CONSOLIDATED FINANCIAL STATEMENTS Nintendo Co., Ltd
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Not of Woman Born: Monstrous Interfaces and Monstrosity in Video Games
NOT OF WOMAN BORN: MONSTROUS INTERFACES AND MONSTROSITY IN VIDEO GAMES By LAURIE N. TAYLOR A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2006 Copyright 2006 by Laurie N. Taylor To Pete. ACKNOWLEDGMENTS I have many people to thank for this dissertation: my friends, family, and teachers. I would also like to thank the University of Florida for encouraging the study of popular media, with a high level of critical theory and competence. This dissertation also would not have been possible without the diligent help and guidance from my committee members, Donald Ault and Jane Douglas, as well as numerous other faculty members and graduate students both at the University of Florida and at other institutions. Thanks go to friends and loved ones (and cats): Colin, Jeremiah, Nix, Galahad, and Mila. And, thanks go always to Pete, for helping with research, discussion, giving me love and support, and for being wonderful. iv TABLE OF CONTENTS Page ACKNOWLEDGMENTS ..............................................................................................iv ABSTRACT.................................................................................................................viii CHAPTER 1 INTRODUCTION....................................................................................................1 Introduction..............................................................................................................1 -
Conference Booklet
30th Oct - 1st Nov CONFERENCE BOOKLET 1 2 3 INTRO REBOOT DEVELOP RED | 2019 y Always Outnumbered, Never Outgunned Warmest welcome to first ever Reboot Develop it! And we are here to stay. Our ambition through Red conference. Welcome to breathtaking Banff the next few years is to turn Reboot Develop National Park and welcome to iconic Fairmont Red not just in one the best and biggest annual Banff Springs. It all feels a bit like history repeating games industry and game developers conferences to me. When we were starting our European older in Canada and North America, but in the world! sister, Reboot Develop Blue conference, everybody We are committed to stay at this beautiful venue was full of doubts on why somebody would ever and in this incredible nature and astonishing choose a beautiful yet a bit remote place to host surroundings for the next few forthcoming years one of the biggest worldwide gatherings of the and make it THE annual key gathering spot of the international games industry. In the end, it turned international games industry. We will need all of into one of the biggest and highest-rated games your help and support on the way! industry conferences in the world. And here we are yet again at the beginning, in one of the most Thank you from the bottom of the heart for all beautiful and serene places on Earth, at one of the the support shown so far, and even more for the most unique and luxurious venues as well, and in forthcoming one! the company of some of the greatest minds that the games industry has to offer! _Damir Durovic -
Crossing the Streams: Game Audio Rule Breakers of the Last Decade
Crossing the Streams: Game Audio Rule Breakers of the Last Decade Scott Selfon Development Lead | Xbox Advanced Technology Group, Microsoft Event Sound Event Sound Parameter(s) Event Sound Event Sound Event Sound Event Sound Event Sound Event Sound Event Sound Event Sound Event Sound Event Sound Event Sound Event Sound Event Sound Event Sound Event Sound Event Sound Event Sound Event Sound Event Sound Event Sound Event Sound Event Sound Event Sound Event Sound Event Sound Event Sound Event Sound Event Sound Event Sound Event Sound Event Sound Event Sound Event Sound Event Sound Event Sound Event Sound Event Sound Event Sound Event Sound Event Sound Event Sound Event Sound Event Sound Event Sound Event Sound Event Sound Event Sound Event Sound Event Sound Event Sound Event Sound Event Sound Event Sound Event Sound Event Sound Event Sound Event Sound Parameter(s) The Unexpected Pivot Event Sound Parameter