Tales of Pakistan, 1981
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The Pakistan Journal of Forestry Vol.59(2), 2009 SOCIOLOGICAL STUDIES ON WATERSHED MANAGEMENT IN PAKISTAN - A REVIEW Tariq Mahmood1 and Zulfiqar Ali2 ABSTRACT Pakistan is a sub-tropical country lying between 24º 37º Northern Latitudes and 61º 75º Eastern Longitude. Out of total land area of Pakistan, 26.6 million hectares comprised of the uplands where the critical watersheds of the various zones are located, however it is highly regretted to state that due to anthropogenic pressure about 60−70% of these watersheds are in depleted condition (Ashraf, 1991). It means that the community’s needs are to be met through optimal utilization of these valuable resources using technological advancements, avoiding every kind of deterioration and degradation under improper use. The ever increasing human and livestock population has been exerting strong pressures on these natural resources in a watershed to fulfill the requirements of water, land, food, fiber, fuel, timber and other resulting in the disappearance of forests, expansion of desertification, soil erosion and flooding of rivers, thus threatening the life on the planet earth. The importance of soil conservation/watershed management was first realized in the sub- continent at the start of the 19th century but the systematic work on this started in 1954 under “Erosion control and soil conservation project” in NWFP. United Nations Conference on Environment and Development (UNCED) held at Rio-de-Janerio, Brazil in June, 1992 approved a new kind of development that is human-sustainable and shared, emphasizing the involvement of the local community at all levels of planning and implementation. Review of the most of the sociological studies conducted so far in Pakistan under this approach revealed that this approach not only made these projects successful but also helped in prolonging their vitality for the welfare of the population. -
Assessment of the History and Cultural Inclusion of Public Art in Pakistan
Preprints (www.preprints.org) | NOT PEER-REVIEWED | Posted: 18 February 2018 doi:10.20944/preprints201802.0117.v1 Article Assessment of the History and Cultural Inclusion of Public Art in Pakistan Syed Asifullah Shah1,*, Ashfaq Ahmad Shah 2 and Li Xianfeng 1, 1 Department of Ornamental Horticulture and Landscape Architecture College of Horticulture, China Agricultural University, Beijing, 100193, P.R. China [email protected] [email protected] 2 College of Humanities and Development studies, China Agricultural University, Beijing, 100193, P.R. China [email protected] * Correspondence: [email protected]; [email protected] Abstract The significance of arts incorporated with culture inclusion makes the arts a matter of pressing interest. The arts are vital elements of a healthy society that benefits the nations even in difficult social and economic times. Based on the previous studies this research was conducted for the first time in Pakistan to explore the historical background of public art correlated with cultural and religious ethics. Though, Pakistan has a rich cultural history yet the role of modern public art is new and often used unintentionally. Our findings of different surveys conducted in Pakistan including oldest cities such as Lahore, Peshawar and newly developed, the capital city, Islamabad concluded that Public art has a rich cultural and historical background and the local community are enthusiastically connected to it. Different community groups prefer different types of public art in their surroundings depends on the city’s profile, cultural background, and religious mindset of the local community. Overall, the sculptures and depiction of animated beings are not considering right and debatable among the Pakistani societies. -
Second Lahore Biennale: Between the Sun and the Moon Curated by Hoor Al Qasimi Features 20+ New Commissions and Work by More Than 70 International Artists
