at the London Bubble for making the archive available to me. A further thank you to Rosamond Castle for all her help. On a sadder note a posthumous thank you to the director Robert Hamlin. He responded to my email request for the information with warmth, humour and above all, great enthusiasm for the project. Also a posthumous thank you to the actor, Robert Demeger who was so very generous with the information regarding the production of Ninagawa’s Hamlet in which he played Polonius. Finally, a big thank you to John Ginman for all his help, patience and advice. 4 The Development of the Role of the Actor-Musician in Britain by British Directors During the Period 1960 to 2000.
    [Show full text]
  • Before-The-Act-Programme.Pdf
    Dea F ·e s. Than o · g here tonight and for your Since Clause 14 (later 27, 28 and 29) was an­ contribution o e Organisation for Lesbian and Gay nounced, OLGA members throughout the country Action (OLGA) in our fight against Section 28 of the have worked non-stop on action against it. We raised Local Govern en Ac . its public profile by organising the first national Stop OLGA is a a · ~ rganisa ·o ic campaigns The Clause Rally in January and by organising and on iss es~ · g lesbians and gay e . e ber- speaking at meetings all over Britain. We have s ;>e o anyone who shares o r cancer , lobbied Lords and MPs repeatedly and prepared a e e eir sexuality, and our cons i u ion en- briefings for them , for councils, for trade unions, for s es a no one political group can take power. journalists and for the general public. Our tiny make­ C rre ly. apart from our direct work on Section 28, shift office, staffed entirely by volunteers, has been e ave th ree campaigns - on education , on lesbian inundated with calls and letters requ esting informa­ cus ody and on violence against lesbians and gay ion and help. More recently, we have also begun to men. offer support to groups prematurely penalised by We are a new organisation, formed in 1987 only local authorities only too anxious to implement the days before backbench MPs proposed what was new law. then Clause 14, outlawing 'promotion' of homosexu­ The money raised by Before The Act will go into ality by local authorities.
    [Show full text]
  • Completeandleft
    MEN WOMEN 1. JA Jason Aldean=American singer=188,534=33 Julia Alexandratou=Model, singer and actress=129,945=69 Jin Akanishi=Singer-songwriter, actor, voice actor, Julie Anne+San+Jose=Filipino actress and radio host=31,926=197 singer=67,087=129 John Abraham=Film actor=118,346=54 Julie Andrews=Actress, singer, author=55,954=162 Jensen Ackles=American actor=453,578=10 Julie Adams=American actress=54,598=166 Jonas Armstrong=Irish, Actor=20,732=288 Jenny Agutter=British film and television actress=72,810=122 COMPLETEandLEFT Jessica Alba=actress=893,599=3 JA,Jack Anderson Jaimie Alexander=Actress=59,371=151 JA,James Agee June Allyson=Actress=28,006=290 JA,James Arness Jennifer Aniston=American actress=1,005,243=2 JA,Jane Austen Julia Ann=American pornographic actress=47,874=184 JA,Jean Arthur Judy Ann+Santos=Filipino, Actress=39,619=212 JA,Jennifer Aniston Jean Arthur=Actress=45,356=192 JA,Jessica Alba JA,Joan Van Ark Jane Asher=Actress, author=53,663=168 …….. JA,Joan of Arc José González JA,John Adams Janelle Monáe JA,John Amos Joseph Arthur JA,John Astin James Arthur JA,John James Audubon Jann Arden JA,John Quincy Adams Jessica Andrews JA,Jon Anderson John Anderson JA,Julie Andrews Jefferson Airplane JA,June Allyson Jane's Addiction Jacob ,Abbott ,Author ,Franconia Stories Jim ,Abbott ,Baseball ,One-handed MLB pitcher John ,Abbott ,Actor ,The Woman in White John ,Abbott ,Head of State ,Prime Minister of Canada, 1891-93 James ,Abdnor ,Politician ,US Senator from South Dakota, 1981-87 John ,Abizaid ,Military ,C-in-C, US Central Command, 2003-
    [Show full text]
  • SHARON HOWARD-FIELD 1 Casting Director
