A Visit to the White House Neighborhood
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1937-04-18 [P A-8]
America for leadership today," he Marker War Permit Granted. Va., military reservation as a memorial said, “and America is looking to Wash- Secretary of War has to the members of ington for political, moral and spir- Woodring the regiment who. DECATUR HOUSE Historic House to Public This Week granted permission to members of the lost POVERTY IS itual their lives in the war CUED guidance.” with Open 12th Spain, Pennsylvania Volunteer Infantry the War Five Steps Suggested. Department announced to erect a marker in the Port Myer. yesterday. He suggested the five following measures as a step toward effecting TO BE ON VIEW better AS CRIME BREEDER treatment of juvenile crime here: "A continuous fight against poverty Will Be Opened for Benefit Parole Board’s Chairman in a laud of plenty. “More of Naval Historical boys’ clubs. Deplores Reformatory “A modem Juvenile Court system, where boys, instead of being convicted Foundation. as Lack Here. criminals, will be subjected to rea- sonable processes of correction. Historic Decatur House, the home Poverty and the Improper treatment “A NOW Is the built on Lafayette Square in 1819 by of youths confined to penal institu- modern reformatory for boys be- time to plan on the hot | Commodore hero tween 17 and Summer weather ahead. Be comfortable Stephen Decatur, tions were held the greatest barriers 21, equipped with every device known this of the war against the Barbary pi- to solution of Washington’s Juvenile to man for improving year. Enjoy living during the humid rates, will be thrown to the boys of that age. -
DC Inventory L
DC INVENTORY OF HISTORIC SITES L L’Enfant Plan: see the Plan of the City of Washington Labor Department: see Federal Triangle La Corona Apartments (Frederic B. Pyle, 1907) at 425 M Street NW: see Mount Vernon Square Historic District The Lafayette 1605-07 7th Street, NW Among the city's earliest extant apartment buildings; simplified Queen Anne facade shows effort to incorporate accepted stylistic values into affordable middle-class housing; work of architect influential in the adoption of apartment living; built 1898, George S. Cooper, architect; DC designation January 17, 1990, NR listing September 7, 1994 Lafayette Building (Export-Import Bank) [National Register only] 811 Vermont Avenue, NW Highly developed example of the last phase of the Stripped Classical style, illustrating the continued preference for classically derived modernism in the national capital; notable work of nationally recognized Chicago architects; privately developed for leasing to the Reconstruction Finance Corporation and other finance-related Federal government agencies; strong massing, limestone veneer, black granite portal, almost complete absence of ornament, with design emphasis on color contrast and richness of material; prominently situated on major public squares; marks abandonment of plans for monumental classical frame for Lafayette Square; built 1939-40, (Holabird & Root, architects, in association with A.R. Clas); within Fifteenth Street HD, NHL designation and NR listing September 1, 2005; US ownership Marquis de Lafayette Monument Pennsylvania Avenue -
Edward Fitzgerald Beale from a Woodcut Edward Fitzgerald Beale
<*. o "-Q -. ^ <? 'o.o' c;,^ '.,1' 0' ^.^'^ "^..^^ /JiKv v-^ y^iA^^ v,.^-^•i- 'v^^^ V-^' ';r<^- .'^ <'. 'o. o :'^^>^f^^ v-^:r^; .•''! ,-k.^ .O"^ c'l -^o V^^'\** %'^-*/ *^,--!^\/ "o^' ^0^'i v^^ ^^S- \ .^^ V<J^ 0' c t^-o^ ?y^-^^ '^^ • ^V ^ o ^0^ ..L-^-. -> r^^ c^ General Edward Fitzgerald Beale From a Woodcut Edward Fitzgerald Beale A Pioneer in the Path of Empire 1822-1903 By Stephen Bonsai With 17 Illustrations G. P. Putnam's Sons New York and London Ube ftnicfterbocfter press 1912 r6n5 Copyright, iqi2 BY TRUXTUN BEALE Ube finickerbocher pteee, 'Mew ]|?ocft £CI.A;n41 4S INTRODUCTORY NOTE EDWARD FITZGERALD BEALE, whose life is outlined in the following pages, was a remarkable man of a type we shall never see in America again. A grandson of the gallant Truxtun, Beale was bom in the Navy and his early life was passed at sea. However, he fought with the army at San Pasqual and when night fell upon that indecisive battlefield, with Kit Carson and an anonymous Indian, by a daring journey through a hostile country, he brought to Commodore Stockton in San Diego, the news of General Kearny's desperate situation. Beale brought the first gold East, and was truly, in those stirring days, what his friend and fellow- traveller Bayard Taylor called him, "a pioneer in the path of empire." Resigning from the Navy, Beale explored the desert trails and the moimtain passes which led overland to the Pacific, and later he surveyed the routes and built the wagon roads over which the mighty migration passed to people the new world beyond the Rockies. -
Modernism in Bartholomew County, Indiana, from 1942
