Five Unique Places to Stay in Sicily
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Mathematical Table" in the Chinese Lodge of Palermo
Proceedings of 2015 IFToMM Workshop on History of Mechanism and Machine Science May 26-28, 2015, St-Petersburg, Russia The "Mathematical Table" in the Chinese Lodge of Palermo Francesco Sorge DICGIM, Polytechnic School, University of Palermo, Italy e-mail: [email protected] Abstract: The end of the 18 th century sees the decline of the late tout seul et comme par enchantement. Au signal, le parquet baroque and rococo in the decorative arts and the origin of the s'ouvre: la table, toute dressée et chargée des mets, sort, neoclassic essentiality. Nonetheless, the spirit of competition accompagnée de quatre servants ou postillon également among the members of the European courts and of the aristocracy garnis. A chaque service, le milieu disparaît: il ne reste in erecting magnificent residences inside spectacular parks, full que le pourtour où sont les assiettes; une rose en métal, of astonishing pieces of furniture, is still alive and floods of money are spent without restraint. In this very period, a new ménagée dans l'épaisseur du cercle, étende ses feuilles et curious type of dining table makes its appearance in the cache le vide. La partie qui est descendue s'arrête au aristocratic dwelling houses and precisely in the hunting lodge of rez-de-chaussée ou on la couvre de nouveau. Le repas fini, the Bourbon Court close to the city of Palermo in Sicily: the table et postillons s'enfoncent dans le sol, les feuilles de "Mathematical Table". This name is due to the fantasy of its parquet reprennent leur place et se rejoignent si designer, architect Venanzio Marvuglia, who probably wished to exactement que il faut les avoir vu s'ouvrir pour croire hint at the particular technical nature of the table. -
Triple Tomoe and Related Threefold Symbols
Triple Tomoe and Related Threefold Symbols Tao Te Ching Chapter 42 (Part) The Tao begot one. One begot two. Two begot three. And three begot the ten thousand things. The ten thousand things carry yin and embrace yang. They achieve harmony by combining these forces. This can be interpreted as the Tao giving birth to the Universe (the One) which gives rise to Yin and Yang (the Two), whose interaction creates Energy / Chi (the Three) from which comes Everything (the Ten Thousand Things). I Ching A broken and a solid line signify yin and yang respectively and are combined in groups of three with the upper line representing Heaven, the lower line Earth and the middle line Humanity. These groups of three make the eight possible trigrams. Two Through to Three In this article, we will look at the birth of the 3 and consider some of the various symbolic depictions of this threefold harmony. Threes abound in religion, myth and folklore. They occur again and again in sayings, proverbs and fa- bles. Such things as: three wishes, three cheers, third time lucky. Albert Einstein’s famous equation E = mc 2 describes the whole cosmos as aspects of Energy – Mass – Light Triple Tomoe or Triple Apostrophe Triple Tomoe Symbol Visually, the appearance of the triple tomoe (mitsu tomoe) is closely related to the yin-yang ‘double fish’, both giving the impression of rotational movement. Like the yin-yang diagram, it can be drawn in either clockwise or counter-clockwise rotation. It is usually associated with the symbolism of Shinto where it is seen as representing the ‘World Triad’. -
Symbol of Hatred