    SHARON HOWARD-FIELD 1 Casting Director EMPLOYMENT HISTORY: • Howard-Field Casting, (Los Angeles, London & Europe) 1993-2014 • Director of Feature Casting, Warner Bros. Studios, Los Angeles 1989-1993 • Howard-Field Casting ( London & Europe) 1983-1989 • Casting & Project Consultant RKO, London operations 1983-1985 • Associate Casting Director Royal Shakespeare Company, London 1977-1983 • Production Assistant to director/producer Martin Campbell, London 1975-1977 • Assistant to writer, Tudor Gates, Drumbeat Productions, London 1975-1977 FILMS CURRENTLY IN DEVELOPMENT FOR 2014/15: AMOK – Director: Kasia Adamik. Screenplay: Richard Karpala. Executive producer: Agnieszka Holland. Producers: Beata Pisula, Debbie Stasson - in development for spring 2015 WALKING TO PARIS – Director: Peter Greenaway, Producer: Kees Kasander and Julia Ton. Scheduled to commence pp February 2015 in Romania, Switzerland and France. THE WORLD AT NIGHT – Director: TBC. Screenplay: William Nicholson. Producer: Vanessa van Zuylen, (VVZ Presse, Paris, France), Matthias Ehrenberg, Jose Levy, (Cuatro Films Plus) Ibon Cormenzana, (Arcadia Motion Pictures), – in development to shoot Argentina and France Spring 2015. Daniel Bruhl attached. RACE – In association with Suzanne Smith Casting. Director: Stephen Hopkins. Filming Berlin and Canada, September 2014. Casting a selection of cameo roles from the UK AMERICAN MASSACRE – Director: TBC Producer: Emjay Rechsteiner (Staccato Films); Executive Producer: Harris Tulchin - in development for Spring 2015, shooting New Zealand and Canary Islands LITTLE SECRET (Pequeno Segredo) – Director: David Schurmann; Writer: Marcos Bernstein; Producers: Matthias Ehrenberg (Cuatro Films Plus), Joao, Roni (Ocean Films, Brazil), Emma Slade (Fire Fly Films, NZ), Barrie Osborn – in development to shoot Brazil, October 2014. Finnoula Flanagan attached THE BAY OF SILENCE: - Director: Mark Pellington; Screenwriter & Producer: Caroline Goodall, Executive Producer: Peter Garde.
    [Show full text]
  • Original Writer Title Genre Running Time Year Director/Writer Actor
    Original Running Title Genre Year Director/Writer Actor/Actress Keywords Writer Time Katharine Hepburn, Alcoholism, Drama, Tony Richardson; Edward Albee A Delicate Balance 133 min 1973 Paul Scofield, Loss, Play Edward Albee Lee Remick Family Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 53 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. I Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 54 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. II Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 53 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. III Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 53 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. IV Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 50 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. V Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 52 min 1995 Austen,
    [Show full text]
  • 01303 278137 Dear Collector
    COMPLETELY BUCKINGHAM SERIES 2 July 2019 Issue 2 Star Buy ..................... 2 BC201M £50 OFFER £37.50 Checklist ................3-4 13/01/04 Classic Locomotives - National Railway Museum Series 2 ...................... 5 BC201MS £55 Last Chance .......... 17 Signed Andrew Scott, Director of the Museum Specials .................. 18 Buying List ............... 20 BC205AS4 £75 OFFER £55 06/04/04 L’Entente Cordial (GB/French version). Signed John Major BC202S2 £40 03/02/04 Occasions. Signed Robert Lindsay BC206C £45 13/04/04 Ocean Liners QM2 Maiden Voyage carried BC224S2 £100 OFFER £75 15/09/05 50th Anniversary of ITV – The New Avengers. Signed Joanna Lumley (Purdy) & Patrick McNee (Steed). BC241 £30 13/08/06 1936 The Year of the Flexi-pay available on all items! Three Kings Interest free - payment options up to 12 months Call us on 01303 278137 www.buckinghamcovers.com Dear Collector, This issue is dedicated to Buckingham’s Series 2. It is astounding how many covers have been produced for each series. I am thoroughly enjoying going through our covers with a ‘fine tooth comb’. I will be featuring sets from each series in Cover Lover, so keep a look out for them. I am finding it difficult just to pick one star buy, but am just about managing it after some deliberation. Within this magazine you will find some more fantastic offers. If you are finding it difficult to narrow down your purchases, why not take full advantage of our Flexi-Pay service? Spread the cost, interest free, over a period of up to 12 months! Happy Browsing & Best Wishes Vickie Star Buy BC218LTD £400 £50 per month over 8 months 22/03/05 50th Anniversary of the First Castle Definitives.
