Australian Galleries, Melbourne
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Shimmen Full CV 2019
HEATHER SHIMMEN Born 1957, Melbourne 78. BA Fine Art (Painting), RMIT, Melbourne 2010 Artists in residence, RMIT, Melbourne , Vic 2013 Artist in residence, The Art Vault, Mildura, VIC SOLO EXHIBITIONS 2019. ‘Ladies of the Pleiades’, Sale Regional Gallery, Sale 2017. 'Time Warps',Australian Galleries,Melbourne 2014. 'Insectivoria', Australian Galleries, Melbourne 2011. ‘The Swamp Maidens Tale’, Australian Galleries, Smith Street, Melbourne 2008. ‘Betwixt’, Gallery 101, Melbourne 2006 ‘I Dreamt I Dwelt in Marble Halls’, Stonnington Stables Museum of Art, Deakin University, Melbourne ‘Whispers’ Adele Boag Gallery, Adelaide 2005 ‘Figment, Fragment’, Gallery 101, Melbourne 2002 ‘Things That Float In The Air’, Joshua McClelland Print Room, Melbourne 1999. ‘The Sutured Heart’, Bulle Gallery, Melbourne 1997. ‘The Invisible Hand of the Future’, Lyall Burton Gallery, Melbourne 1996. Lyall Burton Gallery, Melbourne Adelaide Central Gallery, Adelaide 1993 Adelaide Central Gallery, Adelaide Lyall Burton Gallery, Melbourne 1991. Realities Gallery, Melbourne 1990. Realities Gallery, Melbourne 1986. Realities Gallery, Melbourne 1984 Bitumen River Gallery, Canberra 1983. Anthill Theatre, Melbourne 1982. Drummond Street Gallery, Melbourne GROUP EXHIBITION 2020. ‘Let All the Birds Fly- the hybrid print’,Maitland Regional Galleries,NSW ‘Fem -aFfinity’, Devonport Regional Art Gallery Tas Benalla Art GalleryVic Noosa Regional Art Gallery Qld Horsham Regional Art Gallery Vic Bunjil Place Gallery Vic Riddoch Art GallerySA 2019 ‘Paper Made’, Australian Galleries, Melbourne ‘Fem-aFfinity’, Arts Project, Melbourne ‘Beyond the Veil’,Art for the World Gallery, Cannaregio, Biennale de Venetzia, Venice,Italy ‘Beyond the Veil’,Memoire de L’Avenir Espace cultures pluridisciplinairl, Paris, France ‘2019 Ulsan International Woodcut Biennale’ South Korea ‘Round About’ Gecko Gallery, Fish Creek,VIC ‘Sydney Contemporary Art Fair’Sydney,NSW ‘Art Meets Nature’,WAMA, Sofitel,Melbourne ‘A Fine Line’, Bright Space, Melbourne 2018. -
Library Board of Victoria Annual Report 2016
Library Board of Victoria Victoria Library of Board Library Board of Victoria Annual Report 2016–17 Annual ReportAnnual 2016–17 Library Board of Victoria Annual Report 2016–17 Published by State Library Victoria 328 Swanston Street Melbourne VIC 3000 Australia Also published on slv.vic.gov.au © State Library Victoria 2017 This publication is copyright. No part may be reproduced by any process except in accordance with the provisions of the Copyright Act 1968. Authorised by the Victorian Government 328 Swanston Street Melbourne VIC 3000 Australia Typeset by Cannon Typesetting Cover photograph: The night garden, illumination created by Nick Azidis, Lisa Greenaway and Rose Staff for White Night Melbourne 2017. Photograph by James Braund. Contents 2 President’s report 4 Chief Executive Officer’s year in review 6 Vision and values 7 Report of operations 22 Financial summary 24 2016–17 key performance indicators 25 Service Agreement with the Minister for Creative Industries 26 Output framework 28 Acquisitions statistics 29 Library Board and corporate governance 33 Library Executive 34 Organisational structure 35 Occupational health and safety 37 Public sector values and employment principles 38 Statement of workforce data and merit and equity 40 Environmental performance 42 Diversity and Social Inclusion Plan 43 Freedom of information 44 Protected Disclosure Act 2012 44 Compliance with the Building Act 1993 45 Victorian Industry Participation Policy 45 National Competition Policy 46 Government advertising expenditure 46 Major contracts 47 Consultancies 48 Financial information 49 Risk attestation Financial statements 51 Auditor-General’s report 53 Library Board of Victoria letter 54 Financial report for year ended 30 June 2017 59 Notes to the financial statements 105 Disclosure index President’s report I am pleased to present my sixth report as the donated $2 million to establish Start Space, a new President of the Library Board of Victoria. -
James Turrell's Skyspace Robert Dowling Life, Death