You Don’t Know Jack (Jellyvision/Berkeley Systems, 1995) Braid (Number None, 2008) The Non-Event Event Sound SSX Tricky (Electronic Arts, 2001) SSX (Electronic Arts, 2012) VOLUME Eternal Darkness: Sanity’s Requiem (Silicon Knights, 2002) Dead Space (Electronic Arts, 2008) The Displaced Sound Event Sound The Chronicles of Riddick: Escape from Butcher Bay (Starbreeze/Tigon, 2004) Independence Event Sound Grim Fandango (LucasArts, 1998) Grim Fandango (LucasArts, 1998) The Reversal Event Sound Ghost Recon: Advanced Warfighter 2 (Red Storm Entertainment/Ubisoft, 2007) Halo 3 (Bungie, 2007) 4 6 5 4 5 3 4 The Audience is Listening Sound Player Silent Hill 2 (Konami, 2001) Portal 2 (Valve, 2011) Portal 2 (Valve, 2011) Portal 2 (Valve, 2011) The Game is Listening Player Event Sound Tom Clancy’s Splinter Cell (Ubisoft, 2002) The Audience is Speaking Player Event Voice Mass Effect 3 (BioWare, 2012) The Elder Scrolls V: Skyrim (Bethesda, 2012) The Feedback Loop Event Sound Gears of War (Epic Games, 2006) Gears of War 2 (Epic Games, 2008) BioShock (2K Games, 2007) Event Sound Questions? [email protected] Xbox LIVE Gamertag: Timmmmmay. -
Nintendo Wii Virtual Console
Nintendo Wii Virtual Console Last Updated on September 25, 2021 Title Publisher Qty Box Man Comments 101-in-1 Explosive Megamix Nordcurrent 1080° Snowboarding Nintendo 1942 Capcom 2 Fast 4 Gnomz QubicGames 3-2-1, Rattle Battle! Tecmo 3D Pixel Racing Microforum 5 in 1 Solitaire Digital Leisure 5 Spots Party Cosmonaut Games ActRaiser Square Enix Adventure Island Hudson Soft Adventure Island: The Beginning Hudson Entertainment Adventures of Lolo HAL Laboratory Adventures of Lolo 2 HAL Laboratory Air Zonk Hudson Soft Alex Kidd in Miracle World Sega Alex Kidd in Shinobi World Sega Alex Kidd: In the Enchanted Castle Sega Alex Kidd: The Lost Stars Sega Alien Crush Hudson Soft Alien Crush Returns Hudson Soft Alien Soldier Sega Alien Storm Sega Altered Beast: Sega Genesis Version Sega Altered Beast: Arcade Version Sega Amazing Brain Train, The NinjaBee And Yet It Moves Broken Rules Ant Nation Konami Arkanoid Plus! Square Enix Art of Balance Shin'en Multimedia Art of Fighting D4 Enterprise Art of Fighting 2 D4 Enterprise Art Style: CUBELLO Nintendo Art Style: ORBIENT Nintendo Art Style: ROTOHEX Nintendo Axelay Konami Balloon Fight Nintendo Baseball Nintendo Baseball Stars 2 D4 Enterprise Bases Loaded Jaleco Battle Lode Runner Hudson Soft Battle Poker Left Field Productions Beyond Oasis Sega Big Kahuna Party Reflexive Bio Miracle Bokutte Upa Konami Bio-Hazard Battle Sega Bit Boy!! Bplus Bit.Trip Beat Aksys Games Bit.Trip Core Aksys Games Bit.Trip Fate Aksys Games Bit.Trip Runner Aksys Games Bit.Trip Void Aksys Games bittos+ Unconditional Studios Blades of Steel Konami Blaster Master Sunsoft This checklist is generated using RF Generation's Database This checklist is updated daily, and it's completeness is dependent on the completeness of the database. -
Vgarchive : My Video Game Collection 2021
VGArchive : My Video Game Collection 2021 Nintendo Entertainment System 8 Eyes USA | L Thinking Rabbit 1988 Adventures in the Magic Kingdom SCN | L Capcom 1990 Astérix FRA | L New Frontier / Bit Managers 1993 Astyanax USA | L Jaleco 1989 Batman – The Video Game EEC | L Sunsoft 1989 The Battle of Olympus NOE | CiB Infinity 1988 Bionic Commando EEC | L Capcom 1988 Blades of Steel SCN | L Konami 1988 Blue Shadow UKV | L Natsume 1990 Bubble Bobble UKV | CiB Taito 1987 Castlevania USA | L Konami 1986 Castlevania II: Simon's Quest EEC | L Konami 1987 Castlevania III: Dracula's Curse FRA | L Konami 1989 Chip 'n Dale – Rescue Rangers NOE | L Capcom 1990 Darkwing Duck NOE | L Capcom 1992 Donkey Kong Classics FRA | L Nintendo 1988 • Donkey Kong (1981) • Donkey Kong Jr. (1982) Double Dragon USA | L Technōs Japan 1988 Double Dragon II: The Revenge USA | L Technōs Japan 1989 Double Dribble EEC | L Konami 1987 Dragon Warrior USA | L Chunsoft 1986 Faxanadu FRA | L Nihon Falcom / Hudson Soft 1987 Final Fantasy III (UNLICENSED REPRODUCTION) USA | CiB Square 1990 The Flintstones: The Rescue of Dino & Hoppy SCN | B Taito 1991 Ghost'n Goblins EEC | L Capcom / Micronics 1986 The Goonies II NOE | L Konami 