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Problems of Mimetic Characterization in Dostoevsky and Tolstoy
Illusion and Instrument: Problems of Mimetic Characterization in Dostoevsky and Tolstoy By Chloe Susan Liebmann Kitzinger A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Slavic Languages and Literatures in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Irina Paperno, Chair Professor Eric Naiman Professor Dorothy J. Hale Spring 2016 Illusion and Instrument: Problems of Mimetic Characterization in Dostoevsky and Tolstoy © 2016 By Chloe Susan Liebmann Kitzinger Abstract Illusion and Instrument: Problems of Mimetic Characterization in Dostoevsky and Tolstoy by Chloe Susan Liebmann Kitzinger Doctor of Philosophy in Slavic Languages and Literatures University of California, Berkeley Professor Irina Paperno, Chair This dissertation focuses new critical attention on a problem central to the history and theory of the novel, but so far remarkably underexplored: the mimetic illusion that realist characters exist independently from the author’s control, and even from the constraints of form itself. How is this illusion of “life” produced? What conditions maintain it, and at what points does it start to falter? My study investigates the character-systems of three Russian realist novels with widely differing narrative structures — Tolstoy’s War and Peace (1865–1869), and Dostoevsky’s The Adolescent (1875) and The Brothers Karamazov (1879–1880) — that offer rich ground for exploring the sources and limits of mimetic illusion. I suggest, moreover, that Tolstoy and Dostoevsky themselves were preoccupied with this question. Their novels take shape around ambitious projects of characterization that carry them toward the edges of the realist tradition, where the novel begins to give way to other forms of art and thought. -
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Institute of National Remembrance https://ipn.gov.pl/en/news/4412,It-was-good-to-fight-for-Poland.html 2021-09-25, 16:52 12.08.2020 “It was good to fight for Poland!” We encourage you to read an article written by President of the IPN Jarosław Szarek, Ph.D. for the "Rzeczpospolita" newspaper. “We have the whole world against us” wrote Stanisław Posner in a report for Józef Piłsudski, submitted end of June 1920, after travelling through Western European countries. During his several-week expedition, he visited a few capital cities and returned with observations free of any hope, on the day preceding the breakout of decisive battles in the east. Posner highlighted that even those who had been siding with Poland, such as French President Alexandre Millerand, assuring of his support for Warsaw in the conflict with the Czechs ,“is siding with them and, in other matters, will always submit to the opinion of England, because he depends on her as a creditor. What can I say about the others? The issue of compensation, the issue of Gdańsk, the issue of the plebiscites – are worse than ever.” The following weeks confirmed these observations. Even among recent sympathisers of Poland’s cause there was no shortage of those observing with indifference our battle with Bolshevism, interested, at most, in taking as much as they could for themselves. The year 1920 did not just mean the struggle with Bolshevism, but also a clash with the indifference and reluctance from the West. Hence the assistance we received from those willing to help us at this dramatic time was even more valuable. -
Tolstoy in Prerevolutionary Russian Criticism