NPS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 MODERNISM IN BARTHOLOMEW COUNTY, INDIANA, FROM 1942 Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form E. STATEMENT OF HISTORIC CONTEXTS INTRODUCTION This National Historic Landmark Theme Study, entitled “Modernism in Architecture, Landscape Architecture, Design and Art in Bartholomew County, Indiana from 1942,” is a revision of an earlier study, “Modernism in Architecture, Landscape Architecture, Design and Art in Bartholomew County, Indiana, 1942-1999.” The initial documentation was completed in 1999 and endorsed by the Landmarks Committee at its April 2000 meeting. It led to the designation of six Bartholomew County buildings as National Historic Landmarks in 2000 and 2001 First Christian Church (Eliel Saarinen, 1942; NHL, 2001), the Irwin Union Bank and Trust (Eero Saarinen, 1954; NHL, 2000), the Miller House (Eero Saarinen, 1955; NHL, 2000), the Mabel McDowell School (John Carl Warnecke, 1960; NHL, 2001), North Christian Church (Eero Saarinen, 1964; NHL, 2000) and First Baptist Church (Harry Weese, 1965; NHL, 2000). No fewer than ninety-five other built works of architecture or landscape architecture by major American architects in Columbus and greater Bartholomew County were included in the study, plus many renovations and an extensive number of unbuilt projects. In 2007, a request to lengthen the period of significance for the theme study as it specifically relates to the registration requirements for properties, from 1965 to 1973, was accepted by the NHL program and the original study was revised to define a more natural cut-off date with regard to both Modern design trends and the pace of Bartholomew County’s cycles of new construction. -
Landscape Architecture … Is a Social Art
Landscape architecture … is a social art. – Lawrence Halprin, 2003 The Landscape Architecture of Lawrence Halprin The Cultural Landscape Foundation connecting people to places™ ® tclf.org What’s Out There [cover] Roger Foley Franklin Delano Roosevelt Memorial 2016 C-print 36 x 24 inches [opposite] Roger Foley Fountain Detail, Franklin Delano Roosevelt Memorial 2016 Acknowledgements This gallery guide was created to accompany the traveling photographic exhibition The Landscape Architecture of Lawrence Halprin, which debuted at the National Building Museum on November 5, 2016. The exhibition was organized by The Cultural Landscape Foundation (TCLF), and co-curated by Charles A. Birnbaum, President & CEO, FASLA, FAAR, Nord Wennerstrom, Director of Communications, and Eleanor Cox, Project Manager, in collaboration with G. Martin Moeller, Jr., Senior Curator at the National Building Museum. The production of this guide would not have been possible without the help and support of the Halprin family, and the archivists at the Architectural Archives of the University of Pennsylvania, where Lawrence Halprin’s archive is kept. We wish to thank the site owners and administrators who graciously allowed us to document their properties, particularly Richard Grey, Diana Bonyhadi, Emma Chapman, and Anna Halprin, who allowed us access to their private residences. We also wish to thank the photographers who generously donated their time and energy to documenting these sites, and Russell Hart for proofing the photography. Finally, we are grateful to the National Building Museum’s Chase W. Rynd, Hon. ASLA, President and Executive Director of THE LANDSCAPE ARCHITECTURE OF the National Building Museum, Nancy Bateman, Registrar, Cathy Frankel, Vice President for Exhibitions and Collections, and G. -
THE WORLD of LAFAYETTE SQUARE Sites Around the Square
THE WORLD OF LAFAYETTE SQUARE Lafayette Square is a seven-acre public park located directly north of the White House on H Street between 15th and 17th Streets, NW. The Square and the surrounding structures were designated a National Historic Landmark District in 1970. Originally planned as part of the pleasure grounds surrounding the Executive Mansion, the area was called "President's Park". The Square was separated from the White House grounds in 1804 when President Jefferson had Pennsylvania cut through. In 1824, the Square was officially named in honor of General Lafayette of France. A barren common, it was neglected for many years. A race course was laid out along its west side in 1797, and workmen's quarters were thrown up on it during the construction of the White House in the 1790s. A market occupied the site later and, during the War of 1812, soldiers were encamped there. Lafayette Park has been used as a zoo, a slave market, and for many political protests and celebrations. The surrounding neighborhood became the city's most fashionable 19th century residential address. Andrew Jackson Downing landscaped Lafayette Square in 1851 in the picturesque style. (www.nps.gov) Historian and novelist Henry Adams on Washington, D.C. 1868: “La Fayette Square was society . one found all one’s acquaintances as well as hotels, banks, markets, and national government. Beyond the Square the country began. No rich or fashionable stranger had yet discovered the town. No literary of scientific man, no artist, no gentleman without office or employment has ever lived there. -