For Immediate Release 6 January 2020 Second Lahore Biennale: between the sun and the moon Curated by Hoor Al Qasimi Features 20+ New Commissions and Work by More Than 70 International Artists Installed Across Cultural and Heritage Sites Throughout Lahore, Pakistan, from 26 January to 29 February 2020 Lahore, Pakistan—6 January 2020—The Lahore Biennale Foundation today revealed a list of over 70 participating artists for the second edition of the Lahore Biennale (LB02), running from 26 January through 29 February 2020. Curated by Hoor Al Qasimi, Director of the Sharjah Art Foundation in Sharjah, United Arab Emirates, LB02: between the sun and the moon brings a plethora of artistic projects to cultural and heritage sites throughout the city of Lahore including more than 20 new commissions by artists from across the region and around the world, including Alia Farid, Diana Al-Hadid, Hassan Hajjaj, Haroon Mirza, Hajra Waheed and Simone Fattal, among many others. Other participating artists include Anwar Saeed, Rasheed Araeen and the late Madiha Aijaz. With a focus on the Global South, where ongoing social disaffection is being aggravated by climate change, LB02 responds to the cultural and ecological history of Lahore and aims to awaken awareness of humanity’s daunting contemporary predicament. Works presented in LB02 will explore human entanglement with the environment while revisiting traditional understandings of the self and their cosmological underpinnings. Inspiration for this thematic focus is drawn from intellectual and cultural exchange between South and West Asia. “For centuries, inhabitants of these regions oriented themselves with reference to the sun, the moon, and the constellations. -
News and Events Vol
News and Events Vol. 29, 3, 2013 XI Biennial Congress of SAARC Academy of 11th European Glaucoma Society Conference Ophthalmology and 16th Islamabad conference of OSP Federal Branch - Pakistan Date: 7-11 June 2014 Venue: Nice, France Date: 03-06 October, 2013 Web: www.eugs.org Venue: Pearl Continental Bhurban Contact: Mr. Muhammad Mohsin Phone: +92-323-5542666 XXI Biennial Meeting of International Society Email: [email protected] for Eye Research Web: http://saarccongress2013.com Date: 20-24 Jul, 2014 26th Asia-Pacific Association of Cataract & Venue: San Francisco, California Refractive Surgeon Annual Meeting 2013 Web: www.iser.org (APACRS 2013) Date: 11-14 July, 2013 INSTITUTE / COURSES Venue: Suntec Singapore International Convention Centre, Singapore Pakistan Institute of Community Web: www.apacrs.org Ophthalmology, Peshawar – Pakistan 34th World Ophthalmology Congress (WOC) & Comprehensive range of courses for doctors, nurses and paramedics The 29th Asia – Pacific Academy of Ophthalmology (APAO) Congress Contact: Professor Shad Muhammad Professor and Rector Date: 2 - 6 April, 2014 PICO, Hayat Abad Medical Complex Venue: Tokyo, Japan Peshawar Web: www.apaophth.org Phone: 091 – 9217376 – 80 Fax: 92 – 42 – 36363326 American Society of Cataract and Refractive Email: [email protected] Surgery (ASCRS) / American Society of Ophthalmic Administrators (ASOA) Symposium and Congress College of Ophthalmology and Allied Vision Sciences Lahore, Pakistan Date: 25 - 29 April, 2014 Venue: Boston Comprehensive range of courses for doctors, nurses Web: www.ascrs.org and paramedics Contact: Prof. Asad Aslam Khan The Association for Research in Vision and Executive Director Ophthalmology (ARVO) Annual Meeting 2014 College of Ophthalmology and Allied Orlando, Florida Vision Sciences, KEMU / Mayo Hospital, Lahore Date: 4-8 May, 2014 Phone: 042 – 37355998 Venue: Orlando, Florida Fax: 042 – 37248006 Web: www.arvo.org Email: [email protected] Pakistan Journal of Ophthalmology Vol. -
SADEQUAIN Born 1930, Amroha, India Died 1987, Karachi
