Recording Studios in New Jersey
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1997, a Year to Celebrate! Helped Focus the Activity of the Council
Chairman's Corner by Dan Vigesaa, Chairman, NDAC The North Dakota Aviation Council enjoyed an other successful symposium in spite of the blizzard conditions that prevented many from the eastern part of the state from attending. We had some exciting and spirited presenta tions. All of us felt moved and rewarded to be there when the North Dakota Hall of Fame was inaugurated. All the members of the Council would like to thank you personally for joining one of the organizations that help make this kind of sym posium possible here in North Dakota. I am the lucky one. I get to do it. Thanks to all of you for your support. One of the best parts of the entire sympo sium for me was the overwhelming response to the survey. A whopping 30% of those present responded. Normal survey response is only about 2% or 3%. Most of the responses, (34%), came from the Pilots Association, 17%, came from PAMA, 11% came from AAA, 11% Why is this man smiling? Because immediate past c"aj"~lan ~ftJle NDA~, Fred,Adams, w.on't have, to ?e from the airports association, 14% from the ex judging anolher bowl of chili until nexl year! For more 11Ighl/ghlS from tillS year S symposl!lm, look Ills/de. hibitors, and the rest (15%) from all of the other attendees. The responses clearly define some of the themes of next year's presentations and 1997, A Year to Celebrate! helped focus the activity of the Council. by Bob Simmers ~ . Most of the respondents (92%) felt that the 1997 is a milestone for aviation in North We are seeking static and fly-by displays Symposium should provide a way for the in Dakota. -
Ting Ho 6 South Shore Road Denville, Nj 07834
TING HO 6 SOUTH SHORE ROAD DENVILLE, NJ 07834 COMPOSER ACTIVITIES (chronology) 2011 Premiere of The Reed Travels (clarinet and piano) by Romie de Guise-Langlois and Gabriela Martinez at Ars Vitalis (Kean University) 2010 Premiere of Making Peace (soprano, flute, clarinet and piano) by Lori Ernest and Palisades Virtuosi at the Composers in the House Concert (Montclair State Univ.) 2010 Performance of Harpsichord Sonata by Francis Yun (two performances in different venues) 2010 Performances of Soaring and Intermission at the Concert of Chinese and Chinese- Influenced Music at Montclair State University 2008 Performance of A Fool in Paradise by the Garden State Saxophone Quartet 2008 Premiere of Organ Concerto by the Baroque Ensemble of NJ 2007 Premiere of Dance Card (2 trumpets, 2 trombones) at the Kaleidoscope concert at Montclair State University 2006 Premiere of Concertino (orchestra) commissioned and performed by the Montclair State Symphony 2005 Premiere of Harpsichord Sonata by Mark Pakman (on piano) at Montclair State University 2004 Premiere of Teaneck Creek (oboe, cello, piano) by the Engle Winds, commissioned for the dedication of the Puffin Cultural Forum and Teaneck Creek Conservancy, and subsequent performances 2003 Premiere of Cliff Walk (clarinet, bassoon, piano) --- and subsequent performances 2002 Premiere of Three Songs About Love by the Montclair State University Chorus 2001 Premiere of When I Awoke by the Montclair State University Chorus 2000 Recipient of the Artfest 2000 Award from the Montclair State University School of the Arts 2000 Presentation of Montclair State University Presidential Lecture 1999 Premiere of Daisy at 8 (percussion ensemble) 1999 Premiere of Melodrama (piano trio) by the Montclair Honors Trio 1999 Premiere of Starry Night by the New Philharmonic of New Jersey, conducted by Leon Hyman 1998 Premiere of Caravan by the Montclair State University* Band, directed by Dr. -
Living Legends by Cara Lindberg, Development Department & Donor Relations Manager