Tolstoy in Prerevolutionary Russian Criticism BORIS SOROKIN TOLSTOY in Prerevolutionary Russian Criticism PUBLISHED BY THE OHIO STATE UNIVERSITY PRESS FOR MIAMI UNIVERSITY Copyright ® 1979 by Miami University All Rights Reserved Library of Congress Cataloging in Publication Data Sorokin, Boris, 1922 Tolstoy in prerevolutionary Russian criticism. Bibliography: p. Includes index. 1. Tolstoi, Lev Nikolaevich, graf, 1828-1910—Criticism and interpretation—History. 2. Criticism—Russia. I. Title. PG3409.5.S6 891.7'3'3 78-31289 ISBN 0-8142-0295-0 Contents Preface vii 1/ Tolstoy and His Critics: The Intellectual Climate 3 2/ The Early Radical Critics 37 3/ The Slavophile and Organic Critics 71 4/ The Aesthetic Critics 149 5/ The Narodnik Critics 169 6/ The Symbolist Critics 209 7/ The Marxist Critics 235 Conclusion 281 Notes 291 Bibliography 313 Index 325 PREFACE Leo Tolstoy (1828-1910) has been described as the most momen tous phenomenon of Russian life during the nineteenth century.1 Indeed, in his own day, and for about a generation afterward, he was an extraordinarily influential writer. During the last part of his life, his towering personality dominated the intellectual climate of Russia and the world to an unprecedented degree. His work, moreover, continues to be studied and admired. His views on art, literature, morals, politics, and life have never ceased to influence writers and thinkers all over the world. Such interest over the years has produced an immense quantity of books and articles about Tolstoy, his ideas, and his work. In Russia alone their number exceeded ten thousand some time ago (more than 5,500 items were published in the Soviet Union between 1917 and 1957) and con tinues to rise. -
Nostalgia and the Myth of “Old Russia”: Russian Émigrés in Interwar Paris and Their Legacy in Contemporary Russia
Nostalgia and the Myth of “Old Russia”: Russian Émigrés in Interwar Paris and Their Legacy in Contemporary Russia © 2014 Brad Alexander Gordon A thesis presented in partial fulfillment of the requirements for completion Of the Bachelor of Arts degree in International Studies at the Croft Institute for International Studies Sally McDonnell Barksdale Honors College The University of Mississippi University, Mississippi April, 2014 Approved: Advisor: Dr. Joshua First Reader: Dr. William Schenck Reader: Dr. Valentina Iepuri 2 Table of Contents Acknowledgements……………………………………………………………………p. 3 Part I: Interwar Émigrés and Their Literary Contributions Introduction: The Russian Intelligentsia and the National Question………………….............................................................................................p. 4 Chapter 1: Russia’s Eschatological Quest: Longing for the Divine…………………………………………………………………………………p. 14 Chapter 2: Nature, Death, and the Peasant in Russian Literature and Art……………………………………………………………………………………..p. 26 Chapter 3: Tsvetaeva’s Tragedy and Tolstoi’s Triumph……………………………….........................................................................p. 36 Part II: The Émigrés Return Introduction: Nostalgia’s Role in Contemporary Literature and Film……………………………………………………………………………………p. 48 Chapter 4: “Old Russia” in Contemporary Literature: The Moral Dilemma and the Reemergence of the East-West Debate…………………………………………………………………………………p. 52 Chapter 5: Restoring Traditional Russia through Post-Soviet Film: Nostalgia, Reconciliation, and the Quest -
Sergei Diaghilev's Ballets Russes in the Context of Symbolism Andrey Konovalov1,A Liudmila Mikheeva2,* Yulia Gushchina3,B
Advances in Social Science, Education and Humanities Research, volume 572 Proceedings of the 7th International Conference on Arts, Design and Contemporary Education (ICADCE 2021) Sergei Diaghilev's Ballets Russes in the Context of Symbolism Andrey Konovalov1,a Liudmila Mikheeva2,* Yulia Gushchina3,b 1 Institute of Fine Arts, Moscow Pedagogical State University, Moscow, Russia 2 Department of General Humanitarian Disciplines, Russian State Specialized Academy of Arts, Moscow, Russia 3 Likhachev Russian Research Institute for Cultural and Natural Heritage, Moscow, Russia a Email: [email protected] b Email: [email protected] *Corresponding author. Email: [email protected] ABSTRACT The present article focuses on the artistic culture of the Silver Age and the remarkable creative atmosphere of Russia at the turn of the 20th century characterized by the synthesis of arts: drama, opera, ballet, and scenography. A key figure of the period was Sergei Diaghilev, the editor and publisher of the magazines Mir Iskusstva (World of Art) and The Yearbook of the Imperial Theatres, the founder of the famous Ballets Russes in Paris, the organizer of exhibitions of Russian artists of different schools and movements. The article studies the features of Symbolism as an artistic movement and philosophy of art of the Silver Age, a spiritual quest of artistic people of the time, and related and divergent interests of representatives of different schools and trends. The Silver Age is considered the most sophisticated and creative period of Russian culture, the time of efflorescence, human spirit, creativity, the rise of social forces, general renewal, in other words, Russian spiritual and cultural renaissance. -
