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Problems of Mimetic Characterization in Dostoevsky and Tolstoy
Illusion and Instrument: Problems of Mimetic Characterization in Dostoevsky and Tolstoy By Chloe Susan Liebmann Kitzinger A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Slavic Languages and Literatures in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Irina Paperno, Chair Professor Eric Naiman Professor Dorothy J. Hale Spring 2016 Illusion and Instrument: Problems of Mimetic Characterization in Dostoevsky and Tolstoy © 2016 By Chloe Susan Liebmann Kitzinger Abstract Illusion and Instrument: Problems of Mimetic Characterization in Dostoevsky and Tolstoy by Chloe Susan Liebmann Kitzinger Doctor of Philosophy in Slavic Languages and Literatures University of California, Berkeley Professor Irina Paperno, Chair This dissertation focuses new critical attention on a problem central to the history and theory of the novel, but so far remarkably underexplored: the mimetic illusion that realist characters exist independently from the author’s control, and even from the constraints of form itself. How is this illusion of “life” produced? What conditions maintain it, and at what points does it start to falter? My study investigates the character-systems of three Russian realist novels with widely differing narrative structures — Tolstoy’s War and Peace (1865–1869), and Dostoevsky’s The Adolescent (1875) and The Brothers Karamazov (1879–1880) — that offer rich ground for exploring the sources and limits of mimetic illusion. I suggest, moreover, that Tolstoy and Dostoevsky themselves were preoccupied with this question. Their novels take shape around ambitious projects of characterization that carry them toward the edges of the realist tradition, where the novel begins to give way to other forms of art and thought. -
Stanislaviv in the Face of the Polish-Soviet War 1939 Polish Garrison – Soviet Garrison
Open Military Studies 2020; 1: 70–78 Research Article Maciej Franz* Stanislaviv in the face of the Polish-Soviet War 1939 Polish Garrison – Soviet Garrison https://10.1515/openms-2020-0107 Received Oct 07, 2020; accepted Dec 11, 2020 Abstract: In 1921-1939 Stanyslaviv was one the bigger polish garrisons. The approach of the war the reason for leaving the town by polish troops. In September of 1939 the garrison in Stanyslaviv was rather small, consisting of small logistic units. Until now the historians have been interested in the face of this particular garrison in those few September days of 1939th. This is an attempt to showcase the most important events that happened while the polish troops were stationed in town and were still trying to provide peace and safety it and its people. Keywords: Polish troops, polish campaign, 1939, Second World War The Polish campaign of 1939, as the first episode of World War II, was not the same in all parts of Poland. For the inhabitants of Stanislaviv and a significant part of the Stanislaviv Voivodeship, it did not turn out to be a war against the Third Reich, but Soviet aggression – it is another episode on the long list of Polish- Russian armed conflicts in history. For people who lived in the western, southern and northern provinces of the Second Polish Republic, the war immediately took on a normal appearance. Air raids by enemy planes began, as a result – bombing, and a few days later the front was changed. The symbols of those days were mass groups of soldiers moving through these territories, both Polish soldiers who had to defend their homeland and those Germans who sought to conquer the Polish state. -
Legacy of Religious Identities in the Urban Space of Bielsko-Biała