Living Legends By Cara Lindberg, Development Department & Donor Relations Manager Bonnie & Dan Sandman They’ve lived in the “The Buckeye State,” the all the best things about Pittsburgh—a “Lone Star State,” and even London, England, unifying force in the community but the Sandmans call Pittsburgh home. A ethnically and otherwise—appealing Cincinnati native, Dan Sandman got a lot more to all types of people with the Sports from Ohio State University than an undergrad Museum, Meadowcroft, Fort Pitt in history and a law degree—he met his future and its different cultural collections,” wife. Bonnie Allison Sandman, a Doctor of Dan commented. Philosophy in psychology, traveled around the This appreciation and globe with her husband, whose career began dedication to Pittsburgh’s heritage Bonnie and Dan Sandman at the History Center’s annual with Marathon Oil Company in 1973. led Dan to the History Center Board 1879 Founders’ Circle Dinner. As Marathon became part of United Chairmanship in 2006. “I enjoyed Copyright ©, Pittsburgh Post-Gazette, 2010, all rights reserved. Reprinted with permission. States Steel Corporation (a company Dan my time as chairman. The board is made Pittsburgh who realize the importance of giving, has always been proud to work for), the up of a very solid group of contributors— whether it’s your time, talent, or dollars.” Sandmans eventually took up residence in the energized and effective.” Dan even gathered his closest friends (a ’Burgh. “We love Pittsburgh. There’s just such Bonnie, who currently works as a career big crowd) for a birthday party at the History a great sense of community and service here; choice consultant, is active with the boards of Center and encouraged guests to contribute gifts we’ve lived here longer than any other place.” Pittsburgh Action Against Rape (PAAR), St. -
Fact Sheet 2015-2016 Season Brigham Young University
Fact Sheet LIVING LEGENDS 2015-2016 Season Brigham Young University Contact: Performing Arts Management (801) 422-357 [email protected] • Celebrating the native cultural heritage of North and South America and the South Pacific, Living Legends presents a vibrant spectacle of energy, music, costume, and dance. Its full program lasts 90 minutes. • Organized in 1971, the troupe specializes in performing for its own native people, in an effort to encourage excellence in achievement, inspire a love of the members’ native lands, and develop a pride for their heritage. • The group consists of 38 members, including performers and a skilled technical crew. Cast members come from the United States, Canada, South and Central America, and the Pacific Islands. All members are of Latin American, Native American, or Polynesian heritage and are selected after a rigorous audition process. In addition, members are pursuing college degrees in a variety of subjects. • Many of the group’s authentic native costumes are made in the portrayed region. Traditional songs and dances are choreographed by members of the group, group leaders, and guest choreographers from around the world. • In 2015, Living Legends toured New Mexico, Texas, Montana, Canada, and Alaska. Their Canadian and Alaskan tour made a successful outreach program to grade and high school kids, in which they exchanged knowledge about the Native American culture. • Living Legends traveled to Northern California and Nevada in 2014, and also spent two weeks during the summer in Nauvoo, Illinois. The performers shared their dances with old and young alike at care centers, parks and outdoor gazebos, in addition to 11 staged performances. -
Heritage Society Dinner and Silent Auction Leadership Education
September 2018 Heritage Society Dinner and Silent Auction The next Heritage Society Dinner and Silent Auction will be held 17 November 2019 during the 45th Biennial Convention. Heritage Society donors will enjoy dinner and a silent auction with many lovely and fun items to bid on. The dinner will be within walking distance of the convention center at the Riverview Ballroom at the Gaylord National Resort and Convention Center. The room offers some stunning views of the Potomac River. Check them out in this short video. We hope to see you there. Leadership Education Grant Recipients Thirty-two Sigma members attended the 29th International Nursing Research Congress in Melbourne, Australia, 19-23 July 2018, after receiving Leadership Education Grants. Heritage Society donors attending congress were able to meet the grant recipients at a meet and greet on 19 July. New Heritage Society Donors We gratefully recognize the newest Heritage Society donors who've made their commitment to support nursing worldwide. Virginia Henderson Fellows Christine Alichnie, PhD, RN Chair and Professor Emeriti Bloomsburg University of Pennsylvania President PNC-ARE, Inc. Theta Zeta and Xi Chapters Mountain Top, Pennsylvania, USA Amita Avadhani, DNP, DCC, ACNP, ANP, CCRN, FAANP Associate Professor, Post Masters DNP Executive Model Specialty Director Rutgers University School of Nursing Newark Alpha Tau Chapter New Jersey, USA Mary Bemker, PhD, RN Faculty Walden University School of Nursing Iota Gamma Chapter Louisville, Kentucky, USA News About Fellows The following individuals are serving on the 2017-2019 Sigma Marketplace Board of Directors. Sue Haddock Debra Heinrich Donna Nickitas (Secretary) Terry Siek The following individuals are serving on the 2017-2019 Sigma Building Corporation Board of Directors. -