Notes for Tour of Townsend Mansion, Home of the Cosmos
NOTES FOR TOUR OF TOWNSEND MANSION HOME OF THE COSMOS CLUB July 2015 Harvey Alter (CC: 1970) Editor Updated: Jean Taylor Federico (CC: 1992), Betty C. Monkman (CC: 2004), FOREWORD & ACKNOWLEDGEMENTS These notes are for docent training, both background and possible speaking text for a walking tour of the Club. The material is largely taken from notes prepared by Bill Hall (CC: 1995) in 2000, Ed Bowles (CC: 1973) in 2004, and Judy Holoviak (CC: 1999) in 2004 to whom grateful credit is given. Many of the details are from Wilcomb Washburn’s centennial history of the Club. The material on Jules Allard is from the research of Paul Miller, curator of the Newport Preservation Society. The material was assembled by Jack Mansfield (CC: 1998), to whom thanks are given. Members Jean Taylor Federico and Betty Monkman with curatorial assistant, Peggy Newman updated the tour and added references to notable objects and paintings in the Cosmos Club collection in August, 2009. This material was revised in 2010 and 2013 to note location changes. Assistance has been provided by our Associate Curators: Leslie Jones, Maggie Dimmock, and Yve Colby. Acknowledgement is made of the comprehensive report on the historic structures of the Townsend Mansion by Denys Peter Myers (CC: 1977), 1990 rev. 1993. The notes are divided into two parts. The first is an overview of the Club’s history. The second part is tour background. The portion in bold is recommended as speaking notes for tour guides followed by information that will be useful for elaboration and answering questions. The notes are organized by floor, room and section of the Club, not necessarily in the order tours may take. -
Beverly Willis: a Life in Architecture
Regional Oral History Office University of California The Bancroft Library Berkeley, California Beverly Willis BEVERLY WILLIS: A LIFE IN ARCHITECTURE Interviews conducted by Victor Geraci, PhD in 2008 Copyright © 2008 by The Regents of the University of California Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the nation. Oral History is a method of collecting historical information through tape-recorded interviews between a narrator with firsthand knowledge of historically significant events and a well-informed interviewer, with the goal of preserving substantive additions to the historical record. The tape recording is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The corrected manuscript is bound with photographs and illustrative materials and placed in The Bancroft Library at the University of California, Berkeley, and in other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ********************************* All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and Beverly Willis dated October 15, 2008. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley. No part of the manuscript may be quoted for publication without the written permission of the Director of The Bancroft Library of the University of California, Berkeley. -
THE AMERICAN INSTITUTE of ARCHITECTS and the AMERICAN LIBRARY ASSOCIATION Library Administration and Management Association Reci
THE AMERICAN INSTITUTE OF ARCHITECTS and THE AMERICAN LIBRARY ASSOCIATION Library Administration and Management Association Recipients, Library Buildings Award Program 1963~1993 THE AMERICA."'! INSTITUTE OF ARCHITECTS and THE AMERICAN UBRARY ASSOCIATION Library Adminis!Tation and Management Association Recipients, Library Buildings Award Program 1963 FIRST HONOR AWARD Ben.'lington College Library Bennington, Vermont Pietro Belluschi & Carl Koch & Associates, Architects Skokie Public Library Skokie, lllinois Skidmore, Owings & Merrill, Architects Undergraduate Library University of South Carolina Columbia, South Carolina Lyles, Bissett, Carlisle & Wolff, Architects Walnut Hill Branch Dallas Public Library Dallas, Texas J. Hershel Fisher & Donald E. Jarvis, Architects AWARD OF MERIT Burling Library Grinnell College Grinnell,. lotva Skidmore, Owings & Merrill, Architects Douglass College Library Rutgers State University New Brunswick, New Jersey \Varner, Burns1 Toan, Lunde, Architects Flossmoor Public Library Flossmoor, Illinois McPherson-Swing & Associates, Architects Foothill College Library Los Altos Hills, California Ernest J. Kump & Masten & Hurd, Architects Louisiana State Library Baton Rouge, Louisiana William L. Pereira & Associates, Architects 1 Lourdes Library Gwynedd Mercy Junior College Gwynedd Valley, Pennsylvania Nolen-Swinburne & Associates, Architects New Orleans Public Library Main Library New Orleans, Louisiana Curtis & Davis, Goldstein, Parham & Labouisse, Favrot, Reed, Mat.'les & Bergman Associates, Architects Schulz -
Foundation Document Overview, the White House