Woman, Nature, and Equality in Russian Sentimentalism
Zurich Open Repository and Archive University of Zurich Main Library Strickhofstrasse 39 CH-8057 Zurich www.zora.uzh.ch Year: 2016 Disrupted Idylls: Nature, Equality, and the Feminine in Sentimentalist Russian Women’s Writing (Mariia Pospelova, Mariia Bolotnikova, and Anna Naumova) Stohler, Ursula DOI: https://doi.org/10.1017/slr.2018.178 Other titles: With translations by Emily Lygo Posted at the Zurich Open Repository and Archive, University of Zurich ZORA URL: https://doi.org/10.5167/uzh-120423 Monograph Accepted Version Originally published at: Stohler, Ursula (2016). Disrupted Idylls: Nature, Equality, and the Feminine in Sentimentalist Russian Women’s Writing (Mariia Pospelova, Mariia Bolotnikova, and Anna Naumova). Bern: Peter Lang. DOI: https://doi.org/10.1017/slr.2018.178 1 Ursula Stohler Disrupted Idylls: Nature, Equality, and the Feminine in Sentimentalist Russian Women’s Writing (Mariia Pospelova, Mariia Bolotnikova, and Anna Naumova) With translations by Emily Lygo This book is a revised version of my dissertation, Russian Women Writers of the 1800– 1820s and the Response to Sentimentalist Literary Conventions of Nature, the Feminine, and Writing: Mariia Pospelova, Mariia Bolotnikova, and Anna Naumova, submitted to the University of Exeter as a thesis for the degree of Doctor of Philosophy in Russian Studies, June 2005 2 Abstract This study explores the ways in which Russian women writers responded to Sentimentalist conventions of authorship, challenging their conceptualisation of women as mute and passive beings. Its particular focus is on the works by Anna Naumova, Mariia Pospelova and Mariia Bolotnikova, three late-18th- and early-19th- century Russian women authors who have only recently begun to receive some slight scholarly attention from Western European researchers in Russian Women’s Studies. -
The Caucasus Globalization
Volume 6 Issue 4 2012 1 THE CAUCASUS & GLOBALIZATION INSTITUTE OF STRATEGIC STUDIES OF THE CAUCASUS THE CAUCASUS & GLOBALIZATION Journal of Social, Political and Economic Studies Conflicts in the Caucasus: History, Present, and Prospects for Resolution Special Issue Volume 6 Issue 4 2012 CA&CC Press® SWEDEN 2 Volume 6 Issue 4 2012 FOUNDEDTHE CAUCASUS AND& GLOBALIZATION PUBLISHED BY INSTITUTE OF STRATEGIC STUDIES OF THE CAUCASUS Registration number: M-770 Ministry of Justice of Azerbaijan Republic PUBLISHING HOUSE CA&CC Press® Sweden Registration number: 556699-5964 Registration number of the journal: 1218 Editorial Council Eldar Chairman of the Editorial Council (Baku) ISMAILOV Tel/fax: (994 12) 497 12 22 E-mail: [email protected] Kenan Executive Secretary (Baku) ALLAHVERDIEV Tel: (994 – 12) 596 11 73 E-mail: [email protected] Azer represents the journal in Russia (Moscow) SAFAROV Tel: (7 495) 937 77 27 E-mail: [email protected] Nodar represents the journal in Georgia (Tbilisi) KHADURI Tel: (995 32) 99 59 67 E-mail: [email protected] Ayca represents the journal in Turkey (Ankara) ERGUN Tel: (+90 312) 210 59 96 E-mail: [email protected] Editorial Board Nazim Editor-in-Chief (Azerbaijan) MUZAFFARLI Tel: (994 – 12) 510 32 52 E-mail: [email protected] (IMANOV) Vladimer Deputy Editor-in-Chief (Georgia) PAPAVA Tel: (995 – 32) 24 35 55 E-mail: [email protected] Akif Deputy Editor-in-Chief (Azerbaijan) ABDULLAEV Tel: (994 – 12) 596 11 73 E-mail: [email protected] Volume 6 IssueMembers 4 2012 of Editorial Board: 3 THE CAUCASUS & GLOBALIZATION Zaza D.Sc. -