News Release October 2014 Brigham Young University
News Release LIVING LEGENDS October 2014 Brigham Young University Artistic Director Contact: Performing Arts Management (801) 422-3576 FOR IMMEDIATE RELEASE [email protected] Although the performers make it look easy, Brigham Young University’s Living Legends’ colorful, authentic presentation of Latin American, Polynesian, and Native American music and dance would not be possible without the dedication, talent, and expertise of artistic director Janielle Christensen. Christensen became active in professional theater and music early in her life, co-hosting a daily television show at age 12 and playing with the Musicians’ Union at age 14. She proceeded to gain extensive experience producing and directing summer theatres, performing groups, and trade shows, as well as directing a television series and a large outdoor pageant featuring members of the St. Louis Symphony Orchestra. As an artistic director of Living Legends and a producer for Young Ambassadors, both performing groups at BYU, she has traveled around the world, bringing uplifting family entertainment to millions through live and televised productions. Under Christensen’s direction, Living Legends has toured and performed throughout Europe, China, the Pacific Islands, Australia, Canada, Central and South America, South Africa, and the United States. Christensen hopes that through their travels, members of Living Legends will inspire people of all cultures to take pride in their own unique heritage. “It is a moving experience to work with these performers because I see the sincere respect they each hold for one another’s ancestry as well as their own,” Christensen said. Christensen’s past responsibilities at BYU have also include acting as a producer for the School of Music (more) Performing 306 Hinckley • Provo, UT 84602-8500 • 801-422-3576 • Toll-Free: 800-432-3576 • Fax: 801-422-0546 Arts Email: [email protected] • Internet: http://pam.byu.edu M a n a g e m e n t News Release Page 2 and directing the annual “Homecoming Spectacular,” a production that celebrates BYU’s rich history and school spirit. -
Category Description Guide
64th OEP CATEGORY DESCRIPTION GUIDE 1 Record Of The Year Singles or Tracks Only For commercially released singles or tracks of new vocal or instrumental recordings. Tracks from a previous year 's album may be entered provided the track was not entered the previous year and provided the album did not win a GRAMMY. Award to the artist(s), producer(s), recording engineer(s) and/or mixer(s) and mastering engineer(s) if other than the artist. NOTE: Associate producers and executive producers are not eligible. 2 Album Of The Year Albums Only For albums containing at least 51% playing time of new vocal or instrumental recordings. Award to Artist(s) including Featured Artist(s), Songwriter(s) of new material, Producer(s), Recording Engineer(s), Mixer(s) and Mastering Engineer(s). NOTE: Associate producers and executive producers are not eligible. Albums of previously released recordings (reissues, compilations of old recordings and "Best Of" packages) are not eligible. 3 Song Of The Year Singles or Tracks Only Songs entered for consideration in this category should represent the best achievement in songwriting. Songs that contain samples or interpolations are eligible. A song must comprise melody and lyrics to be eligible in a songwriting category and must have been released on a recording for the first time, or achieved prominence for the first time, during the current eligibility year. 1 4 Best New Artist Albums, Singles or Tracks This category recognizes an artist whose eligibility-year release(s) achieved a breakthrough into the public consciousness and notably impacted the musical landscape. In adjudicating this category, the primary element to consider is the artist’s performance. -
The Music of L!.Ighteenth Century New Jersey