1987 Gremlins 2: The New Batch – The Video Game ITA | L Sunsoft 1990 High Speed ESP | L Rare 1991 IronSword – Wizards & Warriors II USA | L Zippo Games 1989 Ivan ”Ironman” Stewart's Super Off Road EEC | L Leland / Rare 1990 Journey to Silius EEC | L Sunsoft / Tokai Engineering 1990 Kings of the Beach USA | L EA / Konami 1990 Kirby's Adventure USA | L HAL Laboratory 1993 The Legend of Zelda FRA | L Nintendo 1986 Little Nemo – The Dream Master SCN | L Capcom 1990 Mike Tyson's Punch-Out!! EEC | L Nintendo 1987 Mission: Impossible USA | L Konami 1990 Monster in My Pocket NOE | L Team Murata Keikaku 1992 Ninja Gaiden II: The Dark Sword of Chaos USA | L Tecmo 1990 Rescue: The Embassy Mission EEC | L Infogrames Europe / Kemco 1989 Rygar EEC | L Tecmo 1987 Shadow Warriors FRA | L Tecmo 1988 The Simpsons: Bart vs. -
24 Adventure Island Age of Booty Alan Wake Alice In
24 24 – The Game PS2 | PAL | CiB SCE Studio Cambridge 2006 ADVENTURE ISLAND Super Adventure Island SNES | NOE | L Hudson Soft 1992 AGE OF BOOTY Age of Booty PS3 | DIGI | PSN Certain Affinity 2008 ALAN WAKE Alan Wake [Limited Collector's Edition] Xbox 360 | PAL | CiB Remedy Entertainment 2010 Alan Wake's American Nightmare Xbox 360 | DIGI | XBLA Remedy Entertainment 2012 ALICE IN WONDERLAND American McGee's Alice PS3 | DIGI | PSN Spicy Horse International 2011 Alice: Madness Returns PS3 | DIGI | PSN Spicy Horse International 2011 ALIEN Alien: Isolation [Ripley Edition] PS4 | R2 | CiB The Creative Assembly 2014 ALONE IN THE DARK Alone in the Dark: Inferno PS3 | R2 | CiB Eden Games / Artefacts Studio / Krysalide / ... 2008 AMNESIA ++ Amnesia ++ Amnesia: The Dark Descent PC | DIGI | Steam Frictional Games 2010 ++ Compilations ++ Amnesia Collection PS4 | DIGI | PSN Frictional Games / BlitWorks 2016 • Amnesia: The Dark Descent (2010) • Amnesia: A Machine for Pigs (2013) ANGRY BIRDS Angry Birds Trilogy PS3 | DIGI | PSN Rovio Entertainment / Housemarque 2012 • Angry Birds (2009) • Angry Birds: Seasons (2010) • Angry Birds: Rio (2011) ANGRY VIDEO GAME NERD The Angry Video Game Nerd Adventures Wii U | DIGI | Nintendo eShop FreakZone Games / MP2 Games 2015 ANIMAL CROSSING Animal Crossing: New Horizons NSW | UK4 | CiB Nintendo 2020 ARCADE CLASSICS: CAPCOM Capcom Arcade Cabinet PS3 | DIGI | PSN Capcom / M2 / Gotch 2013 • Black Tiger (1987) • DOWNLOADABLE GAMES: • 1942 (1984) • 1943: The Battle of Midway (1987) • Avengers (1987) • Commando (1985) • -
Ubisoft Reports Full-Year 2007-08 Sales
Ubisoft reports full-year 2007-08 sales Full-year sales up 36% to €928 million. Target for 2008-09 current operating income 1 revised upwards. Paris, April 24, 2008 – Today, Ubisoft reported its sales for the fourth fiscal quarter ended March 31, 2008. Sales Sales for the fourth quarter of 2007-08 came to €217 million, up 10.0%, or 20.3% at constant exchange rates, compared with the €197 million recorded for the same period of 2006-07. Full-year sales for fiscal 2007-08 totaled €928 million, versus €680 million for fiscal 2006-07, representing an increase of 36.4%, or 42.9% at constant exchange rates. Fourth-quarter sales outstripped the initial guidance of approximately €165 million issued on January 23, 2008. This strong showing was driven by better-than-expected performances from the following games: Tom Clancy’s Rainbow Six® Vegas 2, which reached almost 2 million sell-in units and ranked second in all-format sales for March in the United States and United Kingdom according to NPD and Chart-Track. The Games For Everyone (G4E) brands, which topped €230 million in sales for the year. Assassin's Creed ™, which continued its robust performance, achieving over 6 million sell-in units since its launch. During the first three months of the 2008 calendar year, Ubisoft continued to grow faster than the market 2 based on sell-through data: In the United States, Ubisoft posted growth of 38% (compared with 28% for the US market as a whole), with market share of 7.2% versus 6.7% in the first quarter of 2007. -
2012 Video Game Industry Litigation Review