Mirrors in Russian Decadent and Symbolist Prose: Valery Briusov and Dmitry Merezhkovsky
Studies in 20th & 21st Century Literature Volume 34 Issue 2 Reflections and Refractions: The Mirror Article 4 in Russian Culture 6-1-2010 Mirrors in Russian Decadent and Symbolist Prose: Valery Briusov and Dmitry Merezhkovsky Kirsten Lodge Columbia University Follow this and additional works at: https://newprairiepress.org/sttcl Part of the Slavic Languages and Societies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Lodge, Kirsten (2010) "Mirrors in Russian Decadent and Symbolist Prose: Valery Briusov and Dmitry Merezhkovsky," Studies in 20th & 21st Century Literature: Vol. 34: Iss. 2, Article 4. https://doi.org/10.4148/ 2334-4415.1730 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th & 21st Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Mirrors in Russian Decadent and Symbolist Prose: Valery Briusov and Dmitry Merezhkovsky Abstract Examining mirror imagery in the prose works “In the Mirror” by Valery Briusov and The Resurrected Gods: Leonardo da Vinci by Dmitry Merezhkovsky, both published in 1902, this article situates the Russian Decadent and Symbolist associations of the mirror in the pan-European literary and philosophical context. The mirror constitutes the threshold of manifold oppositions, including life and art, life and death, and reality and dream or imagination. It is a realm of alternative reality, magical and seductive, as in Briusov’s story, or potentially both demonic and divine, as in Merezhkovsky’s novel. -
Russia Outside Russia”: Transnational Mobility, Objects Of
“RUSSIA OUTSIDE RUSSIA”: TRANSNATIONAL MOBILITY, OBJECTS OF MIGRATION, AND DISCOURSES ON THE LOCUS OF CULTURE AMONGST EDUCATED RUSSIAN MIGRANTS IN PARIS, BERLIN, AND NEW YORK by Gregory Gan A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (Anthropology) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) February 2019 © Gregory Gan, 2019 The following individuals certify that they have read, and recommend to the Faculty of Graduate and Postdoctoral Studies for acceptance, the dissertation entitled: “Russia outside Russia”: Transnational Mobility, Objects of Migration, and Discourses on the Locus of Culture amongst Educated Russian Migrants in Paris, Berlin, and New York submitted by Gregory Gan in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Anthropology Examining Committee: Dr. Alexia Bloch Supervisor Dr. Leslie Robertson Supervisory Committee Member Dr. Patrick Moore Supervisory Committee Member Dr. Nicola Levell University Examiner Dr. Katherine Bowers University Examiner Prof. Michael Lambek External Examiner ii Abstract This dissertation examines transnational Russian migration between Moscow, Berlin, Paris, and New York. In conversation with forty-five first- and second-generation Russian intellectuals who relocated from Russia and the former Soviet Union, the researcher investigates transnational Russian identity through ethnographic, auto-ethnographic, and visual anthropology methods. Educated migrants from Russia who shared with the researcher a comparable epistemic universe and experiential perspective, and who were themselves experts on migration, discuss what it means to belong to global transnational diasporas, how they position themselves in historical contexts of migration, and what they hope to contribute to modern intellectual migrant narratives. -
Life and Death in Russian Literature (Part 2) Tolstoy and in Part , Chekhov
Life and Death in Russian Literature (Part 2) Tolstoy and in part , Chekhov, Global Focus on Knowledge / 2009 Summer No.8 8 June Mitsuyoshi Numano (The Department of Contemporary Literary Studies / Slavic Literature, Faculty of Letters) The figures, photos and moving images with ‡ marks attached belong to their copyright holders. Reusing or reproducing them is prohibited unless permission is obtained directly from such copyright holders. Lev Nikolaevich Tolstoy z Лев Николаевич Толстой Lev Nikolaevich Tolstoy (Tolstoi) 28 August 1828 (Bunsei 11) ~ z 7 November 1910 (Meiji 43) Portrait by Ivan Kramskoy (1873) The State Tretyakov Gallery, Moscow Tolstoy, in his Later Years (1900s) Dostoevsky and Tolstoy The Two Giants of World Literature (1) Two great writers who have often been compared Dmitry Merezhkovsky. Tolstoy and Dostoevsky. 