The Music of l!.ighteenth Century New jersey CHARLES H. KAUFMAN NEW JERSEY'S REVOLUTIONARY EXPERIENCE Larry R. Gerlach, Editor This series of publications is dedicated to the memory of Alfred E. Driscoll, governor of New Jersey from 1947 to 1954, in grateful tribute to his lifelong support of the study and teaching of the history of New Jersey and the United States. He was a member of the New Jersey Historical Commission from 1970 until his death on March 9, 1975. The Music of Eighteenth Century New Jersey CHARLES H. KAUFMAN New Jersey Historical Commission Ubraly of Congress Cataloging in Publication Data Kaufman, Charles H. 1928- The music of eighteenth century New Jersey. (New Jersey's Revolutionary experience; no. 11) Biblicfgraphy: p. 1. New Jersey-History-Revolution, 1775-1783. 2. Music-New Jersey-History and criticism. I. New Jersey Historical Commission. II. Title. III. Series. E263.N5N78 no.11[Ml200.7.N5]780'.974975-28003 Price: $.50 Designed by Peggy Lewis and Lee R. Parks Copyright ®1975 by the New Jersey Historical Commission. All rights re served. Printed in the United States of America THE NEW JERSEY HISTORICAL COMMISSION is an official agency of the state of New Jersey, in the division of the State Library, Archives and History, Department of Education. Fred G. Burke, Commis sioner, Ralph H. Lataille, Deputy Commissioner. 113 West State Street, Trenton, NJ 08625 John T. Cunningham, Chairman • Henry N. Drewry, Vice-Chairman • Assemblyman William J. Bate • Kenneth Q. Jennings •Assemblyman Thomas H. Kean • Richard P. McCormick • Senator Anne C. Martindell • Eleanore N. Shuman • Donald A Sinclair • Senator James P. -
Music Genres and Corporate Cultures
Music Genres and Corporate Cultures Music Genres and Corporate Cultures explores the workings of the music industry, tracing the often uneasy relationship between entertainment cor- porations and the artists they sign. Keith Negus examines the contrasting strategies of major labels like Sony and Universal in managing different genres, artists and staff, and assesses the various myths of corporate cul- ture. How do takeovers affect the treatment of artists? Why was Poly- Gram perceived as too European to attract US artists? Why and how did EMI Records attempt to change their corporate culture? Through a study of three major genres—rap, country and salsa—Negus investigates why the music industry recognises and rewards certain sounds, and how this influences both the creativity of musicians and their audiences. He explores why some artists get international promotion while others are neglected, and how performers are packaged as ‘world music’. Negus examines the tension between rap’s image as a spontaneous ‘music of the streets’ and the practicalities of the market, asks why execu- tives from New York feel uncomfortable when they visit the country music business in Nashville, and explains why the lack of soundscan sys- tems in Puerto Rican record shops affects salsa’s position on the US Bill- board chart. Drawing on extensive research and interviews with music industry per- sonnel in Britain, the United States and Japan, Music Genres and Corpo- rate Cultures shows how the creation, circulation and consumption of popular music is shaped by record companies and corporate business style while stressing that music production takes place within a broader cul- ture, not totally within the control of large corporations. -
The Urban Social Pattern of Navi Mumbai, India
The Urban Social Pattern of Navi Mumbai, India Malathi Ananthakrishnan Thesis submitted to the Faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Master of Urban and Regional Planning John Browder, Chair Wendy Jacobson Paul Knox April , 1998 Blacksburg, Virginia Keywords: urban social pattern, Navi Mumbai, Bombay, urban planning - India Copyright 1998, Malathi Ananthakrishnan The Urban Social Pattern of Navi Mumbai, India Malathi Ananthakrishnan (ABSTRACT) This research thesis examines the emerging trends in urban social patterns in Navi Mumbai, India. Unlike the other planned cities of India, Navi Mumbai was specifically built as a planned decentralization of a large metropolitan city. The research focuses on explaining the urban social pattern of this particular case study. An urban social pattern reflects the social characteristics of the urban setting. In the case of Navi Mumbai, the