HANS HEYSEN ROBERT DOWLING ROBERT LIFE, DEATH AND MAGIC AND MAGIC LIFE, DEATH JAMES TURRELL’S SKYSPACE SKYSPACE TURRELL’S JAMES ISSUE 62 • winter 2010 artonview ISSUE 62 • WINTER 2010 NATIONAL GALLERY OF AUSTRALIA The National Gallery of Australia is an Australian Government Agency Issue 62, winter 2010 published quarterly by 3 Director’s foreword National Gallery of Australia GPO Box 1150 exhibitions and displays Canberra ACT 2601 nga.gov.au 6 Robert Dowling: Tasmanian son of Empire ISSN 1323-4552 Anne Gray Print Post Approved 10 Life, death and magic: 2000 years of Southeast Asian pp255003/00078 ancestral art © National Gallery of Australia 2010 Copyright for reproductions of artworks is Robyn Maxwell held by the artists or their estates. Apart from 16 Hans Heysen uses permitted under the Copyright Act 1968, no part of artonview may be reproduced, Anne Gray transmitted or copied without the prior permission of the National Gallery of Australia. 20 Portraits from India 1850s–1950s Enquiries about permissions should be made in Anne O’Hehir writing to the Rights and Permissions Officer. 22 In the Japanese manner: Australian prints 1900–1940 The opinions expressed in artonview are not necessarily those of the editor or publisher. Emma Colton Produced the National Gallery of Australia Publishing Department: acquisitions editor Eric Meredith 26 James Turrell Skyspace designer Kristin Thomas Lucina Ward photography Eleni Kypridis, Barry Le Lievre, Brenton McGeachie, Steve Nebauer, 28 Theo van Doesburg Space-time construction #3 David Pang, -
G Eelong G Allery Annual Report
Geelong Gallery annual report 2009–2010 Geelong Gallery Little Malop Street Geelong 3220 T 03 5229 3645 Open daily 10am–5pm Closed Christmas Day, Boxing Day, New Year’s Day and Good Friday www.geelonggallery.org.au Geelong Gallery annual report 2009–2010 01 Contents President’s report 02 Director’s report 04 Honorary Secretary’s report 08 The Geelong Art Gallery Foundation 16 The Geelong Gallery Grasshoppers 18 Friends of the Geelong Gallery 20 Collections report 21 Financial statements for 30 the year ended 30 June 2010 Government partners and sponsors 44 Geelong Gallery annual report 2009–2010 02 President’s report Since the Gallery’s last AGM, my predecessor Overall, I’m delighted to confirm that the year’s as President of the Geelong Gallery, Michael programs and initiatives went successfully to Cahill, has stepped down from the role, having plan, with all the Key Performance Indicators served in different capacities on Gallery boards that underpin the Gallery’s funding agreements and committees for some two decades. So, with our local and state government partners it is with great pleasure that I place on record either comfortably met or, more often than here our sincere thanks to Michael for this not, substantially exceeded. remarkable commitment to the Board and to the Gallery, noting as I do so, and with real A wide-ranging exhibition program was satisfaction, that Michael retains a formal link delivered to critical acclaim, the Gallery’s with us as continuing Chair of the Gallery’s financial performance was sound, corporate Acquisitions committee. sponsorships were retained and extended, the collection grew through purchase, As usual on these occasions, brief outlines bequest, acquisitive prize, and gift with of the Gallery’s financial and general operating the Geelong Art Gallery Foundation keenly performance over the previous 12 months supportive throughout. -
Contemporary Asian Art and Exhibitions Connectivities and World-Making
Contemporary Asian Art and Exhibitions Connectivities and World-making Contemporary Asian Art and Exhibitions Connectivities and World-making Michelle Antoinette and Caroline Turner ASIAN STUDIES SERIES MONOGRAPH 6 Published by ANU Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at http://press.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Author: Antoinette, Michelle, author. Title: Contemporary Asian art and exhibitions : connectivities and world-making / Michelle Antoinette and Caroline Turner. ISBN: 9781925021998 (paperback) 9781925022001 (ebook) Subjects: Art, Asian. Art, Modern--21st century. Intercultural communication in art. Exhibitions. Other Authors/Contributors: Turner, Caroline, 1947- author. Dewey Number: 709.5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover illustration: N.S. Harsha, Ambitions and Dreams 2005; cloth pasted on rock, size of each shadow 6 m. Community project designed for TVS School, Tumkur, India. © N.S. Harsha; image courtesy of the artist; photograph: Sachidananda K.J. Cover design and layout by ANU Press Printed by Griffin Press This edition © 2014 ANU Press Contents Acknowledgements . vii Introduction Part 1 — Critical Themes, Geopolitical Change and Global Contexts in Contemporary Asian Art . 1 Caroline Turner Introduction Part 2 — Asia Present and Resonant: Themes of Connectivity and World-making in Contemporary Asian Art . 23 Michelle Antoinette 1 . Polytropic Philippine: Intimating the World in Pieces . 47 Patrick D. Flores 2 . The Worlding of the Asian Modern . -