    [Show full text]
  • Autograph Auction Saturday 14 December 2013 11:00
    Autograph Auction Saturday 14 December 2013 11:00 International Autograph Auctions (IAA) Radisson Edwardian Heathrow Hotel 140 Bath Road Heathrow UB3 5AW International Autograph Auctions (IAA) (Autograph Auction) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 Lot: 4 GULLY JOHN: (1783-1863) CARNERA PRIMO: (1906-1967) English Boxer, Sportsman and Italian Boxer, World Heavyweight Politician. Signed Free Front Champion 1933-34. Bold blue envelope panel, addressed in his fountain pen ink signature ('Primo hand to Thomas Clift at the Carnera') on a page removed Magpie & Stumps, Fetter Lane, from an autograph album. One London and dated Pontefract, very slight smudge at the very 27th September 1835 in his conclusion of the signature and hand. Signed ('J Gully') in the some slight show through from lower left corner. Very slightly the signature to the verso. VG irregularly neatly trimmed and Estimate: £60.00 - £80.00 with light age wear, G. The Magpie & Stumps public house is situated opposite the Old Bailey Lot: 5 and was famous for serving BOXING: Small selection of execution breakfasts up until vintage signed postcard 1868 when mass public hangings photographs by the boxers Gene were stopped. Tunney (World Heavyweight Estimate: £80.00 - £100.00 Champion 1926-28), Max Baer (World Heavyweight Champion 1934-35) and Ken Overlin (World Lot: 2 Middleweight Champion 1940-41; WILLARD JESS: (1881-1968) signed to verso). Each of the American World Heavyweight images depict the subjects in full Boxing Champion 1915-19. Blue length boxing poses and all are fountain pen ink signature ('Yours signed in fountain pen inks. truly, Jess Willard') on a slim Some slight corner creasing, G to oblong 8vo piece.
    [Show full text]
  • Bulletin Magazine of the Richard III Society
    Ricardian Bulletin Magazine of the Richard III Society ISSN 0308 4337 December 2012 Ricardian Bulletin December 2012 Contents 3 From the Chairman (Colour section cont’d) 4 Future arrangements for the Bulletin ii Scenes from the Greyfriars dig 5 Annual General Meeting 2012 iii Scenes from the Greyfriars dig and The 10 Living in exciting times The Chairman’s Penn Roll project Address to the Society’s AGM 2012 iv Greyfriars graphics by Emma Vieceli 11 Another AGM perspective 43 Media retrospective: painful puns and Sue and Dave Wells prognostication Geoffrey Wheeler 13 The Augustinian Friary, Lendal, York 48 More points from the dig Lynda Pidgeon Cris Reay Connor and Peter Hammond 14 Society news and notices 51 Media retrospective: an Antipodean 19 Society news from North America perspective Rob Smith and Dorothea Preis 21 Future Society events 51 More on the King in the Car Park 22 Society reviews Geoffrey Wheeler 26 Other news, reviews and events 53 The City Mayor’s Annual Lecture 2012 31 The Man Himself: Looking for Richard – the Wendy Moorhen Greyfriars project 54 Emma Vieceli’s Greyfriars graphics 31 The search for Richard III – DNA, 54 Managing the opportunities – a public documentary evidence and religious relations (PR) strategy Peter Secchi knowledge John Ashdown-Hill 56 Our Olympic Diary: part 2 32 Has the King been found? Sue and Dave Wells Philippa Langley 58 Focus on the Sales team 34 Statement from the University of Leicester 61 Photo caption competition 37 Leicester’s Greyfriars Project Roll of 62 Ricardian crossword 2 by Sanglier Honour 63 Correspondence 38 Greyfriars archaeological dig open day 65 Book reviews and notices Matthew Lewis 67 The Barton Library 39 Initial reflections and press coverage 69 Branches and Groups Bruce Watson and Geoffrey Wheeler 77 New members Centre colour section 78 Recently deceased members i The Society’s AGM and Members’ Day 79 Obituaries 2012 80 Calendar The Ricardian Bulletin is produced by the Bulletin Editorial Committee.
    [Show full text]
  • GALA) – the University of Greenwich Open Access Repository
    Greenwich Academic Literature Archive (GALA) – the University of Greenwich open access repository http://gala.gre.ac.uk __________________________________________________________________________________________ Citation: Brown, G. M. (1983) G.K.Chesterton: an argument for his status as a serious creative writer in the mainstream of English Romanticism, with a discussion of his possible influence on the novelist and poet Charles Williams. MPhil thesis, Thames Polytechnic. __________________________________________________________________________________________ Please note that the full text version provided on GALA is the final published version awarded by the university. “I certify that this work has not been accepted in substance for any degree, and is not concurrently being submitted for any degree other than that of (name of research degree) being studied at the University of Greenwich. I also declare that this work is the result of my own investigations except where otherwise identified by references and that I have not plagiarised the work of others”. Brown, G. M. (1983) G.K.Chesterton: an argument for his status as a serious creative writer in the mainstream of English Romanticism, with a discussion of his possible influence on the novelist and poet Charles Williams. ##thesis _type## , ##institution## Available at: http://gala.gre.ac.uk/6509/ __________________________________________________________________________________________ Contact: [email protected] 2S- Chester ton: an argument for his status as a serious creative writer in the mainstream of English. Romanticism, with a discussion of his possible influence on the novelist and poet Charles Williams. Brown. Submitted to the Council for National Academic Awards for the degree of Master of Philosophy, under the sponsorship of the Thames Polytechnic. May 1983, Gr.K.Chester ton: an argument for his status as a serious creative writer in the mainstream of English Romanticism,with a discussion of his possible influence on the novelist and poet Charles Williams.
    [Show full text]