government had a social agenda of promoting a social pattern based on socioeconomic distribution rather than an ethnic one. Analysis of the data provides an insight to the results of this social agenda, and provides a basis to frame new ones. Thus, the study not only addresses a basic research question, but also has policy implications. The research involves a comprehensive review of secondary source material to establish the theoretical framework for the research. The review also involves an extensive inspection of urban social patterns across the world to better contextualize this particular case study. The research puts forth a model that explains the social pattern of Navi Mumbai by social area analysis using variables, which are drawn from social aspects of any city and indigenous factors of Indian settlements. -
Equad News Winter 2013 Volume 24, Number 2
EQuad News Winter 2013 Volume 24, Number 2 School of Engineering and Applied Science DEAN’S MESSAGE EQuad News Winter 2013 Volume 24, Number 2 Dean “Principles for the Development of a Complete Mind: Study the science of art. H. Vincent Poor, Ph.D ’77 Study the art of science. Develop your senses — especially learn how to see. Vice Dean Realize that everything connects to everything else.” Pablo Debenedetti ~Leonardo da Vinci Associate Dean, Undergraduate Affairs Peter Bogucki Art and engineering: Connections that create Associate Dean, Graduate Affairs What does it take to solve a problem? What does it take to make some- Brandi Jones thing of beauty? Associate Dean, For the past five years, my colleagues and I have talked a lot about Development Engineering News 1 some big topics — energy, the environment, human health, security. These Jane Maggard Aspire Update 3 critical areas of societal need have been the focus of our fundraising Director of Engineering Art Form Function 6 Communications efforts through Princeton University’s Aspire campaign. In this issue of Steven Schultz EQuad News, we celebrate the successful conclusion of that campaign Senior New Media Editor and the tremendous advances it has put in motion. But we also are taking Teresa Riordan this opportunity to consider a topic that may seem removed from the usual Staff Writer problems engineers tackle: the intersection of art and engineering. It’s a John Sullivan subject that reveals a lot about what engineering is at its best. Graphic Designer As Professor Mike Littman points out in his essay on page 6, engineers Matilda Luk can be artists, artists can be engineers, or the two professions can work Additional editing together in ways that yield entirely new and unexpected results. -
Living CEREMONY Our Sincere Thanks To
Living CEREMONY Our sincere thanks to Cedars-Sinai Medical Center & University of Illinois at Chicago College of Nursing For sponsorship of the 2014 Living Legends Ceremony and Celebration CEREMONY Welcome Diana J. Mason, PhD, RN, FAAN President, American Academy of Nursing Recognition of 2014 President’s Award Recipient Risa Lavizzo-Mourey, MD, MBA, FAAN Recognition of 2014 Civitas Award Recipient Janet Heinrich, DrPH, RN, FAAN Recognition of 2014 Living Legends Kathleen A. Dracup, PhD, RN, FNP, FAAN Barbara A. Durand, EdD, RN, FAAN Colleen J. Goode, PhD, RN, NEA-BC, FAAN Bernardine M. Lacey, EdD, RN, FAAN 1 P2014 RECIPIENT resident’s Award Risa Lavizzo-Mourey is president and CEO of the Robert Wood Johnson Foundation, a position she has held since 2003. The Robert Wood Johnson Foundation is the nation’s largest philanthropy dedicated solely to health and health care. With more than thirty years of personal experience as a medical practitioner, policy-maker, professor and nonprofit executive, Lavizzo- Mourey has built on the Foundation’s forty year history of addressing key health issues by adopting bold, forward-looking priorities that include: • Building a Culture of Health for all Americans. • Reversing the childhood obesity epidemic. • Creating a health care system that provides the best possible care at a reasonable cost. • Expanding the role of highly trained nurses. • Convincing government, business, and civic leaders to consider Risa Lavizzo- the public’s health when making decisions. • Addressing the social factors that impact health, especially among Mourey the most vulnerable. MD, MBA, FAAN • Ensuring that all Americans have access to stable and affordable health care coverage.