PRaCE GEOGRaFiCznE, zeszyt 137 instytut Geografii i Gospodarki Przestrzennej UJ Kraków 2014, 137 – 158 doi : 10.4467/20833113PG.14.013.2158 Legacy of reLigious identities in the urban space of bieLsko-biała Emilia Moddelmog-Anweiler Abstract : Religious heritage is an important cultural resource for a city. First, cities are at the crossroads of conflicting trends in globalisation. Urban communities are looking for that which makes them universal and unique at the same time. Second, reflection on identity in relation to the heritage and history of a city reveals the multicultural past of Central and Eastern Europe, and shows an image of social change and transformation. Religious heritage plays, therefore, various roles. Places connected with religious identities have symbolic, sacred and artistic meanings. They construct a local universe of meaning ; they are an important factor of the local narrative and customs, and they place it in the context of national, regional and ethnic traditions. Churches, temples, and cemeteries are also a sign of memory, this shows not only history but also the contemporary processes of remember- ing and forgetting. The city of Bielsko-Biała was a cultural and religious mosaic until 1945. Jewish, German and Polish cultures were meeting here everyday with diverse religious belonging and boundaries. Today, the heritage of its religious identity is recognized mainly via monuments, tourist attractions, and cultural events. Only occasionally is the religious heritage of the city analysed in the context of collective identities. Urban space still reflects the complexity of the relationships between religious, national, and regional identities. The purpose of the paper is to describe the variety of functions of religious heritage in a contemporary city on the example of Bielsko-Biała in Poland. -
Poland – Germany – History
Poland – Germany – History Issue: 18 /2020 26’02’21 The Polish-French Alliance of 1921 By Prof. dr hab. Stanisław Żerko Concluded in February 1921, Poland’s alliance treaty with France, which was intended to afford the former an additional level of protection against German aggression, was the centerpiece of Poland’s foreign policy during the Interwar Period. However, from Poland’s viewpoint, the alliance had all along been fraught with significant shortcomings. With the passage of time, it lost some of its significance as Paris increasingly disregarded Warsaw’s interests. This trend was epitomized by the Locarno conference of 1925, which marked the beginning of the Franco-German rapprochement. By 1933-1934, Poland began to revise its foreign policy with an eye to turning the alliance into a partnership. This effort turned out to be unsuccessful. It was not until the diplomatic crisis of 1939 that the treaty was strengthened and complemented with an Anglo-Polish alliance, which nevertheless failed to avert the German attack on Poland. Despite both France and Great Britain having declared war against the Reich on September 3, 1939, neither provided their Polish ally with due assistance. However, French support was the main factor for an outcome that was generally favorable to Poland, which was to redraw its border with Germany during the Paris peace conference in 1919. It seems that the terms imposed on the Reich in the Treaty of Versailles were all that Poland could ever have hoped to achieve given the balance of power at the time. One should bear in mind that France made a significant contribution to organizing and arming the Polish Army, especially when the Republic of Poland came under threat from Soviet Russia in the summer of 1920. -
Sapieha Przyszedł Na Świat 2 Sierpnia 1881 R
100 95 75 25 5 0 strony_tyt_konstytucja 17 grudnia 2018 08:59:27 100 95 75 25 5 0 strony_tyt_konstytucja 17 grudnia 2018 08:59:27 100 95 75 25 5 0 strony_tyt_konstytucja 17 grudnia 2018 08:59:28 Projekt graficzny serii MAREK PAWŁOWSKI Projekt okładki IGOR STANISŁAWSKI © Copyright do tekstów E. Sapiehy by spadkobiercy, 2018 © Copyright do tego wydania by Ośrodek Myśli Politycznej, 2018 Dofinansowano ze środków Ministra Kultury i Dziedzictwa Narodowego ISBN 978-83-64753-71-8 OŚRODEK MYŚLI POLITYCZNEJ Adres korespondencyjny: skrytka pocztowa 322, 30-960 Kraków tel. 12 632 33 62 e-mail: [email protected] www.omp.org.pl Spis treści Katarzyna Kwinta, Wstęp . VII Konstytucja racji stanu . 1 Mowa wygłoszona przez księcia Eustachego Sapiehę, polskiego ministra w Londynie, podczas kolacji wydanej na jego cześć przez Grupę Nowych Członków Izby Gmin 17 marca 1920 r. 177 Analiza politycznych stosunków światowych . 199 Wspomnienie z kilku rozmów z Komendantem Piłsudskim . 305 Międzynarodowa sytuacja państwa polskiego . 313 Neo-Monachium . 327 Indeks . 335 Nota bibliograficzna . 