Imants Tillers
IMANTS TILLERS Born Sydney, Australia 1950. EDUCATION 2005 Awarded a Doctor of Letters (Honoris Causa), University of New South Wales, Sydney. 2001 Visiting Fellow, Fine Art Research Centre, Southampton Institute, UK Co-curator with Marketta Seppälä, Empathy: Beyond the Horizon, Pori Art Museum, Finland. Appointed Trustee of the Art Gallery of New South Wales, Sydney. 1976 Cité Internationale des Arts Residency, Paris Owen Tooth Cottage Residency, Vence. 1969 – 72 Bachelor of Science Architecture (First Class Hons, University Medal), University of Sydney. 2010 Collaborated with Janis Balodis on Exile and Fatherland, 53rd Australian Latvian Arts Festival, Melbourne 2011 Appointed a Director of Immigration Place, Australia, Canberra. SELECTED SOLO EXHIBITIONS 2016 Metafisca Australe, ARC ONE Gallery, Melbourne. 2015 Metafisca Australe, Roslyn Oxley9 Gallery, Sydney 2014 Big Storm Between Two Place: Michael Nelson Jagamara and Imants Tillers, Fire works Gallery, Brisbane Latvian Mandala, Australian Latvian Arts Festival, Latvian House, Sydney. Haunted Nation, Bett Gallery, Hobart The Philosopher’s Walk, Greenaway Art Gallery, Adelaide 2013 The Fleeting Self, ARC ONE Gallery, Melbourne 2012 Tabula Rasa, Roslyn Oxley9 Gallery, Sydney The Loaded Ground: Michael Nelson Jagamara and Imants Tillers, Drill Hall Gallery, Australian National University Art Gallery, Canberra. 2011 Nature Speaks, Greenaway Art Gallery, Adelaide. The Journey South, Bett Gallery, Hobart. 2010 The Blossoming World, Arc One Gallery. A Poem of the Land, Roslyn Oxley9 Gallery, Sydney. Dual Worlds: Dadang Christanto and Imants Tillers, Jan Manton Art, Brisbane. 2009 Leap of Faith, Greenaway Art Gallery, Adelaide. Value Added Landscapes, Jan Manton Art, Brisbane. Clouds on a distant horizon, Bett Gallery, Hobart. The Long Poem, Lawrence Wilson Art Gallery, University of Western Australia, Perth. -
Heide Museum of Modern Art 2003 Annual Report
HEIDE MUSEUM OF MODERN ART 2003 ANNUAL REPORT Heide Museum of Modern Art HEIDE MUSEUM OF MODERN ART 2003 ANNUAL REPORTHEIDE MUSEUM OF MODERN ART 2003 ANNUAL REPORT CONTENTS PAGE CONTENTS 1 Mission 3 2 Patrons, Fellows, 4 Board of Directors and Company Members 3 Chairman’s Report 5 4 Operations Report 6 5 Exhibitions and Events 11 6 Acquisitions 13 7 Outward Loans 15 8 Lenders 16 9 Donors and Partners 17 10 Staff and Volunteers 21 11 Financial Statements 23 HEIDE MUSEUM OF MODERN ART 2003 ANNUAL REPORT MISSION STATEMENT Heide Museum of Modern Art tells the story of modern art in Australia through the heritage of John and Sunday Reed and the unique environment in which they lived. The Museum maintains their philosophy of support for contemporary art. 3 HEIDE MUSEUM OF MODERN ART 2003 ANNUAL REPORT PATRONS, FELLOWS, FOUNDING PATRON BOARD OF DIRECTORS BOARD OF DIRECTORS Sir Rupert Hamer AC KCMG, 1916 – 2004 Trevor Tappenden Chairman AND COMPANY MEMBERS Kerry Gardner Deputy Chairman PATRON Mrs Terry Bracks Dr Janine Burke Craig Kimberley (from December) FELLOWS Bryce Menzies Dr H Norman B Wettenhall AM, 1988 1915 – 2000 Ken Ryan (from December) Georges Mora, 1913 – 1992 1989 David Walsh Maria Prendergast 1990 Baillieu Myer AC 1992 Rob Adams (to March) Loti Smorgon AO 1993 James Colquhoun (to October) Victor Smorgon AO 1993 Michael Roux (to March) Dr Barrett Reid AM, 1926 – 1995 1994 Dr Tom Quirk 1995 COMPANY MEMBERS Maudie Palmer 1997 Helen Alter The Hon. Mr Justice Charles 1998 Ken Cato Christine Collingwood 1999 The Hon. Mr Justice Charles Albert Tucker AO, 1914 – 1999 2000 Joan Clemenger Barbara Tucker 2000 Christine Collingwood Tom Lowenstein 2002 Patricia Cross Janne Faulkner AM Jeff Floyd Julia King Tom Lowenstein Professor Ray Martin Sarah McKay Ian McRae Dr Thomas Quirk Rosemary Simpson Deryk Stephens Chris Thomas 4 HEIDE MUSEUM OF MODERN ART 2003 ANNUAL REPORT CHAIRMAN’S REPORT During 2003 Heide underwent significant increased to ensure we can continue to transition to re-emerge as a major art operate to the high standards we seek and destination. -