NATIONAL PARK SERVICE • U.S. DEPARTMENT OF THE INTERIOR Foundation Document Overview The White House and President’s Park Washington, D.C. Contact Information For more information about The White House and President’s Park Foundation Document, contact: [email protected] or (202)208-1631 or write to: President’s Park, 1100 Ohio Drive, SW, Washington, D.C. 20242 Purpose The purpose of the PRESIDENT’S PARK is to: • Preserve the cultural resources of the White House—its architecture, artifacts, landscape design, gardens and grounds, and the surrounding parklands—in ways that foster and preserve dignity and respect for the office of the presidency, while still allowing for their use. • Provide a dignified transition area from an urban environment to the White House environs. • Interpret the history and significance of the presidency, the White House, and President’s Park, including their relationship to the American public, our republican form of government, and the growth of Washington, D.C. • Preserve existing historic memorials as examples of memorial art. • Provide a large open area associated with the White House for freedom of public expression and assembly activities, as well as for public use and enjoyment. The purpose statements are reprinted from the Comprehensive Design Plan for the White House and • Protect and enhance views to and from the President’s Park (2000). White House and provide a setting for viewing the White House. • Preserve Lafayette Park as open public space in The purpose of THE WHITE HOUSE is to: the foreground of the White House, as a setting for passive activities (reflecting, observing, • Provide a residence that offers privacy, making a personal connection with the protection, and recreational opportunities for presidency), First Amendment activities within the first family. -
Mario Salvadori Champion of Structural Design in Architecture by Richard G
ggreatreat aachievementschievements Mario Salvadori Champion of Structural Design in Architecture By Richard G. Weingardt Named by Engineering News-Record (ENR) methods. (The Salvadori Center’s current than a dozen books and nearly 200 papers in 1999 as one of the top 20 structural director is Dr. Lorraine Whitman — on mathematics, structural and architectural engineers of the last 125 years, Mario George [email protected].) engineering, many of them crafted so the av- Salvadori impacted the design/building in- One of the main elements of his teaching erage non-engineering-trained person could dustry far beyond engineering. A charis- methods – to get youngsters to fully appreci- easily understand complex technical issues. matic professor of structural engineering ate science and mathematics – included the Two of the most popular were Why Buildings at Columbia University for more than 50 use of hands-on study of bridges and other Stand Up and Why Buildings Fall Down. years, he was known internationally not structures. His demonstrations of the appli- In the latter, Salvadori offered the opinion only for his teachings skills but also for his cations of engineering principles often in- that, more than anything else, “all structural extensive writings and innovative engine- cluded using everyday household products failures may be due to a lack of redundancy,”© ering designs. In the United States, especial-Copyrightlike cardboard, string, marshmallows, straws, and that, “the ‘infallible’ computer is run ly New York City, he was also well respect- toothpicks and balsa wood. His use of folded by fallible human beings and cannot be ed in his later years for his dedicated efforts paper models to create various kinds of struc- trusted to give right answers all the time. -
Decatur Genealogy
THE DECATUR GENEALOGY BY WILLIAM DECATUR PARSONS L. L.B. ILLUSTRATED PRINTED FOR PRIVATE DISTRIBUTION NE\V YORK 192 1 EDITION OF FIFTY COPIES Nn.---- COPYRIGHT 1921 By WILLIAM DECATUR PARSONS NEW YORK My resort to copyright is prompted by no thought of profit, but by a desire to keep control of material which has taken me a number of years to collect. WM. DECATUR PARSO~S THIS SHORT OUTLINE OF HER FAMILY IS DEDICATED IN LOVING MEMORY TO MY DEAR MOTHER ANNA PINE DECATUR PARSONS ILLUSTRATIONS WM. DECATUR PARSONS Frontispiece FACING PAGE ARMS OF THE DECATUR FAMILY from the old silver plate owned by Stephen Decatur, Kittery Point, Maine 7 CAPTAIN STEPHEN DECATUR, SENIOR, from original por- trait by St. Mernin owned by Miss L. S. Getchell, Philadelphia . IO MRS. CAPTAIN STEPHEN DECATUR, SENIOR, from original portrait by St. Mernin owned by Miss L. S. Getchell 15 COMMODORE DECATUR, from the original portrait taken from life by Gilbert Stuart. Never out of the owner- ship of the Decatur family. Now owned by Wm. Decatur Parsons. • 18 NAVAL COMBAT BETWEEN THE FRIGATES UUNITED STATES" AND uMACEDONIAN." From engraving (copyright 1892 by C. Klackner, N. Y.) of the painting by T. 0. Davidson, used with their permission. 23 MRS. COMMODORE DECATUR, from original portrait by Gilbert Stuart, owned by Miss L. S. Getchell. CoL. JOHN P. DECATUR, from portrait owned by Stephen Decatur, Kittery Point, Maine . 30 MRS. CoL. JOHN P. DECATUR, from a miniature owned by Wm. Decatur Parsons . 34 Miss MARIA S. DECATUR, from a miniature 38 Miss MARIA S.