339 KATARZYNA KWINTA Wstęp Eustachy Kajetan Sapieha przyszedł na świat 2 sierpnia 1881 r. w posiadłości Sapiehów w Biłce Szlacheckiej nieda- leko Lwowa. Jego rodzicami byli Jan Paweł Aleksander1 i Seweryna z Ursuskich2, zaś dziadkiem Eustachy Kajetan Sapieha3 – działacz niepodległościowy i uczestnik powsta- nia listopadowego, zmuszony po jego upadku do opusz- czenia kraju i wyemigrowania do Wielkiej Brytanii. Dzieciństwo spędził w rodzinnym majątku. Do gim- nazjum uczęszczał we Lwowie, zaś szkołę średnią ukoń- czył w szwajcarskim Ouchy koło Lozanny4. W 1900 r. pod- jął studia z zakresu leśnictwa na Uniwersytecie w Zury- chu. -
They Fought for Independent Poland
2019 Special edition PISMO CODZIENNE Independence Day, November 11, 2019 FREE AGAIN! THEY FOUGHT FOR INDEPENDENT POLAND Dear Readers, The day of November 11 – the National Independence Day – is not accidentally associated with the Polish military uni- form, its symbolism and traditions. Polish soldiers on almost all World War I fronts “threw on the pyre their lives’ fate.” When the Polish occupiers were drown- ing in disasters and revolutions, white- and-red flags were fluttering on Polish streets to mark Poland’s independence. The Republic of Poland was back on the map of Europe, although this was only the beginning of the battle for its bor- ders. Józef Piłsudski in his first order to the united Polish Army shared his feeling of joy with his soldiers: “I’m taking com- mand of you, Soldiers, at the time when the heart of every Pole is beating stron- O God! Thou who from on high ger and faster, when the children of our land have seen the sun of freedom in all its Hurls thine arrows at the defenders of the nation, glory.” He never promised them any bat- We beseech Thee, through this heap of bones! tle laurels or well-merited rest, though. On the contrary – he appealed to them Let the sun shine on us, at least in death! for even greater effort in their service May the daylight shine forth from heaven’s bright portals! for Poland. And they never let him down Let us be seen - as we die! when in 1920 Poland had to defend not only its own sovereignty, but also entire Europe against flooding bolshevism. -
Tolstoy in Prerevolutionary Russian Criticism
Tolstoy in Prerevolutionary Russian Criticism BORIS SOROKIN TOLSTOY in Prerevolutionary Russian Criticism PUBLISHED BY THE OHIO STATE UNIVERSITY PRESS FOR MIAMI UNIVERSITY Copyright ® 1979 by Miami University All Rights Reserved Library of Congress Cataloging in Publication Data Sorokin, Boris, 1922 Tolstoy in prerevolutionary Russian criticism. Bibliography: p. Includes index. 1. Tolstoi, Lev Nikolaevich, graf, 1828-1910—Criticism and interpretation—History. 2. Criticism—Russia. I. Title. PG3409.5.S6 891.7'3'3 78-31289 ISBN 0-8142-0295-0 Contents Preface vii 1/ Tolstoy and His Critics: The Intellectual Climate 3 2/ The Early Radical Critics 37 3/ The Slavophile and Organic Critics 71 4/ The Aesthetic Critics 149 5/ The Narodnik Critics 169 6/ The Symbolist Critics 209 7/ The Marxist Critics 235 Conclusion 281 Notes 291 Bibliography 313 Index 325 PREFACE Leo Tolstoy (1828-1910) has been described as the most momen tous phenomenon of Russian life during the nineteenth century.1 Indeed, in his own day, and for about a generation afterward, he was an extraordinarily influential writer. During the last part of his life, his towering personality dominated the intellectual climate of Russia and the world to an unprecedented degree. His work, moreover, continues to be studied and admired. His views on art, literature, morals, politics, and life have never ceased to influence writers and thinkers all over the world. Such interest over the years has produced an immense quantity of books and articles about Tolstoy, his ideas, and his work. In Russia alone their number exceeded ten thousand some time ago (more than 5,500 items were published in the Soviet Union between 1917 and 1957) and con tinues to rise. -
The Heroic Destroyer and "Lucky" Ship O.R.P. "Blyskawica"