1901-02 Dostoevsky: “a seer of the spirit” Tolstoy: “a seer of the flesh” George Steiner. Tolstoy or Dostoevsky. 1959 Dostoevsky: the continuity of a tragic world view from Oedipus Rex Tolstoy: the epic tradition from Homer Dostoevsky and Tolstoy The Two Giants of World Literature (2) z Isaiah Berlin. The Hedgehog and the Fox: An Essay on Tolstoy’s View of History. 1953 The fragment of verse by the ancient Greek poet Archilochus “The fox knows many things, but the hedgehog knows one big thing.” Dostoevsky: hedgehog Pushkin: fox Then, how about Tolstoy? He is diagnosed as a fox who imagined himself a hedgehog (according to Berlin’s hypothesis). Tolstoy’s Life and Career (1) z 1828 Tolstoy is born in Yasnaya Polyana, in Tula Province, the fourth son of Count Tolstoy. z 1847 Tolstoy leaves Kazan University without a degree. -
Orthodox Political Theologies: Clergy, Intelligentsia and Social Christianity in Revolutionary Russia
DOI: 10.14754/CEU.2020.08 ORTHODOX POLITICAL THEOLOGIES: CLERGY, INTELLIGENTSIA AND SOCIAL CHRISTIANITY IN REVOLUTIONARY RUSSIA Alexandra Medzibrodszky A DISSERTATION in History Presented to the Faculties of the Central European University In Partial Fulfilment of the Requirements for the Degree of Doctor of Philosophy CEU eTD Collection Budapest, Hungary 2020 Dissertation Supervisor: Matthias Riedl DOI: 10.14754/CEU.2020.08 Copyright Notice and Statement of Responsibility Copyright in the text of this dissertation rests with the Author. Copies by any process, either in full or part, may be made only in accordance with the instructions given by the Author and lodged in the Central European Library. Details may be obtained from the librarian. This page must form a part of any such copies made. Further copies made in accordance with such instructions may not be made without the written permission of the Author. I hereby declare that this dissertation contains no materials accepted for any other degrees in any other institutions and no materials previously written and/or published by another person unless otherwise noted. CEU eTD Collection ii DOI: 10.14754/CEU.2020.08 Technical Notes Transliteration of Russian Cyrillic in the dissertation is according to the simplified Library of Congress transliteration system. Well-known names, however, are transliterated in their more familiar form, for instance, ‘Tolstoy’ instead of ‘Tolstoii’. All translations are mine unless otherwise indicated. Dates before February 1918 are according to the Julian style calendar which is twelve days behind the Gregorian calendar in the nineteenth century and thirteen days behind in the twentieth century. -
The Art of Printing and the Culture of the Art Periodical in Late Imperial Russia (1898-1917)
University of Alberta The Art of Printing and the Culture of the Art Periodical in Late Imperial Russia (1898-1917) by Hanna Chuchvaha A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy Modern Languages and Cultural Studies Art and Design ©Hanna Chuchvaha Fall 2012 Edmonton, Alberta Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms. The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author's prior written permission. To my father, Anatolii Sviridenok, a devoted Academician for 50 years ABSTRACT This interdisciplinary dissertation explores the World of Art (Mir Iskusstva, 1899- 1904), The Golden Fleece (Zolotoe runo, 1906-1909) and Apollo (Apollon, 1909- 1917), three art periodicals that became symbols of the print revival and Europeanization in late Imperial Russia. Preoccupied with high quality art reproduction and graphic design, these journals were conceived and executed as art objects and examples of fine book craftsmanship, concerned with the physical form and appearance of the periodical as such. Their publication advanced Russian book art and stimulated the development of graphic design, giving it a status comparable to that of painting or sculpture.