Annual Report 2014–15
Annual Report 2014–15 Annual Report 2014–15 Published by the National Gallery of Australia Parkes Place, Canberra ACT 2600 GPO Box 1150, Canberra ACT 2601 nga.gov.au/aboutus/reports ISSN 1323 5192 © National Gallery of Australia 2015 All rights reserved. No part of this publication can be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without permission in writing from the publisher. Prepared by the Governance and Reporting Department Edited by Eric Meredith Designed by Carla Da Silva Pastrello Figures by Michael Tonna Index by Sherrey Quinn Printed by Union Offset Printers Cover: The 2015 Summer Art Scholars with Senior Curator Franchesca Cubillo in the Indigenous Urban gallery, 14 January 2015. 16 October 2015 Senator the Hon Mitch Fifield Minister for Communications Minister for the Arts Minister Assisting the Prime Minister for Digital Government Parliament House CANBERRA ACT 2600 Dear Minister On behalf of the Council of the National Gallery of Australia, I have pleasure in submitting to you, for presentation to each House of Parliament, the National Gallery of Australia’s annual report covering the period 1 July 2014 to 30 June 2015. This report is submitted to you as required by section 39 of the Public Governance, Performance and Accountability Act 2013. It is consistent with the requirements set out in the Commonwealth Authorities (Annual Reporting) Orders 2011, and due consideration has been given to the Requirements for Annual Reports approved by the Joint Committee of Public Accounts and Audit under subsections 63(2) and 70(2) of the Public Service Act 1999 and made available by the Department of the Prime Minister and Cabinet on 25 June 2015. -
John Cruthers
MENZIES AUSTRALIAN & INTERNATIONAL FINE ART & SCULPTURE Sydney 24 September 2015 Several of the best works in this sale are well above the buying budgets of my clients, so as usual I have not written about them. This is a shame, because if any of you has a spare $350,000, Ian Fairweather’s Fascismo is a superb late painting and easily museum standard. But overall it’s an interesting sale containing some unusual and offbeat items. So I have taken the opportunity to introduce some new artists I’ve not previously recommended, and to reiterate my enthusiasm for a couple of others I’ve had little success with. Other works I’ve not recommended because I have no-one collecting in the area, for example the two terrific 1973 prints by US pop master Jim Dine, or the 1976 screenprint by Bridget Riley, the major figure in the international op art movement. I hope you enjoy seeing some new artists and, as always, I am very pleased to discuss any works of interest to you that I have not included in the presentation. JOHN CRUTHERS rococo pop pty ltd In a recent sale I recommended a painting by Albert Tucker called Woman 1950, of a prostitute standing in a doorway in a bombed-out looking Paris. I commented that the years Tucker spent overseas, roughly 1947-60, represented a highpoint in his work. He saw a lot of great art, worked hard and strove to produce work that measured up to the best contemporary art he was seeing. The current work is a study in which Tucker tries a variety of stylistic devices borrowed from late cubism to depict the female form in interior space. -
Antarctic Animation: Gestures and Lines Describe a Changing Environment
Antarctic Animation: Gestures and lines describe a changing environment By Lisa Roberts A thesis submitted for the degree of Doctor of Philosophy College of Fine Arts, The University of New South Wales. October 2010 Dedication I dedicate this work with love to my children Josef and Katherine, grandchildren Joshua and Benjamin, and to my teachers Lenton Parr, Simon Pockley and Kathryn Yeo. i Abstract The need to engage the public with accurate information about climate change is urgent. Antarctica has become the focus of research for scientists and artists who seek to understand the complex forces at work. Different perceptions of Antarctica are surveyed. These perceptions are expressed through data sets, art works, dances, words, tones of voice and gestures. An iconography of primal gestural forms is iden- tified that has been used since pre-history to make visible expressions of connection to the natural world. The primary research methodology is practice-based. Interviews with expedi- tioners, online responses and