Transactions on the Built Environment vol 65, © 2003 WIT Press, www.witpress.com, ISSN 1743-3509 The heroic destroyer and "lucky" ship O.R.P. "Blyskawica" A. Komorowski & A. Wojcik Naval University of Gdynia, Poland Abstract The destroyer O.R.P. "Blyskawica" is a precious national relic, the only remaining ship that was built before World War I1 (WW2). On the 5oth Anniversary of its service under the Polish flag, it was honoured with the highest military decoration - the Gold Cross of the Virtuti Militari Medal. It has been the only such case in the whole history of the Polish Navy. Its our national hero, war-veteran and very "lucky" warship. "Blyskawica" took part in almost every important operation in Europe throughout WW2. It sailed and covered the Baltic Sea, North Sea, all the area around Great Britain, the Atlantic Ocean and Mediterranean Sea. During the war "Blyskawica" covered a distance of 148 thousand miles, guarded 83 convoys, carried out 108 operational patrols, participated in sinking two warships, damaged three submarines and certainly shot down four war-planes and quite probably three more. It was seriously damaged three times as a result of operational action. The crew casualties aggregated to a total of only 5 killed and 48 wounded petty officers and seamen, so it was a very "lucky" ship during WW2. In July 1947 the ship came back to Gdynia in Poland and started training activities. Having undergone rearmament and had a general overhaul, it became an anti-aircraft defence ship. In 1976 it replaced O.R.P. "Burza" as a Museum-Ship. -
Nostalgia and the Myth of “Old Russia”: Russian Émigrés in Interwar Paris and Their Legacy in Contemporary Russia
Nostalgia and the Myth of “Old Russia”: Russian Émigrés in Interwar Paris and Their Legacy in Contemporary Russia © 2014 Brad Alexander Gordon A thesis presented in partial fulfillment of the requirements for completion Of the Bachelor of Arts degree in International Studies at the Croft Institute for International Studies Sally McDonnell Barksdale Honors College The University of Mississippi University, Mississippi April, 2014 Approved: Advisor: Dr. Joshua First Reader: Dr. William Schenck Reader: Dr. Valentina Iepuri 2 Table of Contents Acknowledgements……………………………………………………………………p. 3 Part I: Interwar Émigrés and Their Literary Contributions Introduction: The Russian Intelligentsia and the National Question………………….............................................................................................p. 4 Chapter 1: Russia’s Eschatological Quest: Longing for the Divine…………………………………………………………………………………p. 14 Chapter 2: Nature, Death, and the Peasant in Russian Literature and Art……………………………………………………………………………………..p. 26 Chapter 3: Tsvetaeva’s Tragedy and Tolstoi’s Triumph……………………………….........................................................................p. 36 Part II: The Émigrés Return Introduction: Nostalgia’s Role in Contemporary Literature and Film……………………………………………………………………………………p. 48 Chapter 4: “Old Russia” in Contemporary Literature: The Moral Dilemma and the Reemergence of the East-West Debate…………………………………………………………………………………p. 52 Chapter 5: Restoring Traditional Russia through Post-Soviet Film: Nostalgia, Reconciliation, and the Quest -
Testament Jana Śliwki Z 1873 Roku
ZESZYTY NAUKOWE UNIWERSYTETU JAGIELLOŃSKIEGO MCCCXXIII Prace Historyczne 139 (2012) doi:10.4467/20844069PH.12.012.0780 Michael Morys-Twarowski TESTAMENT JANA ŚLIWKI Z 1873 ROKU Jan Śliwka był jednym z czołowych polskich działaczy narodowych na Śląsku Cieszyńskim1. Urodził się w 1823 roku w biednej rodzinie w Ustroniu koło Cieszyna. Ukończył gimnazjum ewangelickie w Cieszynie, a następnie sześciotygodniowy kurs nauczycielski. Pracował w Końskiej (obecnie na Zaolziu), a od 1851 roku w szkole ewangelickiej w Cieszynie. Był prezbiterem i sekretarzem zboru ewangelickiego, działał w licznych towarzystwach (Czytelnia Ludowa w Cieszynie, Towarzystwo Nauczycieli Ludowych, Towarzystwo Rolnicze Księstwa Cieszyńskiego). Publiko- wał teksty na łamach prasy; wydawał „Rocznik Ewangelicki”, a przez krótki czas na- wet pełnił funkcję redaktora „Gwiazdki Cieszyńskiej”. Przede wszystkim zapisał się jako autor polskich podręczników dla szkół ludowych. Był człowiekiem bardzo pra- cowitym i aktywnym, jednak już przed 50. rokiem życia nabawił się poważnej cho- roby płuc. W 1872 roku przebywał na kuracji w Jaworzu, pod koniec roku powrócił do