SADEQUAIN Born 1930, Amroha, India Died 1987, Karachi, Pakistan B.A. in Art History and Geography, Agra University (1948) Syed Sadequain Ahmed Naqvi was one of the first Pakistani artists to gain international recognition, embarking on his notable career with an award from the Biennale de Paris in 1961. The artist was born in Amroha, India, descending from a family of Qur’an scribes and is recognized as the foremost calligrapher and painter of Pakistan, responsible for the renaissance of Islamic calligraphy in the country since the late 1960s and bringing the art form into the mainstream. In the late 1940s, Sadequain joined the Progressive Writers and Artists Movement and through his career, produced works of thematic content reflected by his commitment to social justice, and the progressive ideals of his peers of writers and poets. On the eve of Partition, Sadequain painted anti-British, nationalistic slogans in Dehli and such politically charged works gained the artist a wider, responsive audience both abroad and in Pakistan among the 1960s intelligentsia. Sadequain's unique visual vocabulary stemmed from the complex merging of Eastern (calligraphy) and Western (figurative) traditions in art, alongside Hindu and Muslim ideology. Sweeps of a calligraphic brush are echoed in the artist's flamboyant approach to painting figures but his forms and themes are mostly biographical. Contortions to figurative style arose from his observation of wild, defiant cacti growing against the odds in the deserts of Gadani (Karachi) which left an indelible impression on the artist and his work. Colors used are simplistic, yet provide strong structural elements through Sadequain's contrast of etched strokes. -
Pakistan) 4–9 October 2000
Report on Mission to Evaluate the State of Conservation of the World Heritage Site of the SHALAMAR GARDENS Lahore (Pakistan) 4–9 October 2000 ROBERT DE JONG (President, ICOMOS International Committee on Historic Gardens and Landscapes) 49-51 rue de la Fédération - F-75015 Paris - France - Tel + 33 1 45 67 67 70 - Fax + 33 1 45 66 06 22 Report on Mission to Evaluate the State of Conservation of the World Heritage Site of the SHALAMAR GARDENS, Lahore (Pakistan) 1 BACKGROUND TO THE MISSION The mission concerned World Heritage Site (No. 171-172) – the Fort and Shalamar Gardens of Lahore (Pakistan) The reason for the mission was the information received by the UNESCO World Heritage Centre from the national authorities of Pakistan that the Department of Archaeology was proposing to "restore the demolished hydraulic works of Shalamar Gardens," and that the authorities "had expressed their intention to nominate two sites (ie the Fort and Shalamar Gardens of Lahore and Taxila) to the List of World Heritage in Danger" (Letter from the Director, UNESCO World Heritage Centre, to H.E. Mr Shararyar M. Khan, Extraordinary and Plenipotentiary Ambassador of Pakistan to France Permanent Delegation of Pakistan to UNESCO, 2 August 2000, WHC/74/400/ PKS/00/JT/425). The Centre and ICOMOS had also already considered sending a mission "to elaborate a comprehensive management plan for both the Fort and Shalamar Gardens of Lahore site and the Taxila site". During its 24th Session in Paris on 26 June–1 July 2000, the Bureau of the World Heritage Committee decided to request the World Heritage Centre and ICOMOS "to organise a reactive monitoring mission to the Fort and Shalamar Gardens." The Bureau, while "expressing its appreciation for the information received from the Pakistan authorities concerning its intentions to undertake corrective measures .. -
Samina Iqbal Art History Department Virginia Commonwealth University Richmond, Virginia
Samina Iqbal Art History Department Virginia Commonwealth University Richmond, Virginia AIPS Short Term Fellowship Report Grant Period: August 3rd – October 3rd, 2014 Location: Lahore and Islamabad The AIPS short-term fellowship grant enabled me to travel to Pakistan for two months this summer and conduct my dissertation research, which focuses on the Modern Art of Pakistan. More specifically, my research examines the modern trends in Pakistani art beginning in 1947 and the pivotal role of the five founding artists of Lahore Art Circle (LAC) in constructing modernist sensibilities and secular trends in Pakistani art from 1950-1957. LAC, founded in 1952 included artists: Ahmed Pervaiz (1926-1979), Ali Imam (1924-2002), Anwar Jalal Shemza (1928 -1985), Moyene Najmi (1926-1997), and Sheikh Safdar (1924-1983). Since my focus is on the first decade of Pakistani modern art after its independence, it is incredibly difficult to locate any archival material on this era especially in the field of Fine Arts. Locating the actual works of LAC