Science and Technology Law Review Volume 16 Number 1 Article 13 2013 2012 Video Game Industry Litigation Review Tanner Robinson Max Metzler Follow this and additional works at: https://scholar.smu.edu/scitech Recommended Citation Tanner Robinson & Max Metzler, 2012 Video Game Industry Litigation Review, 16 SMU SCI. & TECH. L. REV. 1 (2013) https://scholar.smu.edu/scitech/vol16/iss1/13 This Article is brought to you for free and open access by the Law Journals at SMU Scholar. It has been accepted for inclusion in Science and Technology Law Review by an authorized administrator of SMU Scholar. For more information, please visit http://digitalrepository.smu.edu. 2012 Video Game Industry Litigation Review Tanner Robinson* Max Metzler** As far as significant gaming law developments are concerned, 2011 was a tough act to follow.' Last year a new paradigm emerged-courts applied the test set forth in Hart v. Electronic Arts, Inc. to lawsuits involving celebri- ties' publicity rights in video games, 2 and the Supreme Court validated a new art form in Brown v. Entertainment Merchants Association.3 While not new in 2012, an important trend certainly continued in a significant way: the video game industry continued to become more mainstream.4 As video games continue to cross demographic lines and become more ubiquitous, production companies begin to resemble those in other industries. As a result of risk-focused business decisions and industry growth, many of last year's contentious lawsuits have settled. As the scope of a business expands, the variety of its contracts tends to expand as well. -
Annual Report 2015
Annual Report 2015 for the fiscal year ended March 31, 2015 Nintendo Co., Ltd. Table of Contents Information on the Company ....................................................................................................................................... 1 I. Overview of the Company ............................................................................................................................... 1 1. Key financial data and trends .......................................................................................................................... 1 2. Description of business ................................................................................................................................... 3 3. Subsidiaries and associates ............................................................................................................................. 4 II. Business Overview .......................................................................................................................................... 6 1. Overview of operating results and cash flow .................................................................................................. 6 2. Risk factors ..................................................................................................................................................... 6 3. Research and development activities .............................................................................................................. 9 4. Analysis of financial position, -
Vertical Integration, Exclusivity and Game Sales Performance in the U.S
Vertical Integration, Exclusivity and Game Sales Performance in the U.S. Video Game Industry Ricard Gil and Frederic Warzynski∗† October 2013 Abstract This paper empirically investigates the relation between vertical integration and video game per- formance in the US video game industry. For this purpose, we use a widely used data set on video game monthly sales from October 2000 to October 2007. We complement these data with information on video game developers and the timing of all mergers and acquisitions during that period allowing us to separate vertically integrated games from those independent games exclusive to a platform. First, we show that vertically integrated games are associated with higher sales and higher prices than in- dependent games. Second, we explore whether the link between vertical integration and performance in this industry is due to selection or value added. Our results suggest that most of the difference in performance is due to value added from better release strategies and selection from ex-ante differ- ences in video game