pracy. Na początku następnego roku stan zdrowia Śliwki się pogorszył i ponownie musiał zrezygnować z działalności zawodowej, jak się okazało na zawsze2. Zmarł 15 kwietnia 1874 roku w Cieszynie na suchoty (Lungensucht). Dwa dni później zo- stał pochowany na miejscowym cmentarzu ewangelickim3. Ciekawym źródłem do biografi i Jana Śliwki, dotychczas niewykorzystanym przez badaczy, jest jego testament sporządzony 24 czerwca 1873 roku w Cieszynie. Nie ulega wątpliwości, że zapisy ostatniej woli są wartościowym źródłem historycz- nym. Wykorzystywane są m.in. do badań genealogicznych, nad historią mentalności 1 O Janie Śliwce zob.: K. K o t u l a, Jan Śliwka, pionier polskiego szkolnictwa na Śląsku Cieszyń- skim, Warszawa 1933; E. -
Ukraine in World War II
Ukraine in World War II. — Kyiv, Ukrainian Institute of National Remembrance, 2015. — 28 p., ill. Ukrainians in the World War II. Facts, figures, persons. A complex pattern of world confrontation in our land and Ukrainians on the all fronts of the global conflict. Ukrainian Institute of National Remembrance Address: 16, Lypska str., Kyiv, 01021, Ukraine. Phone: +38 (044) 253-15-63 Fax: +38 (044) 254-05-85 Е-mail: [email protected] www.memory.gov.ua Printed by ПП «Друк щоденно» 251 Zelena str. Lviv Order N30-04-2015/2в 30.04.2015 © UINR, texts and design, 2015. UKRAINIAN INSTITUTE OF NATIONAL REMEMBRANCE www.memory.gov.ua UKRAINE IN WORLD WAR II Reference book The 70th anniversary of victory over Nazism in World War II Kyiv, 2015 Victims and heroes VICTIMS AND HEROES Ukrainians – the Heroes of Second World War During the Second World War, Ukraine lost more people than the combined losses Ivan Kozhedub Peter Dmytruk Nicholas Oresko of Great Britain, Canada, Poland, the USA and France. The total Ukrainian losses during the war is an estimated 8-10 million lives. The number of Ukrainian victims Soviet fighter pilot. The most Canadian military pilot. Master Sergeant U.S. Army. effective Allied ace. Had 64 air He was shot down and For a daring attack on the can be compared to the modern population of Austria. victories. Awarded the Hero joined the French enemy’s fortified position of the Soviet Union three Resistance. Saved civilians in Germany, he was awarded times. from German repression. the highest American The Ukrainians in the Transcarpathia were the first during the interwar period, who Awarded the Cross of War. -
Sergei Diaghilev's Ballets Russes in the Context of Symbolism Andrey Konovalov1,A Liudmila Mikheeva2,* Yulia Gushchina3,B
Advances in Social Science, Education and Humanities Research, volume 572 Proceedings of the 7th International Conference on Arts, Design and Contemporary Education (ICADCE 2021) Sergei Diaghilev's Ballets Russes in the Context of Symbolism Andrey Konovalov1,a Liudmila Mikheeva2,* Yulia Gushchina3,b 1 Institute of Fine Arts, Moscow Pedagogical State University, Moscow, Russia 2 Department of General Humanitarian Disciplines, Russian State Specialized Academy of Arts, Moscow, Russia 3 Likhachev Russian Research Institute for Cultural and Natural Heritage, Moscow, Russia a Email: [email protected] b Email: [email protected] *Corresponding author. Email: [email protected] ABSTRACT The present article focuses on the artistic culture of the Silver Age and the remarkable creative atmosphere of Russia at the turn of the 20th century characterized by the synthesis of arts: drama, opera, ballet, and scenography. A key figure of the period was Sergei Diaghilev, the editor and publisher of the magazines Mir Iskusstva (World of Art) and The Yearbook of the Imperial Theatres, the founder of the famous Ballets Russes in Paris, the organizer of exhibitions of Russian artists of different schools and movements. The article studies the features of Symbolism as an artistic movement and philosophy of art of the Silver Age, a spiritual quest of artistic people of the time, and related and divergent interests of representatives of different schools and trends. The Silver Age is considered the most sophisticated and creative period of Russian culture, the time of efflorescence, human spirit, creativity, the rise of social forces, general renewal, in other words, Russian spiritual and cultural renaissance.