artists, which are mostly in private collections, is the challenging task that I set for myself for the two-month research in Pakistan. I arrived in Lahore, intending to look at a few libraries for archival material and a few museums for actual works of arts. However, this research trip turned out to be extremely productive in finding and locating much more than I anticipated. I divided my research into three parts: a. I conducted a number of semiformal and informal interviews with art critics, friends and immediate family members of LAC artists. This included renowned writers such as Intizar Husain, Kishwar Naheed, Salima Hashmi, Nazish Attaullah, Quddus Mirza, Attiya Najmi, Shahnaz Imam, Anwar Saeed, Dr. -
Open/Closed) 0102 BAHAWALPUR-FARID GATE BAHAWALPUR Property # 1612/5 B-IV Farid Gate Circular Road Bahawalpur Open 1 SHOP NO
Sr Branch Status of Branch Branch Name Region BRANCH COMPLETE ADDRESS .No Code (Open/Closed) 0102 BAHAWALPUR-FARID GATE BAHAWALPUR Property # 1612/5 B-IV Farid Gate Circular road Bahawalpur Open 1 SHOP NO. 38/B, KHEWAT NO. 165/165, KHATOONI NO. 115, 0105 CHISHTIAN-GHALLA MAN BAHAWALPUR Open VILLAGE & TEHSIL CHISHTIAN, DISTRICT BAHAWALNAGAR. 2 3 0160 RAHIM YAR KHAN-SHAHI BAHAWALPUR Shop # 25-26 SHAHI ROAD, RAHIM YAR KHAN. Open Shop # 37-38, GALLA MANDI ROAD, KHANPUR, DISTRICT 0171 KHANPUR-GHALLA MANDI BAHAWALPUR Open 4 RAHIMYAR KHAN 0285 TATAR CHACHAR BAHAWALPUR # 54/117, CHACHRAN ROAD, CHOWK ZAHIRPIR, TEH. KHANPUR. Open 5 GOTH JURRAH,HOSPITAL ROAD,NEAR GHOUSIA CHOWK, 0334 SADIQABAD-GOTH JURRA BAHAWALPUR SADIQABAD. PLOT NO. 11-263/1 TEHSIL SADIQABAD, DISTT. Open 6 RAHIM YAR KHAN. 7 0350 BAHAWALPUR-QUAID-E-A BAHAWALPUR QUAID-E-AZAM MEDICAL COLLEGE BAHAWALPUR Open KHATTA 154/155,24/25-D,SHAHRAH-E-SHARIF NEAR GHALLA 0446 SADIQABAD-GHALLA MAN BAHAWALPUR Open 8 MANDI SADIQABAD DISTT.RAHIM YAR KHAN KHEWAT 12, KHATOONI 31-23/21, CHAK NO.56/DB YAZMAN 0468 YAZMAN-MAIN BRANCH BAHAWALPUR Open 9 DISTT. BAHAWALPUR. 0469 HAROONABAD-GHALLA MA BAHAWALPUR Shop # 69/C Ghalla Mandi Haroonabad Distt Bahawalnagar Open 10 98/C KHEWAT, NO. 441 KHATONI,NO.449/1, BALDIA ROAD 0498 HASILPUR-BALDIA ROAD BAHAWALPUR Open 11 HASILPUR 12 0677 BAHAWAL NAGAR-TEHSIL BAHAWALPUR 442-Chowk Rafique shah TEHSIL BAZAR BAHAWALNAGAR Open B-VI-371/55- C/1 Kutchery Road Ahmed Pur East District 0826 AHMEDPUR EAST-KUTCHE BAHAWALPUR Open 13 Bahawalpur HBL Near Gool Chowk Bhung Tehsil Sadiqabad District Rahim 0835 BHUNG BAHAWALPUR Open 14 Yar khan Khewat # 1018 Khatooni # 251 Main Road JAMAL DIN WALI 0840 JAMALDINWALI BAHAWALPUR Open 15 CITY Tehsil Sadiqabad District Rahim Yar khan KHEWAT NO.49 KHATOONI NO.200 TO 207, KHANQAH SHARIF, 0842 KHANQAH SHARIF BAHAWALPUR Open 16 DISTRICT BAHAWALPUR CHAK, NO.4/BC-Highway Road DERA BAKHA Tehsil & District 0844 DERA BAKHA BAHAWALPUR Open 17 Bahawalpur HOUSE # B-1, MODEL TOWN-B, GHALLA MANDI, TEHSIL & 0870 BAHAWALPUR-GHALLA MA BAHAWALPUR Open 18 DISTRICT BAHAWALPUR. -
Volume 3, 2021 University of Toronto, Graduate Union of Students of Art History
INTAGLIO Volume 3, 2021 University of Toronto, Graduate Union of Students of Art History Beloved Mosque: The Wazir Khan Masjid of Lahore Sanniah Jabeen The Wazir Khan mosque is located in the Walled City of Lahore, along the southern side of Lahore's Shahi Guzargah, or “Royal Road.” This was the traditional route traversed by Mughal nobles and their guests on their way to royal residences at the Lahore Fort. The mosque is situated approximately 260 meters west of the Delhi Gate, where the mosque's Shahi Hammam (Royal Bath) is also located. The mosque faces both a town square, known as Wazir Khan Chowk, and the Chitta (White) Gate. A trip through the Delhi Gate to the Wazir Khan Chowk is an explosion of the senses. If one searches for images of the Delhi Gate Lahore, most incorrectly show the Gate as a wide-open entrance through which vehicles and people can easily pass. If one actually walks through the Delhi Gate, it is absolute chaos. Cars have to be parked many blocks away and visitors have to push through busy cart vendors, donkeys, hens, the occasional cow, as well as young men carrying twice their body weight in fruit, shoes, eatables, and clothing items. The Walled City of Lahore is the only place in the city where human driven carts still exist, as many streets are almost too narrow to allow motor vehicles or even donkey carts. The call for the prayer bellows periodically from the minarets of the Wazir Khan mosque and an increasing cacophony of human chatter, rickshaws, and motorbikes fills the air. -