Information about the symbol of hatred Swastika Variations: This symbol has a considerable number of variations. In some versions, the “arms” point in different directions, both left and right. In others, the number of arms varies. For example, in Ukraine, swastikas with four to eight arms are called “Kolovrats,” whereas a swastika with 12 arms is referred to as a “black sun.” The ends of the arms can be bent at a right or sharp angle, or they can be arced, straight, or wavy. Origin: An ancient sun symbol that is found in many cultures around the world. It most likely symbolizes the movement of the sun. In Sanskrit, the literary language of ancient India, the word “swastika” means "luck" and a "successful future." Uses: The first Christians used the swastika before the cross. It has also been used by Kabbalists (mystical teachers of Judaism), and later the Freemasons and occultists. It can be found on Russian, Soviet, British, and, even to this day, Finnish documents and emblems. It is also an important symbol in Buddhism, Jainism, and Hinduism. From the second half of the nineteenth century onwards, the swastika has been used by proponents of Aryan supremacism, the idea that so-called "Aryans" — alleged descendants of a loosely-defined ancient people — are superior to other races and should dominate the world. They declared the swastika a symbol of ancient Aryan heritage, claiming that it was included on the altars of ancient Aryans. From the end of the nineteenth century onwards, it became a symbol of German ultranationalists. After World War I, it also became a popular anti-Semitic symbol. -
Case Study of Citrus Value Added Products
Case Study of Value-Added Citrus Products for WA Citrus Carolina Brander Agribusiness Development Manager West Midlands Group Dandaragan, WA. June 2018 Case Study of Value Adding for WA Citrus West Midlands Group (WMG) June 2018 Author: Carolina Brander, Agribusiness Development Manager, WMG Acknowledgements I would like to express my great appreciation to Bronwyn Walsh, Industry Development Manager of WA Citrus and Brett Heather, former CEO of the Western Citrus Alliance for their assistance, guidance and generosity. My special thanks are extended to West Midlands Group's team for their support throughout the entire case study process. Page | 2 Contents 1 Summary .............................................................................................................................. 4 2 Introduction .................................................................................................................................... 5 2.1 Value Adding ........................................................................................................................... 6 2.2 Characteristics of Citrus that allow value adding opportunities ............................................. 7 3 Methodology ................................................................................................................................... 9 4 Value adding opportunity: Juice ................................................................................................... 10 4.1 Location and scale of production ......................................................................................... -
The Swastika, by Edward Butts. Butts, Edward, 1853- Kansas City, Mo
Statement no. 1: the swastika, by Edward Butts. Butts, Edward, 1853- Kansas City, Mo. : Franklin Hudson publishing co., 1908. https://hdl.handle.net/2027/uc2.ark:/13960/t3gx4kf0n Public Domain http://www.hathitrust.org/access_use#pd We have determined this work to be in the public domain, meaning that it is not subject to copyright. Users are free to copy, use, and redistribute the work in part or in whole. It is possible that current copyright holders, heirs or the estate of the authors of individual portions of the work, such as illustrations or photographs, assert copyrights over these portions. Depending on the nature of subsequent use that is made, additional rights may need to be obtained independently of anything we can address. .•il STATEMENT NOJ PRICE 25 CTS. FRANKLIN HUDSON PUBLISHING CO. KANSAS CITY, MO. STATEMENT NO. I 1908. Franklin Hudson Pdblishing Co., Kansas City, Mo. COPYEIGHT, 1908, BY EDWARD BUTTS, Kansas City, Mo. PRICE, POST-PAID: Per copy, 25 cents; in cloth, $1.10. Address communications to Edward Bntts, 1800East Sixteenth St., Kansas City, Missouri. First Thousand. THE ORIGIN OF THE SWASTIKA. Away back on the horizon of our records, seemingly a little beyond their limit, an emblem we recognize as the swastika came into existence. Of the past history re- lated to this little emblem we desire to know more; not because it is particularly attractive, or its construction, as it is we see it, complicated, but because known to have been in use in Europe, Africa, Asia, and America when we supposed there was no communication at least be- tween the "Old and New World." To our minds it appears much like a beautiful cloud that once floated above a setting sun, tinted with bril- — liant colors now scattered by the "four cardinal giants" here and there over the earth. -