quality. In our sample of games, post-release marketing strategies do not seem to add value to vertically integrated games. We also find that platform-exclusive independent games are associated with lower demand and higher prices. ∗Ricard Gil is an Assistant Professor at The Johns Hopkins Carey Business School and Frederic Warzynski is a Professor at Aarhus University. Corresponding author’s email: [email protected]. †We would like to thank comments from Robin Lee, Shane Greenstein, Robert Gibbons and Pablo Spiller as well as from seminar participants at UC-Santa Cruz, CUNEF, Aarhus University,DePaulUniversity,UC-Davis,IIOC-Vancouver, ISNIE-Stirling, the 2nd Meeting of the Danish Microeconometric Network, Bates College, MIT Sloan, University of Kansas, Stony Brook, Columbia Business School, the 6th Annual Organizational Economics Workshop at the University of Sydney and the Conference on the Law and Economics of Organizations at Haas Berkeley in honor of Oliver Williamson. -
CONSOLIDATED FINANCIAL STATEMENTS Nintendo Co., Ltd
earnings releases May 30, 2002 Nintendo Co., Ltd. 11-1 Kamitoba hokotate-cho, Minami-ku, Kyoto 601-8501 Japan CONSOLIDATED FINANCIAL STATEMENTS Nintendo Co., Ltd. and Consolidated Subsidiaries FINANCIAL HIGHLIGHTS Years ended March 31, 2001 and 2002 The amounts presented herein are rounded down under one million yen except as otherwise denominated. Numbers in parentheses are negative. Yen in Millions 2001 2002 Net sales 462,502 554,886 Percentage change from previous year (12.8%) 20.0% Operating income 84,697 119,151 Percentage change from previous year (41.6%) 40.7% Income before income taxes and extraordinary items 192,247 186,618 Percentage change from previous year 77.5% (2.9%) Net income 96,603 106,444 Percentage change from previous year 72.3% 10.2% Net income per share --------------------------------------------------- ¥681.90 ¥751.39 Ratio of net income to net worth ------------------------------------------ 12.1% 12.0% Ratio of income before income taxes and extraordinary items to total assets -- 19.2% 16.8% Ratio of income before income taxes and extraordinary items to net sales ---- 41.6% 33.6% Financial position Total assets (1) --------------------------------------------- 1,068,568 1,156,715 Shareholders' equity (2) ------------------------------------- 834,951 935,075 Ratio of net worth to total assets (2) / (1) --------------------- 78.1% 80.8% Shareholders' equity per share ------------------------------- ¥5,893.71 ¥6,600.82 Cash flows Cash flows from operating activities ------------------------- 122,234 56,234 Cash -
A Guide to the Videogame System
SYSTEM AND EXPERIENCE A Guide to the Videogame as a Complex System to Create an Experience for the Player A Master’s Thesis by Víctor Navarro Remesal Tutor: Asunción Huertas Roig Department of Communication Rovira i Virgili University (2009) © Víctor Navarro Remesal This Master’s Thesis was finished in September, 2009. All the graphic material belongs to its respective authors, and is shown here solely to illustrate the discourse. 1 ACKNOWLEDGEMENTS I would like to thank my tutor for her support, advice and interest in such a new and different topic. Gonzalo Frasca and Jesper Juul kindly answered my e-mails when I first found about ludology and started considering writing this thesis: thanks a lot. I also have to thank all the good people I met at the ECREA 2008 Summer School in Tartu, for giving me helpful advices and helping me to get used to the academic world. And, above all, for being such great folks. My friends, family and specially my girlfriend (thank you, Ariadna) have suffered my constant updates on the state of this thesis and my rants about all things academic. I am sure they missed me during my months of seclusion, though, so they should be the ones I thanked the most. Thanks, mates. Last but not least, I want to thank every game creator cited directly or indirectly in this work, particularly Ron Gilbert, Dave Grossman and Tim Schafer for Monkey Island, Fumito Ueda for Ico and Shadow of the Colossus and Hideo Kojima for the Metal Gear series. I would not have written this thesis if it were not for videogames like these.