Dandyism and the Haunting of Contemporary Masculinity
"THE IDEA OF BEAUTY IN THEIR PERSONS:" DANDYISM AND THE HAUNTING OF CONTEMPORARY MASCULINITY Darin Kerr A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2015 Committee: Jonathan Chambers, Advisor Juan Bes Graduate Faculty Representative Cynthia Baron Lesa Lockford © 2015 Darin Kerr All Rights Reserved iii ABSTRACT Jonathan Chambers, Advisor In this dissertation, I argue for the dandy as a spectral force haunting contemporary masculinity. Using the framework of Derridean hauntology, I posit that certain contemporary performances of masculinity engage with discourses of dandyism, and that such performances open up a space for the potential expression of a masculine identity founded on an alterity to hegemonic gender norms. The basis for this alterity derives from the philosophical underpinnings of dandyism as articulated by its most prominent nineteenth century theorizers. As a result, I divide my study into two halves: the first focuses on a close reading of texts by Balzac, d’Aurevilly, and Baudelaire; the second centers on three case studies illustrating the spectral nature of dandiacal performance in relationship to contemporary masculinity. Chapter One establishes the framework for my argument, articulating the way in which both nineteenth century French philosophical dandyism and Derrida’s concept of hauntology, particularly his “three things of the thing” (mourning, language, and work), serves to structure the rest of the study. Chapters, Two, Three, and Four, which constitute Part I, provide close readings of texts by Balzac, d’Aurevilly, and Baudelaire, respectively. Chapters Five, Six, and Seven form Part II, and consist of individual case studies examining the spectral traces of dandyism in performances of masculinity by three contemporary celebrities.
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