SWASTIKA the Pattern and Ideogram of Ideogram and Pattern The
Principal Investigators Exploring Prof. V. N. Giri the pattern and ideogram of Prof. Suhita Chopra Chatterjee Prof. Pallab Dasgupta Prof. Narayan C. Nayak Prof. Priyadarshi Patnaik pattern and ideogram of Prof. Aurobindo Routray SWASTIKA Prof. Arindam Basu Prof. William K. Mohanty Prof. Probal Sengupta Exploring the A universal principle Prof. Abhijit Mukherjee & of sustainability Prof. Joy Sen SWASTIKA of sustainability A universal principle SandHI INDIAN INSTITUTE OF TECHNOLOGY KHARAGPUR The Science & Heritage Initiative www.iitkgpsandhi.org INDIAN INSTITUTE OF TECHNOLOGY KHARAGPUR Exploring the pattern and ideogram of SWASTIKA A universal principle of sustainability SandHI The Science & Heritage Initiative INDIAN INSTITUTE OF TECHNOLOGY KHARAGPUR ii iii Advisor Prof. Partha P. Chakrabarti Director, IIT Kharagpur Monitoring Cell Prof. Sunando DasGupta Dean, Sponsored Research and Industrial Consultancy, IIT Kharagpur Prof. Pallab Dasgupta Associate Dean, Sponsored Research and Industrial Consultancy, IIT Kharagpur Principal Investigator (overall) Prof. Joy Sen Department of Architecture & Regional Planning, IIT Kharagpur Vide order no. F. NO. 4-26/2013-TS-1, Dt. 19-11-2013 (36 months w.e.f 15-1-2014 and 1 additional year for outreach programs) Professor-in-Charge, Documentation and Dissemination Prof. Priyadarshi Patnaik Department of Humanities & Social Sciences, IIT Kharagpur Research Scholars Group (Coordinators) Sunny Bansal, Vidhu Pandey, Tanima Bhattacharya, Shreyas P. Bharule, Shivangi S. Parmar, Mouli Majumdar, Arpan Paul, Deepanjan Saha, Suparna Dasgupta, Prerna Mandal Key Graphics Support Tanima Bhattacharya, Research Scholar, IIT Kharagpur Exploring ISBN: 978-93-80813-42-4 the pattern and ideogram of © SandHI A Science and Heritage Initiative, IIT Kharagpur Sponsored by the Ministry of Human Resources Development, Government of India Published in July 2016 SWASTIKA www.iitkgpsandhi.org A universal principle Design & Printed by Cygnus Advertising (India) Pvt. -
Celtic Triskel Velvet Bag Free
FREE CELTIC TRISKEL VELVET BAG PDF Lo Scarabeo | none | 01 Jan 2008 | Llewellyn Publications | 9780738711898 | English | United States Triskele Swirl Celtic Knot Hip Flask 6oz British Pewter A triskelion or triskeles is a motif consisting of a triple spiral exhibiting rotational symmetry. The spiral design can be based on interlocking Archimedean spiralsor represent three bent human legs. The actual triskeles symbol of three human legs is found especially in Greek antiquitybeginning in archaic pottery, and continued in coinage of the classical period. In the Hellenistic periodthe symbol becomes associated with the island of Sicilyappearing on coins minted under Dionysius I of Syracuse beginning in c. The triple spiral symbol, or three spiral voluteappears in many early cultures, the first Celtic Triskel Velvet Bag Malta — BCE and in the astronomical calendar at the famous megalithic tomb of Newgrange in Ireland built around BCE, [10] as well as on Mycenaean vessels. The Neolithic era symbol of three conjoined spirals may have had triple significance similar to the imagery that lies behind the triskelion. Newgrange, which was built around BCE. The triskeles proper, composed of three human legs, is younger than the triple spiral, found in decorations on Greek pottery especially as a design shown Celtic Triskel Velvet Bag hoplite shieldsand later also minted on Greek and Anatolian coinage. The meaning of the Greek triskeles is not recorded directly. The Duc de Luynes in Celtic Triskel Velvet Bag study noted the co- occurrence of the symbol with the eagle, the cockerel, the head of Medusa, Perseus, three crescent moons, three ears of corn, and three grains of corn. -