improvised movement workshops are used as sources for animations and art works. Animated forms arise from circling, spiraling, and crossing gestures. These ancient choreographies describe the dynamic structures that shape the Antarctic ecosystem and reflect structures within the body through which they are generated. Animations are presented at international conferences and exhibitions of Antarc- tic arts and sciences. An online log is used to display the animations and invite responses. The responses are evaluated. Archetypal gestural forms are found to expand the meaning of climate change data. Recognition of these primal forms (as body knowledge) is found to add a dimension of meaning to scientific information that is an essential component of accurate communication. -
Printmaking As an Expanding Field in Contemporary Art Practice
Printmaking as an Expanding Field in Contemporary Art Practice: A Case Study of Japan, Australia and Thailand Marjorie Anne Kirker Dip.F.A. (Hons), University of Auckland; M.A. Art History, Courtauld Institute of Art, London Doctor of Philosophy Submission for Final Examination Creative Industries Faculty Department of Visual Arts Queensland University of Technology 2009 1 Statement of original authorship The work contained in this thesis has not been previously submitted to meet requirements for an award at this or any other higher education institution. To the best of my knowledge and belief, the thesis contains no material previously published or written by another person, except where due reference is made. Marjorie Anne Kirker Signature: Date: 2 TABLE OF CONTENTS Acknowledgments .......................................................................................................... 6 Abstract ........................................................................................................................... 7 Chapter 1 THE PROBLEM AND ITS CONTEXT .............................................................. 10 1.1 The Research Problem and Its Significance ............................................................. 10 1.2 Key Research Questions to Be Addressed ................................................................ 15 1.3 Objectives of the Research ...................................................................................... 16 Chapter 2 LITERATURE INFORMING RESEARCH PROBLEM .................................... -
Prints, Printmaking and Philanthropy a Symposium Celebrating 50 Years of the Harold Wright and the Sarah and William Holmes Scholarships
Prints, Printmaking and Philanthropy A symposium celebrating 50 years of The Harold Wright and The Sarah and William Holmes Scholarships 30 September – 2 October, 2019 Forum Theatre, Arts West, The University of Melbourne Prints, Printmaking SYMPOSIUM and Philanthropy PROGram A symposium celebrating 50 years of The Harold Wright and The Sarah and DAY ONE Monday 30 September William Holmes Scholarships 8.30 – 9.00 am Registration Presented by the Australian Institute of Art History 9.00 – 9.15 am Introduction and Welcome Professor Su Baker, Pro Vice-Chancellor, Community and Cultural Partnerships, with assistance from The University of Melbourne’s and Director of Centre of Visual Arts (CoVA), The University of Melbourne Students and Scholarly Services Associate Professor Christopher Marshall, Chair, The Harold Wright and 30 September – 2 October, 2019 The Sarah & William Holmes Scholarships Selection Committee, The University of Melbourne 9.15 – 10.15 am Session One – Prints & Experimentation Chair: Julie Irving, Lecturer, Faculty of Fine Arts and Music, The University of Melbourne Dr Jane Eckett, Art History Program, School of Culture and Communication, The University of Melbourne Can a visionary act of philanthropy transform print scholarship and curatorial practice? This symposium will Hirschfeld-Mack’s monotypes as an index of modernist migration explore this question. Celebrating 50 years of The Harold Wright and The Sarah and William Holmes Scholarships, Dr Anna Parlane, Art History Program, School of Culture and Communication, Prints, Printmaking and Philanthropy will focus on three broad themes: print exhibitions, print collections and The University of Melbourne “Collapse of Mirror City”: Fact, fabrication and the newspaper print in Michael print presses – and also seek to trace the influence of philanthropy in shaping Australasian print culture.