Prof. Dr. Shahida Manzoor
PROF. DR. SHAHIDA MANZOOR Principal, University College of Art & Design, University of the Punjab, Allama Iqbal Campus, Lahore, Pakistan Phone: Office: 042-99212729-30, Cell: 0333-6507103 E-mail: [email protected] [email protected] EDUCATION Ph. D. in Fine Arts (2003) Ohio University, USA. Topic of Ph.D. Thesis: Chaos Theory and Robert Wilson: A Critical Analysis of Wilson's Visual Arts and Theatrical Performances.. M.F.A. in Painting (Gold Medalist) 1987, University of the Punjab, Lahore, Pakistan. TEACHING/ADMINISTRATIVE EXPERIENCE Four years teaching experience at Ohio University, U.S.A 1997-2001. Taught Humanity courses to undergraduate students i.e. Painting, Sculpture, Architecture, Theater and Music. Twenty-nine years teaching experience teaching graduate and post- graduate classes at the University of the Punjab from 28.11.1989 - to date. teaching mainly painting, Western art, Modern art, Post- modern/contemporary and History of Islamic Architecture, Fourteen Years post Ph. D Experience. Teaching, Theories, History of Art, Aesthetics, Research Methodologies to Art History and Studio Practice doctoral Students. Coordinator, Research Centre of UCAD w.e.f. 1.6.2006 to 30.8.2010. Principal, University College of Art & Design, Punjab University, Lahore w.e.f. 8.8.2014 Warden/ Superintendent, Fatima Jinnah Hall, Girls Hostel #1, Punjab University, Lahore w.e.f. 2006- to date. HONORS First Pakistani woman to earn Ph.D. degree in Fine Arts from USA (see video attached). Appointed as a Student Judge, in the Athens County Court, Athens, Ohio-USA Selection as a Faculty Member of College of Fine Arts, Ohio University (2001). -
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Supplementary 2015
GOVERNMENT OF THE PUNJAB SUPPLEMENTARY BUDGET S T A T E M E N T For 2015-2016 I SUPPLEMENTARY BUDGET STATEMENT 2015 - 2016 SUMMARY BY DEMANDS Reference to Demand Grant Name of Demand Rs. pages Number Number I. Supplementary Demands (Voted) 1 1 3 Provincial Excise 737,724,000 2-3 2 5 Forests 21,970,000 4-9 3 9 Irrigation & Land Reclamation 2,691,013,000 10-48 4 10 General Administration 4,793,804,000 49-52 5 18 Agriculture 12,708,584,000 53 6 21 Cooperation 32,896,000 54-56 7 24 Civil Works 472,386,000 57-58 8 27 Relief 20,609,024,000 59 9 28 Pension 8,000,000,000 60-61 10 32 Civil Defence 527,676,000 62-65 11 33 State Trading in Foodgrains and Sugar 17,467,573,000 66-260 12 36 Development 67,465,788,000 261-262 13 38 Agricultural Improvement and Research 73,384,000 263-271 14 41 Roads and Bridges 6,414,569,000 272-273 15 43 Loans to Municipalities/Autonomous Bodies 4,077,214,000 Sub-Total Voted 146,093,605,000 II SUPPLEMENTARY BUDGET STATEMENT 2015 - 2016 SUMMARY BY DEMANDS Reference to Demand Grant Name of Demand Rs. pages Number Number II. Token Supplementary Demands (Voted) 274 16 1 Opium 1,000 275 17 6 Registration 1,000 276 18 7 Charges on Account of Motor Vehicles Acts 1,000 277-278 19 8 Other Taxes and Duties 1,000 279-282 20 11 Administration of Justice 1,000 283-284 21 12 Jails & Convict Settlements 1,000 285-299 22 13 Police 1,000 300 23 14 Museums 1,000 301-311 24 15 Education 1,000 312-384 25 16 Health Services 1,000 385-390 26 17 Public Health 1,000 391 27 19 Fisheries 1,000 392-398 28 20 Veterinary 1,000 399-401 29 22 Industries 1,000 402-412 30 23 Miscellaneous Departments 1,000 413-415 31 25 Communications 1,000 416 32 26 Housing & Physical Planning Department 1,000 417 33 29 Stationery and Printing 1,000 418-420 34 30 Subsidies 1,000 421-482 35 31 Miscellaneous 1,000 483-487 36 37 Irrigation Works 1,000 488-537 37 42 Government Buildings 1,000 Sub-Total Token 22,000 Total Voted 146,093,627,000 III SUPPLEMENTARY BUDGET STATEMENT 2015 - 2016 SUMMARY BY DEMANDS Reference to Demand Grant Name of Demand Rs.