WARNING! This
ISBN 978-615-5169-31-1 Quantum Nutrition ISBN 978-615-5169-31-1Quantum 1 WARNING! material provocative book contains This not for children or the sexually immature Cellulose 58 Table of Contents Starch 58 Sugars and Sweetness 7 Glycogen 59 Literature 67 Low Glycemic Food List 13 References on Quantum Handedness 69 The Glycemic Index of Selected Foods 18 References 69 Heart-healthy diet: 7 steps to prevent heart disease 25 SUGAR: you just love your children to death 70 1. Limit unhealthy fats and cholesterol 29 How Sugar Can Destroy Your Health and Cause Cancer, Diabetes, Neurological Disease and 2. Choose low-fat protein sources 30 Vitamin/Mineral Deficiencies 71 3. Eat more vegetables and fruits 30 The Immune System- First of Two Parts 76 Best & Worst Foods for Your Cholesterol - Trans fat is the worst offender. 32 References 76 The worsts 32 Trans Fatty Acids and Cardiovascular Disease 78 The bests 35 You Must Skip Cola (Even Diet) 36 Healthy Heart - Avoid Trans Fat 83 Never Have a Heart Attack 41 Page Contents 83 1. The sleep test 41 Fruitarian definition of fruit 86 2. The vitamin D test 41 Definition of fruitarian 86 3. The finger test 41 Scientific studies 87 Symptoms Too Dangerous To Ignore 42 Sugar Wars 89 Red flags 42 How You Can Win 89 Planning for health 43 An Apple a day can help keep the doctor away. 90 Fructose... 46 SINthetic processing is the problem not natural fructose. 91 Monosaccharides 50 Use fruit for your sugars 92 Glucose 53 Now for some recipes on how to get your children into fruit for their sweet tooth. -
Ill En Route Who Takes Care of Whom? Content Colofon Editorial
EDITION OF THE ASSOCIATION DUTCH CABIN CREW NUMBER 08 / 2018 A WHITE LOOKING BACK CHRISTMAS ON 2018 magazine ILL EN ROUTE WHO TAKES CARE OF WHOM? CONTENT COLOFON EDITORIAL Chief Editor and Art Director Articles Arlette Bruser Sander van Dijk, deputy 17 Ill en route; who takes care of whom? Editors Nathalie Pruijs Michel Verbeek Columns Final editing Pia van Boven 1 Editorial Editor’s assistent 2 Outlook on the job Jannette Passchier 5 Lifestyle wellfound 29 Culinary wellfound Director communications Ingrid Brama Address Feature Stationsplein 406 1117 CL Schiphol-Oost Phone (020) 5020480 Arlette Bruser 7 VNC Background P.O.Box VNC, Crew Centre, Schiphol www.vnconline.nl Chief Editor VNC Magazine 8 KLM Background [email protected] 12 Transavia Background Advertising sales 14 easyJet Background Bureau van Vliet B.V. Contact: Sharon van Vliet 21 Christmas story [email protected] 25 Christmas peaks Phone (020) 5714745 Sander Translaters Paul Millward Again the end of the year, time for reflec- his friendly, relaxed approach. I don’t think I Hannet Bilderbeek tion. I don’t know about you, but not one have ever seen him panic, not even when my year seems to be the same. Some years are laptop crashed with a complete magazine E-mail address editors [email protected] over before you know it and others seem on it and the fact that we had to start from to drag on forever. Sometimes one year is scratch, with only two days to go. We just Want to join the VNC more personal than another year. This year did it, with Sander on track. -
Architectural Temperance: Spain and Rome, 1700-1759
Architectural Temperance Spain and Rome, 1700–1759 Architectural Temperance examines relations between Bourbon Spain and papal Rome (1700–1759) through the lens of cultural politics. With a focus on key Spanish architects sent to study in Rome by the Bourbon Kings, the book also discusses the establishment of a program of architectural educa- tion at the newly-founded Real Academia de Bellas Artes de San Fernando in Madrid. Victor Deupi explores why a powerful nation like Spain would temper its own building traditions with the more cosmopolitan trends associated with Rome; often at the expense of its own national and regional traditions. Through the inclusion of previously unpublished documents and images that shed light on the theoretical debates which shaped eighteenth-century architecture in Rome and Madrid, Architectural Temperance provides an insight into readers with new insights into the cultural history of early modern Spain. Victor Deupi teaches the history of art and architecture at the School of Architecture and Design at the New York Institute of Technology and in the Department of Visual and Performing Arts at Fairfield University. His research focuses on cultural politics in the early modern Ibero-American world. Routledge Research in Architecture The Routledge Research in Architecture series provides the reader with the latest scholarship in the field of architecture. The series publishes research from across the globe and covers areas as diverse as architectural history and theory, technology, digital architecture, structures, materials, details, design, monographs of architects, interior design and much more. By mak- ing these studies available to the worldwide academic community, the series aims to promote quality architectural research. -
Hate Symbols Database
HATE ON DISPLAY™ HATE SYMBOLS DATABASE 1 HATE ON DISPLAY This database provides an overview of many of the symbols most frequently used by a variety of white supremacist groups and movements, as well as some other types of hate groups. You can find the full listings at adl.org/hate-symbols INTRODUCTION TO THE HATE ON DISPLAY HATE SYMBOLS DATABASE ADL is a leading anti-hate organization that was founded in 1913 in response to an escalating climate of anti-Semitism and bigotry. Today, ADL is the first call when acts of anti-Semitism occur and continues to fight all forms of hate. A global leader in exposing extremism, delivering anti-bias education and fighting hate online, ADL’s ultimate goal is a world in which no group or individual suffers from bias, discrimination or hate. ADL’s Center on Extremism debuted its Hate on Display hate symbols database in 2000, establishing the database as the first and foremost resource on the internet for symbols, codes, and memes used by white supremacists and other types of haters. Over the past two decades, Hate on Display has regularly been updated with new symbols and images as they have come into common use by extremists, as well as new functions to make it more useful and convenient for users. Although the database contains many examples of online usage and shared graphics, another feature that makes it unique is its emphasis on real world examples of hate symbols—showing them as extremists actually use them: on signs and clothing, graffiti and jewelry, and even on their own bodies as tattoos and brands. -
Chicken with a Sesame Crust and Roasted Vegetables
Chicken with a sesame crust and E You‘ll be giving the chicken an roasted vegetables extra crunchy crust with panko: Japanese breadcrumbs with a with garlic-ginger rice coarse texture. Family Total time: 30 min. (based on 2 servings) Fresh ginger Garlic Courgette Bell pepper Basmati rice Egg Sesame seeds Panko breadcrumbs Chicken tenderloin Soy sauce Pantry items Honey, sambal, flour, olive oil, butter, vegetable stock, salt and pepper A good start 1 2 3 Wash your hands for 20 seconds and do not forget to wash and weigh the fresh vegetables and fruit before you start cooking. Equipment Small bowl, frying pan, pan with lid attachment, deep plates x3, parchment-lined baking sheet Ingredients for 1 - 6 servings 1p 2p 3p 4p 5p 6p Fresh ginger* (cm) 2 4 6 8 10 12 Prepare the vegetables Cook the rice Bread the chicken Garlic clove (pcs) 1 2 3 4 5 6 Preheat the oven to 200 degrees. Peel the ginger Heat 1/2 tbsp butter per person in a pan with a lid Take 3 deep plates. In the first one, mix the flour Courgette* (pcs) 1/3 2/3 1 11/3 12/3 2 and finely grate. Press or mince the garlic. Cut the on medium–high heat. Add the garlic and ginger with a pinch of salt. Using a fork, whisk 1/2 egg per Bell pepper* (pcs) ½ 1 1½ 2 2½ 3 courgette into 1 cm thick slices. Remove the seeds and fry for 1 – 2 minutes. Add the basmati rice and person in the second plate.